Etiquette Part 13

The decorations of the table are practically the same as for dinner: flowers, or a silver ornament or epergne in the center, and flower dishes or compotiers or patens filled with ornamental fruit or candy at the corners. If the table is very large and rather bare without candles, four vases or silver bowls of flowers, or ornamental figures are added.

If the center ornament is of porcelain, four porcelain figures to match have at least a logical reason for their presence, or a bisque "garden" set of vases and bal.u.s.trades, with small flowers and vines put in the vases to look as though they were growing, follows out the decoration. Most people, however, like a spa.r.s.ely ornamented table.

The places are set as for dinner, with a place plate, three forks, two knives and a small spoon. The lunch napkin, which should match the table linen, is much smaller than the dinner napkin, and is not folded quite the same: it is folded like a handkerchief, in only four folds (four thicknesses). The square is laid on the place plate diagonally, with the monogrammed (or embroidered) corner pointing down toward the edge of the table. The upper corner is then turned sharply under in a flat crease for about a quarter of its diagonal length; then the two sides are rolled loosely under, making a sort of pillow effect laid sideways; with a straight top edge and a pointed lower edge, and the monogram displayed in the center.

Another feature of luncheon service, which is always omitted at dinner, is the bread and b.u.t.ter plate.

The Bread and b.u.t.ter Plate The b.u.t.ter plate has been entirely dispossessed by the bread and b.u.t.ter plate, which is part of the luncheon service always--as well as of breakfast and supper. It is a very small plate about five and a half to six and a half inches in diameter, and is put at the left side of each place just beyond the forks. b.u.t.ter is sometimes put on the plate by the servant (as in a restaurant) but usually it is pa.s.sed. Hot breads are an important feature of every luncheon; hot crescents, soda biscuits, bread biscuits, dinner rolls, or corn bread, the latter baked in small pans like pie plates four inches in diameter. Very thin bread that is roasted in the oven until it is curled and light brown (exactly like a large Saratoga chip), is often made for those who don't eat b.u.t.ter, and is also suitable for dinner. This "double-baked" bread, toast, and one or two of the above varieties, are all put in an old-fas.h.i.+oned silver cake-basket, or actual basket of wicker, and pa.s.sed as often as necessary. b.u.t.ter is also pa.s.sed (or helped) throughout the meal until the table is cleared for dessert. Bread and b.u.t.ter plates are always removed with the salt and pepper pots.

!THE SERVICE OF LUNCHEON!

The service is identical with that of dinner. Carving is done in the kitchen and no food set on the table except ornamental dishes of fruit, candy and nuts. The plate service is also the same as at dinner. The places are never left plateless, excepting after salad, when the table is cleared and crumbed for dessert. The dessert plates and finger bowls are arranged as for dinner. Flowers are usually put in the finger bowls, a little spray of any sweet-scented flower, but "corsage bouquets" laid at the places with flower pins complete are in very bad taste.

!THE LUNCHEON MENU!

Five courses at most (not counting the pa.s.sing of a dish of candy or after-dinner coffee as a course), or more usually four actual courses, are thought sufficient in the smartest houses. Not even at the Worldlys' or the Gildings' will you ever see a longer menu than: 1. Fruit, or soup in cups 2. Eggs 3. Meat and vegetables 4. Salad 5. Dessert or 1. Fruit 2. Soup 3. Meat and vegetables 4. Salad 5. Dessert or 1. Fruit 2. Soup 3. Eggs 4. Fowl or "tame" game with salad 5. Dessert An informal lunch menu is seldom more than four courses and would eliminate either No. 1 or No. 2 or No. 5.

The most popular fruit course is a macedoine or mixture of fresh orange, grape fruit, malaga grapes, banana, and perhaps a peach or a little pineapple; in fact, any sort of fruit cut into very small pieces, with sugar and maraschino, or rum, for flavor--or nothing but sugar--served in special bowl-shaped gla.s.ses that fit into long-stemmed and much larger ones, with a s.p.a.ce for crushed ice between; or it can just as well be put in champagne or any bowl-shaped gla.s.ses, after being kept as cold as possible in the ice-box until sent to the table.

