Clara Hopgood Part 3
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'The question is not fair, Madge,' said Mrs Hopgood, interrupting him. 'You are asking for a decision when all the materials to make up a decision are not present. It is wrong to question ourselves in cold blood as to what we should do in a great strait; for the emergency brings the insight and the power necessary to deal with it.
I often fear lest, if such-and-such a trial were to befall me, I should miserably fail. So I should, furnished as I now am, but not as I should be under stress of the trial.'
'What is the use,' said Clara, 'of speculating whether we can, or cannot, do this or that? It IS now an interesting subject for discussion whether the lie was a sin.'
'No,' said Madge, 'a thousand times no.'
'Brief and decisive. Well, Mr Palmer, what do you say?'
'That is rather an awkward question. A lie is a lie.'
'But not,' broke in Madge, vehemently, 'to save anybody whom you love. Is a contemptible little two-foot measuring-tape to be applied to such an action as that?'
'The consequences of such a philosophy, though, my dear,' said Mrs Hopgood, 'are rather serious. The moment you dispense with a fixed standard, you cannot refuse permission to other people to dispense with it also.'
'Ah, yes, I know all about that, but I am not going to give up my instinct for the sake of a rule. Do what you feel to be right, and let the rule go hang. Somebody, cleverer in logic than we are, will come along afterwards and find a higher rule which we have obeyed, and will formulate it concisely.'
'As for my poor self,' said Clara, 'I do not profess to know, without the rule, what is right and what is not. We are always trying to transcend the rule by some special pleading, and often in virtue of some fancied superiority. Generally speaking, the attempt is fatal.'
'Madge,' said Mrs Hopgood, 'your dogmatic decision may have been interesting, but it prevented the expression of Mr Palmer's opinion.'
Madge bent forward and politely inclined her head to the embarra.s.sed Frank.
'I do not know what to say. I have never thought much about such matters. Is not what they call casuistry a science among Roman Catholics? If I were in a difficulty and could not tell right from wrong, I should turn Catholic, and come to you as my priest, Mrs Hopgood.'
'Then you would do, not what you thought right yourself, but what I thought right. The worth of the right to you is that it is your right, and that you arrive at it in your own way. Besides, you might not have time to consult anybody. Were you never compelled to settle promptly a case of this kind?'
'I remember once at school, when the mathematical master was out of the cla.s.s-room, a boy named Carpenter ran up to the blackboard and wrote "Carrots" on it. That was the master's nickname, for he was red-haired. Scarcely was the word finished, when Carpenter heard him coming along the pa.s.sage. There was just time partially to rub out some of the big letters, but CAR remained, and Carpenter was standing at the board when "Carrots" came in. He was an excitable man, and he knew very well what the boys called him.
'"What have you been writing on the board, sir?"
'"Carpenter, sir."
'The master examined the board. The upper half of the second R was plainly perceptible, but it might possibly have been a P. He turned round, looked steadily at Carpenter for a moment, and then looked at us. Carpenter was no favourite, but not a soul spoke.
'"Go to your place, sir."
'Carpenter went to his place, the letters were erased and the lesson was resumed. I was greatly perplexed; I had acquiesced in a cowardly falsehood. Carrots was a great friend of mine, and I could not bear to feel that he was humbugged, so when we were outside I went up to Carpenter and told him he was an infernal sneak, and we had a desperate fight, and I licked him, and blacked both his eyes. I did not know what else to do.'
The company laughed.
'We cannot,' said Madge, 'all of us come to terms after this fas.h.i.+on with our consciences, but we have had enough of these discussions on morality. Let us go out.'
They went out, and, as some relief from the straight road, they turned into a field as they came home, and walked along a footpath which crossed the broad, deep ditches by planks. They were within about fifty yards of the last and broadest ditch, more a d.y.k.e than a ditch, when Frank, turning round, saw an ox which they had not noticed, galloping after them.
'Go on, go on,' he cried, 'make for the plank.'
He discerned in an instant that unless the course of the animal could be checked it would overtake them before the bridge could be reached.
The women fled, but Frank remained. He was in the habit of carrying a heavy walking-stick, the end of which he had hollowed out in his schooldays and had filled up with lead. Just as the ox came upon him, it laid its head to the ground, and Frank, springing aside, dealt it a tremendous, two-handed blow on the forehead with his k.n.o.bbed weapon. The creature was dazed, it stopped and staggered, and in another instant Frank was across the bridge in safety. There was a little hysterical sobbing, but it was soon over.
