Talks To Teachers On Psychology; And To Students On Some Of Life's Ideals Part 10

This higher vision of an inner significance in what, until then, we had realized only in the dead external way, often comes over a person suddenly; and, when it does so, it makes an epoch in his history. As Emerson says, there is a depth in those moments that constrains us to ascribe more reality to them than to all other experiences. The pa.s.sion of love will shake one like an explosion, or some act will awaken a remorseful compunction that hangs like a cloud over all one's later day.

This mystic sense of hidden meaning starts upon us often from non-human natural things. I take this pa.s.sage from 'Obermann,' a French novel that had some vogue in its day: "Paris, March 7.--It was dark and rather cold. I was gloomy, and walked because I had nothing to do. I pa.s.sed by some flowers placed breast-high upon a wall. A jonquil in bloom was there. It is the strongest expression of desire: it was the first perfume of the year. I felt all the happiness destined for man. This unutterable harmony of souls, the phantom of the ideal world, arose in me complete. I never felt anything so great or so instantaneous. I know not what shape, what a.n.a.logy, what secret of relation it was that made me see in this flower a limitless beauty.... I shall never enclose in a conception this power, this immensity that nothing will express; this form that nothing will contain; this ideal of a better world which one feels, but which it would seem that nature has not made."[F]

[F] De Senancour: Obermann, Lettre x.x.x.

Wordsworth and Sh.e.l.ley are similarly full of this sense of a limitless significance in natural things. In Wordsworth it was a somewhat austere and moral significance,--a 'lonely cheer.'

"To every natural form, rock, fruit, or flower, Even the loose stones that cover the highway, I gave a moral life: I saw them feel Or linked them to some feeling: the great ma.s.s Lay bedded in some quickening soul, and all That I beheld respired with inward meaning."[G]

[G] The Prelude, Book III.

"Authentic tidings of invisible things!" Just what this hidden presence in nature was, which Wordsworth so rapturously felt, and in the light of which he lived, tramping the hills for days together, the poet never could explain logically or in articulate conceptions. Yet to the reader who may himself have had gleaming moments of a similar sort the verses in which Wordsworth simply proclaims the fact of them come with a heart-satisfying authority:--

"Magnificent The morning rose, in memorable pomp, Glorious as ere I had beheld. In front The sea lay laughing at a distance; near The solid mountains shone, bright as the clouds, Grain-tinctured, drenched in empyrean light; And in the meadows and the lower grounds Was all the sweetness of a common dawn,-- Dews, vapors, and the melody of birds, And laborers going forth to till the fields."

"Ah! need I say, dear Friend, that to the brim My heart was full; I made no vows, but vows Were then made for me; bond unknown to me Was given, that I should be, else sinning greatly, A dedicated Spirit. On I walked, In thankful blessedness, which yet survives."[H]

[H] The Prelude, Book IV.

As Wordsworth walked, filled with his strange inner joy, responsive thus to the secret life of nature round about him, his rural neighbors, tightly and narrowly intent upon their own affairs, their crops and lambs and fences, must have thought him a very insignificant and foolish personage. It surely never occurred to any one of them to wonder what was going on inside of _him_ or what it might be worth. And yet that inner life of his carried the burden of a significance that has fed the souls of others, and fills them to this day with inner joy.

Richard Jefferies has written a remarkable autobiographic doc.u.ment ent.i.tled The Story of my Heart. It tells, in many pages, of the rapture with which in youth the sense of the life of nature filled him. On a certain hill-top he says:--

"I was utterly alone with the sun and the earth. Lying down on the gra.s.s, I spoke in my soul to the earth, the sun, the air, and the distant sea, far beyond sight.... With all the intensity of feeling which exalted me, all the intense communion I held with the earth, the sun and sky, the stars hidden by the light, with the ocean,--in no manner can the thrilling depth of these feelings be written,--with these I prayed as if they were the keys of an instrument.... The great sun, burning with light, the strong earth,--dear earth,--the warm sky, the pure air, the thought of ocean, the inexpressible beauty of all filled me with a rapture, an ecstasy, an inflatus. With this inflatus, too, I prayed.... The prayer, this soul-emotion, was in itself, not for an object: it was a pa.s.sion. I hid my face in the gra.s.s. I was wholly prostrated, I lost myself in the wrestle, I was rapt and carried away.... Had any shepherd accidentally seen me lying on the turf, he would only have thought I was resting a few minutes. I made no outward show. Who could have imagined the whirlwind of pa.s.sion that was going on in me as I reclined there!"[I]

[I] _Op. cit._, Boston, Roberts, 1883, pp. 5, 6.

