Beatrix Part 11

"He is handsome as an angel," said the marquise in an under tone to Felicite.

Standing between the sofa and the two ladies, Calyste heard the words confusedly. He seated himself in an arm-chair and looked furtively toward the marquise. In the soft half-light he saw, reclining on a divan, as if a sculptor had placed it there, a white and serpentine shape which thrilled him. Without being aware of it, Felicite had done her friend a service; the marquise was much superior to the unflattered portrait Camille had drawn of her the night before. Was it to do honor to the guest that Beatrix had wound into her hair those tufts of blue-bells that gave value to the pale tints of her creped curls, so arranged as to fall around her face and play upon the cheeks? The circle of her eyes, which showed fatigue, was of the purest mother-of-pearl, her skin was as dazzling as the eyes, and beneath its whiteness, delicate as the satiny lining of an egg, life abounded in the beautiful blue veins. The delicacy of the features was extreme; the forehead seemed diaphanous. The head, so sweet and fragrant, admirably joined to a long neck of exquisite moulding, lent itself to many and most diverse expressions. The waist, which could be spanned by the hands, had a charming willowy ease; the bare shoulders sparkled in the twilight like a white camellia. The throat, visible to the eye though covered with a transparent fichu, allowed the graceful outlines of the bosom to be seen with charming roguishness. A gown of white muslin, strewn with blue flowers, made with very large sleeves, a pointed body and no belt, shoes with strings crossed on the instep over Scotch thread stockings, showed a charming knowledge of the art of dress. Ear-rings of silver filagree, miracles of Genoese jewelry, destined no doubt to become the fas.h.i.+on, were in perfect harmony with the delightful flow of the soft curls starred with blue-bells.

Calyste's eager eye took in these beauties at a glance, and carved them on his soul. The fair Beatrix and the dark Felicite might have sat for those contrasting portraits in "keepsakes" which English designers and engravers seek so persistently. Here were the force and the feebleness of womanhood in full development, a perfect ant.i.thesis. These two women could never be rivals; each had her own empire. Here was the delicate campanula, or the lily, beside the scarlet poppy; a turquoise near a ruby. In a moment, as it were,--at first sight, as the saying is,--Calyste was seized with a love which crowned the secret work of his hopes, his fears, his uncertainties. Mademoiselle des Touches had awakened his nature; Beatrix inflamed both his heart and thoughts. The young Breton suddenly felt within him a power to conquer all things, and yield to nothing that stood in his way. He looked at Conti with an envious, gloomy, savage rivalry he had never felt for Claude Vignon.

He employed all his strength to control himself; but the inward tempest went down as soon as the eyes of Beatrix turned to him, and her soft voice sounded in his ear. Dinner was announced.

"Calyste, give your arm to the marquise," said Mademoiselle des Touches, taking Conti with her right hand, and Claude Vignon with her left, and drawing back to let the marquise pa.s.s.

The descent of that ancient staircase was to Calyste like the moment of going into battle for the first time. His heart failed him, he had nothing to say; a slight sweat pearled upon his forehead and wet his back; his arm trembled so much that as they reached the lowest step the marquise said to him: "Is anything the matter?"

"Oh!" he replied, in a m.u.f.fled tone, "I have never seen any woman so beautiful as you, except my mother, and I am not master of my emotions."

"But you have Camille Maupin before your eyes."

"Ah! what a difference!" said Calyste, ingenuously.

"Calyste," whispered Felicite, who was just behind him, "did I not tell you that you would forget me as if I had never existed? Sit there," she said aloud, "beside the marquise, on her right, and you, Claude, on her left. As for you, Gennaro, I retain you by me; we will keep a mutual eye on their coquetries."

The peculiar accept which Camille gave to the last word struck Claude Vignon's ear, and he cast that sly but half-abstracted look upon Camille which always denoted in him the closest observation. He never ceased to examine Mademoiselle des Touches throughout the dinner.

"Coquetries!" replied the marquis, taking off her gloves, and showing her beautiful hands; "the opportunity is good, with a poet," and she motioned to Claude, "on one side, and poesy the other."

At these words Conti turned and gave Calyste a look that was full of flattery.

