The Three Cities Trilogy: Paris Part 17
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"It's a terrible symptom," muttered Pierre, "when through _ennui_ or la.s.situde, or the contagion of destructive fury, the sons of the happy and privileged ones start doing the work of the demolishers."
Francois had resumed his walk, going down towards the ornamental water, where some children were sailing their boats. "That fellow is simply grotesque," he replied; "but how would you have sane people give any heed to that mysticism, that awakening of spirituality which is alleged by the same _doctrinaires_ who started the bankruptcy of science cry, when after so brief an evolution it produces such insanity, both in art and literature? A few years of influence have sufficed; and now Satanism, Occultism and other absurdities are flouris.h.i.+ng; not to mention that, according to some accounts, the Cities of the Plains are reconciled with new Rome. Isn't the tree judged by its fruits? And isn't it evident that, instead of a renascence, a far-spreading social movement bringing back the past, we are simply witnessing a transitory reaction, which many things explain? The old world would rather not die, and is struggling in a final convulsion, reviving for a last hour before it is swept away by the overflowing river of human knowledge, whose waters ever increase. And yonder, in the future, is the new world, which the real young ones will bring into existence, those who work, those who are not known, who are not heard. And yet, just listen! Perhaps you will hear them, for we are among them, in their 'quarter.' This deep silence is that of the labour of all the young fellows who are leaning over their work-tables, and day by day carrying forward the conquest of truth."
So saying Francois waved his hand towards all the day-schools and colleges and high schools beyond the Luxembourg garden, towards the Faculties of Law and Medicine, the Inst.i.tute and its five Academies, the innumerable libraries and museums which made up the broad domain of intellectual labour. And Pierre, moved by it all, shaken in his theories of negation, thought that he could indeed hear a low but far-spreading murmur of the work of thousands of active minds, rising from laboratories, studies and cla.s.s, reading and lecture rooms. It was not like the jerky, breathless trepidation, the loud clamour of factories where manual labour toils and chafes. But here, too, there were sighs of weariness, efforts as killing, exertion as fruitful in its results. Was it indeed true that the cultured young were still and ever in their silent forge, renouncing no hope, relinquis.h.i.+ng no conquest, but in full freedom of mind forging the truth and justice of to-morrow with the invincible hammers of observation and experiment?
Francois, however, had raised his eyes to the palace clock to ascertain the time. "I'm going to Montmartre," he said; "will you come part of the way with me?"
Pierre a.s.sented, particularly as the young man added that on his way he meant to call for his brother Antoine at the Museum of the Louvre. That bright afternoon the Louvre picture galleries were steeped in warm and dignified quietude, which one particularly noticed on coming from the tumult and scramble of the streets. The majority of the few people one found there were copyists working in deep silence, which only the wandering footsteps of an occasional tourist disturbed. Pierre and Francois found Antoine at the end of the gallery a.s.signed to the Primitive masters. With scrupulous, almost devout care he was making a drawing of a figure by Mantegna. The Primitives did not impa.s.sion him by reason of any particular mysticism and ideality, such as fas.h.i.+on pretends to find in them, but on the contrary, and justifiably enough, by reason of the sincerity of their ingenuous realism, their respect and modesty in presence of nature, and the minute fidelity with which they sought to transcribe it. He spent days of hard work in copying and studying them, in order to learn strictness and probity of drawing from them--all that lofty distinction of style which they owe to their candour as honest artists.
Pierre was struck by the pure glow which a sitting of good hard work had set in Antoine's light blue eyes. It imparted warmth and even feverishness to his fair face, which was usually all dreaminess and gentleness. His lofty forehead now truly looked like a citadel armed for the conquest of truth and beauty. He was only eighteen, and his story was simply this: as he had grown disgusted with cla.s.sical studies and been mastered by a pa.s.sion for drawing, his father had let him leave the Lycee Condorcet when he was in the third cla.s.s there. Some little time had then elapsed while he felt his way and the deep originality within him was being evolved. He had tried etching on copper, but had soon come to wood engraving, and had attached himself to it in spite of the discredit into which it had fallen, lowered as it had been to the level of a mere trade.
Was there not here an entire art to restore and enlarge? For his own part he dreamt of engraving his own drawings, of being at once the brain which conceives and the hand which executes, in such wise as to obtain new effects of great intensity both as regards perception and touch. To comply with the wishes of his father, who desired each of his sons to have a trade, he earned his bread like other engravers by working for the ill.u.s.trated newspapers. But, in addition to this current work, he had already engraved several blocks instinct with wonderful power and life.