Surely, a worthless hour of life, when measured by the usual standards of commercial value. Yet in what other _kind_ of value can the preciousness of any hour, made precious by any standard, consist, if it consist not in feelings of excited significance like these, engendered in some one, by what the hour contains?

Yet so blind and dead does the clamor of our own practical interests make us to all other things, that it seems almost as if it were necessary to become worthless as a practical being, if one is to hope to attain to any breadth of insight into the impersonal world of worths as such, to have any perception of life's meaning on a large objective scale. Only your mystic, your dreamer, or your insolvent tramp or loafer, can afford so sympathetic an occupation, an occupation which will change the usual standards of human value in the twinkling of an eye, giving to foolishness a place ahead of power, and laying low in a minute the distinctions which it takes a hard-working conventional man a lifetime to build up. You may be a prophet, at this rate; but you cannot be a worldly success.

Walt Whitman, for instance, is accounted by many of us a contemporary prophet. He abolishes the usual human distinctions, brings all conventionalisms into solution, and loves and celebrates hardly any human attributes save those elementary ones common to all members of the race. For this he becomes a sort of ideal tramp, a rider on omnibus-tops and ferry-boats, and, considered either practically or academically, a worthless, unproductive being. His verses are but e.j.a.c.u.l.a.t.i.o.ns--things mostly without subject or verb, a succession of interjections on an immense scale. He felt the human crowd as rapturously as Wordsworth felt the mountains, felt it as an overpoweringly significant presence, simply to absorb one's mind in which should be business sufficient and worthy to fill the days of a serious man. As he crosses Brooklyn ferry, this is what he feels:--

Flood-tide below me! I watch you, face to face; Clouds of the west! sun there half an hour high! I see you also face to face.

Crowds of men and women attired in the usual costumes!

how curious you are to me!

On the ferry-boats, the hundreds and hundreds that cross, returning home, are more curious to me than you suppose; And you that shall cross from sh.o.r.e to sh.o.r.e years hence, are more to me, and more in my meditations, than you might suppose.

Others will enter the gates of the ferry, and cross from sh.o.r.e to sh.o.r.e; Others will watch the run of the flood-tide; Others will see the s.h.i.+pping of Manhattan north and west, and the heights of Brooklyn to the south and east; Others will see the islands large and small; Fifty years hence, others will see them as they cross, the sun half an hour high.

A hundred years hence, or ever so many hundred years hence, others will see them, Will enjoy the sunset, the pouring in of the flood-tide, the falling back to the sea of the ebb-tide.

It avails not, neither time or place--distance avails not.

Just as you feel when you look on the river and sky, so I felt; Just as any of you is one of a living crowd, I was one of a crowd; Just as you are refresh'd by the gladness of the river and the bright flow, I was refresh'd; Just as you stand and lean on the rail, yet hurry with the swift current, I stood, yet was hurried; Just as you look on the numberless masts of s.h.i.+ps, and the thick-stemmed pipes of steamboats, I looked.

I too many and many a time cross'd the river, the sun half an hour high; I watched the Twelfth-month sea-gulls--I saw them high in the air, with motionless wings, oscillating their bodies, I saw how the glistening yellow lit up parts of their bodies, and left the rest in strong shadow, I saw the slow-wheeling circles, and the gradual edging toward the south.

Saw the white sails of schooners and sloops, saw the s.h.i.+ps at anchor, The sailors at work in the rigging, or out astride the spars; The scallop-edged waves in the twilight, the ladled cups, the frolicsome crests and glistening; The stretch afar growing dimmer and dimmer, the gray walls of the granite store-houses by the docks; On the neighboring sh.o.r.es, the fires from the foundry chimneys burning high ... into the night, Casting their flicker of black ... into the clefts of streets.

These, and all else, were to me the same as they are to you.[J]

[J] 'Crossing Brooklyn Ferry' (abridged).

And so on, through the rest of a divinely beautiful poem. And, if you wish to see what this h.o.a.ry loafer considered the most worthy way of profiting by life's heaven-sent opportunities, read the delicious volume of his letters to a young car-conductor who had become his friend:--

"NEW YORK, Oct. 9, 1868.