By artificial light, Beatrix seemed more beautiful than before. The white gleam of the candles laid a satiny l.u.s.tre on her forehead, lighted the spangles of her eyes, and ran through her swaying curls, touching them here and there into gold. She threw back the thin gauze scarf she was wearing and disclosed her neck. Calyste then saw its beautiful nape, white as milk, and hollowed near the head, until its lines were lost toward the shoulders with soft and flowing symmetry. This neck, so dissimilar to that of Camille, was the sign of a totally different character in Beatrix.

Calyste found much trouble in pretending to eat; nervous motions within him deprived him of appet.i.te. Like other young men, his nature was in the throes and convulsions which precede love, and carve it indelibly on the soul. At his age, the ardor of the heart, restrained by moral ardor, leads to an inward conflict, which explains the long and respectful hesitations, the tender debatings, the absence of all calculation, characteristic of young men whose hearts and lives are pure. Studying, though furtively, so as not to attract the notice of Conti, the various details which made the marquise so purely beautiful, Calyste became, before long, oppressed by a sense of her majesty; he felt himself dwarfed by the hauteur of certain of her glances, by the imposing expression of a face that was wholly aristocratic, by a sort of pride which women know how to express in slight motions, turns of the head, and slow gestures, effects less plastic and less studied than we think.

The false situation in which Beatrix had placed herself compelled her to watch her own behavior, and to keep herself imposing without being ridiculously so. Women of the great world know how to succeed in this, which proves a fatal reef to vulgar women.

The expression of Felicite's eyes made Beatrix aware of the inward adoration she inspired in the youth beside her, and also that it would be most unworthy on her part to encourage it. She therefore took occasion now and then to give him a few repressive glances, which fell upon his heart like an avalanche of snow. The unfortunate young fellow turned on Felicite a look in which she could read the tears he was suppressing by superhuman efforts. She asked him in a friendly tone why he was eating nothing. The question piqued him, and he began to force himself to eat and to take part in the conversation.

But whatever he did, Madame de Rochefide paid little attention to him.

Mademoiselle des Touches having started the topic of her journey to Italy she related, very wittily, many of its incidents, which made Claude Vignon, Conti, and Felicite laugh.

"Ah!" thought Calyste, "how far such a woman is from me! Will she ever deign to notice me?"

Mademoiselle des Touches was struck with the expression she now saw on Calyste's face, and tried to console him with a look of sympathy. Claude Vignon intercepted that look. From that moment the great critic expanded into gaiety that overflowed in sarcasm. He maintained to Beatrix that love existed only by desire; that most women deceived themselves in loving; that they loved for reasons unknown to men and to themselves; that they wanted to deceive themselves, and that the best among them were artful.

"Keep to books, and don't criticise our lives," said Camille, glancing at him imperiously.

The dinner ceased to be gay. Claude Vignon's sarcasm had made the two women pensive. Calyste was conscious of pain in the midst of the happiness he found in looking at Beatrix. Conti looked into the eyes of the marquise to guess her thoughts. When dinner was over Mademoiselle des Touches took Calyste's arm, gave the other two men to the marquise, and let them pa.s.s before her, that she might be alone with the young Breton for a moment.

"My dear Calyste," she said, "you are acting in a manner that embarra.s.ses the marquise; she may be delighted with your admiration, but she cannot accept it. Pray control yourself."

"She was hard to me, she will never care for me," said Calyste, "and if she does not I shall die."

"Die! you! My dear Calyste, you are a child. Would you have died for me?"

"You have made yourself my friend," he answered.

After the talk that follows coffee, Vignon asked Conti to sing something. Mademoiselle des Touches sat down to the piano. Together she and Gennaro sang the _Dunque il mio bene tu mia sarai_, the last duet of Zingarelli's "Romeo e Giulietta," one of the most pathetic pages of modern music. The pa.s.sage _Di tanti palpiti_ expresses love in all its grandeur. Calyste, sitting in the same arm-chair in which Felicite had told him the history of the marquise, listened in rapt devotion. Beatrix and Vignon were on either side of the piano. Conti's sublime voice knew well how to blend with that of Felicite. Both had often sung this piece; they knew its resources, and they put their whole marvellous gift into bringing them out. The music was at this moment what its creator intended, a poem of divine melancholy, the farewell of two swans to life. When it was over, all present were under the influence of feelings such as cannot express themselves by vulgar applause.

