Madame Flirt Part 25
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All you have to do is to express mine and keep your body and soul together comfortably. You can't do that now and the two'll part company before long unless you alter. You were not so squeamish last night at the Chapter Coffee House."
"There was a reason for that. I was full of wine and hardly knew what I was saying."
"I'll warrant you didn't. That same wine, let me tell you, will be your undoing. Now that your head is clear you'd better think over my offer.
It will at least provide you with a more decent coat and wig than those you're wearing. A young man should dress smartly. What's his life worth to him unless women look kindly upon him? Do you expect they care for a shabby gallant?"
Vane was silent. Some of Curll's words had gone home.
"I'll think it over," said he at last.
"That's right. Think over it and if you're in love, as you ought to be, ask your girl if I'm not right. Have a night's consideration and come and see me to-morrow. I wish you good-night and--more sense."
CHAPTER XV
"A MAN SHOULD FIGHT HIS WAY THROUGH THE WORLD"
Vane left alone, strolled onward moodily, his eyes bent on the ground.
"In love, as I ought to be, said that scoundrel," he was muttering. "How does he know I'm not? But what's the good? Faith, I believe I'm the poorest devil in London and the unluckiest. Some people would say that it is my own fault and that I've no need to be. Anyhow, my worthy father would hold that view. I doubt if he'd kill the fatted calf if I went back to him.... Go back! I'd rather go to the devil to whose tender mercies he consigned me. Well, let it be so.... I've had some of the joys of life--though maybe I've also had a good slice of its disappointments.... It was worth being poor to have the pity of that dear delightful girl.... G.o.d, what eyes! How sweet the tones of her voice! I feel I love every hair of her pretty head. But to what purpose?
She's not for me. She never could be. Yet--well I shall see her again.
That's a joy to live for ... anyway. But it's too late to expect her now. There's nothing left but to dream of her."
While thus soliloquising, kicking the pebbles as an accompaniment to his thoughts, Vane neared the corner of Moor Fields leading to Cripples Gate and was pounced upon by a couple of noisy fellows, friends of his, who, newly sprung with wine, would have him go with them to the "Bear and Staff" close to the Gate.
"No--no," protested Vane, "I'm not in the mood."
"The very reason why you should drink," quoth one.
"But I've sworn not to touch a drop of anything stronger than coffee or chocolate for a week. I had too much port last night."
"Worse and worse. Hang it man, whatever you may have been at Oxford University you are no disputant now. Your resolution to be virtuous for a week won't last a day unless you strengthen it. And what strengthens the wit more than wine?"
"Get thee gone Satan. I'm not to be tempted by a paradox."
Vane did not speak with conviction. His spirits were low. Curll's offer was worrying him. To be in the service of such a man, whose personal character was as infamous as some of the books he published, was a humiliation. It meant the prost.i.tution of his faculties. He shuddered at the prospect of becoming one of Curll's slaves to some of whom he paid a mere pittance and who were sunk so low they had no alternative but to do his bidding.
Meanwhile the second man had thrust his arm within Vane's and had led him along a few paces, when suddenly the imprisoned arm was withdrawn and Vane pulled himself up. He had caught sight of a Nithsdale cloak with the face he had been dreaming about all day peeping from beneath the hood.
"Jarvis--Compton--let me go," he exclaimed, "another time."
He violently wrenched himself free. They followed his eyes and instinctively guessed the reason of his objection. The figure in the cloak had turned but there was an unmistakeable suggestion of lingering in her att.i.tude.
"Man alive," laughed Jarvis, "your argument's unanswerable. We give you best. Woman has conquered as she always does. Good luck."
Vane did not stay to listen to the banter of his friends but hastened towards the cloak.
"You're my good angel," he whispered holding out both his hands.
"I'm afraid I've come at a wrong moment. I'm taking you from your friends," said the girl in the cloak a little coldly.
"You're offended. Pray forgive me if I've done anything wrong."
"Not to me. Perhaps to yourself. But I ought not to say ... no, what you do is nothing to me."
"Do you really mean that?"
"Why not? You know it as well as I do--may be better."
"Indeed, I don't. Forgive me if I've allowed myself to think that I was of some interest to you. Of course I was foolish to have such fancies.
Still, you've been so kind.... I hardly like to ask you if you have seen Mr. Gay ... and ... and ... my tragedy...."
Vane could not conceal his agitation. Lavinia took pity on him and her manner softened in that subtle inexplicable way which women have.
"Yes, I've seen him and I gave him your play."
"Ah, I can never thank you sufficiently. And what did he say?"
"He put the play in his pocket and promised to read it. He could not do any more, could he?" Lavinia quickly added seeing disappointment written in the young dramatist's face.
"No, indeed. But did he give hopes that he would speak to Mr. Rich at the Duke's Theatre or to Mr. Cibber at Drury Lane?"
"I don't think he did. I can't remember. He told me he was himself writing a play--an opera--but he was not sanguine he should get it performed."
"An opera? It is a waste of time. Operas are written by foreigners and the music and the singers are foreign too. What do the English care about operas written in their own tongue? It's not wonderful that Mr.
Gay should be doubtful. Now a tragedy is a different thing. That's something everybody understands!"
"Do they? I fear then I'm very stupid. I saw a tragedy once and I'm not sure I knew what it was about. The people on the stage made such long speeches to each other they tired me to death. But I'm sure yours would not be like that."
"Ah, you say that because you want to put me in good heart. We'll talk no more about it, nor about myself either."
"Oh, but I do want to talk about you. I've something to say and I don't know how to say it without hurting you," said Lavinia, hesitatingly.
"You don't mean you're going to bid me good-bye?" he burst out. "I won't say _that_. You're the only one I've ever met who's encouraged me out of pure good nature. When I've had money to spend on them, friends have sought me out fawning and flattering. After they'd emptied my purse they vanished."
"Yes, yes, and that's why I want to talk to you. Aren't you easily led to take too much wine?"
"Perhaps--perhaps, but no more than other men."
"I hope so, at least not more than the men I saw you with last night."
"You saw me! Where?"
"In a coffee house near St. Paul's. The man who left you a few minutes ago was making you drink and the others were helping him. Your gla.s.s was never empty save when you yourself had emptied it. I don't like that white-faced squinting man. His voice is horrid. His vulgar talk--oh, it made me put my fingers to my ears and run out of the house. He doesn't mean you well."
"I--I like him no more than you," stammered Vane. "But he wants me to write for him. It would put money in my pocket. How could I refuse to drink with him?"
Madame Flirt Part 25
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Madame Flirt Part 25 summary
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