Green Mansions Part 15

The anxious expression on her face deepened as she listened to one of anguish and despair; and then, almost before I concluded, she suddenly lifted her hands to her head, uttering a low, sobbing cry, and would have fallen on the rock had I not caught her quickly in my arms. Once more in my arms--against my breast, her proper place! But now all that bright life seemed gone out of her; her head fell on my shoulder, and there was no motion in her except at intervals a slight shudder in her frame accompanied by a low, gasping sob. In a little while the sobs ceased, the eyes were closed, the face still and deathly white, and with a terrible anxiety in my heart I carried her down to the cave.

CHAPTER XVII

As I re-entered the cave with my burden Nuflo sat up and stared at me with a frightened look in his eyes. Throwing my cloak down, I placed the girl on it and briefly related what had happened.

He drew near to examine her; then placed his hand on her heart.

"Dead!--she is dead!" he exclaimed.

My own anxiety changed to an irrational anger at his words. "Old fool!

She has only fainted," I returned. "Get me some water, quick."

But the water failed to restore her, and my anxiety deepened as I gazed on that white, still face. Oh, why had I told her that sad tragedy I had imagined with so little preparation? Alas! I had succeeded too well in my purpose, killing her vain hope and her at the same moment.

The old man, still bending over her, spoke again. "No, I will not believe that she is dead yet; but, sir, if not dead, then she is dying."

I could have struck him down for his words. "She will die in my arms, then," I exclaimed, thrusting him roughly aside, and lifting her up with the cloak beneath her.

And while I held her thus, her head resting on my arm, and gazed with unutterable anguish into her strangely white face, insanely praying to Heaven to restore her to me, Nuflo fell on his knees before her, and with bowed head, and hands clasped in supplication, began to speak.

"Rima! Grandchild!" he prayed, his quivering voice betraying his agitation. "Do not die just yet: you must not die--not wholly die--until you have heard what I have to say to you. I do not ask you to answer in words--you are past that, and I am not unreasonable. Only, when I finish, make some sign--a sigh, a movement of the eyelid, a twitch of the lips, even in the small corners of the mouth; nothing more than that, just to show that you have heard, and I shall be satisfied.

Remember all the years that I have been your protector, and this long journey that I have taken on your account; also all that I did for your sainted mother before she died at Voa, to become one of the most important of those who surround the Queen of Heaven, and who, when they wish for any favour, have only to say half a word to get it. And do not cast in oblivion that at the last I obeyed your wish and brought you safely to Riolama. It is true that in some small things I deceived you; but that must not weigh with you, because it is a small matter and not worthy of mention when you consider the claims I have on you. In your hands, Rima, I leave everything, relying on the promise you made me, and on my services. Only one word of caution remains to be added. Do not let the magnificence of the place you are now about to enter, the new sights and colours, and the noise of shouting, and musical instruments and blowing of trumpets, put these things out of your head. Nor must you begin to think meanly of yourself and be abashed when you find yourself surrounded by saints and angels; for you are not less than they, although it may not seem so at first when you see them in their bright clothes, which, they say, s.h.i.+ne like the sun. I cannot ask you to tie a string round your finger; I can only trust to your memory, which was always good, even about the smallest things; and when you are asked, as no doubt you will be, to express a wish, remember before everything to speak of your grandfather, and his claims on you, also on your angelic mother, to whom you will present my humble remembrances."

During this pet.i.tion, which in other circ.u.mstances would have moved me to laughter but now only irritated me, a subtle change seemed to come to the apparently lifeless girl to make me hope. The small hand in mine felt not so icy cold, and though no faintest colour had come to the face, its pallor had lost something of its deathly waxen appearance; and now the compressed lips had relaxed a little and seemed ready to part.

I laid my finger-tips on her heart and felt, or imagined that I felt, a faint fluttering; and at last I became convinced that her heart was really beating.

I turned my eyes on the old man, still bending forward, intently watching for the sign he had asked her to make. My anger and disgust at his gross earthy egoism had vanished. "Let us thank G.o.d, old man,"

I said, the tears of joy half choking my utterance. "She lives--she is recovering from her fit."

He drew back, and on his knees, with bowed head, murmured a prayer of thanks to Heaven.

