Where I'm Calling From Part 20
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The suns.h.i.+ne inside the room was different now, changing, getting thinner. But the leaves outside the window were still s.h.i.+mmering, and I stared at the pattern they made on the panes and on the Formica counter. They weren't the same patterns, of course.
"What about the old couple?" I said.
"Older but wiser," Terri said.
Mel stared at her.
Terri said, "Go on with your story, hon. I was only kidding. Then what happened?"
"Terri, sometimes," Mel said.
"Please, Mel," Terri said. "Don't always be so serious, sweetie. Can't you take a joke?"
"Where's the joke?" Mel said.
He held his gla.s.s and gazed steadily at his wife.
"What happened?" Laura said.
Mel fastened his eyes on Laura. He said, "Laura, if I didn't have Terri and if I didn't love her so much, and if Nick wasn't my best friend, I'd fall in love with you. I'd carry you off, honey," he said.
"Tell your story," Terri said. "Then we'll go to that new place, okay?"
"Okay," Mel said. "Where was I?" he said. He stared at the table and then he began again.
"I dropped in to see each of them every day, sometimes twice a day if I was up doing other calls anyway. Casts and bandages, head to foot, the both of them. You know, you've seen it in the movies.
That's just the way they looked, just like in the movies. Little eye-holes and nose-holes and mouth-holes.
And she had to have her legs slung up on top of it. Well, the husband was very depressed for the longest while. Even after he found out that his wife was going to pull through, he was still very depressed.
Not about the accident, though. I mean, the accident was one thing, but it wasn't everything. I'd get up to his mouth-hole, you know, and he'd say no, it wasn't the accident exactly but it was because he couldn't see her through his eye-holes. He said that was what was making him feel so bad. Can you imagine? I'm telling you, the man's heart was breaking because he couldn't turn his G.o.dd.a.m.n head and see his G.o.dd.a.m.n wife."
Mel looked around the table and shook his head at what he was going to say.
"I mean, it was killing the old fart just because he couldn't look at the f.u.c.king woman."
We all looked at Mel.
"Do you see what I'm saying?" he said.
Maybe we were a little drunk by then. I know it was hard keeping things in focus. The light was draining out of the room, going back through the window where it had come from. Yet n.o.body made a move to get up from the table to turn on the overhead light.
"Listen," Mel said. "Let's finish this f.u.c.king gin. There's about enough left here for one shooter all around. Then let's go eat. Let's go to the new place."
"He's depressed," Terri said. "Mel, why don't you take a pill?"
Mel shook his head. "I've taken everything there is."
"We all need a pill now and then," I said.
"Some people are born needing them," Terri said.
She was using her finger to rub at something on the table. Then she stopped rubbing.
"I think I want to call my kids," Mel said. "Is that all right with everybody? I'll call my kids," he said.
Terri said, "What if Marjorie answers the phone? You guys, you've heard us on the subject of Marjorie?
Honey, you know you don't want to talk to Marjorie. It'll make you feel even worse."
"I don't want to talk to Marjorie," Mel said. "But I want to talk to my kids."
"There isn't a day goes by that Mel doesn't say he wishes she'd get married again. Or else die," Terri said. "For one thing," Terri said, "she's bankrupting us. Mel says it's just to spite him that she won't get marriedagain. She has a boyfriend who lives with her and the kids, so Mel is supporting the boyfriend too."
"She's allergic to bees," Mel said. "If I'm not praying she'll get married again, I'm praying she'll get herself stung to death by a swarm of f.u.c.king bees."
"Shame on you," Laura said.
"Bzzzzzzz," Mel said, turning his fingers into bees and buzzing them at Terri's throat. Then he let his hands drop all the way to his sides.
"She's vicious," Mel said. "Sometimes I think I'll go up there dressed like a beekeeper. You know, that hat that's like a helmet with the plate that comes-down over your face, the big gloves, and the padded coat? I'll knock on the door and let loose a hive of bees in the house. But first I'd make sure the kids were out, of course."
He crossed one leg over the other. It seemed to take him a lot of time to do it. Then he put both feet on the floor and leaned forward, elbows on the table, his chin cupped in his hands.
"Maybe I won't call the kids, after all. Maybe it isn't such a hot idea. Maybe we'll just go eat. How does that sound?"
"Sounds fine to me," I said. "Eat or not eat. Or keep drinking. I could head right on out into the sunset."
"What does that mean, honey?" Laura said.
"It just means what I said," I said. "It means I could just keep going. That's all it means."
"I could eat something myself," Laura said. "I don't think I've ever been so hungry in my life. Is there something to nibble on?"
"I'll put out some cheese and crackers," Terri said.
But Terri just sat there. She did not get up to get anything.
Mel turned his gla.s.s over. He spilled it out on the table.
"Gin's gone," Mel said.
Terri said, "Now what?"
I could hear my heart beating. I could hear everyone's heart. I could hear the human noise we sat there making, not one of us moving, not even when the room went dark.
Distance
'She's in Milan for Christmas and wants to know what it was like when she was a kid. Always that on the rare occasions when he sees her.
Tell me, she says. Tell me what it was like then. She sips Strega, waits, eyes him closely.
She is a cool, slim, attractive girl, a survivor from top to bottom.
That was a long time ago. That was twenty years ago, he says. They're in his apartment on the Via Fabroni near the Cascina Gardens.
You can remember, she says. Go on, tell me.
What do you want to hear? he asks. What can I tell you? I could tell you about something that happened when you were a baby. It involves you, he says. But only in a minor way.
Tell me, she says. But first get us another drink, so you won't have to interrupt half way through.
