100 New Yorkers of the 1970s Part 15

"I usually eat very little during the day. I go to sleep at about five, sometimes six. Maybe I'm getting a Dracula schedule," he says with a laugh. "Some people who see the show write and say they're going to keep their windows open at night.

"Dracula is a myth, although some people think there actually are vampires. Bram Stoker really created the character of Dracula, taking legends from different parts of the world, like the stories of sailors who had been stricken by bats, appearing on deck the next morning, all pale, without blood in them.

"I hear that Bela Lugosi was buried in a Dracula costume. I also hear that Boris Karloff came to the funeral home to visit him and looked down at the coffin and said, 'You're not kidding are you sweetie?'"

Dracula the character is more than 500 years old; Julia the actor declines to give his age. "Actors should be ageless," he says. "You see, what age does, it limits you to a certain category." He doesn't mind telling his height, however. "Eight foot four," he quips. "No, six two."

He was, in fact, born 30-odd years ago in San Juan. In 1964, after graduating from the university there, he was performing in a local nightclub revue, and comedian Orson Bean happened to be in the audience. Bean urged him to come to New York, and introduced him to Wynn Handman of the American Place Theatre. Although he had not studied acting formally, Raul's natural ability and his versatility soon began to pay off. Within two years he was playing lead roles for Joseph Papp.

Married for the past three years to dancer/actress Merel Poloway, Raul devotes a great deal of his spare time to a charitable organization called the Hunger Project. "The purpose of the group is to support anything that will help bring an end to hunger by 1997. Our goal is to transform the atmosphere that exists now,. That says that hunger is inevitable. All the experts and scientists agree that we have the means right now to end the starvation on the planet."

A resident of the Upper West Side for the past 10 years, Raul has two major projects coming up -- the t.i.tle role of Oth.e.l.lo for Shakespeare-in the-Park this summer and a movie called _Isabel_, which he will film in Puerto Rico this spring: "I wanted to be in it because it's a totally Puerto Rican venture, and I want to encourage the beginning of a quality movie industry."

Raul appears to be utterly at ease as he prepares to make his stage entrance in the middle of the first act of _Dracula_. I have time for one more question: "Is the acting life everything you hoped it would be?"

Raul wraps the cloak around himself and heads out of the dressing room.

He looks back at me and smiles. "Yes," he replies. "_Now_ it is."

EASTSIDER BOB KANE Creator of Batman and Robin

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At the 1939 World's Fair in New York, a time capsule was filled with memorabilia thought to be representative of 20th-century American culture, and scheduled to be opened by historians 5,000 years later.

Among the objects chosen was a comic magazine that had appeared for the first time that year, the creation of an 18-year-old artist and writer named Bob Kane. Whoever chose the contents of the time capsule must have been prophetic, because today, 40 years later, few characters in American fantasy or fiction are so well known as Kane's pulp hero -- Batman.

"It was a big success from the very beginning," says the cartoonist, a tall, wiry, powerful-looking man of 58 whose tanned, leathery features bear a striking resemblance to those of Bruce Wayne, Batman's secret ident.i.ty.

"Superman started in 1938, and the same company, D.C. Comics, was looking for another superhero. I happened to be in the right place at the right time.

"The first year, Batman was more evil, more sinister. My concept was for him to scare the h.e.l.l out of the denizens of the underworld. And then the second year, I introduced Robin, because I realized he would appeal to the children's audience. That's when the strip really took hold."

The walls of his Eastside apartment are covered with vintage hand-drawn panels by America's most famous cartoonists, and Kane, with his casual attire, his broad New York accent, and his habit of twirling his gla.s.ses around while slumped far down in his easy chair, would not seem out of place as a character in Maggie and Jiggs. Yet he likes to consider himself a serious artist, and has, in fact, had some notable achievements in his "second career," which began in 1966 when he resigned from D.C.

Comics, on the heels of the successful _Batman_ TV series.

"I got tired of working over the drawing board after 30 years. I wanted to be an entrepreneur -- painter, screenplay writer, and producer." Since that time, he has built up a large body of work -- oil paintings, watercolors, pen and ink sketches and lithographs, most of them depicting characters from Batman. They have been purchased by leading universities, famous private collectors, and New York's Museum of Modern Art.

As a writer, Kane has created four animated cartoon series for television, has penned a screenplay for Paramount Pictures, _The Silent Gun_, has written an autobiography t.i.tled _Batman and Me_ (due to be published next year), and has completed a screenplay for a full-length Batman movie. Recently, he has also emerged as an active partic.i.p.ant in charitable causes, such as UNICEF, Cerebral Palsy and the American Cancer Society.

>From March 16 to April 8, the Circle Gallery at 435 West Broadway in SoHo will exhibit a one-man show of about 40 Kane originals. Says Kane with his typical immodesty: "I'm probably the first cartoonist to make the transition to fine art. When you do hand-signed, limited editions of lithographs, you are definitely entering the world of Lautrec and Pica.s.so and Chagall."