Together we continued watching her face for half an hour longer, I still holding her in my arms, which could never grow weary of that sweet burden, waiting for other, surer signs of returning life; and she seemed now like one that had fallen into a profound, death-like sleep which must end in death. Yet when I remembered her face as it had looked an hour ago, I was confirmed in the belief that the progress to recovery, so strangely slow, was yet sure. So slow, so gradual was this pa.s.sing from death to life that we had hardly ceased to fear when we noticed that the lips were parted, or almost parted, that they were no longer white, and that under her pale, transparent skin a faint, bluish-rosy colour was now visible. And at length, seeing that all danger was past and recovery so slow, old Nuflo withdrew once more to the fireside and, stretching himself out on the sandy floor, soon fell into a deep sleep.

If he had not been lying there before me in the strong light of the glowing embers and dancing flames, I could not have felt more alone with Rima--alone amid those remote mountains, in that secret cavern, with lights and shadows dancing on its grey vault. In that profound silence and solitude the mysterious loveliness of the still face I continued to gaze on, its appearance of life without consciousness, produced a strange feeling in me, hard, perhaps impossible, to describe.

Once, when clambering among the rough rocks, overgrown with forest, among the Queneveta mountains, I came on a single white flower which was new to me, which I have never seen since. After I had looked long at it, and pa.s.sed on, the image of that perfect flower remained so persistently in my mind that on the following day I went again, in the hope of seeing it still untouched by decay. There was no change; and on this occasion I spent a much longer time looking at it, admiring the marvellous beauty of its form, which seemed so greatly to exceed that of all other flowers. It had thick petals, and at first gave me the idea of an artificial flower, cut by a divinely inspired artist from some unknown precious stone, of the size of a large orange and whiter than milk, and yet, in spite of its opacity, with a crystalline l.u.s.tre on the surface.

Next day I went again, scarcely hoping to find it still unwithered; it was fresh as if only just opened; and after that I went often, sometimes at intervals of several days, and still no faintest sign of any change, the clear, exquisite lines still undimmed, the purity and l.u.s.tre as I had first seen it. Why, I often asked, does not this mystic forest flower fade and perish like others? That first impression of its artificial appearance had soon left me; it was, indeed, a flower, and, like other flowers, had life and growth, only with that transcendent beauty it had a different kind of life. Unconscious, but higher; perhaps immortal. Thus it would continue to bloom when I had looked my last on it; wind and rain and sunlight would never stain, never tinge, its sacred purity; the savage Indian, though he sees little to admire in a flower, yet seeing this one would veil his face and turn back; even the browsing beast cras.h.i.+ng his way through the forest, struck with its strange glory, would swerve aside and pa.s.s on without harming it.

Afterwards I heard from some Indians to whom I described it that the flower I had discovered was called Hata; also that they had a superst.i.tion concerning it--a strange belief. They said that only one Hata flower existed in the world; that it bloomed in one spot for the s.p.a.ce of a moon; that on the disappearance of the moon in the sky the Hata disappeared from its place, only to reappear blooming in some other spot, sometimes in some distant forest. And they also said that whosoever discovered the Hata flower in the forest would overcome all his enemies and obtain all his desires, and finally outlive other men by many years. But, as I have said, all this I heard afterwards, and my half-superst.i.tious feeling for the flower had grown up independently in my own mind. A feeling like that was in me while I gazed on the face that had no motion, no consciousness in it, and yet had life, a life of so high a kind as to match with its pure, surpa.s.sing loveliness. I could almost believe that, like the forest flower, in this state and aspect it would endure for ever; endure and perhaps give of its own immortality to everything around it--to me, holding her in my arms and gazing fixedly on the pale face framed in its cloud of dark, silken hair; to the leaping flames that threw changing lights on the dim stony wall of rock; to old Nuflo and his two yellow dogs stretched out on the floor in eternal, unawakening sleep.

This feeling took such firm possession of my mind that it kept me for a time as motionless as the form I held in my arms. I was only released from its power by noting still further changes in the face I watched, a more distinct advance towards conscious life. The faint colour, which had scarcely been more than a suspicion of colour, had deepened perceptibly; the lids were lifted so as to show a gleam of the crystal orbs beneath; the lips, too, were slightly parted.

And, at last, bending lower down to feel her breath, the beauty and sweetness of those lips could no longer be resisted, and I touched them with mine. Having once tasted their sweetness and fragrance, it was impossible to keep from touching them again and again. She was not conscious--how could she be and not shrink from my caress? Yet there was a suspicion in my mind, and drawing back I gazed into her face once more. A strange new radiance had overspread it. Or was this only an illusive colour thrown on her skin by the red firelight? I shaded her face with my open hand, and saw that her pallor had really gone, that the rosy flame on her cheeks was part of her life. Her l.u.s.trous eyes, half open, were gazing into mine. Oh, surely consciousness had returned to her! Had she been sensible of those stolen kisses? Would she now shrink from another caress? Trembling, I bent down and touched her lips again, lightly, but lingeringly, and then again, and when I drew back and looked at her face the rosy flame was brighter, and the eyes, more open still, were looking into mine. And gazing with those open, conscious eyes, it seemed to me that at last, at last, the shadow that had rested between us had vanished, that we were united in perfect love and confidence, and that speech was superfluous. And when I spoke, it was not without doubt and hesitation: our bliss in those silent moments had been so complete, what could speaking do but make it less!