If the first course is grape fruit, it is cut across in half, the sections cut free and all dividing skin and seeds taken out with a sharp vegetable knife, and sugar put in it and left standing for an hour or so. A slice of melon is served plain.

Soup at luncheon, or at a wedding breakfast or a ball supper, is never served in soup plates, but in two-handled cups, and is eaten with a teaspoon or a bouillon spoon. It is limited to a few varieties: either chicken, or clam broth, with a spoonful of whipped cream on top; or bouillon, or green turtle, or strained chicken, or tomato broth; or in summer, cold bouillon or broth.

Lunch party egg dishes must number a hundred varieties. (See any cook book!) Eggs that are substantial and "rich," such as eggs Benedict, or stuffed with pate de foie gras and a mushroom sauce, should then be "balanced" by a simple meat, such as broiled chicken and salad, combining meat and salad courses in one. On the other hand, should you have a light egg course, like "eggs surprise," you could have meat and vegetables, and plain salad; or an elaborate salad and no dessert. Or with fruit and soup, omit eggs, especially if there is to be an aspic with salad.

The menu of an informal luncheon, if it does not leave out a course, at least chooses simpler dishes. A bouillon or broth, s.h.i.+rred eggs or an omelette; or scrambled eggs on toast which has first been spread with a pate or meat puree; then chicken or a chop with vegetables, a salad of plain lettuce with crackers and cheese, and a pudding or pie or any other "family" dessert. Or broiled chicken, chicken croquettes, or an aspic, is served with the salad in very hot weather. While cold food is both appropriate and palatable, no meal should ever be chosen without at least one course of hot food. Many people dislike cold food, and it disagrees with others, but if you offer your guests soup, or even tea or chocolate, it would then do to have the rest of the meal cold.

!LUNCHEON BEVERAGES!

It is an American custom--especially in communities where the five o'clock tea habit is neither so strong nor so universal as in New York, for the lady of a house to have the tea set put before her at the table, not only when alone, but when having friends lunching informally with her, and to pour tea, coffee, or chocolate. And there is certainly not the slightest reason why, if she is used to these beverages and would feel their omission, she should not "pour out" what she chooses. In fact, although tea is never served hot at formal New York luncheons, iced tea is customary in all country houses in summer; and chocolate, not poured by the hostess, but brought in from the pantry and put down at the right of each plate, is by no means unusual at informal lunch parties.

Iced tea at lunch in summer is poured at the table by a servant from a gla.s.s pitcher, and is prepared like a "cup" with lemon and sugar, and sometimes with cut up fresh fruit and a little squeezed fruit juice. Plain cold tea may be pa.s.sed in gla.s.ses, and lemon and sugar separately. At an informal luncheon, cold coffee, instead of tea, is pa.s.sed around in a gla.s.s pitcher, on a tray that also holds a bowl of powdered sugar and a pitcher of cold milk, and another of as thick as possible cream. The guests pour their coffee to suit themselves into tall gla.s.ses half full of broken ice, and furnished with very long-handled spoons.

If tea or coffee or chocolate are not served during the meal, there is always a cup of some sort: grape or orange juice (in these days) with sugar and mint leaves, and ginger ale or carbonic water.

If dessert is a hot pudding or pastry, the "hotel service" of dessert plates should be used. The gla.s.s plate is particularly suitable for ice cream or any cold dessert, but is apt to crack if intensely hot food is put on it.

!DETAILS OF ETIQUETTE AT LUNCHEONS!