Kane has lived on the East Side for the past 15 years and has no plans to leave. Asked about his early years, he tells of growing up poor in the Bronx. "I used to draw on all the sidewalks, and black out the teeth of the girls on the subway posters. I used to copy all the comics as a kid, too.

That was my school of learning. ... My greatest influence in creating Batman was a sketch by Leonardo da Vinci of a flying machine, which I saw when I was 13 years old. It showed a man on a sled with huge bat wings attached to it. To me, it looked like a bat man. And that same year, I saw a movie called _The Mark of Zorro_, with Douglas Fairbanks Senior. Zorro fought for the downtrodden and he had a cave in the mountainside, and wore a mask, which gave me the idea for Batman's dual ident.i.ty and the Batmobile."

As might be expected, Kane takes much pride in his lifelong success.

"Batman has influenced four decades of children," he declares. "It has influenced the language. ... It has influenced people's lives whereby it gives them a sense of hope that the good guy usually wins in the end. And mainly, the influence has been one of sheer entertainment. I feel that most people would like to be a Batman-type superhero, to take them out of their dull, mundane routine of everyday living. ... My greatest thrill comes from my 5-year-old grandson. Little did I know when I was 18 that one day I would see my grandson wearing a little Batman costume, driving around in a miniature Batmobile and yelling 'Batman!'"

WESTSIDER LENORE KASDORF Star of _The Guiding Light_

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For the pat few months at least, the hottest soap opera on television has been CBS' _The Guiding Light_, which reaches approximately 10 million viewers nationwide. The show has 22 regular characters, and right now the one who is getting the most attention is Rita Stapleton, a beautiful but deceitful nurse who recently brought up the ratings for the week when she was raped by her ex-lover on the night before her engagement to another man. It was all in a day's work for Westsider Lenore Kasdorf, who portrays the popular villainess.

"This is definitely a job, and you get the feeling of a schedule, of punching in and punching out, of rolling it off the presses. But you put in your creative element too," says Miss Kasdorf, taking a break between scenes at the studio. With her soft hazel eyes, pearly teeth, finely chiseled features, and billowing brown hair, she is nothing short of stunning -- an impression that is heightened by her throaty voice and by the red sweater that covers her ample figure.

Being the star of an hour-long "soap" means that Lenore often has to work from 7 a.m. to 7 p.m. inside the mazelike studio, so that in winter, an entire week may go by when she doesn't see sunlight. Although she receives a tremendous number of fan letters, Lenore does not have time to answer most of them.

"I'm not a letter writer anyway," she explains. "There are times when someone is so sincere that you feel you really want to respond. I have had people send me a dollar check for postage. My heart goes out sometimes; I get guilty when I read my mail. This audience is very responsive. They love to comment about the show. I get a lot of identifying mail. Some people say, 'You're like the sister I wish I had.' Sometimes there's strange mail. Sometimes there's lewd mail, which is removed before I can read it." She laughs vigorously. "That's fine with me, because then I can enjoy all my mail."

Asked about which part of the Upper West Side she lives in, Lenore declines to say. "I have some fans who would follow my footprints in the snow. You have to be careful. My husband and I tend to stay in the neighborhood a lot, and I'd hate to ruin our indiscreet little way of getting around. ... In New York people are used to seeing Al Pacino walking down the street, or Jackie O. shopping at the corner. But out of town -- at first they're not sure if it's you. A lot of people come up to me and say, 'Do you ever watch _The Guiding Light_? You look so much like that girl.' I usually tell them who I am. I can't see any point in lying.

Face it, that's part of the reason we're doing this. I'm sure there's a ham in every actor, whether they're shy about it or not."

Her husband, actor Phil Peters, recently won the part of Dr. Steven Farrell on _As The World Turns_, another CBS soap opera. Within a few weeks, however, there was a change of writers. "The new writers wanted to bring in their own characters," says Lenore, "so on the show, Phil just disappeared in the night. He never showed up for his wedding. All the other characters were saying, 'Where could he be?'" She laughs at the recollection of what happened soon afterward when she and her husband were visiting Fredericksburg, Virginia: "A woman came up behind Phil while we were eating dinner, and said, 'Shame on you! How could you run off on that pretty little thing?'"

Born 30 years ago on Long Island, the daughter of an Army officer, Lenore grew up in such diverse places as Tennessee, Indiana, Virginia, Germany and Thailand. After graduating from the International School in Bangkok, she "got out of the Army" and returned to the U.S. to attend college in Indiana. There she began to do local TV commercials, and was so successful that she decided to try her luck in California. Quickly she became an established television actress, winning roles in many prime time series, including _Starsky and Hutch_, _Barnaby Jones_, and _Ironside_. While performing for a small theatre company she met Phil Peters. Phil wanted to come to New York to work in the theatre, and, with some reservations, Lenore came with him. Although Phil does not have a regular acting a.s.signment at present, Lenore points out that "actors are never out of work. They're just between jobs."