They were simply copies of real things, scenes of everyday existence, but they were accentuated, elevated so to say, by the essential line, with a maestria which on the part of so young a lad fairly astonished one.
"Do you want to engrave that?" Francois asked him, as he placed his copy of Mantegna's figure in his portfolio.
"Oh! no, that's merely a dip into innocence, a good lesson to teach one to be modest and sincere. Life is very different nowadays."
Then, while walking along the streets--for Pierre, who felt growing sympathy for the two young fellows, went with them in the direction of Montmartre, forgetful of all else,--Antoine, who was beside him, spoke expansively of his artistic dreams.
"Colour is certainly a power, a sovereign source of charm, and one may, indeed, say that without colour nothing can be completely represented.
Yet, singularly enough, it isn't indispensable to me. It seems to me that I can picture life as intensely and definitely with mere black and white, and I even fancy that I shall be able to do so in a more essential manner, without any of the dupery which lies in colour. But what a task it is! I should like to depict the Paris of to-day in a few scenes, a few typical figures, which would serve as testimony for all time. And I should like to do it with great fidelity and candour, for an artist only lives by reason of his candour, his humility and steadfast belief in Nature, which is ever beautiful. I've already done a few figures, I will show them to you. But ah! if I only dared to tackle my blocks with the graver, at the outset, without drawing my subject beforehand. For that generally takes away one's fire. However, what I do with the pencil is a mere sketch; for with the graver I may come upon a find, some unexpected strength or delicacy of effect. And so I'm draughtsman and engraver all in one, in such a way that my blocks can only be turned out by myself. If the drawings on them were engraved by another, they would be quite lifeless.... Yes, life can spring from the fingers just as well as from the brain, when one really possesses creative power."
They walked on, and when they found themselves just below Montmartre, and Pierre spoke of taking a tramcar to return to Neuilly, Antoine, quite feverish with artistic pa.s.sion, asked him if he knew Jahan, the sculptor, who was working for the Sacred Heart. And on receiving a negative reply, he added: "Well, come and see him for a moment. He has a great future before him. You'll see an angel of his which has been declined."
Then, as Francois began to praise the angel in question, Pierre agreed to accompany them. On the summit of the height, among all the sheds which the building of the basilica necessitated, Jahan had been able to set up a glazed workshop large enough for the huge angel ordered of him. His three visitors found him there in a blouse, watching a couple of a.s.sistants, who were rough-hewing the block of stone whence the angel was to emerge. Jahan was a st.u.r.dy man of thirty-six, with dark hair and beard, a large, ruddy mouth and fine bright eyes. Born in Paris, he had studied at the Fine Art School, but his impetuous temperament had constantly landed him in trouble there.
"Ah! yes," said he, "you've come to see my angel, the one which the Archbishop wouldn't take. Well, there it is."
The clay model of the figure, some three feet high, and already drying, looked superb in its soaring posture, with its large, outspread wings expanding as if with pa.s.sionate desire for the infinite. The body, barely draped, was that of a slim yet robust youth, whose face beamed with the rapture of his heavenly flight.
"They found him too human," said Jahan. "And after all they were right.
There's nothing so difficult to conceive as an angel. One even hesitates as to the s.e.x; and when faith is lacking one has to take the first model one finds and copy it and spoil it. For my part, while I was modelling that one, I tried to imagine a beautiful youth suddenly endowed with wings, and carried by the intoxication of his flight into all the joy of the suns.h.i.+ne. But it upset them, they wanted something more religious, they said; and so then I concocted that wretched thing over there. After all, one has to earn one's living, you know."
So saying, he waved his hand towards another model, the one for which his a.s.sistants were preparing the stone. And this model represented an angel of the correct type, with symmetrical wings like those of a goose, a figure of neither s.e.x, and commonplace features, expressing the silly ecstasy that tradition requires.