Gentlemen leave their coats, hats, sticks, in the hall; ladies leave heavy outer wraps in the hall, or dressing-room, but always go into the drawing-room with their hats and gloves on. They wear their fur neck pieces and carry their m.u.f.fs in their hands, if they choose, or they leave them in the hall or dressing-room. But fas.h.i.+onable ladies never take off their hats. Even the hostess herself almost invariably wears a hat at a formal luncheon in her own house, though there is no reason why she should not be hatless if she prefers, or if she thinks she is prettier without! Guests, however, do not take off their hats at a lunch party even in the country. They take off their gloves at the table, or sooner if they choose, and either remove or turn up, their veils. The hostess does not wear gloves, ever. It is also very unsuitable for a hostess to wear a face veil in her own house, unless there is something the matter with her face, that must not be subjected to view! A hostess in a veil does not give her guests the impression of "veiled beauty," but the contrary. Guests, on the other hand, may with perfect fitness keep their veils on throughout the meal, merely fastening the lower edge up over their noses. They must not allow a veil to hang loose, and carry food under and behind it, nor must they eat with gloves on. A veil kept persistently over the face, and gloves kept persistently over the hands, means one thing: Ugliness behind. So unless you have to--don't!

The wearing of elaborate dresses at luncheons has gone entirely out of fas.h.i.+on; and yet one does once in a while see an occasional lady--rarely a New Yorker--who outs.h.i.+nes a bird of paradise and a jeweler's window; but New York women of distinction wear rather simple clothes--simple meaning untrimmed, not inexpensive. Very conspicuous clothes are chosen either by the new rich, to a.s.sure themselves of their own elegance--which is utterly lacking--or by the muttons dressed lamb-fas.h.i.+on, to a.s.sure themselves of their own youth--which alas, is gone!

Gentlemen at luncheon in town on a Sunday wear cutaway coats; in other words, what they wear to church. On a Sat.u.r.day, they wear their business suits, sack coat with either stiff or pleated-bosom s.h.i.+rts, and a starched collar. In the country, they wear country clothes.

[Ill.u.s.tration: "AT AN INFORMAL DINNER THE TABLE APPOINTMENTS ARE EQUALLY FINE AND BEAUTIFUL, THOUGH POSSIBLY NOT QUITE SO RARE." [Page 228.]]

!WHAT THE SERVANTS WEAR!

A butler wears his "morning" clothes; cutaway coat, gray striped trousers, high black waistcoat, black tie. A "hired waiter" wears a dress suit, but never a butler in a "smart" house; he does not put on his evening clothes until after six o'clock. In a smart house, the footmen wear their dress liveries, and a waitress and other maids wear their best uniforms.

!THE GUESTS LEAVE!

The usual lunch hour is half past one. By a quarter to three the last guest is invariably gone, unless, of course, it is a bridge luncheon, or for some other reason they are staying longer. From half an hour to three-quarters at the table, and from twenty minutes to half an hour's conversation afterwards, means that by half past two (if lunch was prompt) guests begin leaving. Once in a while, especially at a mixed lunch where perhaps talented people are persuaded to become "entertainers" the audience stays on for hours! But such parties are so out of the usual that they have nothing to do with the ordinary procedure, which is to leave about twenty minutes after the end of the meal.

The details for leaving are also the same as for dinners. One lady rises and says good-by, the hostess rises and shakes hands and rings a bell (if necessary) for the servant to be in the hall to open the door. When one guest gets up to go, the others invariably follow. They say "Good-by" and "Thank you so much."

Or, at a little luncheon, intimate friends often stay on indefinitely; but when lunching with an acquaintance one should never stay a moment longer than the other guests. The guest who sits on and on, unless earnestly pressed to do so, is wanting in tact and social sense. If a hostess invites a stranger who might by any chance prove a barnacle, she can provide for the contingency by instructing her butler or waitress to tell her when her car is at the door. She then says: "I had to have the car announced, because I have an appointment at the doctor's. Do wait while I put on my things--I shall be only a moment! And I can take you wherever you want to go!" This expedient should not be used when a hostess has leisure to sit at home, but on the other hand, a guest should never create an awkward situation for her hostess by staying too long.

In the country where people live miles apart, they naturally stay somewhat longer than in town.

