Plays: the Father; Countess Julie; the Outlaw; the Stronger Part 2

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CAPTAIN. Are you trying to put the blame on Ludwig? Is that what you are up to?

NoJD. Well, you see it isn't easy to know who is to blame.

CAPTAIN. Yes, but you told Emma you would marry her.

NoJD. Oh, a fellow's always got to say that--

CAPTAIN [to Pastor.] This is terrible, isn't it?



PASTOR. It's the old story over again. See here, Nojd, you surely ought to know whether you are the father or not?

NoJD. Well, of course I was mixed up with the girl--but you know yourself, Pastor, that it needn't amount to anything for all that.

PASTOR. Look here, my lad, we are talking about you now. Surely you won't leave the girl alone with the child. I suppose we can't compel you to marry her, but you should provide for the child--that you shall do!

NoJD. Well, then, so must Ludwig, too.

CAPTAIN. Then the case must go to the courts. I cannot ferret out the truth of all this, nor is it to my liking. So now be off.

PASTOR. One moment, Nojd. H'm--don't you think it dishonorable to leave a girl dest.i.tute like that with her child? Don't you think so? Don't you see that such conduct-- -- --h'm-- --h'm-- -- --

NoJD. Yes, if I only knew for sure that I was father of the child, but you can't be sure of that, Pastor, and I don't see much fun slaving all your life for another man's child. Surely you, Pastor, and the Captain can understand for yourselves.

CAPTAIN. Be off.

NoJD. G.o.d save you, Captain. [Goes.]

CAPTAIN. But keep out of the kitchen, you rascal! [To Pastor.] Now, why didn't you get after him?

PASTOR. What do you mean?

CAPTAIN. Why, you only sat and mumbled something or other.

PASTOR. To tell the truth I really don't know what to say. It is a pity about the girl, yes, and a pity about the lad, too. For think if he were not the father. The girl can nurse the child for four months at the orphanage, and then it will be permanently provided for, but it will be different for him. The girl can get a good place afterwards in some respectable family, but the lad's future may be ruined if he is dismissed from the regiment.

CAPTAIN. Upon my soul I should like to be in the magistrate's shoes and judge this case. The lad is probably not innocent, one can't be sure, but we do know that the girl is guilty, if there is any guilt in the matter.

PASTOR. Well, well, I judge no one. But what were we talking about when this stupid business interrupted us? It was about Bertha and her confirmation, wasn't it?

CAPTAIN. Yes, but it was certainly not in particular about her confirmation but about her whole welfare. This house is full of women who all want to have their say about my child. My mother-in-law wants to make a Spiritualist of her. Laura wants her to be an artist; the governess wants her to be a Methodist, old Margret a Baptist, and the servant-girls want her to join the Salvation Army! It won't do to try to make a soul in patches like that. I, who have the chief right to try to form her character, am constantly opposed in my efforts. And that's why I have decided to send her away from home.

PASTOR. You have too many women trying to run this house.

CAPTAIN. You're right! It's like going into a cage full of tigers, and if I didn't hold a red-hot iron under their noses they would tear me to pieces any moment. And you laugh, you rascal! Wasn't it enough that I married your sister, without your palming off your old stepmother on me?

PASTOR. But, good heavens, one can't have stepmothers in one's own house!

CAPTAIN. No, you think it is better to have mothers-in-law in some one else's house!

PASTOR. Oh well, we all have some burden in life.

CAPTAIN. But mine is certainly too heavy. I have my old nurse into the bargain, who treats me as if I ought still to wear a bib. She is a good old soul, to be sure, and she must not be dragged into such talk.

PASTOR. You must keep a tight rein on the women folks. You let them run things too much.

CAPTAIN. Now will you please inform me how I'm to keep order among the women folk?

PASTOR. Laura was brought up with a firm hand, but although she is my own sister, I must admit she _was_ pretty troublesome.

CAPTAIN. Laura certainly has her faults, but with her it isn't so serious.

PASTOR. Oh, speak out--I know her.

CAPTAIN. She was brought up with romantic ideas, and it has been hard for her to find herself, but she is my wife--

PASTOR And because she is your wife she is the best of wives? No, my dear fellow, it is she who really wears on you most.

CAPTAIN. Well, anyway, the whole house is topsy-turvy. Laura won't let Bertha leave her, and I can't allow her to remain in this bedlam.

PASTOR. Oh, so Laura won't? Well, then, I'm afraid you are in for trouble. When she was a child if she set her mind on anything she used to play dead dog till she got it, and then likely as not she would give it back, explaining that it wasn't the thing she wanted, but having her own way.

CAPTAIN. So she was like that even then? H'm--she really gets into such a pa.s.sion sometimes that I am anxious about her and afraid she is ill.

PASTOR. But what do you want to do with Bertha that is so unpardonable?

Can't you compromise?

CAPTAIN. You mustn't think I want to make a prodigy of her or an image of myself. I don't want to be it procurer for my daughter and educate her exclusively for matrimony, for then if she were left unmarried she might have bitter days. On the other hand, I don't want to influence her toward a career that requires a long course of training which would be entirely thrown away if she should marry.

PASTOR. What do you want, then?

CAPTAIN. I want her to be it teacher. If she remains unmarried she will be able to support herself, and at any rate she wouldn't be any worse off than the poor schoolmasters who have to share their salaries with a family. If she marries she can use her knowledge in the education of her children. Am I right?

PASTOR. Quite right. But, on the other hand, hasn't she shown such talent for painting that it would be a great pity to crush it?

CAPTAIN. No! I have shown her sketches to an eminent painter, and he says they are only the kind of thing that can be learned at schools. But then a young fop came here in the summer who, of course, understands the matter much better, and he declared that she had colossal genius, and so that settled it to Laura's satisfaction.

PASTOR. Was he quite taken with Bertha?

CAPTAIN. That goes without saying.

PASTOR. Then G.o.d help you, old man, for in that case I see no hope. This is pretty bad--and, of course, Laura has her supporters--in there?

CAPTAIN. Yes, you may be sure of that; the whole house is already up in arms, and, between ourselves, it is not exactly a n.o.ble conflict that is being waged from that quarter.

PASTOR. Don't you think I know that?

CAPTAIN. You do?

PASTOR. I do.

Plays: the Father; Countess Julie; the Outlaw; the Stronger Part 2

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Plays: the Father; Countess Julie; the Outlaw; the Stronger Part 2 summary

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