"What would you have?" continued Jahan. "Religious art has sunk to the most disgusting triteness. People no longer believe; churches are built like barracks, and decorated with saints and virgins fit to make one weep. The fact is that genius is only the fruit of the social soil; and a great artist can only send up a blaze of the faith of the time he lives in. For my part, I'm the grandson of a Beauceron peasant. My father came to Paris to set himself up in business as a marble worker for tombstones and so forth, just at the top of the Rue de la Roquette. It was there I grew up. I began as a workman, and all my childhood was spent among the ma.s.ses, in the streets, without ever a thought coming to me of setting foot in a church. So few Parisians think of doing so nowadays. And so what's to become of art since there's no belief in the Divinity or even in beauty? We're forced to go forward to the new faith, which is the faith in life and work and fruitfulness, in all that labours and produces."
Then suddenly breaking off he exclaimed: "By the way, I've been doing some more work to my figure of Fecundity, and I'm fairly well pleased with it. Just come with me and I'll show it you."
Thereupon he insisted on taking them to his private studio, which was near by, just below Guillaume's little house. It was entered by way of the Rue du Calvaire, a street which is simply a succession of ladder-like flights of steps. The door opened on to one of the little landings, and one found oneself in a s.p.a.cious, well-lighted apartment littered with models and casts, fragments and figures, quite an overflow of st.u.r.dy, powerful talent. On a stool was the unfinished model of Fecundity swathed in wet cloths. These Jahan removed, and then she stood forth with her rounded figure, her broad hips and her wifely, maternal bosom, full of the milk which nourishes and redeems.
"Well, what do you think of her?" asked Jahan. "Built as she is, I fancy that her children ought to be less puny than the pale, languid, aesthetic fellows of nowadays!"
While Antoine and Francois were admiring the figure, Pierre, for his part, took most interest in a young girl who had opened the door to them, and who had now wearily reseated herself at a little table to continue a book she was reading. This was Jahan's sister, Lise. A score of years younger than himself, she was but sixteen, and had been living alone with him since their father's death. Very slight and delicate looking, she had a most gentle face, with fine light hair which suggested pale gold-dust.
She was almost a cripple, with legs so weak that she only walked with difficulty, and her mind also was belated, still full of childish _naivete_. At first this had much saddened her brother, but with time he had grown accustomed to her innocence and languor. Busy as he always was, ever in a transport, overflowing with new plans, he somewhat neglected her by force of circ.u.mstances, letting her live beside him much as she listed.
Pierre had noticed, however, the sisterly impulsiveness with which she had greeted Antoine. And the latter, after congratulating Jahan on his statue, came and sat down beside her, questioned her and wished to see the book which she was reading. During the last six months the most pure and affectionate intercourse had sprung up between them. He, from his father's garden, up yonder on the Place du Tertre, could see her through the huge window of that studio where she led so innocent a life. And noticing that she was always alone, as if forsaken, he had begun to take an interest in her. Then had come acquaintance; and, delighted to find her so simple and so charming, he had conceived the design of rousing her to intelligence and life, by loving her, by becoming at once the mind and the heart whose power fructifies. Weak plant that she was, in need of delicate care, suns.h.i.+ne and affection, he became for her all that her brother had, through circ.u.mstances, failed to be. He had already taught her to read, a task in which every mistress had previously failed. But him she listened to and understood. And by slow degrees a glow of happiness came to the beautiful clear eyes set in her irregular face. It was love's miracle, the creation of woman beneath the breath of a young lover who gave himself entirely. No doubt she still remained very delicate, with such poor health that one ever feared that she might expire in a faint sigh; and her legs, moreover, were still too weak to admit of her walking any distance. But all the same, she was no longer the little wilding, the little ailing flower of the previous spring.
Jahan, who marvelled at the incipient miracle, drew near to the young people. "Ah!" said he, "your pupil does you honour. She reads quite fluently, you know, and understands the fine books you send her. You read to me of an evening now, don't you, Lise?"
She raised her candid eyes, and gazed at Antoine with a smile of infinite grat.i.tude. "Oh! whatever he'll teach me," she said, "I'll learn it, and do it."
The others laughed gently. Then, as the visitors were going off, Francois paused before a model which had cracked while drying. "Oh! that's a spoilt thing," said the sculptor. "I wanted to model a figure of Charity.
It was ordered of me by a philanthropic inst.i.tution. But try as I might, I could only devise something so commonplace that I let the clay spoil.
Still, I must think it over and endeavour to take the matter in hand again."
