The City of Beautiful Nonsense Part 38

She shook her head knowingly, not caring to finish her sentence.

Of course, she guessed it all--their meeting in the chapel--their meeting in Kensington Gardens! A young man and a young woman do not meet like that, unless it be that there is some good reason for it.

Besides--that last candle! What woman could fail to fall in love with a man, who had thought of such a gentle consideration as that, even letting alone the fact that that man was her son? There are some things in this world which a woman knows and it is not the faintest use trying to contradict her. To begin with, she is bound to be right, and secondly, if it were possible to prove her wrong, it would only convince her the more firmly of her opinion.

The old lady knew quite well what she was talking about. These two were as fondly in love with each other as it was possible for them to be.

Their meeting here in Venice, after John had a.s.sured her that they were never going to see each other again, was all the proof that she needed of it. And with this knowledge held firmly in the heart of her, she was already pre-disposed to see those signs by which, in spite of all their cleverness, two people are bound in this predicament to show their hands.

At last the bell clanged loudly. Its jangling hammered like echoes beating to and fro against the walls of their hearts. The old lady set straight her cap for the twentieth time; for the twentieth time, the old gentleman pulled down his waistcoat, then he crept to the door and looked out into the big room.

"Claudina's going!" he whispered back over his shoulder. "She's opened the door. Yes--it's John!"

He came back quickly to his seat and there, when the two visitors entered, they were sitting opposite to each other, quite placidly, quite calmly, as though there were nothing left to happen in the world. Yet I doubt if four hearts ever beat so quickly beneath such quiet exteriors as these.

"This is Miss Dealtry," said John--in much the same tone of voice as when he had told the cabman to drive to the opera.

The old gentleman had risen from his chair and, coming forward, with that air--it is the air of courtesy--which makes a woman feel a queen, if she is only a washerwoman, he took her hand, bowed low as he gently shook it and then, drawing her further into the room, he bowed solemnly again.

"My wife," said he, just catching the last note from the tone of John's voice.

The little old white-haired lady held out her hands and, as Jill saw the tortured, twisted fingers, her heart shuddered in pity. But before that shudder could be seen, she had bent down and kissed the wrinkled face that was lifted up to hers and from that moment, these two loved each other.

With women, these things are spontaneous. A woman will go through the play of pretending to kiss another; she will put forward her cheek, mutter an affectionate word and kiss the air with her lips. No one is deceived by it. The lookers-on know quite well that these two must hate each other. The actors know it perfectly well themselves. But once the lips of two women meet, their hearts go with the touching.

From the instant that the lips of the little old lady touched Jill's, there was sealed a bond. They both loved John, and in that kiss they both admitted it. The mother wanted no further proof than this. Then all jealousy vanished. With that kiss, she made the mother's sacrifice, the sacrifice which is the last that the incessant demands of nature makes upon her s.e.x. She gave up the love of her son into the keeping of another woman. And when Jill stood up again, the old lady's heart had died down to a quiet, faint measure, fainter perhaps a little than it had been before. Her life was finished. There was only left the waiting and her eyes, still bright, sought John's, but found them fixed on Jill.

CHAPTER x.x.xII

THE DEPARTURE--VENICE

Before that little tea party was over, these two old people had won the heart of Jill. For all the world, they were like two children, making believe with the most serious things in life. Like children, they looked at each other in surprise when anything happened, or when anything was said. Like children, they laughed or were intensely earnest over their game. Like children, it seemed as if they were playing at being old, he, with his nodding of the head, she, with her crumpled figure and withered hands.

Sometimes at a thing that John would say, they would look at each other and smile. It had reminded them of something far back in the years of which neither John nor Jill knew anything. And in this again, they were like children, upon whose faces one may sometimes trace a distant look of memory--a look that is very marvellous and very wise--as though they were gazing back into the heart of Time from which the hand of destiny has brought them.

Yet it was not only this--this charm of wonderful simplicity--but that whenever Jill looked up, she found their eyes resting tenderly on her.

It seemed--she did not understand why just then--as though they were trying mutely to tell her how fond of her they were.