Or two or three intimate friends who perhaps (especially in the country) come to spend the day, are not bound by rules of etiquette but by the rules of their own and their hostess' personal preference. They take off their hats or not as they choose, and they bring their sewing or knitting and sit all day, or they go out and play games, and in other ways behave as house-guests rather than visitors at luncheon. The only rule about such an informal gathering as this is, that no one should ever go and spend the day and make herself at home unless she is in the house of a really very intimate friend or relative, or unless she has been especially and specifically invited to do that very thing.

!THE STAND-UP LUNCHEON!

This is nothing more nor less than a buffet lunch. It is popular because it is a very informal and jolly sort of party--an indoor picnic really--and never attempted except among people who know each other well.

The food is all put on the dining table and every one helps himself. There is always bouillon or oyster stew or clam chowder. The most "informal" dishes are suitable for this sort of a meal, as for a picnic. There are two hot dishes and a salad, and a dessert which may be, but seldom is, ice cream.

Stand-up luncheons are very practical for hostesses who have medium sized houses, or when an elastic number of guests are expected at the time of a ball game, or other event that congregates a great many people.

A hunt breakfast is usually a stand-up luncheon. It is a "breakfast" by courtesy of half an hour in time. At twelve-thirty it is breakfast, at one o'clock it is lunch.

Regular weekly stand-up luncheons are given by hospitable people who have big places in the country and encourage their friends to drive over on some especial day when they are "at home"--Sat.u.r.days or Sundays generally--and intimate friends drop in uninvited, but always prepared for. On such occasions, luncheon is made a little more comfortable by providing innumerable individual tables to which people can carry the plates, gla.s.ses or cups and sit down in comfort.

!SUPPERS!

Supper is the most intimate meal there is, and since none but family or closest friends are ever included, invitations are invariably by word of mouth.

The atmosphere of a luncheon is often formal, but informal luncheons and suppers differ in nothing except day and evening lights, and clothes. Strangers are occasionally invited to informal luncheons, but only intimate friends are bidden to supper.

!THE SUPPER TABLE!

The table is set, as to places and napery, exactly like the lunch table, with the addition of candlesticks or candelabra as at dinner. Where supper differs from the usual lunch table is that in front of the hostess is a big silver tea-tray with full silver service for tea or cocoa or chocolate or breakfast coffee, most often chocolate or cocoa and either tea or coffee. At the host's end of the table there is perhaps a chafing dish--that is, if the host fancies himself a cook!

A number of people whose establishments are not very large, have very informal Sunday night suppers on their servants' Sundays out, and forage for themselves. The table is left set, a cold dish of something and salad are left in the icebox; the ingredients for one or two chafing dish specialties are also left ready. At supper time a member of the family, and possibly an intimate friend or two, carry the dishes to the table and make hot toast on a toaster.

This kind of supper is, in fact as well as spirit, an indoor picnic; thought to be the greatest fun by the Kindharts, but little appreciated by the Gildings, which brings it down, with so many other social customs, to a mere matter of personal taste.

CHAPTER XVII.

b.a.l.l.s AND DANCES.

A ball is the only social function in America to which such qualifying words as splendor and magnificence can with proper modesty of expression be applied. Even the most elaborate wedding is not quite "a scene of splendor and magnificence" no matter how luxurious the decorations or how costly the dress of the bride and bridesmaids, because the majority of the wedding guests do not complete the picture. A dinner may be lavish, a dance may be beautiful, but a ball alone is prodigal, meaning, of course, a private ball of greatest importance.

On rare occasions, a great ball is given in a private house, but since few houses are big enough to provide dancing s.p.a.ce for several hundred and sit-down supper s.p.a.ce for a greater number still, besides smoking-room, dressing-room and sitting-about s.p.a.ce, it would seem logical to describe a typical ball as taking place in the ballroom suite built for the purpose in nearly all hotels.

!A HOSTESS PREPARES TO GIVE A BALL!

The hostess who is not giving the ball in her own house goes first of all to see the manager of the hotel (or of whatever suitable a.s.sembly rooms there may be) and finds out which evenings are available. She then telephones--probably from the manager's office--and engages the two best orchestras for whichever evening both the orchestras and the ballroom are at her disposal. Of the two, music is of more importance than rooms. With perfect music the success of a ball is more than three-quarters a.s.sured; without it, the most beautiful decorations and most delicious supper are as flat as a fallen souffle. You cannot give a ball or a dance that is anything but a dull promenade if you have dull music.

