100 New Yorkers of the 1970s Part 26

The nattily dressed Preminger, a tall, large man whose distinguished features and totally bald head give the opposite impression of his slow movement and somewhat frail appearance, revealed that the film's African scenes had to be shot in Kenya rather than South Africa "because they said they must see what I am shooting, and if they don't like it, they will confiscate it. They said, 'People in bed you can't shoot.' Then I went to Kenya, where there is a black government, and they didn't even ask for the script. They said I could have anything I want."

Asked whether any memorable events took place during the filming, Preminger snaps, "Even if there were, I don't remember. After I have made a picture and I have seen it maybe two, three times with an audience, I deliberately detach myself, because I don't want it to influence my next picture. As a matter of fact, a few months ago, my wife was dressing to go out, and I turned on the television and saw one of my old pictures. I recognized it, but we had to leave before it was finished. I still don't know how it ends."

As for Preminger's love life, he writes in his autobiography: "I have a reputation with women which is not entirely deserved, though it is true that I had my share of them, some of them stars."

In 1944 he had a three-week love affair with Gypsy Rose Lee that resulted in the birth of his son Erik Lee Preminger. The boy didn't find out the ident.i.ty of his real father until the age of 18. They were reunited four years later, and liked each other immediately. Preminger legally adopted Erik, who is currently in Los Angeles writing a biography of his late mother.

Preminger and his third wife, a former costume designer named Hope Bryce, to whom he has been married since 1959, are the parents of 19 year-old twins, Victoria and Mark. An Upper Eastsider for two decades, Preminger includes among his favorite restaurants Caravelle, Le Cirque and 21, where agent Irving "Swifty" Lazar once broke a gla.s.s over his head that took 51 st.i.tches to close.

An unabashed admirer of luxury, Preminger remains unruffled when questioned about how his fancy Eastside pad is in line with the philosophy stated in his autobiography that "my real reward is my work itself.

Success matters only because without it, one cannot continue to work."

"I could live without it," he says with a shrug. "I like to give my family luxuries, but I could easily live in one furnished room and be also happy."

WESTSIDER CHARLES RANGEL Congressman of the 19th District

8-26-78

The dividing line of New York's 19th Congressional District twists and loops through upper Manhattan like a traveler who has lost his way. From the corner of 62nd Street and Central Park West, the boundary turns sharply at Amsterdam Avenue and extends northward to 164th Street, then follows the East River sh.o.r.eline south to Roosevelt Island, taking in all of Harlem and a large chunk of the East Side.

This is the area that U.S. Congressman Charles Rangel has represented ever since he was sent to Was.h.i.+ngton in 1971, after defeating the colorful and controversial Adam Clayton Powell Jr. in the Democratic primary.

Today, as firmly in control of the seat as Powell was during his height of popularity, Congressman Rangel stands virtually unopposed in his quest for a fifth term.

"I have received the Democratic endors.e.m.e.nt, the Republican endors.e.m.e.nt, and the Liberal endors.e.m.e.nt," says Rangel one Friday afternoon at the towering State Office Building on 125th Street. "I am a.s.suming that the Socialist Workers Party and the Communist Party will be filing. They normally do. In the last election I got 96.4 percent of the vote."

Whereas the late Powell had wide appeal only among the city's blacks, Rangel gained the support of many Harlem residents plus a large majority of liberal whites on the upper West Side. It was they who provided him with a 150-vote margin of victory over Powell in 1970. In the present 95th Congress, Rangel has had the most liberal voting record of any congressman from New York state. And while he has continued to give a great deal of attention to Harlem's problems of health care, unemployment and drugs, Rangel has recently had more demands placed on his time as a member of the powerful House Ways and Means Committee. The first black ever to serve on the committee, he is currently 11th in seniority and will be seventh in the next Congress.

In his New York office, where he generally spends two days per week, Rangel appears surprisingly fresh and relaxed at the end of a working day.

As we settle into the interview, the elegantly dressed congressman with the graying moustache and the rasping voice proves himself very much the politician. He uses each question as a springboard to launch into his favorite topics -- for example, his access to President Carter.