"My love, my life, my sweet Rima, I know that you will understand me now as you did not before, on that dark night--do you remember it, Rima?--when I held you clasped to my breast in the wood. How it pierced my heart with pain to speak plainly to you as I did on the mountain tonight--to kill the hope that had sustained and brought you so far from home! But now that anguish is over; the shadow has gone out of those beautiful eyes that are looking at me. It is because loving me, knowing now what love is, knowing, too, how much I love you, that you no longer need to speak to any other living being of such things? To tell it, to show it, to me is now enough--is it not so, Rima? How strange it seemed, at first, when you shrank in fear from me! But, afterwards, when you prayed aloud to your mother, opening all the secrets of your heart, I understood it. In that lonely, isolated life in the wood you had heard nothing of love, of its power over the heart, its infinite sweetness; when it came to you at last it was a new, inexplicable thing, and filled you with misgivings and tumultuous thoughts, so that you feared it and hid yourself from its cause. Such tremors would be felt if it had always been night, with no light except that of the stars and the pale moon, as we saw it a little while ago on the mountain; and, at last, day dawned, and a strange, unheard-of rose and purple flame kindled in the eastern sky, foretelling the coming sun. It would seem beautiful beyond anything that night had shown to you, yet you would tremble and your heart beat fast at that strange sight; you would wish to fly to those who might be able to tell you its meaning, and whether the sweet things it prophesied would ever really come. That is why you wished to find your people, and came to Riolama to seek them; and when you knew--when I cruelly told you--that they would never be found, then you imagined that that strange feeling in your heart must remain a secret for ever, and you could not endure the thought of your loneliness. If you had not fainted so quickly, then I should have told you what I must tell you now. They are lost, Rima--your people--but I am with you, and know what you feel, even if you have no words to tell it. But what need of words? It s.h.i.+nes in your eyes, it burns like a flame in your face; I can feel it in your hands. Do you not also see it in my face--all that I feel for you, the love that makes me happy? For this is love, Rima, the flower and the melody of life, the sweetest thing, the sweet miracle that makes our two souls one."

Still resting in my arms, as if glad to rest there, still gazing into my face, it was clear to me that she understood my every word. And then, with no trace of doubt or fear left, I stooped again, until my lips were on hers; and when I drew back once more, hardly knowing which bliss was greatest--kissing her delicate mouth or gazing into her face--she all at once put her arms about my neck and drew herself up until she sat on my knee.

"Abel--shall I call you Abel now--and always?" she spoke, still with her arms round my neck. "Ah, why did you let me come to Riolama? I would come! I made him come--old grandfather, sleeping there: he does not count, but you--you! After you had heard my story, and knew that it was all for nothing! And all I wished to know was there--in you. Oh, how sweet it is! But a little while ago, what pain! When I stood on the mountain when you talked to me, and I knew that you knew best, and tried and tried not to know. At last I could try no more; they were all dead like mother; I had chased the false water on the savannah. 'Oh, let me die too,' I said, for I could not bear the pain. And afterwards, here in the cave, I was like one asleep, and when I woke I did not really wake.

It was like morning with the light teasing me to open my eyes and look at it. Not yet, dear light; a little while longer, it is so sweet to lie still. But it would not leave me, and stayed teasing me still, like a small s.h.i.+ning green fly; until, because it teased me so, I opened my lids just a little. It was not morning, but the firelight, and I was in your arms, not in my little bed. Your eyes looking, looking into mine.

But I could see yours better. I remembered everything then, how you once asked me to look into your eyes. I remembered so many things--oh, so many!"

"How many things did you remember, Rima?"

"Listen, Abel, do you ever lie on the dry moss and look straight up into a tree and count a thousand leaves?"

"No, sweetest, that could not be done, it is so many to count. Do you know how many a thousand are?"

"Oh, do I not! When a humming-bird flies close to my face and stops still in the air, humming like a bee, and then is gone, in that short time I can count a hundred small round bright feathers on its throat.