'Oh, Mr Palmer,' said Mrs Hopgood, 'what presence of mind and what courage! We should have been killed without you.'
'The feat is not original, Mrs Hopgood. I saw it done by a tough little farmer last summer on a bull that was really mad. There was no ditch for him though, poor fellow, and he had to jump a hedge.'
'You did not find it difficult,' said Madge, 'to settle your problem when it came to you in the shape of a wild ox.'
'Because there was nothing to settle,' said Frank, laughing; 'there was only one thing to be done.'
'So you believed, or rather, so you saw,' said Clara. 'I should have seen half-a-dozen things at once--that is to say, nothing.'
'And I,' said Madge, 'should have settled it the wrong way: I am sure I should, even if I had been a man. I should have bolted.'
Frank stayed to tea, and the evening was musical. He left about ten, but just as the door had shut he remembered he had forgotten his stick. He gave a gentle rap and Madge appeared. She gave him his stick.
'Good-bye again. Thanks for my life.'
Frank cursed himself that he could not find the proper word. He knew there was something which might be said and ought to be said, but he could not say it. Madge held out her hand to him, he raised it to his lips and kissed it, and then, astonished at his boldness, he instantly retreated. He went to the 'Crown and Sceptre' and was soon in bed, but not to sleep. Strange, that the moment we lie down in the dark, images, which were half obscured, should become so intensely luminous! Madge hovered before Frank with almost tangible distinctness, and he felt his fingers moving in her heavy, voluptuous tresses. Her picture at last became almost painful to him and shamed him, so that he turned over from side to side to avoid it. He had never been thrown into the society of women of his own age, for he had no sister, and a fire was kindled within him which burnt with a heat all the greater because his life had been so pure. At last he fell asleep and did not wake till late in the morning. He had just time to eat his breakfast, pay one more business visit in the town, and catch the coach due at eleven o'clock from Lincoln to London. As the horses were being changed, he walked as near as he dared venture to the windows of the cottage next door, but he could see n.o.body.
When the coach, however, began to move, he turned round and looked behind him, and a hand was waved to him. He took off his hat, and in five minutes he was clear of the town. It was in sight a long way, but when, at last, it disappeared, a cloud of wretchedness swept over him as the vapour sweeps up from the sea. What was she doing?
talking to other people, existing for others, laughing with others!
There were miles between himself and Fenmarket. Life! what was life?
A few moments of living and long, dreary gaps between. All this, however, is a vain attempt to delineate what was shapeless. It was an intolerable, unvanquishable oppression. This was Love; this was the blessing which the G.o.d with the ruddy wings had bestowed on him.
It was a relief to him when the coach rattled through Islington, and in a few minutes had landed him at the 'Angel.'
CHAPTER VI
There was to be a grand entertainment in the a.s.sembly room of the 'Crown and Sceptre' in aid of the County Hospital. Mrs Martin, widow of one of the late partners in the bank, lived in a large house near Fenmarket, and still had an interest in the business. She was distinctly above anybody who lived in the town, and she knew how to show her superiority by venturing sometimes to do what her urban neighbours could not possibly do. She had been known to carry through the street a quart bottle of horse physic although it was wrapped up in nothing but brown paper. On her way she met the brewer's wife, who was more aggrieved than she was when Mrs Martin's carriage swept past her in the dusty, narrow lane which led to the Hall. Mrs Martin could also afford to recognise in a measure the claims of education and talent. A gentleman came from London to lecture in the town, and showed astonished Fenmarket an orrery and a magic lantern with dissolving views of the Holy Land. The exhibition had been provided in order to extinguish a debt incurred in repairing the church, but the rector's wife, and the brewer's wife, after consultation, decided that they must leave the lecturer to return to his inn. Mrs Martin, however, invited him to supper. Of course she knew Mr Hopgood well, and knew that he was no ordinary man. She knew also something of Mrs Hopgood and the daughters, and that they were no ordinary women. She had been heard to say that they were ladies, and that Mr Hopgood was a gentleman; and she kept up a distant kind of intimacy with them, always nodded to them whenever she met them, and every now and then sent them grapes and flowers. She had observed once or twice to Mrs Tubbs that Mr Hopgood was a remarkable person, who was quite scientific and therefore did not a.s.sociate with the rest of the Fenmarket folk; and Mrs Tubbs was much annoyed, particularly by a slight emphasis which she thought she detected in the 'therefore,' for Mr Tubbs had told her that one of the smaller London brewers, who had only about fifty public-houses, had refused to meet at dinner a learned French chemist who had written books.
