The City of Beautiful Nonsense Part 28
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The p.a.w.nbroker looked at him in amazement, then went to a little pigeon-hole and produced the packet of money. John s.n.a.t.c.hed it up and went.
They stared after him; then stared at one another.
"He ain't so far off it this time," said one.
"Next thing I'll do," said the high priest--"I'll cut 'is throat in a barber's shop."
But supremely unconscious of all these gentle remarks, John was hurrying on through the streets, scarcely conscious of where he was going, or why he had redeemed the money that was now gripped fiercely in his hand.
For what did anything matter now? There must be some colour of reality about the ideal, some red lamp burning before an altar to light up that utter darkness into which the mind inevitably falls, blindly and stumblingly, without such actual guiding flame as this. Where would be the wonderful reality of the Host in the Tabernacle, if it was not for the dim red lamp that burnt silently by day and night before the altar?
Who could pray, who could believe in utter darkness?
And in utter darkness Jill had surely left him now. It might have been that they could not have married for some years; it might have been that they could never have married at all; but to see her no more--never to feel again the touch of understanding in her hands, the look of understanding in her eyes--that was the gale of the wind which had obliterated the red light of the lamp that burnt before his altar. And now--he was in darkness. Neither could he pray, nor believe.
For an hour, he wandered through the streets, then, as a clock struck the half-hour after seven, he turned into a fas.h.i.+onable restaurant and took a table in a corner alone.
A waiter came with the menu of the dinners--five s.h.i.+llings, seven and six, ten s.h.i.+llings. He chose the last as it was handed to him. The mere action of spending money needlessly seemed a part of the expression of that bitterness which was tainting all his thoughts.
The waiter handed him the wine list with a bow.
John shook his head.
"Water," he said.
This was not his way of seeking oblivion. In even the blackest moments of his mind, he must have his senses wide-eyed and awake. The man who drinks to forget, forgets Remorse as well. Remorse is a thing to be learnt of, not to drown.
This, if John had known it, was what his father meant by wis.h.i.+ng for the sorrow in his life. By such moments as these, he was to come to learn the value of optimism; by such moments as these, he was to come to know, not that there is too much sadness in life already, but that there is too little of the contrast of real happiness to appreciate it.
All through the meal, sending away one course after another unfinished, he gave way voluntarily to the pa.s.sion of bitterness, made no effort to steady the balance of his mind.
In a balcony, at the far end of the room, a band of string instruments played the worst of meanings into bad music--the music one hears without listening to. It was not long in finding its way into John's mind, not long in exerting its influence upon his mood. One by one, crowding quickly upon each other, he permitted its suggestions to take a hold upon his thoughts. What did it matter how he thought? What did it matter how low his ideal should fall? He could see nothing beyond the moment, nothing further than that he was alone, deprived of the greatest, the highest hope with which his whole being had a.s.sociated itself? What did anything matter now that he had lost that.
And then, out of a stillness that had fallen since the last playing of the band, the musicians began a selection from _La Boheme_. He laid his knife and fork upon the plate. He sat back in his chair and listened.
Why did it sound so different? What had changed in it since that night when he had heard it at the Opera? Now there was sensuality in every note of it. It maddened him. The very pa.s.sages that he had once found beautiful--found wonderful as he had listened to them with Jill--became charged with the vilest imaginations. Thoughts, the impurest, surged into his mind. The wildest and most incomprehensible desire beat in his brain. Was it the players? Was it their rendering of the music, or was it himself?
He called the waiter, ordered his bill, paid--thinking no loss in it--out of the seventeen pounds he had redeemed, and strode out of the place into the street.
There was nowhere to go, no friend whom he cared at such a moment to see. At last, without consciously determining upon it, he found himself making his way back to Fetter Lane.
With steps almost like those of an old man, he climbed up the stairs, pa.s.sing the sandy cat without notice--not so much as a good-evening.
When he opened the door of his room, there was Mr. Chesterton, comfortably ensconced in his armchair and only saving his presumptuousness of its occupation, by reading one of John's books.
But Mr. Chesterton was a man with a certain amount of humility. He rose to his feet as John entered; because there was no doubt as to its being John's particular arm-chair. It was the only armchair in the room. The little bailiff had observed that. In fact, for that very reason, he had considerately omitted it in the making of his inventory.