Because of his various committee a.s.signments and his strong support of most of Carter's policies, says Rangel, "I am forced to meet with the president more than probably many other members of Congress. I often stop by the White House on my way to the office." Rangel also likes to talk about Chip Carter, the president's son, who is involved in a project called City in Schools, designed to upgrade the neighborhoods outside certain schools. Chip has taken a special interest in Harlem, and one school in particular near Morningside Park. "I am confident that with Chip Carter's help, and with my help, Morningside Park will soon show some improvements. I hope that Columbia University will a.s.sist us too."

When asked about the unusual shape of the 19th Congressional District, Rangel says, "The reason for it is that as we find populations expanding, we don't find the size or the numbers of the members of Congress expanding. We used to have half a dozen members of Congress representing different parts of Manhattan. Now we're down to three -- me, Green, and Weiss. If you break it down, you can see that Adam Clayton Powell's district used to be just Harlem."

As a member of the House Select Committee on Narcotics and Drugs, says Rangel, "I have gone to Moscow, to try to encourage them to do more in the area of controlling opium. I have been to Thailand for the same reason. ... That's one area in which I have great disappointment in this administration. I find efforts of Nixon's to be greater than Carter's.

The Office of Drug Abuse was disbanded by Carter."

Another field in which he finds Carter at fault is health care. "I support Kennedy's proposal," said the congressman. "There's no question that, for anti-inflation reasons, the president has put his national health program on the back burner. But to think that any program could be directly controlled by economic needs rather than by the medical needs of the people is something I cannot accept."

The ultraliberal Rangel, one of the most vociferous supporters of U.S.

Amba.s.sador Andrew Young, still lives in the same building where he was born 48 years ago, whenever he's not in Was.h.i.+ngton. He dropped out of high school to enlist in the Army and spent four years compiling a distinguished service record, including a presidential citation and three battle stars. Once he returned to New York, Rangel completed high school, went to college, and entered law school on a full scholars.h.i.+p. He was admitted to the bar in 1960; in 1966 he was elected to the first of two terms in the New York State a.s.sembly.

Married and with two children, Congressman Rangel believes that his future lies primarily in the Ways and Means Committee, which handles such giant concerns as taxes, trade, health insurance, social security and welfare. In order to maintain his popularity throughout the 19th Congressional District, he must continue to support those programs that benefit his const.i.tuents in both Harlem and the Upper West Side. How can this be done? "If we're going to use the tax system to make incentives for the business community to help the economy," he replies, "we need to bring the disadvantaged into the mainstream."

WESTSIDER JOE RAPOSO Golden boy of American composers

2-23-80

Sing, sing a song Sing out loud, sing out strong Sing of good things, not bad Sing of happy, not sad Sing, sing a song Make it simple To last your whole life long Don't worry that it's not good enough For anyone else to hear Just sing, sing a song.

Joe Raposo wrote those words, along with their music, on a January morning in New York City, about 10 years ago. "It was," he recalls, "as succinctly and as economically and precisely as I could embody a philosophy of life in a song. 'Sing' is my philosophy of life, period. ...

I remember leaving the studio and walking up Sixth Avenue saying, 'If that isn't a hit song, I know absolutely nothing about it.'"

The boyish, roly-poly, 40-year-old songwriter, whose incredibly crowded career has included the writing of five movie scores and more than 350 songs recorded by the likes of Frank Sinatra, Barbra Streisand, Tony Bennett and Tom Jones, was right about "Sing." When Karen Carpenter's single went platinum in 1974, that was only the beginning.

"It's one of the most recorded songs in the world," says Joe. "I think there are something like 180 versions of it, in just about every major language. ... Lawrence Welk recently did this. .h.i.t parade of songs of the decade, and the number one song of the decade was 'Sing.'"

We're riding in a limousine along Fifth Avenue. Joe has requested to be interviewed while he attends to some gift shopping. Because of a temporary leg injury, he has hired a limousine for the afternoon. As we go from store to store, Joe greets the merchants by name, then answers questions into a tape recorder while waiting for his merchandise.