To ill.u.s.trate the importance that prominent hostesses attach to music: a certain orchestra in New York to-day is forced to dash almost daily, not alone from party to party, but from city to city. Time and again its leader has conducted the music at a noon wedding in Philadelphia, and a ball in Boston; or a dancing tea in Providence and a ball that evening in New York; because Boston, Providence, New York and Philadelphia hostesses all at the present moment clamor for this one especial orchestra. The men have a little more respite than the leader since it is his "leading" that every one insists upon. Tomorrow another orchestra will probably make the daily tour of various cities' ballrooms.

At all b.a.l.l.s, there must be two orchestras, so that each time one finishes playing the other begins. At very dignified private b.a.l.l.s, dancers should not stand in the middle of the floor and clap as they do in a dance hall or cabaret if the music ends. On the other hand, the music should not end.

Having secured the music and engaged the ballroom, reception rooms, dressing-rooms and smoking-room, as well as the main restaurant (after it is closed to the public), the hostess next makes out her list and orders and sends out her invitations.

!INVITATIONS!

The fundamental difference between a ball and a dance is that people of all ages are asked to a ball, while only those of approximately one age are asked to a dance. Once in a while a ball is given to which the hostess invites every person on her visiting list. Mr. and Mrs. t.i.therington de Puyster give one every season, which although a credit to their intentions is seldom a credit to their sense of beauty!

Sn.o.bbish as it sounds and is, a brilliant ball is necessarily a collection of brilliantly fas.h.i.+onable people, and the hostess who gathers in all the oddly a.s.sorted frumps on the outskirts of society cannot expect to achieve a very distinguished result.

Ball invitations properly include all of the personal friends of the hostess no matter what their age, and all her better-known social acquaintances--meaning every one she would be likely to invite to a formal dinner. She does not usually invite a lady with whom she may work on a charitable committee, even though she may know her well, and like her. The question as to whether an outsider may be invited is not a matter of a hostess' own inclination so much as a question whether the "outsider" would be agreeable to all the "insiders" who are coming. If the co-worker is in everything a lady and a fitting ornament to society, the hostess might very possibly ask her.

If the ball to be given is for a debutante, all the debutantes whose mothers are on the "general visiting list" are asked as well as all young dancing men in these same families. In other words the children of all those whose names are on the general visiting list of a hostess are selected to receive invitations, but the parents on whose standing the daughters and sons are asked, are rarely invited.

When a List is Borrowed A lady who has a debutante daughter, but who has not given any general parties for years--or ever, and whose daughter, having been away at boarding-school or abroad, has therefore very few acquaintances of her own, must necessarily in sending out invitations to a ball take the list of young girls and men from a friend or a member of her family. This of course could only be done by a hostess whose position is unquestioned, but having had no occasion to keep a young people's list, she has not the least idea who the young people of the moment are, and takes a short-cut as above. Otherwise she would send invitations to children of ten and spinsters of forty, trusting to their being of suitable age.

To take a family or intimate friend's list is also important to the unaccustomed hostess, because to leave out any of the younger set who "belong" in the groups which are included, is not the way to make a party a success. Those who don't find their friends go home, or stay and are bored, and the whole party sags in consequence. So that if a hostess knows the parents personally of, let us say, eighty per cent. of young society, she can quite properly include the twenty per cent. she does not know, so that the hundred per cent. can come together. In a small community it is rather cruel to leave out any of the young people whose friends are all invited. In a very great city on the other hand, an habitual hostess does not ask any to her house whom she does not know, but she can of course be as generous as she chooses in allowing young people to have invitations for friends.