"I--I just been reading one of your books, Mr. Grey," he said, "an' if yer don't mind my sayin' so, I've read many a story what was worse. I 'ave, indeed. I like this story first rate. It's no more like a thing you'd hear of in life than I'm like the photograph my son took of me last week with a five-s.h.i.+lling camera. 'Ow on earth you manage to do it is a marvel to me. Do you get a plot in yer 'ead like and just stick it down just as it comes to yer--what my old woman calls when the spirit moves? 'The spirit moves,' she says, and then she goes out and gets a jug of beer. But that's only figurative, of course. What I mean is, do you go on writing what's in your 'ead, or do you get bits of it out of other books? 'He threw his arms around her neck and held her in a pa.s.sionate embrace.' I've read that in 'eaps of books. I suppose they get it from each other."
"Did you find it in mine?" asked John.
"Well, no--I can't say as I 'ave yet. But then, they've only just been introduced. I expect you'll 'ave to come to it sooner or later. They all do."
"That's quite right," said John--"we all do. There's something inevitable about it. Have you had a meal yet?"
"No--but I've got a little something here in a basket. I'll eat it on the landing if you like."
"Oh, no," said John--"eat it here. It makes no difference to me."
So Mr. Chesterton pulled out the basket with the little something inside. Two cold sausages and some bread and b.u.t.ter were the extent of his meal which he ate with evident relish, and table manners that, perhaps, a fastidious person might have objected to. You could, for example, hear him eating. Sometimes he exclaimed how excellent were sausages when they were cold. He went so far as to say he loved them.
He also expanded on the way his old woman cooked tripe; but when he talked about the brains of certain animals being cheap and at the same time a great delicacy, John found that his hands wanted was.h.i.+ng and went into the other room.
"They've had a tiff," said the little man as he bit into the second sausage--"they've 'ad a tiff. He's that down in the mouth, there's nothin' I can say as'll buck him up. Why, if I talk about sheep's brains to my old woman, she gets as chirpy as a c.o.c.k-sparrer."
When John came back, Mr. Chesterton had finished; the basket was put away and he was doing things with his teeth and a bent pin in a far corner of the room.
"'Ave yer got a box of draughts, Mr. Grey?" he asked, when he was at liberty. John nodded his head.
"Then come along," said the little man--"let's have a game!"
CHAPTER XXIII
AMBER
But there is no oblivion to be found in a game of draughts. For some days, John bore with the society of the amiable Mr. Chesterton. He listened to his stories of visits that he had paid in other establishments, where they had prevailed upon him to do odd jobs about the house, even to the cleaning of the knives and boots. The only time when he seemed to have resolutely refused to do anything, was on the occasion he had spent seven days with the lady journalist who had a beard and a fair tidy moustache.
"I wouldn't even have shaved her if she'd asked me to," he said.
This sort of thing may be amusing; but it needs the time, it needs the place. In those rooms of his, where only a few days before, Jill had been sitting--at that period of his life when hope was lowest and despair triumphant, John found no amus.e.m.e.nt in it at all.
He wanted his oblivion. His whole desire was to forget. The life that had held all promise for him, was gone--irrevocably broken. He sought for that, which would, by contrast, close the memory of it, as you shut a book that is read. It was not to be done by playing draughts with Mr.
Chesterton. It was not to be done in the ways that the crowd of men will choose. He had attempted that--found it impossible and flung it aside.
It was then that he thought of Amber. She had had a rightful place once, a place that had accorded with his ideas of the cleanliness of existence. Only that he had met Jill--only that he had loved--only that he had found the expression of his ideal in her, Amber would still have been there. And now--now that he had lost everything--why not return?
It was the most human thing in the world. Life was not possible of such ideals.
So he argued, the darkness slowly diminis.h.i.+ng--the light of some reason creeping again into his mind. But the bitterness was still there. He still did not care and, as yet, his mind did not even rebel against such callousness.
One evening, then, he left Mr. Chesterton finis.h.i.+ng the reading of his book. He hailed the first hansom he saw and, s.c.r.e.w.i.n.g himself into the corner of the seat, took a deep breath of relief as he drove away.
Then began the fear as he drove, the fear that he would not find Amber, that since she had gone out of his life, she would have readjusted her mind, found other interests, or even that she might not be there when he arrived. And now, once his destination was made, he dreaded the thought that Circ.u.mstance should balk his desire.
Jumping quickly out of the hansom, he paid his fare, hurried up the steps and rattled the flap of the letter-box. This was the knocker of friends. All those who used the proper means were creditors, not answered until inspected carefully from behind lace curtains.
For a few moments, his heart beat tentatively. There was no sound, no light from within. Then came the quick tapping of high-heels. He took a breath. The door opened. He saw her face of amazement in the darkness.
The City of Beautiful Nonsense Part 28
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The City of Beautiful Nonsense Part 28 summary
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