"Ah! music is the first of arts!" exclaimed the marquise.

"Camille thinks youth and beauty the first of poesies," said Claude Vignon.

Mademoiselle des Touches looked at Claude with vague uneasiness.

Beatrix, not seeing Calyste, turned her head as if to know what effect the music had produced upon him, less by way of interest in him than for the gratification of Conti; she saw a white face bathed in tears. At the sight, and as if some sudden pain had seized her, she turned back quickly and looked at Gennaro. Not only had Music arisen before the eyes of Calyste, touching him with her divine wand until he stood in presence of Creation from which she rent the veil, but he was dumfounded by Conti's genius. In spite of what Camille had told him of the musician's character, he now believed in the beauty of the soul, in the heart that expressed such love. How could he, Calyste, rival such as an artist?

What woman could ever cease to adore such genius? That voice entered the soul like another soul. The poor lad was overwhelmed by poesy, and his own despair. He felt himself of no account. This ingenuous admission of his nothingness could be read upon his face mingled with his admiration.

He did not observe the gesture with which Beatrix, attracted to Calyste by the contagion of a true feeling, called Felicite's attention to him.

"Oh! the adorable heart!" cried Camille. "Conti, you will never obtain applause of one-half the value of that child's homage. Let us sing this trio. Beatrix, my dear, come."

When the marquise, Camille, and Conti had arranged themselves at the piano, Calyste rose softly, without attracting their attention, and flung himself on one of the sofas in the bedroom, the door of which stood open, where he sat with his head in his hands, plunged in meditation.

X. DRAMA

"What is it, my child?" said Claude Vignon, who had slipped silently into the bedroom after Calyste, and now took him by the hand. "You love; you think you are disdained; but it is not so. The field will be free to you in a few days and you will reign--beloved by more than one."

"Loved!" cried Calyste, springing up, and beckoning Claude into the library, "Who loves me here?"

"Camille," replied Claude.

"Camille loves me? And you!--what of you?"

"I?" answered Claude, "I--" He stopped; sat down on a sofa and rested his head with weary sadness on a cus.h.i.+on. "I am tired of life, but I have not the courage to quit it," he went on, after a short silence. "I wish I were mistaken in what I have just told you; but for the last few days more than one vivid light has come into my mind. I did not wander about the marshes for my pleasure; no, upon my soul I did not! The bitterness of my words when I returned and found you with Camille were the result of wounded feeling. I intend to have an explanation with her soon. Two minds as clear-sighted as hers and mine cannot deceive each other. Between two such professional duellists the combat cannot last long. Therefore I may as well tell you now that I shall leave Les Touches; yes, to-morrow perhaps, with Conti. After we are gone strange things will happen here. I shall regret not witnessing conflicts of pa.s.sion of a kind so rare in France, and so dramatic. You are very young to enter such dangerous lists; you interest me; were it not for the profound disgust I feel for women, I would stay and help you play this game. It is difficult; you may lose it; you have to do with two extraordinary women, and you feel too much for one to use the other judiciously. Beatrix is dogged by nature; Camille has grandeur. Probably you will be wrecked between those reefs, drawn upon them by the waves of pa.s.sion. Beware!"

Calyste's stupefaction on hearing these words enabled Claude to say them without interruption and leave the young Breton, who remained like a traveller among the Alps to whom a guide has shown the depth of some abyss by flinging a stone into it. To hear from the lips of Claude himself that Camille loved him, at the very moment when he felt that he loved Beatrix for life, was a weight too heavy for his untried soul to bear. Goaded by an immense regret which now filled all the past, overwhelmed with a sight of his position between Beatrix whom he loved and Camille whom he had ceased to love, the poor boy sat despairing and undecided, lost in thought. He sought in vain for the reasons which had made Felicite reject his love and bring Claude Vignon from Paris to oppose it. Every now and then the voice of Beatrix came fresh and pure to his ears from the little salon; a savage desire to rush in and carry her off seized him at such moments. What would become of him? What must he do? Could he come to Les Touches? If Camille loved him how could he come there to adore Beatrix? He saw no solution to these difficulties.