Mrs Martin could not make friends with the Hopgoods, nor enter the cottage. It would have been a transgression of that infinitely fine and tortuous line whose inexplicable convolutions mark off what is forbidden to a society lady. Clearly, however, the Hopgoods could be requested to co-operate at the 'Crown and Sceptre;' in fact, it would be impolitic not to put some of the townsfolk on the list of patrons.
So it came about that Mrs Hopgood was included, and that she was made responsible for the provision of one song and one recitation. For the song it was settled that Frank Palmer should be asked, as he would be in Fenmarket. Usually he came but once every half year, but he had not been able, so he said, to finish all his work the last time. The recitation Madge undertook.
The evening arrived, the room was crowded and a dozen private carriages stood in the 'Crown and Sceptre' courtyard. Frank called for the Hopgoods. Mrs Hopgood and Clara sat with presentation tickets in the second row, amongst the fas.h.i.+onable folk; Frank and Madge were upon the platform. Frank was loudly applauded in 'Il Mio Tesoro,' but the loudest applause of the evening was reserved for Madge, who declaimed Byron's 'Destruction of Sennacherib' with much energy. She certainly looked very charming in her red gown, harmonising with her black hair. The men in the audience were vociferous for something more, and would not be contented until she again came forward. The truth is, that the wily young woman had prepared herself beforehand for possibilities, but she artfully concealed her preparation. Looking on the ground and hesitating, she suddenly raised her head as if she had just remembered something, and then repeated Sir Henry Wotton's 'Happy Life.' She was again greeted with cheers, subdued so as to be in accordance with the character of the poem, but none the less sincere, and in the midst of them she gracefully bowed and retired. Mrs Martin complimented her warmly at the end of the performance, and inwardly debated whether Madge could be asked to enliven one of the parties at the Hall, and how it could, at the same time, be made clear to the guests that she and her mother, who must come with her, were not even acquaintances, properly so called, but were patronised as persons of merit living in the town which the Hall protected. Mrs Martin was obliged to be very careful.
She certainly was on the list at the Lord Lieutenant's, but she was in the outer ring, and she was not asked to those small and select little dinners which were given to Sir Egerton, the Dean of Peterborough, Lord Francis, and his brother, the county member. She decided, however, that she could make perfectly plain the conditions upon which the Hopgoods would be present, and the next day she sent Madge a little note asking her if she would 'a.s.sist in some festivities' at the Hall in about two months' time, which were to be given in celebration of the twenty-first birthday of Mrs Martin's third son. The scene from the 'Tempest,' where Ferdinand and Miranda are discovered playing chess, was suggested, and it was proposed that Madge should be Miranda, and Mr Palmer Ferdinand. Mrs Martin concluded with a hope that Mrs Hopgood and her eldest daughter would 'witness the performance.'
Frank joyously consented, for amateur theatricals had always attracted him, and in a few short weeks he was again at Fenmarket.
He was obliged to be there for three or four days before the entertainment, in order to attend the rehearsals, which Mrs Martin had put under the control of a professional gentleman from London, and Madge and he were consequently compelled to make frequent journeys to the Hall.
At last the eventful night arrived, and a carriage was hired next door to take the party. They drove up to the grand entrance and were met by a footman, who directed Madge and Frank to their dressing- rooms, and escorted Mrs Hopgood and Clara to their places in the theatre. They had gone early in order to accommodate Frank and Madge, and they found themselves alone. They were surprised that there was n.o.body to welcome them, and a little more surprised when they found that the places allotted to them were rather in the rear.
Presently two or three fiddlers were seen, who began to tune their instruments. Then some Fenmarket folk and some of the well-to-do tenants on the estate made their appearance, and took seats on either side of Mrs Hopgood and Clara. Quite at the back were the servants.
At five minutes to eight the band struck up the overture to 'Zampa,'
and in the midst of it in sailed Mrs Martin and a score or two of fas.h.i.+onably-dressed people, male and female. The curtain ascended and Prospero's cell was seen. Alonso and his companions were properly grouped, and Prospero began, -
'Behold, Sir King, The wronged Duke of Milan, Prospero.'
The audience applauded him vigorously when he came to the end of his speech, but there was an instantaneous cry of 'hus.h.!.+' when Prospero disclosed the lovers. It was really very pretty. Miranda wore a loose, simple, white robe, and her wonderful hair was partly twisted into a knot, and partly strayed down to her waist. The dialogue between the two was spoken with much dramatic feeling, and when Ferdinand came to the lines -
Clara Hopgood Part 3
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Clara Hopgood Part 3 summary
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