Memories of a Musical Life Part 18
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Accept, my dear sir, the expression of my feelings of esteem and consideration for you.
F. LISZT.
WEIMAR, August 3, 1851.
DEAR MR. MASON: Your welcome letter gives me very hearty pleasure, and I beg you to rest a.s.sured of the continuance of my most affectionate feelings for you.
I often hear of your triumphs in America, and I rejoice to know that your talent is rightly appreciated and praised. Your compositions have not reached me yet, but I am all ready to make them very welcome.
In a fortnight I start for Weimar. The Tonkunstler Versammlung is to take place this year at Meiningen, from the 22d to the 25th of August. I shall attend it, as also the Wartburg Jubilee Festival, at which my oratorio "Sainte Elisabeth" will be given on the 28th of August. Perhaps I may meet there Mr. Theodore Thomas and Mr. S.
B. Mills, of whom you have spoken to me. The ability of Mr. Thomas I have heard highly praised; I have to thank him particularly for the interest which he takes in my "Poemes Symphoniques." Those artists who desire to give themselves the trouble of understanding and interpreting my works are separated, by that alone, from the ranks of the commonplace. I, more than any one, owe them grat.i.tude, and I shall not fail to show it to Messrs. Thomas and Mills when I have the pleasure of making their acquaintance.
The news which reaches me from time to time of musical things in America is usually favorable to the cause of the progress of contemporary art which I am proud to serve and uphold.
It seems that with you chicanery, blunders, and stupidity of a criticism perverted by ignorance, envy, and venality, exercise less influence than in the Old World. I congratulate you on it. May you successfully follow the n.o.ble career of an artist with industry, perseverance, resignation, modesty, and an unshaken faith in the Ideal--such as you showed in Weimar, dear Mr. Mason.
Your truly affectionate and devoted
FR. LISZT.
ROME, July 8, 1867.
DEAR MR. MASON: Mr. Seward has brought me your welcome letter and several of your compositions. These give me double pleasure, for they show that your time at Weimar has not been lost and that you continue to make good use of it elsewhere.
"L'etude de Concert, Op. 9," and "Valse Caprice, Op. 17," are distinguished in style and of good effect. I can also sincerely praise the three preludes (Op. 8) and the two ballades, but with some reservation. The first ballade appears to me a trifle curtailed.
There is a certain something lacking at the beginning and toward the middle (page 7) which is necessary to make the _motif_ stand out again, and the pastorale of the second ballade (page 7) figures there rather as padding--_embarras de richesse!_
And, since I am criticizing, let me ask why you ent.i.tle your "Ah, vous dirai-je Maman," "Caprice Grotesque"? Beyond the fact that the grotesque style should not intrude in music, this t.i.tle does injustice to the ingenious imitations and harmonies of the piece which is otherwise so charming; it would be more fitting to call it "Divertiss.e.m.e.nt" or "Variazione Scherzose."
As to the "Method," you do not, of course, expect me to make an exhaustive study of it. I am much too old for that, and it is only in self-defense that I occasionally try the piano--considering the incessant fatigue caused me by the indiscretion of a crowd of people who imagine that nothing can be more flattering to me than to amuse them!
Nevertheless, in going through your "Method," I find highly commendable exercises, notably the _interlocking pa.s.sages_ (pages 136-142) _and all the accentuated treatment_ > > > > _of exercises_. May your pupils and editors derive thence all the benefit they should.
A thousand thanks, dear Mr. Mason, and rely on my very affectionate and devoted feelings as of old.
F. LISZT.
ROME, May 26, 1869.
It will give me genuine pleasure to see you again, dear Mr. Mason.
Next week I return to Weimar and shall remain there as usual till the middle of July.
Therefore, suit the time of your visit to your own convenience. I beg you to stay for several days at least.
A thousand affectionate and cordial greetings.
F. LISZT.
VIENNA, May 23, 1880.
Memories of a Musical Life Part 18
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Memories of a Musical Life Part 18 summary
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