When they were outside, it occurred to Pierre to go as far as the basilica of the Sacred Heart in the hope of finding Abbe Rose there. So the three of them went round by way of the Rue Gabrielle and climbed the steps of the Rue Chape. And just as they were reaching the summit where the basilica reared its forest of scaffoldings beneath the clear sky, they encountered Thomas, who, on leaving the factory, had gone to give an order to a founder in the Rue Lamarck.
He, who as a rule was so silent and discreet, now happened to be in an expansive mood, which made him look quite radiant. "Ah! I'm so pleased,"
he said, addressing Pierre; "I fancy that I've found what I want for our little motor. Tell father that things are going on all right, and that he must make haste to get well."
At these words his brothers, Francois and Antoine, drew close to him with a common impulse. And they stood there all three, a valiant little group, their hearts uniting and beating with one and the same delight at the idea that their father would be gladdened, that the good news they were sending him would help him towards recovery. As for Pierre, who, now that he knew them, was beginning to love them and judge them at their worth, he marvelled at the sight of these three young giants, each so strikingly like the other, and drawn together so closely and so promptly, directly their filial affection took fire.
"Tell him that we are waiting for him, and will come to him at the first sign if we are wanted."
Then each in turn shook the priest's hand vigorously. And while he remained watching them as they went off towards the little house, whose garden he perceived over the wall of the Rue Saint Eleuthere, he fancied he could there detect a delicate silhouette, a white, sunlit face under a help of dark hair. It was doubtless the face of Marie, examining the buds on her lilac bushes. At that evening hour, however, the diffuse light was so golden that the vision seemed to fade in it as in a halo. And Pierre, feeling dazzled, turned his head, and on the other side saw naught but the overwhelming, chalky ma.s.s of the basilica, whose hugeness shut out all view of the horizon.
For a moment he remained motionless on that spot, so agitated by conflicting thoughts and feelings that he could read neither heart nor mind clearly. Then, as he turned towards the city, all Paris spread itself out at his feet, a limpid, lightsome Paris, beneath the pink glow of that spring-like evening. The endless billows of house-roofs showed forth with wonderful distinctness, and one could have counted the chimney stacks and the little black streaks of the windows by the million. The edifices rising into the calm atmosphere seemed like the anch.o.r.ed vessels of some fleet arrested in its course, with lofty masting which glittered at the sun's farewell. And never before had Pierre so distinctly observed the divisions of that human ocean. Eastward and northward was the city of manual toil, with the rumbling and the smoke of its factories. Southward, beyond the river, was the city of study, of intellectual labour, so calm, so perfectly serene. And on all sides the pa.s.sion of trade ascended from the central districts, where the crowds rolled and scrambled amidst an everlasting uproar of wheels; while westward, the city of the happy and powerful ones, those who fought for sovereignty and wealth, spread out its piles of palaces amidst the slowly reddening flare of the declining planet.
And then, from the depths of his negation, the chaos into which his loss of faith had plunged him, Pierre felt a delicious freshness pa.s.s like the vague advent of a new faith. So vague it was that he could not have expressed even his hope of it in words. But already among the rough factory workers, manual toil had appeared to him necessary and redemptive, in spite of all the misery and abominable injustice to which it led. And now the young men of intellect of whom he had despaired, that generation of the morrow which he had thought spoilt, relapsing into ancient error and rottenness, had appeared to him full of virile promise, resolved to prosecute the work of those who had gone before, and effect, by the aid of Science only, the conquest of absolute truth and absolute justice.
V. PROBLEMS
A FULL month had already gone by since Guillaume had taken refuge at his brother's little house at Neuilly. His wrist was now nearly healed. He had long ceased to keep his bed, and often strolled through the garden.
In spite of his impatience to go back to Montmartre, join his loved ones and resume his work there, he was each morning prompted to defer his return by the news he found in the newspapers. The situation was ever the same. Salvat, whom the police now suspected, had been perceived one evening near the central markets, and then again lost sight of. Every day, however, his arrest was said to be imminent. And in that case what would happen? Would he speak out, and would fresh perquisitions be made?
For a whole week the press had been busy with the bradawl found under the entrance of the Duvillard mansion. Nearly every reporter in Paris had called at the Grandidier factory and interviewed both workmen and master.
Some had even started on personal investigations, in the hope of capturing the culprit themselves. There was no end of jesting about the incompetence of the police, and the hunt for Salvat was followed all the more pa.s.sionately by the general public, as the papers overflowed with the most ridiculous concoctions, predicting further explosions, and declaring even that all Paris would some morning be blown into the air.