Long noted for his musical versatility, Raposo grew up in Fall River, Ma.s.sachusetts, the only child of a cla.s.sical musician father and a piano playing mother. "I learned counterpoint at the age of 6 or so by wandering around the concert hall as my father rehea.r.s.ed Mozart." His parents taught him piano, violin and ba.s.s viol. At Harvard University he began to write and direct his own musicals. Soon after moving to New York City in 1966, he had all the work he could handle as musical director, composer and lyricist for both television and the stage. He is the recipient of three Emmy Awards and an Oscar nomination. As a record producer, he has won four Grammy Awards.

"It's Not Easy Bein' Green," one of many songs he wrote for the _Sesame Street_ TV show, has become the international anthem for the Girl Scouts of America. Another Raposo hit, "You Will Be My Music," brought Sinatra out of retirement several years ago. His _Sesame Street Fever_ disco alb.u.m has sold more than a million copies.

An alb.u.m of all-Raposo music recorded by the Boston Pops in 1976 led to a commission from the Boston Symphony Orchestra for an orchestral and choral work. The result is a 12-to-14-minute oratorio t.i.tled _From the Diary of Johann Sutter_, about the man whose quiet farm became the epicenter of the California Gold Rush.

"It's the darndest story ever. Because it tells how a man who's a tremendous idealist came to this country from Switzerland to found a new utopian agrarian state, with cattle and fields of grain, and vineyards. ...

When the Gold Rush started, Sutter's whole society was ruined. And it is an incredible parallel for our time, in that our pursuit of material goods tends to make us forget all the natural, beautiful things that surround us.

"Sheldon Harnick has done a wonderfully literate libretto. It premieres this spring in Boston. Sheldon and I have been talking about the possibility of expansion, but we have a musical to write first based on _It's A Wonderful Life_, the Frank Capra movie."

At the same time, Raposo is collaborating with Hal David on another musical and writing songs for a sequel to _The Muppet Movie_. But with all his success, Joe admits to having "a trunk of songs that are unrecorded, and many of them I feel are right up on a par with anything I've ever done. But they sit there and n.o.body grabs them. You have to wait. ... A lot of people think, 'Oh, if I only had the talent to write a hit song.' But writing a great song isn't enough: you have to get the right recording at the right time."

Apart from being a creative artist and a practical businessman, Joe has an active family life. Married for the past four years to beautiful Pat Collins of ABC-TV's _Good Morning America_, he has custody of two sons from a previous marriage. The eldest, 16-year-old Joseph, is already making waves as a ba.s.s player, both electric and orchestral. Joe and Pat also have a 3-year-old daughter of their own.

An admirer of President Carter since 1975, Joe wrote the music for Carter's campaign song the following year, and has done so again for 1980.

In his infrequent spare time Joe loves "tinkering -- banging nails into things, and building stuff. I'm a pretty handy carpenter, a fair electrician."

With a mischievous smile he adds: "As a matter of fact, sometimes I think I should go into that full-time, because the music business is chancy."

WESTSIDER MASON REESE Not just another kid

6-4-77

"Mason, I've got two very very important pieces of advice to give you,"

Milton Berle told the youngster when they first met. "Don't believe in Hollywood party promises; and practice, practice and rehea.r.s.e."

Uncle Miltie's words have been a useful lesson for Mason Reese, the boy wonder of television. In 1973, at the age of 7, Mason skyrocketed to fame by winning a Clio Award for best male in a TV commercial. In the same year he co-hosted the _Mike Douglas Show_ for a week and became a children's reporter for WNBC-TV. His picture appeared in _Time_, _Newsweek_, and on the cover of _TV Guide_. Mason's unique face and voice became known to millions.

Since that time, however, there have been a few disappointments mixed in with the triumphs. At 11, Mason is wiser and more philosophical about show business. Along with his parents, he has learned not to place faith in verbal agreements, as Berle cautioned.

The Reeses welcome me into their West End Avenue home. As I take a seat beside the "bo.r.g.a.s.mord kid" and look around me at the Chagall prints, Bill and Sonia, Mason's parents, pull up armchairs to listen in and help out.