"_Dear Pete_,--It is splendid here this forenoon--bright and cool. I was out early taking a short walk by the river only two squares from where I live.... Shall I tell you about [my life] just to fill up? I generally spend the forenoon in my room writing, etc., then take a bath fix up and go out about twelve and loafe somewhere or call on someone down town or on business, or perhaps if it is very pleasant and I feel like it ride a trip with some driver friend on Broadway from 23rd Street to Bowling Green, three miles each way. (Every day I find I have plenty to do, every hour is occupied with something.) You know it is a never ending amus.e.m.e.nt and study and recreation for me to ride a couple of hours on a pleasant afternoon on a Broadway stage in this way. You see everything as you pa.s.s, a sort of living, endless panorama--shops and splendid buildings and great windows: on the broad sidewalks crowds of women richly dressed continually pa.s.sing, altogether different, superior in style and looks from any to be seen anywhere else--in fact a perfect stream of people--men too dressed in high style, and plenty of foreigners--and then in the streets the thick crowd of carriages, stages, carts, hotel and private coaches, and in fact all sorts of vehicles and many first cla.s.s teams, mile after mile, and the splendor of such a great street and so many tall, ornamental, n.o.ble buildings many of them of white marble, and the gayety and motion on every side: you will not wonder how much attraction all this is on a fine day, to a great loafer like me, who enjoys so much seeing the busy world move by him, and exhibiting itself for his amus.e.m.e.nt, while he takes it easy and just looks on and observes."[K]

[K] Calamus, Boston, 1897, pp. 41, 42.

Truly a futile way of pa.s.sing the time, some of you may say, and not altogether creditable to a grown-up man. And yet, from the deepest point of view, who knows the more of truth, and who knows the less,--Whitman on his omnibus-top, full of the inner joy with which the spectacle inspires him, or you, full of the disdain which the futility of his occupation excites?

When your ordinary Brooklynite or New Yorker, leading a life replete with too much luxury, or tired and careworn about his personal affairs, crosses the ferry or goes up Broadway, _his_ fancy does not thus 'soar away into the colors of the sunset' as did Whitman's, nor does he inwardly realize at all the indisputable fact that this world never did anywhere or at any time contain more of essential divinity, or of eternal meaning, than is embodied in the fields of vision over which his eyes so carelessly pa.s.s. There is life; and there, a step away, is death. There is the only kind of beauty there ever was. There is the old human struggle and its fruits together. There is the text and the sermon, the real and the ideal in one. But to the jaded and unquickened eye it is all dead and common, pure vulgarism, flatness, and disgust.

"Hech! it is a sad sight!" says Carlyle, walking at night with some one who appeals to him to note the splendor of the stars. And that very repet.i.tion of the scene to new generations of men in _secula seculorum_, that eternal recurrence of the common order, which so fills a Whitman with mystic satisfaction, is to a Schopenhauer, with the emotional anaesthesia, the feeling of 'awful inner emptiness' from out of which he views it all, the chief ingredient of the tedium it instils. What is life on the largest scale, he asks, but the same recurrent inanities, the same dog barking, the same fly buzzing, forevermore? Yet of the kind of fibre of which such inanities consist is the material woven of all the excitements, joys, and meanings that ever were, or ever shall be, in this world.

To be rapt with satisfied attention, like Whitman, to the mere spectacle of the world's presence, is one way, and the most fundamental way, of confessing one's sense of its unfathomable significance and importance. But how can one attain to the feeling of the vital significance of an experience, if one have it not to begin with? There is no receipt which one can follow. Being a secret and a mystery, it often comes in mysteriously unexpected ways. It blossoms sometimes from out of the very grave wherein we imagined that our happiness was buried.

Benvenuto Cellini, after a life all in the outer suns.h.i.+ne, made of adventures and artistic excitements, suddenly finds himself cast into a dungeon in the Castle of San Angelo. The place is horrible. Rats and wet and mould possess it. His leg is broken and his teeth fall out, apparently with scurvy. But his thoughts turn to G.o.d as they have never turned before. He gets a Bible, which he reads during the one hour in the twenty-four in which a wandering ray of daylight penetrates his cavern. He has religious visions. He sings psalms to himself, and composes hymns. And thinking, on the last day of July, of the festivities customary on the morrow in Rome, he says to himself: "All these past years I celebrated this holiday with the vanities of the world: from this year henceforward I will do it with the divinity of G.o.d. And then I said to myself, 'Oh, how much more happy I am for this present life of mine than for all those things remembered!'"[L]

[L] Vita, lib. 2, chap. iv.