_The Guiding Light_, says Lenore, "was originally a religious program on the radio, where the moral of the story was an enlightening lesson for everybody." Since moving to television in 1952, the show has changed considerably in content, but, according to Lenore, it still contains many lessons that are relevant to modern living.

"You can tell from mail that you do help people, whether you mean to or not," says the actress with obvious satisfaction. "I've gotten letters saying, 'Seeing Rita through that difficulty has enlightened me about my own situation.' She has not helped by example, because Rita doesn't always do things right. But she shows how much trouble you can get into by behaving the way she does, and in that way I think she helps people avoid the same mistakes."

EASTSIDER BRIAN KEITH Back on Broadway after 27 years

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On January 1, 1980, the curtain will finally ring down on _Da_, Hugh Leonard's strikingly original and poignant drama about a man's fond memories of his working-cla.s.s Irish father. _Da_ won four Tony Awards in 1978, including Best Play. Since July 30, the t.i.tle role has been ably filled by Brian Keith, an actor perhaps best known for playing "Uncle Bill" in the situation comedy _Family Affair_, one of television's most popular shows from 1966 to 1971. Recently he has been seen in the TV specials _Centennial, The Chisholms_ and _The Seekers_. In his long, ill.u.s.trious career, the 57-year-old actor has starred in four other TV series and appeared in more than 60 motion pictures.

During the late 1940s, when he worked primarily on Broadway, Keith rented an apartment on East 66th Street with a fireplace and kitchen for $70 a month. Leaving for Hollywood in 1952, he eventually married a Hawaiian actress, and nine years ago became a full-time resident of Hawaii.

"I hadn't been to New York for years and years and years, and when we came here for a vacation last winter, I saw a play every night for a couple of weeks," says Keith. "_Da_ was the only one I thought I'd really like to do sometime." Not long afterward, Barnard Hughes, the Tony Award winning star of _Da_, decided to tour with the show, and Keith was offered a five-month contract to replace him. Delighted with the chance to return to Broadway in such a compelling role after a 27-year absence, Keith quickly said yes. Bringing his wife and children to New York for an extended visit, he again chose the Upper East Side as a place to live.

A big, brawny 6-footer whose deep, gravelly voice and slothful mannerisms somehow bring to mind a friendly trained bear, Keith normally spends the time between his matinee and evening performances sleeping on an Army cot in his dressing room. On this particular day, he is sitting in the spa.r.s.ely furnished room with his s.h.i.+rt off, smoking a cigarette and answering questions about his career. His initially gruff demeanor soon gives way to laughter, sentiment, hopefulness and cynicism in equal measure. A no-holds-barred conversationalist, he talks about the acting life with a rare frankness.

Taking over the role of Da with only about 20 hours of rehearsal, says Keith, was "just a matter of trouping it." He didn't find the task too difficult, partly because of his Irish background. Asked how far back his ancestry goes, Keith laughs and says, "How far back? If you go back far enough, you never stop. I'm Irish on both sides. On my father's side they came over in Revolutionary days. On my mother's side, five or six generations. It stays, though. The first time I went to Ireland, I felt the whole deja vu thing. I knew what I'd see around the next corner when I walked."

He was born in the backstage of a theatre in Bayonne, New Jersey. "I was there about a week. I'm always getting letter from people saying: 'I'm from Bayonne too!' My parents were actors, so we went everywhere. ...

I went to high school in Long Island. Very ... very nothing. And I didn't care a d.a.m.n thing about acting."

>From 1945 to 1955 he served in the U.S. Marine Corps as a sergeant in the Pacific campaign. "When I got out of the service, I was just banging around, looking for a job. I didn't have an education or anything. A guy offered me a part in a play and I didn't know whether I'd ever get another one. But I did, so it's been very nice. Very lucky. It's unlike the usual struggle that people go through."

When the conversation lands on _Meteor_, his latest movie, Keith declines comment, choosing to speak instead of _The Last of the Mountain Men_, a feature film that was completed in July and is scheduled for a Easter release. "Charlton Heston and I co-star. It's about two trappers in the West in 1830, and what happens to them when the beaver period comes to a close. The two guys are like Sundance and Butch. But d.a.m.n well written. It's one of the best scripts I ever read. Heston's kid wrote it. He worked for a couple of years up around Idaho and Montana as a river guide. There's not a wasted word in the script."

Many of his films and TV shows Keith has never seen. "If it's some piece of junk, I don't see why I should bother. It's bad enough you did it. But to live through it again!. ... You can't sit around and wait for something you think is _worthy_ of you."

Brian and his wife Victoria have two children. Mimi, his daughter from a previous marriage, is a member of the Pennsylvania Ballet Company.