Vignettes of Manhattan; Outlines in Local Color Part 22

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"But the boys do call a park policeman a sparrow-cop, don't they?" he persisted.

"The little boys do," she answered, "but I know Mr. O'Rourke doesn't like it."

"I can understand that," he replied. "If I had Queen Elizabeth for a daughter, I think I should want to be a king myself."

"Well," the girl went on to explain, "Rose did want him to give up his appointment. She said she was earning enough for her father not to work.

But he wouldn't, for all she urged him. She's a kind girl, is Rose, and not a bit stuck-up. She came up to the college last year and recited for us. You should have heard her do 'Curfew shall not ring to-night'; I tell you she was splendid."

"I don't believe she did it any better than you could," he declared.

"Oh, don't you?" she returned, heartily; "that's only because you didn't hear her. And she was very nice to me, too. She complimented me on my piece."

"What did you speak?" he asked.

"Oh, I always choose something fiery and patriotic. I spoke 'Sheridan's Ride' first, and then, when the girls encored me, I spoke 'Old Ironsides'--but I like 'Sheridan's Ride' best; and Rose O'Rourke said I got more out of it than anybody she had ever heard. But then she always was so complimentary."

"I reckon she knows it's lucky for her you don't go on the stage," the lover a.s.serted. "It would be a cold day for her if you did. I haven't seen her, but I'm sure she isn't such a good looker as you are!"

"Thank you for the compliment," the girl answered. "If we weren't here in Broadway, in front of Trinity Church, I'd drop you a courtesy. But you wouldn't say that if you had seen her, for she's as pretty as a picture."

"Do you mean that she is as fresh as paint?" he asked.

"That's real mean of you," she retorted, "for Rose doesn't need to paint at all, even on the stage; she has just the loveliest complexion."

"She's not the only girl in New York who has a lovely complexion," he declared; and again the color rose swiftly on her cheek, and then as swiftly faded.

They had now come to the gates of Trinity Church, and they saw a little stream of men and women pouring in to attend the afternoon service.

"You must not be down on Rose," the girl said, as they turned away from Broadway and began to ramble slowly amid the tombstones. "She's a good friend of mine. She said she'd get me an engagement if I'd go on the stage--"

"But you are not going to?" he broke in, earnestly.

"I'd love to," she answered, calmly. "But I'm too big a coward. I'd never dare stand up before the people in a great big theatre and feel they were all looking at me."

"I'm glad you're not going to," he declared.

"It would be too delightful for anything!" she a.s.serted; "but I'd never have the courage. I know I wouldn't, so I've given up the idea. I'll finish my course at the college, and get my diploma, and then I'll be a teacher--that is, if I can get an appointment. But it isn't easy if you haven't any influence; and father doesn't take any interest in politics, and he doesn't know any of the trustees of this district, and I can't see how I'm ever to get into a school. Now Mr. O'Rourke could help me if he wanted--"

"The sparrow-cop?" interrupted the young Southwesterner. "Why, what has he got to do with the public schools?"

"Mr. O'Rourke has a great deal of influence in this ward, I can tell you that," she returned. "He has a pull on more than one of the trustees. If he were to back me, I'd get my position sure! And maybe I had better go to Rose and ask her for her father's influence."

They were now almost in the centre of that part of the church-yard which lies above the church, and behind the monument to the American prisoners who died during the British occupancy of New York. The afternoon service was about to begin, and the solemn tones of the organ were audible where they stood.

It seemed to Filson Shelby that the time had come for him to speak.

He swallowed a lump in his throat, and began.

"Miss Edna," he said, hesitatingly, "why do you want to be a school-teacher?"

"To earn my living, to be sure!" she answered, calmly enough, although the color was rising again on her cheeks.

"But you don't need ever so many scholars to earn your living, do you?"

he asked, gaining courage slowly.

"What do you mean?" she returned, forcing herself to look him in the face.

"I mean," he responded, "that I don't see why you couldn't earn your living just as well by having only one scholar--"

"Only one scholar?" she echoed.

"Yes--only one scholar," he declared; "but you could take him for life.

And you could teach him everything that was good and true and beautiful--and he would work hard for you, and try and make you happy."

The color ebbed from her cheeks, but she said nothing. The low notes of the organ were dying away, and on the elevated railroad just behind the young couple a train came hissing along wreathed in swirling steam.

"I'm not worthy of you, Edna; I know that only too well; but you can make me ever so much better if you'll only try," he urged. "I love you with my whole heart--that's what I've been trying to say. Will you marry me?"

She raised her eyes to his and simply answered,

"Yes."

An hour later, as they were going through the dropping twilight down Wall Street to the old office building, on the top floor of which she lived with her parents, they were still talking of each other, of their united future, and of their separate past.

When they came to the door and stood at the foot of the five flights of stairs that led up to the janitor's apartment, they had still many things to say to each other.

What seemed to Filson Shelby most astonis.h.i.+ng was that he should now be engaged to be married, when that very morning he was not even aware of his love for her. And being a very young fellow, and, moreover, being very much in love, he could not keep this astonis.h.i.+ng thing to himself, but must needs tell her.

"Do you know, Edna," he began, "that I must have been in love with you a long while without knowing it? Isn't that most extraordinary? And it was only this morning that I found it out!"

Standing on the stairs above him, and just out of his reach, she broke into a merry little laugh, and the tendrils of red hair quivered around her broad brow.

"What are you laughing at?" he asked.

"Oh, nothing," she answered, and then she laughed again. "At least, not much. It is only because men are so much slower to see things than women are."

"What do you mean?" he asked again.

"Well," she returned, laughing once more, and retreating two or three steps higher up the stairs, "I mean that you say you only found out this morning that you were in love with me--"

"Yes?"

"Well," she continued, making ready for flight, "I found it out more than two months ago."

(1895.)

Vignettes of Manhattan; Outlines in Local Color Part 22

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Vignettes of Manhattan; Outlines in Local Color Part 22 summary

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