The "Voix du Peuple" set a fresh shudder circulating every day by its announcements of threatening letters, incendiary placards and mysterious, far-reaching plots. And never before had so base and foolish a spirit of contagion wafted insanity through a civilised city.
Guillaume, for his part, no sooner awoke of a morning than he was all impatience to see the newspapers, quivering at the idea that he would at last read of Salvat's arrest. In his state of nervous expectancy, the wild campaign which the press had started, the idiotic and the ferocious things which he found in one or another journal, almost drove him crazy.
A number of "suspects" had already been arrested in a kind of chance razzia, which had swept up the usual Anarchist herd, together with sundry honest workmen and bandits, _illumines_ and lazy devils, in fact, a most singular, motley crew, which investigating magistrate Amadieu was endeavouring to turn into a gigantic a.s.sociation of evil-doers. One morning, moreover, Guillaume found his own name mentioned in connection with a perquisition at the residence of a revolutionary journalist, who was a friend of his. At this his heart bounded with revolt, but he was forced to the conclusion that it would be prudent for him to remain patient a little longer, in his peaceful retreat at Neuilly, since the police might at any moment break into his home at Montmartre, to arrest him should it find him there.
Amidst all this anxiety the brothers led a most solitary and gentle life.
Pierre himself now spent most of his time at home. The first days of March had come, and precocious springtide imparted delightful charm and warmth to the little garden. Guillaume, however, since quitting his bed, had more particularly installed himself in his father's old laboratory, now transformed into a s.p.a.cious study. All the books and papers left by the ill.u.s.trious chemist were still there, and among the latter Guillaume found a number of unfinished essays, the perusal of which greatly excited his interest, and often absorbed him from morning till night. It was this which largely enabled him to bear his voluntary seclusion patiently.
Seated on the other side of the big table, Pierre also mostly occupied himself with reading; but at times his eyes would quit his book and wander away into gloomy reverie, into all the chaos into which he still and ever sank. For long hours the brothers would in this wise remain side by side, without speaking a word. Yet they knew they were together; and occasionally, when their eyes met, they would exchange a smile. The strong affection of former days was again springing up within them; their childhood, their home, their parents, all seemed to live once more in the quiet atmosphere they breathed. However, the bay window overlooked the garden in the direction of Paris, and often, when they emerged from their reading or their reverie, it was with a sudden feeling of anxiety, and in order to lend ear to the distant rumbling, the increased clamour of the great city.
On other occasions they paused as if in astonishment at hearing a continuous footfall overhead. It was that of Nicholas Barthes, who still lingered in the room above. He seldom came downstairs, and scarcely ever ventured into the garden, for fear, said he, that he might be perceived and recognised from a distant house whose windows were concealed by a clump of trees. One might laugh at the old conspirator's haunting thought of the police. Nevertheless, the caged-lion restlessness, the ceaseless promenade of that perpetual prisoner who had spent two thirds of his life in the dungeons of France in his desire to secure the liberty of others, imparted to the silence of the little house a touching melancholy, the very rhythm as it were of all the great good things which one hoped for, but which would never perhaps come.
Very few visits drew the brothers from their solitude. Bertheroy came less frequently now that Guillaume's wrist was healing. The most a.s.siduous caller was certainly Theophile Morin, whose discreet ring was heard every other day at the same hour. Though he did not share the ideas of Barthes he wors.h.i.+pped him as a martyr; and would always go upstairs to spend an hour with him. However, they must have exchanged few words, for not a sound came from the room. Whenever Morin sat down for a moment in the laboratory with the brothers, Pierre was struck by his seeming weariness, his ashen grey hair and beard and dismal countenance, all the life of which appeared to have been effaced by long years spent in the teaching profession. Indeed, it was only when the priest mentioned Italy that he saw his companion's resigned eyes blaze up like live coals. One day when he spoke of the great patriot Orlando Prada, Morin's companion of victory in Garibaldi's days, he was amazed by the sudden flare of enthusiasm which lighted up the other's lifeless features. However, these were but transient flashes: the old professor soon reappeared, and all that one found in Morin was the friend of Proudhon and the subsequent disciple of Auguste Comte. Of his Proudhonian principles he had retained all a pauper's hatred of wealth, and a desire for a more equitable part.i.tion of fortune. But the new times dismayed him, and neither principle nor temperament allowed him to follow Revolutionism to its utmost limits. Comte had imparted unshakable convictions to him in the sphere of intellectual questions, and he contented himself with the clear and decisive logic of Positivism, rejecting all metaphysical hypotheses as useless, persuaded as he was that the whole human question, whether social or religious, would be solved by science alone. This faith, firm as it had remained, was, however, coupled with secret bitterness, for nothing seemed to advance in a sensible manner towards its goal. Comte himself had ended in the most cloudy mysticism; great _savants_ recoiled from truth in terror; and now barbarians were threatening the world with fresh night; all of which made Morin almost a reactionist in politics, already resigned to the advent of a dictator, who would set things somewhat in order, so that humanity might be able to complete its education.