Asking for an Invitation to a Ball It is always permissible to ask a hostess if you may "bring" a dancing man who is a stranger to her. It is rather difficult to ask for an invitation for an extra girl, and still more difficult to ask for older people, because the hostess has no ground on which she can refuse without being rude; she can't say there is no room since no dance is really limited, and least of all a ball. Men who dance are always an a.s.set, and the more the better; but a strange young girl hung around the neck of the hostess is about as welcome as a fog at a garden party. If the girl is to be brought and "looked after" by the lady asking for the invitation--who has herself been already invited--that is another matter, and the hostess can not well object. Or if the young girl is the fiancee of the man whose mother asks for the invitation, that is all right too; since he will undoubtedly come with her and see that she is not left alone. Invitations for older people are never asked for unless they are rather distinguished strangers and unquestionably suitable.

Invitations are never asked for persons whom the hostess already knows, since if she had cared to invite them she would have done so. It is, however, not at all out of the way for an intimate friend to remind her of some one who in receiving no invitation has more than likely been overlooked. If the omission was intentional, nothing need be said; if it was an oversight, the hostess is very glad to repair her forgetfulness.

Invitations for Strangers An invitation that has been asked for a stranger is sent direct and without comment. For instance, when the Greatlakes of Chicago came to New York for a few weeks, Mrs. Norman asked both Mrs. Worldly and Mrs. Gilding to send them invitations; one to a musicale and the other to a ball. The Greatlakes received these invitations without Mrs. Norman's card enclosed or any other word of explanation, as it was taken for granted that Mrs. Norman would tell the Greatlakes that it was through her that the invitations were sent. The Greatlakes said "Thank you very much for asking us" when they bid their hostess good night, and they also left their cards immediately on the Worldlys and Gildings after the parties--but it was also the duty of Mrs. Norman to thank both hostesses--verbally--for sending the invitations.

!DECORATIONS!

So far as good taste is concerned, the decorations for a ball cannot be too lavish or beautiful. To be sure they should not be lavish if one's purse is limited, but if one's purse is really limited, one should not give a ball! A small dance or a dancing tea would be more suitable.

Ball decorations have on occasions been literally astounding, but as a rule no elaboration is undertaken other than hanging greens and flowers over the edge of the gallery, if there is a gallery, banking palms in corners, and putting up sheaves of flowers or trailing vines wherever most effective. In any event the hostess consults her florist, but if the decorations are to be very important, an architect or an artist is put in charge, with a florist under him.

!THE BALL BEAUTIFUL!

Certain sounds, perfumes, places, always bring a.s.sociated pictures to mind: Restaurant suppers; Paris! Distinguished-looking audiences; London! The essence of charm in society; Rome! Beguiling and informal joyousness; San Francisco! Recklessness; Colorado Springs! The afternoon visit; Was.h.i.+ngton! Hectic and splendid gaiety; New York! Beautiful b.a.l.l.s; Boston!

There are three reasons (probably more) why the b.a.l.l.s in Boston have what can be described only by the word "quality." The word "elegance" before it was misused out of existence expressed it even better.

First: Best Society in Boston having kept its social walls intact, granting admission only to those of birth and breeding, has therefore preserved a quality of unmistakable cultivation. There are undoubtedly other cities, especially in the South, which have also kept their walls up and their traditions intact--but Boston has been the wise virgin as well, and has kept her lamp filled.

Second: Boston hostesses of position have never failed to demand of those who would remain on their lists, strict obedience to the tenets of ceremonies and dignified behavior; nor ceased themselves to cultivate something of the "grand manner" that should be the birthright of every thoroughbred lady and gentleman.

Third: Boston's older ladies and gentlemen always dance at b.a.l.l.s, and they neither rock around the floor, nor take their dancing violently. And the fact that older ladies of distinction dance with dignity, has an inevitable effect upon younger ones, so that at b.a.l.l.s at least, dancing has not degenerated into gymnastics or contortions.

The extreme reverse of a "smart" Boston ball is one--no matter where--which has a roomful of people who deport themselves abominably, who greet each other by waving their arms aloft, who dance like Apaches or jiggling music-box figures, and who scarcely suggest an a.s.semblage of even decent--let alone well-bred--people.