But the great understander of these mysterious ebbs and flows is Tolsto. They throb all through his novels. In his 'War and Peace,' the hero, Peter, is supposed to be the richest man in the Russian empire.

During the French invasion he is taken prisoner, and dragged through much of the retreat. Cold, vermin, hunger, and every form of misery a.s.sail him, the result being a revelation to him of the real scale of life's values. "Here only, and for the first time, he appreciated, because he was deprived of it, the happiness of eating when he was hungry, of drinking when he was thirsty, of sleeping when he was sleepy, and of talking when he felt the desire to exchange some words.... Later in life he always recurred with joy to this month of captivity, and never failed to speak with enthusiasm of the powerful and ineffaceable sensations, and especially of the moral calm which he had experienced at this epoch. When at daybreak, on the morrow of his imprisonment, he saw [I abridge here Tolsto's description] the mountains with their wooded slopes disappearing in the grayish mist; when he felt the cool breeze caress him; when he saw the light drive away the vapors, and the sun rise majestically behind the clouds and cupolas, and the crosses, the dew, the distance, the river, sparkle in the splendid, cheerful rays,--his heart overflowed with emotion. This emotion kept continually with him, and increased a hundred-fold as the difficulties of his situation grew graver.... He learnt that man is meant for happiness, and that this happiness is in him, in the satisfaction of the daily needs of existence, and that unhappiness is the fatal result, not of our need, but of our abundance.... When calm reigned in the camp, and the embers paled, and little by little went out, the full moon had reached the zenith. The woods and the fields roundabout lay clearly visible; and, beyond the inundation of light which filled them, the view plunged into the limitless horizon. Then Peter cast his eyes upon the firmament, filled at that hour with myriads of stars. 'All that is mine,' he thought. 'All that is in me, is me! And that is what they think they have taken prisoner! That is what they have shut up in a cabin!' So he smiled, and turned in to sleep among his comrades."[M]

[M] La Guerre et la Paix, Paris, 1884, vol. iii. pp. 268, 275, 316.

The occasion and the experience, then, are nothing. It all depends on the capacity of the soul to be grasped, to have its life-currents absorbed by what is given. "Crossing a bare common," says Emerson, "in snow puddles, at twilight, under a clouded sky, without having in my thoughts any occurrence of special good fortune, I have enjoyed a perfect exhilaration. I am glad to the brink of fear."

Life is always worth living, if one have such responsive sensibilities.

But we of the highly educated cla.s.ses (so called) have most of us got far, far away from Nature. We are trained to seek the choice, the rare, the exquisite exclusively, and to overlook the common. We are stuffed with abstract conceptions, and glib with verbalities and verbosities; and in the culture of these higher functions the peculiar sources of joy connected with our simpler functions often dry up, and we grow stone-blind and insensible to life's more elementary and general goods and joys.

The remedy under such conditions is to descend to a more profound and primitive level. To be imprisoned or s.h.i.+pwrecked or forced into the army would permanently show the good of life to many an over-educated pessimist. Living in the open air and on the ground, the lop-sided beam of the balance slowly rises to the level line; and the over-sensibilities and insensibilities even themselves out. The good of all the artificial schemes and fevers fades and pales; and that of seeing, smelling, tasting, sleeping, and daring and doing with one's body, grows and grows. The savages and children of nature, to whom we deem ourselves so much superior, certainly are alive where we are often dead, along these lines; and, could they write as glibly as we do, they would read us impressive lectures on our impatience for improvement and on our blindness to the fundamental static goods of life. "Ah! my brother," said a chieftain to his white guest, "thou wilt never know the happiness of both thinking of nothing and doing nothing. This, next to sleep, is the most enchanting of all things. Thus we were before our birth, and thus we shall be after death. Thy people,... when they have finished reaping one field, they begin to plough another; and, if the day were not enough, I have seen them plough by moonlight. What is their life to ours,--the life that is as naught to them? Blind that they are, they lose it all! But we live in the present."[N]

[N] Quoted by Lotze, Microcosmus, English translation, vol. ii.

p. 240.

The intense interest that life can a.s.sume when brought down to the non-thinking level, the level of pure sensorial perception, has been beautifully described by a man who _can_ write,--Mr. W.H. Hudson, in his volume, "Idle Days in Patagonia."