That is only a hundred; a thousand are more, ten times. Looking up I count a thousand leaves; then stop counting, because there are thousands more behind the first, and thousands more, crowded together so that I cannot count them. Lying in your arms, looking up into your face, it was like that; I could not count the things I remembered. In the wood, when you were there, and before; and long, long ago at Voa, when I was a child with mother."

"Tell me some of the things you remembered, Rima."

"Yes, one--only one now. When I was a child at Voa mother was very lame--you know that. Whenever we went out, away from the houses, into the forest, walking slowly, slowly, she would sit under a tree while I ran about playing. And every time I came back to her I would find her so pale, so sad, crying--crying. That was when I would hide and come softly back so that she would not hear me coming. 'Oh, mother, why are you crying? Does your lame foot hurt you?' And one day she took me in her arms and told me truly why she cried."

She ceased speaking, but looked at me with a strange new light coming into her eyes.

"Why did she cry, my love?"

"Oh, Abel, can you understand--now--at last!" And putting her lips close to my ear, she began to murmur soft, melodious sounds that told me nothing. Then drawing back her head, she looked again at me, her eyes glistening with tears, her lips half parted with a smile, tender and wistful.

Ah, poor child! in spite of all that had been said, all that had happened, she had returned to the old delusion that I must understand her speech. I could only return her look, sorrowfully and in silence.

Her face became clouded with disappointment, then she spoke again with something of pleading in her tone. "Look, we are not now apart, I hiding in the wood, you seeking, but together, saying the same things. In your language--yours and now mine. But before you came I knew nothing, nothing, for there was only grandfather to talk to. A few words each day, the same words. If yours is mine, mine must be yours. Oh, do you not know that mine is better?"

"Yes, better; but alas! Rima, I can never hope to understand your sweet speech, much less to speak it. The bird that only chirps and twitters can never sing like the organ-bird."

Crying, she hid her face against my neck, murmuring sadly between her sobs: "Never--never!"

How strange it seemed, in that moment of joy, such a pa.s.sion of tears, such despondent words!

For some minutes I preserved a sorrowful silence, realizing for the first time, so far as it was possible to realize such a thing, what my inability to understand her secret language meant to her--that finer language in which alone her swift thoughts and vivid emotions could be expressed. Easily and well as she seemed able to declare herself in my tongue, I could well imagine that to her it would seem like the merest stammering. As she had said to me once when I asked her to speak in Spanish, "That is not speaking." And so long as she could not commune with me in that better language, which reflected her mind, there would not be that perfect union of soul she so pa.s.sionately desired.

By and by, as she grew calmer, I sought to say something that would be consoling to both of us. "Sweetest Rima," I spoke, "it is so sad that I can never hope to talk with you in your way; but a greater love than this that is ours we could never feel, and love will make us happy, unutterably happy, in spite of that one sadness. And perhaps, after a while, you will be able to say all you wish in my language, which is also yours, as you said some time ago. When we are back again in the beloved wood, and talk once more under that tree where we first talked, and under the old mora, where you hid yourself and threw down leaves on me, and where you caught the little spider to show me how you made yourself a dress, you shall speak to me in your own sweet tongue, and then try to say the same things in mine.... And in the end, perhaps, you will find that it is not so impossible as you think."

She looked at me, smiling again through her tears, and shook her head a little.

"Remember what I have heard, that before your mother died you were able to tell Nuflo and the priest what her wish was. Can you not, in the same way, tell me why she cried?"

"I can tell you, but it will not be telling you."

"I understand. You can tell the bare facts. I can imagine something more, and the rest I must lose. Tell me, Rima."

Her face became troubled; she glanced away and let her eyes wander round the dim, firelit cavern; then they returned to mine once more.

"Look," she said, "grandfather lying asleep by the fire. So far away from us--oh, so far! But if we were to go out from the cave, and on and on to the great mountains where the city of the sun is, and stood there at last in the midst of great crowds of people, all looking at us, talking to us, it would be just the same. They would be like the trees and rocks and animals--so far! Not with us nor we with them. But we are everywhere alone together, apart--we two. It is love; I know it now, but I did not know it before because I had forgotten what she told me. Do you think I can tell you what she said when I asked her why she cried?

Oh no! Only this, she and another were like one, always, apart from the others. Then something came--something came! O Abel, was that the something you told me about on the mountain? And the other was lost for ever, and she was alone in the forests and mountains of the world. Oh, why do we cry for what is lost? Why do we not quickly forget it and feel glad again? Now only do I know what you felt, O sweet mother, when you sat still and cried, while I ran about and played and laughed! O poor mother! Oh, what pain!" And hiding her face against my neck, she sobbed once more.