!SUPPER!

A sit-down supper that is served continuously for two or three hours, is the most elaborate ball supper. Next in importance is the sit-down supper at a set time. Third, the buffet supper which is served at dances but not at b.a.l.l.s.

At the most fas.h.i.+onable New York b.a.l.l.s, supper service begins at one and continues until three and people go when they feel like it. The restaurant is closed to the public at one o'clock; the entrance is then curtained or shut off from the rest of the hotel. The tables are decorated with flowers and the supper service opened for the ball guests. Guests sit where they please, either "making up a table," or a man and his partner finding a place wherever there are two vacant chairs. At a private ball guests do not pay for anything or sign supper checks, or tip the waiter, since the restaurant is for the time being the private dining-room of the host and hostess.

At a sit-down supper at a set hour, the choice of menu is unlimited, but suppers are never as elaborate now as they used to be. Years ago few b.a.l.l.s were given without terrapin, and a supper without champagne was as unheard of. In fact, champagne was the heaviest item of expenditure always. Decorations might be very limited, but champagne was as essential as music! Cotillion favors were also an important item which no longer exists; and champagne has gone its way with nectar, to the land of fable, so that if you eliminate elaborate decorations, ball-giving is not half the expense it used to be.

!FOR A SIT-DOWN SUPPER THAT IS CONTINUOUS!

When the service of supper continues for several hours, it is necessary to select food that can be kept hot indefinitely without being spoiled. Birds or broiled chicken, which should be eaten the moment they are cooked, are therefore unsuitable. Dishes prepared in sauce keep best, such as lobster Newburg, sweetbreads and mushrooms, chicken a la King, or creamed oysters. Pates are satisfactory as the sh.e.l.ls can be heated in a moment and hot creamed chicken or oysters poured in. Of course all cold dishes and salads can stand in the pantry or on a buffet table all evening.

The menu for supper at a ball is entirely a matter of the hostess' selection, but whether it is served at one time or continuously, the supper menu at an important ball includes: 1. Bouillon or green turtle (clear) in cups.

2. Lobster a la Newburg (or terrapin or oyster pate or another hot dish of sh.e.l.l-fish or fowl).

3. A second choice hot dish of some sort, squab, chicken and peas (if supper is served at a special hour) or croquettes and peas if continuous.

4. Salad, which includes every variety known, with or without an aspic.

5. Individual ices, fancy cakes.

6. Black coffee in little cups.

Breakfast served at about four in the morning and consisting of scrambled eggs with sausages or bacon and breakfast coffee and rolls is an occasional custom at both dances and b.a.l.l.s.

There is always an enormous gla.s.s bowl of punch or orangeade--sometimes two or three bowls each containing a different iced drink--in a room adjoining the ballroom. And in very cold climates it is the thoughtful custom of some hostesses to have a cup of hot chocolate or bouillon offered each departing guest. This is an especially welcome attention to those who have a long drive home.

!A DANCE!

A dance is merely a ball on a smaller scale, fewer people are asked to it and it has usually, but not necessarily, simpler decorations.

But the real difference is that invitations to b.a.l.l.s always include older people--as many if not more than younger ones--whereas invitations to a dance for a debutante, for instance, include none but very young girls, young men and the merest handful of the hostess' most intimate friends.

Supper may equally be a simple buffet or an elaborate sit-down one, depending upon the size and type of the house.

Or a dance may equally well as a ball be given in the "banquet" or smaller ballroom of a hotel, or in the a.s.sembly or ballroom of a club.

A formal dance differs from an informal one merely in elaboration, and in whether the majority of those present are strangers to one another; a really informal dance is one to which only those who know one another well are invited.

!DETAILS OF PREPARATION FOR A BALL OR DANCE IN A PRIVATE HOUSE!

There is always an awning and a red carpet down the steps (or up), and a chauffeur to open the carriage doors and a policeman or detective to see that strangers do not walk uninvited into the house. If there is a great crush, there is a detective in the hall to "investigate" anyone who does not have himself announced to the hostess.