Insensibly to him silence now reigned in the house; he heard, but without noticing, the opening and shutting of doors. Then suddenly midnight sounded on the clock of the adjoining bedroom, and the voices of Claude and Camille roused him fully from his torpid contemplation of the future. Before he could rise and show himself, he heard the following terrible words in the voice of Claude Vignon.

"You came to Paris last year desperately in love with Calyste," Claude was saying to Felicite, "but you were horrified at the thought of the consequences of such a pa.s.sion at your age; it would lead you to a gulf, to h.e.l.l, to suicide perhaps. Love cannot exist unless it thinks itself eternal, and you saw not far before you a horrible parting; old age you knew would end the glorious poem soon. You thought of 'Adolphe,' that dreadful finale of the loves of Madame de Stael and Benjamin Constant, who, however, were nearer of an age than you and Calyste. Then you took me, as soldiers use fascines to build entrenchments between the enemy and themselves. You brought me to Les Touches to mask your real feelings and leave you safe to follow your own secret adoration. The scheme was grand and ign.o.ble both; but to carry it out you should have chosen either a common man or one so preoccupied by n.o.ble thoughts that you could easily deceive him. You thought me simple and easy to mislead as a man of genius. I am not a man of genius, I am a man of talent, and as such I have divined you. When I made that eulogy yesterday on women of your age, explaining to you why Calyste had loved you, do you suppose I took to myself your ravished, fascinated, fazzling glance? Had I not read into your soul? The eyes were turned on me, but the heart was throbbing for Calyste. You have never been loved, my poor Maupin, and you never will be after rejecting the beautiful fruit which chance has offered to you at the portals of that h.e.l.l of woman, the lock of which is the numeral 50!"

"Why has love fled me?" she said in a low voice. "Tell me, you who know all."

"Because you are not lovable," he answered. "You do not bend to love; love must bend to you. You may perhaps have yielded to some follies of youth, but there was no youth in your heart; your mind has too much depth; you have never been naive and artless, and you cannot begin to be so now. Your charm comes from mystery; it is abstract, not active. Your strength repulses men of strength who fear a struggle. Your power may please young souls, like that of Calyste, which like to be protected; though, even them it wearies in the long run. You are grand, and you are sublime; bear with the consequence of those two qualities--they fatigue."

"What a sentence!" cried Camille. "Am I not a woman? Do you think me an anomaly?"

"Possibly," said Claude.

"We will see!" said the woman, stung to the quick.

"Farewell, my dear Camille; I leave to-morrow. I am not angry with you, my dear; I think you the greatest of women, but if I continued to serve you as a screen, or a s.h.i.+eld," said Claude, with two significant inflections of his voice, "you would despise me. We can part now without pain or remorse; we have neither happiness to regret nor hopes betrayed.

To you, as with some few but rare men of genius, love is not what Nature made it,--an imperious need, to the satisfaction of which she attaches great and pa.s.sing joys, which die. You see love such as Christianity has created it,--an ideal kingdom, full of n.o.ble sentiments, of grand weaknesses, poesies, spiritual sensations, devotions of moral fragrance, entrancing harmonies, placed high above all vulgar coa.r.s.eness, to which two creatures as one angel fly on the wings of pleasure. This is what I hoped to share; I thought I held in you a key to that door, closed to so many, by which we may advance toward the infinite. You were there already. In this you have misled me. I return to my misery,--to my vast prison of Paris. Such a deception as this, had it come to me earlier in life, would have made me flee from existence; to-day it puts into my soul a disenchantment which will plunge me forever into an awful solitude. I am without the faith which helped the Fathers to people theirs with sacred images. It is to this, my dear Camille, to this that the superiority of our mind has brought us; we may, both of us, sing that dreadful hymn which a poet has put into the mouth of Moses speaking to the Almighty: 'Lord G.o.d, Thou hast made me powerful and solitary.'"