Then, when the old gentleman handed her her cup of tea, she recognised from the description, the china of blue and white and turned with a smile to John.

"Aren't these the cups?" she asked gently.

He nodded his head and tried to smile, too. The old lady watched those smiles. Her eyes never left them for a moment.

"I've been told about these cups," Jill explained to the others. "Your son told me one day when--when he was giving me a description of where you lived."

"That's the real Chinese cobalt," said the old gentleman. "John told you that of course."

"Well--no--they were not described in detail--at least----" suddenly she found the blood mounting to her cheeks. "I--I knew that they had no handles."

Why did she blush? The little old lady had not failed to see that sudden flame of colour. Why did she blush? Something she had remembered? Something that John had said? She looked quickly at her son. His eyes were bent on Jill.

Oh, yes, they loved. There was no fear of her mistaking that. There was a secret between them; a secret that had set free a flood of colour to Jill's cheeks, that had brought a look of fixed intent into John's eyes. What other could such secret be between a boy and girl, than love? No one can keep it; but it is the greatest secret in the world.

Before the tea was over, they had betrayed it in a thousand different ways to the sharp, bright eyes of the little old white-haired lady.

When vying with John to do honour to their guest, the old gentleman persuaded Jill to take from the plate he proffered, then she bent her head and smiled to see her husband's pride and poor John's discomfiture.

"She loves him! She loves him!" she whispered in her heart. "She is the very woman for my John!"

"A charming little girl," whispered the old man's vanity, as he proudly bore the plate back to the table. "Exactly the woman I would have chosen for John myself."

And John was disconsolately wondering why, if she loved him, Jill had so patently refused his offering.

Why had she refused? The little old white-haired lady knew that. She wanted to please his father, because she loved John. That was their secret. How it affected the blue and white china, she could not guess; but that was their secret--they loved.

Only by exercising the greatest control over herself, could she refrain from drawing her aside and telling Jill all she had seen, all she had guessed, and all she hoped.

Presently, without seeking for it, the opportunity presented itself.

They had been eating little jam sandwiches--jam sandwiches, which Claudina knew how to cut so thin, that the bread was almost threadbare, and looked as if it wanted darning. They melted in your mouth, but then, they made your fingers sticky. Jill looked ruefully at hers when the tea was over. Holding them away from her at arm's length, she made a little grimace. When one was young, one's mouth was the best, the quickest, the most approved-of remedy for these matters. She might have wished she were a child then, but wis.h.i.+ng was all. She asked to be allowed to wash them.

"You will come into my room, dear," said the little old lady eagerly, and away she led her, where John could not hope to follow.

Ah, then she was cunning, when once she had her alone! What subtle little compliments she paid! You would scarcely believe how cunning she could be.

"That is your little altar?" said Jill, when she had dried her hands.

As she walked across to it, the old lady took her arm. It needed but little manipulation from there to slip her hand into Jill's. It needed but little management to show her in a hundred tender ways as she clung to her for support, that she found her very dear, very loveable.

The hearts of women are responsive things. When there is sympathy between them, they touch and answer, as though some current united them, as well indeed it may.

So gentle, so expressive were those simple signs that pa.s.sed between Jill and the little old white-haired lady, that Jill was stricken in conscience, realising all that they meant and wondering, almost guiltily, what they would think of her if they knew. They must never know. She could not bear the thought that these two old people, far away in Venice as they might be, should hold in their hearts anything but the affection which they were showing to her then.

"I was praying here just before you came," said the little old lady in a whisper.

Jill pressed the withered hand.

"Do you know what I was praying for?"

A sudden fear seized Jill. She felt her forehead cold.

"No----" she tried to smile--"How could I know?"

"I was praying for John." She looked up simply into Jill's face. "He's such a dear boy, you don't know. Look at the way he comes every year to see us--all the way from London. I wonder would any other son do as much. Do you think they would?"

She asked the question as navely as if, were there any doubt about it, she really would like to know. You might have known there was no doubt in her mind.

Before that little altar then, was a dangerous place to discuss such subjects. Jill drew her gently away towards the door.