He comes back from the kitchen with drinks, settles into his chair, begins.
They were kids themselves, but theywere crazy in love, this eighteen-year-old boy and his seventeen-year-old girl friend when they married.
Not all that long afterward they had a daughter.
The baby came along in late November during a severe cold spell that just happened to coincide with the peak of the waterfowl season in that part of the country. The boy loved to hunt, you see, that's part of it.
The boy and girl, husband and wife now, father and mother, livedin a three-room apartment under a dentist's office. Each night they cleaned the upstairs office in exchange for their rent and utilities. In the summer they were expected to maintain the lawn and the flowers, and in winter the boy shoveled snow from the walks and spread rock salt on the pavement. The two kids, I'm telling you, were very much in love. On top of this they had great ambitions and they were wild dreamers. They were always talking about the things they were going to do and the places they were going to go.
He gets up from his chair and looks out the window for a minute over the slate rooftops at the snow that falls steadily through the late afternoon light.
Tell the story, she says.
The boy and girl slept in the bedroom, and the baby slept in a crib in the living room. You see, the baby was about three weeks old at this time and had only just begun to sleep through the night.
One Sat.u.r.day night, after finis.h.i.+ng his work upstairs, the boy went into the dentist's private office, put his feet up on the desk, and called Carl Sutherland, an old hunting and fis.h.i.+ng friend of his father's.
Carl, he said when the man picked up the receiver. I'm a father. We had a baby girl.
Congratulations, boy, Carl said. How is the wife?
She's fine, Carl. The baby's fine, too, the boy said. Everybody's fine.
That's good, Carl said. I'm glad to hear it. Well, you give my regards to the wife. If you called about going hunting, I'll tell you something. The geese are flying down there to beat the band. I don't think I've ever seen so many of them and I've been going for years. I shot five today. Two this morning and three this afternoon. I'm going back in the morning and you come along if you want to.
I want to, the boy said. That's why I called.
You be here at five-thirty sharp then and we'll go, Carl said. Bring lots of sh.e.l.ls. We'll get some shooting in all right. I'll see you in the morning.
The boy liked Carl Sutherland. He'd been a friend of the boy's father, who was dead now. After the father's death, maybe trying to replace a loss they both felt, the boy and Sutherland had started hunting together. Sutherland was a lean, balding man who lived alone and was not given to casual talk. Once in a while, when they were together, the boy felt uncomfortable, wondered if he had said or done something wrong because he was not used to being around people who kept still for long periods of time. But when he did talk the older man was often opinionated, and frequently the boy didn't agree with the opinions. Yet the man had a toughness and woods-savvy about him that the boy liked and admired.
The boy hung up the telephone and went downstairs to tell the girl. She watched while he laid out his things. Hunting coat, sh.e.l.l bag, boots, socks, hunting cap, woolen underwear, pump gun.
What time will you be back? the girl asked.
Probably around noon, he said. But maybe not until after five or six o'clock. Is that too late?
It's fine, she said. We'll get along just fine. You go and have some fun. You deserve it. Maybe tomorrow evening we'll dress Catherine up and go visit Sally.
Sure, that sounds like a good idea, he said. Let's plan on that.
Sally was the girl's sister. She was ten years older. The boy was a little in love with her, just as he was a little in love with Betsy, who was another sister the girl had. He'd said to the girl, if we weren't married I could go for Sally.
What about Betsy? the girl had said. I hate to admit it but I truly feel she's better looking than Sally or me. What about her?
Betsy too, the boy said and laughed. But not in the same way I could go for Sally. There's something about Sally you could fall for. No, I believe I'd prefer Sally over Betsy, if I had to make a choice.
But who do you really love? the girl asked. Who do you love most in all the world? Who's your wife?
You're my wife, the boy said.
And will we always love each other? the girl asked, enormously enjoying this conversation he could tell.
Always, the boy said. And we'll always be together. We're like the Canada geese, he said, taking the first comparison that came to mind, for they were often on his mind in those days. They only mate once.
They choose a mate early in life, and they stay together always. If one of them dies or something, the other one will live by itself, or even continue to live with the flock, but it will stay single and alone amongst all the other geese.
That's sad, the girl said. It's sadder for it to live that way, I think, alone but with all the others, than just to live off by itself somewhere.
It is sad, the boy said. But it's Nature.
Have you ever killed one of those? she asked. You know what I mean.
He nodded. He said, Two or three times I've shot a goose, then a minute or two later I'd see another goose turn back from the rest and begin to circle and call over the goose that lay on the ground.
Did you shoot it too? she asked with concern.
If I could, he answered. Sometimes I missed.
And it didn't bother you? she said.
Never, he said. You can't think about it when you're doing it. You see, I love everything there is about geese. I love to just watch them even when I'm not hunting them. But there are all kinds of contradictions in life. You can't think about the contradictions.
After dinner he turned up the furnace and helped her bathe the baby. He marveled again at the infant who had half his features, the eyes and mouth, and half the girl's, the chin and the nose. He powdered the tiny body and then powdered in between the fingers and toes. He watched the girl put the baby into its diaper and pajamas.
He emptied the bath into the shower basin and then he went upstairs. It was cold and overcast outside.
His breath streamed in the air. The gra.s.s, what there was of it, looked like canvas, stiff and gray under the street light. Snow lay in piles beside the walk. A car went by and he heard sand grinding under the tires. He let himself imagine what it might be like tomorrow, geese milling in the air over his head, the gun plunging against his shoulder.
Where I'm Calling From Part 20
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Where I'm Calling From Part 20 summary
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