Other visitors who occasionally called to see Guillaume were Bache and Janzen, who invariably came together and at night-time. Every now and then they would linger chatting with Guillaume in the s.p.a.cious study until two o'clock in the morning. Bache, who was fat and had a fatherly air, with his little eyes gently beaming amidst all the snowy whiteness of his hair and beard, would talk on slowly, unctuously and interminably, as soon as he had begun to explain his views. He would address merely a polite bow to Saint-Simon, the initiator, the first to lay down the law that work was a necessity for one and all according to their capacities; but on coming to Fourier his voice softened and he confessed his whole religion. To his thinking, Fourier had been the real messiah of modern times, the saviour of genius, who had sown the good seed of the future world, by regulating society such as it would certainly be organised to-morrow. The law of harmony had been promulgated; human pa.s.sions, liberated and utilised in healthy fas.h.i.+on, would become the requisite machinery; and work, rendered pleasant and attractive, would prove the very function of life. Nothing could discourage Bache; if merely one parish began by transforming itself into a _phalansterium_, the whole department would soon follow, then the adjacent departments, and finally all France. Moreover, Bache even favoured the schemes of Cabet, whose Icaria, said he, had in no wise been such a foolish idea. Further, he recalled a motion he had made, when member of the Commune in 1871, to apply Fourier's ideas to the French Republic; and he was apparently convinced that the troops of Versailles had delayed the triumph of Communism for half a century. Whenever people nowadays talked of table-turning he pretended to laugh, but at bottom he had remained an impenitent "spiritist." Since he had been a munic.i.p.al councillor he had been travelling from one socialist sect to another, according as their ideas offered points of resemblance to his old faith. And he was fairly consumed by his need of faith, his perplexity as to the Divine, which he was now occasionally inclined to find in the legs of some piece of furniture, after denying its presence in the churches.
Janzen, for his part, was as taciturn as his friend Bache was garrulous.
Such remarks as he made were brief, but they were as galling as lashes, as cutting as sabre-strokes. At the same time his ideas and theories remained somewhat obscure, partly by reason of this brevity of his, and partly on account of the difficulty he experienced in expressing himself in French. He was from over yonder, from some far-away land--Russia, Poland, Austria or Germany, n.o.body exactly knew; and it mattered little, for he certainly acknowledged no country, but wandered far and wide with his dream of blood-shedding fraternity. Whenever, with his wonted frigidity, he gave utterance to one of those terrible remarks of his which, like a scythe in a meadow, cut away all before him, little less than the necessity of thus mowing down nations, in order to sow the earth afresh with a young and better community, became apparent. At each proposition unfolded by Bache, such as labour rendered agreeable by police regulations, _phalansteria_ organised like barracks, religion transformed into pantheist or spiritist deism, he gently shrugged his shoulders. What could be the use of such childishness, such hypocritical repairing, when the house was falling and the only honest course was to throw it to the ground, and build up the substantial edifice of to-morrow with entirely new materials? On the subject of propaganda by deeds, bomb-throwing and so forth, he remained silent, though his gestures were expressive of infinite hope. He evidently approved that course. The legend which made him one of the perpetrators of the crime of Barcelona set a gleam of horrible glory in his mysterious past. One day when Bache, while speaking to him of his friend Bergaz, the shadowy Bourse jobber who had already been compromised in some piece of thieving, plainly declared that the aforesaid Bergaz was a bandit, Janzen contented himself with smiling, and replying quietly that theft was merely forced rest.i.tution.
The Three Cities Trilogy: Paris Part 17
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