"I spent the greater part of one winter," says this admirable author, "at a point on the Rio Negro, seventy or eighty miles from the sea."

... "It was my custom to go out every morning on horseback with my gun, and, followed by one dog, to ride away from the valley; and no sooner would I climb the terrace, and plunge into the gray, universal thicket, than I would find myself as completely alone as if five hundred instead of only five miles separated me from the valley and river. So wild and solitary and remote seemed that gray waste, stretching away into infinitude, a waste untrodden by man, and where the wild animals are so few that they have made no discoverable path in the wilderness of thorns.... Not once nor twice nor thrice, but day after day I returned to this solitude, going to it in the morning as if to attend a festival, and leaving it only when hunger and thirst and the westering sun compelled me. And yet I had no object in going,--no motive which could be put into words; for, although I carried a gun, there was nothing to shoot,--the shooting was all left behind in the valley.... Sometimes I would pa.s.s a whole day without seeing one mammal, and perhaps not more than a dozen birds of any size. The weather at that time was cheerless, generally with a gray film of cloud spread over the sky, and a bleak wind, often cold enough to make my bridle-hand quite numb.... At a slow pace, which would have seemed intolerable under other circ.u.mstances, I would ride about for hours together at a stretch. On arriving at a hill, I would slowly ride to its summit, and stand there to survey the prospect. On every side it stretched away in great undulations, wild and irregular. How gray it all was! Hardly less so near at hand than on the haze-wrapped horizon where the hills were dim and the outline obscured by distance. Descending from my outlook, I would take up my aimless wanderings again, and visit other elevations to gaze on the same landscape from another point; and so on for hours. And at noon I would dismount, and sit or lie on my folded poncho for an hour or longer. One day in these rambles I discovered a small grove composed of twenty or thirty trees, growing at a convenient distance apart, that had evidently been resorted to by a herd of deer or other wild animals. This grove was on a hill differing in shape from other hills in its neighborhood; and, after a time, I made a point of finding and using it as a resting-place every day at noon. I did not ask myself why I made choice of that one spot, sometimes going out of my way to sit there, instead of sitting down under any one of the millions of trees and bushes on any other hillside. I thought nothing about it, but acted unconsciously. Only afterward it seemed to me that, after having rested there once, each time I wished to rest again, the wish came a.s.sociated with the image of that particular clump of trees, with polished stems and clean bed of sand beneath; and in a short time I formed a habit of returning, animal like, to repose at that same spot."

"It was, perhaps, a mistake to say that I would sit down and rest, since I was never tired; and yet, without being tired, that noon-day pause, during which I sat for an hour without moving, was strangely grateful. All day there would be no sound, not even the rustling of a leaf. One day, while _listening_ to the silence, it occurred to my mind to wonder what the effect would be if I were to shout aloud. This seemed at the time a horrible suggestion, which almost made me shudder. But during those solitary days it was a rare thing for any thought to cross my mind. In the state of mind I was in, thought had become impossible.

My state was one of _suspense_ and _watchfulness_; yet I had no expectation of meeting an adventure, and felt as free from apprehension as I feel now while sitting in a room in London. The state seemed familiar rather than strange, and accompanied by a strong feeling of elation; and I did not know that something had come between me and my intellect until I returned to my former self,--to thinking, and the old insipid existence [again]."

"I had undoubtedly _gone back_; and that state of intense watchfulness or alertness, rather, with suspension of the higher intellectual faculties, represented the mental state of the pure savage. He thinks little, reasons little, having a surer guide in his [mere sensory perceptions]. He is in perfect harmony with nature, and is nearly on a level, mentally, with the wild animals he preys on, and which in their turn sometimes prey on him."[O]

[O] _Op. cit._, pp. 210-222 (abridged).

For the spectator, such hours as Mr. Hudson writes of form a mere tale of emptiness, in which nothing happens, nothing is gained, and there is nothing to describe. They are meaningless and vacant tracts of time. To him who feels their inner secret, they tingle with an importance that unutterably vouches for itself. I am sorry for the boy or girl, or man or woman, who has never been touched by the spell of this mysterious sensorial life, with its irrationality, if so you like to call it, but its vigilance and its supreme felicity. The holidays of life are its most vitally significant portions, because they are, or at least should be, covered with just this kind of magically irresponsible spell.