Life and Gabriella Part 21

"Wouldn't she? But how did you leave mother and Jane and the children?

The baby must be a big boy now."

"He's runnin' around all the time, and never out of mischief. I never saw such a child for mischief. I was tellin' yo' ma so last week.

There's another baby on the way with Jane, you know."

"How in the world will she take care of it? I suppose Charley is just the same?"

"Well, if you ask me, Gabriella, I never was so dead set against Mr.

Charley as the rest of you. I helped raise Jane from the time she was no higher than that--and I ain't sayin' nothin' against her except that Mr.

Charley ain't half as bad to my mind as she makes him out. Some men respond to naggin' and some don't--that's what I said to her one day when she broke down and cried on my shoulder--and you've got to be mighty particular when you begin to nag that you're naggin' the right sort. But she won't listen, not she. 'If I don't tell Charley of his faults, who's goin' to?' she asks. You know Jane always did talk pretty free to me ever since she was a little girl. Well, there are some people that simply can't stand bein' told of their faults, and Mr. Charley is one of 'em. It ain't the kind of treatment that agrees with him, and if I'd been in Jane's place, I reckon I'd have found it out long ago. But it ain't her way to learn anything--you know that as well as I do. She's obliged to make the world over even if it drops to pieces in her hands."

"She doesn't seem to have done much with Charley."

"Well, you mark my words, Mr. Charley ain't bad, but he's full of natur', and Jane, is the kind of woman that's never happy unless she's gettin' the better of natur'. Whatever's natural is plum wrong, that's the way she looks at it; but mind you, I ain't sayin' she's all in the right. Naggin' ain't a virtue to my mind any mo' than drink is, but Jane, she can't see it that way, and there ain't a bit of use tryin' to make her. She's soft, but she's mulish, and the hardest thing on earth to push is a mule that looks soft."

"It's such a pity, but I suppose nothing will change her. Tell me about mother."

"Yo' ma looks downright po'ly. What with her sickness and her bother about Jane and the bad weather, she ain't managin' to keep as spry as I'd like to see her. From the st.i.tch in her back she has most of the time it wouldn't surprise me any day to hear that she'd come down with kidney trouble, and she breathes so short that consumption has crossed my mind mo' than once when I was talkin' to her."

Miss Polly, having, as she expressed it, "an eye for symptoms,"

possessed an artistic rather than a scientific interest in disease; and the vivid realism of her descriptions had often, on her "sewing days" at home, reduced Gabriella to faintness, though Mrs. Carr, with her more delicate sensibilities, was able to listen with apparent enjoyment to the ghastly recitals. Not only had Miss Polly achieved in her youth a local fame as a "sick nurse," but, in the days when nursing was neither sanitary nor professional, she was often summoned hastily from her sewing machine to a.s.sist at a birth or a burial in one of the families for whom she worked. And happy always, as befits one whose life, stripped bare of ephemeral blessings, is centred upon the basic realities, she was never happier than when she put down her sewing, took off her spectacles, exchanged her ap.r.o.n for a mantle, and after carefully tying her bonnet strings, departed for a triumphant encounter with the Eternal Issues.

"I am so anxious about mother," said Gabriella. "Did she tell you she was going to Florida?"

"She cert'ny did. She was real full of it, and she talked a lot about you all up here--the baby and you and Mr. George. You know I ain't laid my eyes on Mr. George mo' than three times in my life. Well, I reckon I'd better be gettin' along back, or the children will miss me. I've got four children to do for now, and one of 'em ain't any bigger than Frances. It does seem funny--don't it, for an old maid to have her hands full of children? But, you know, I always did dote on children. There wouldn't be half so much fun in this world if it wan't for children and men, and there ain't a mite of difference between them under their skins. Yes, I can find my way back real easy. I always was good at finding my way about, and all I've got to do is to set out and walk in that direction till I come to a car over yonder by that high building, and as soon as I get on I'll ask the conductor to put me off right at my do'."

When she had gone, Gabriella went back into the nursery, and stood looking down at little Frances, who had fallen asleep, with the smile of an angel on her face. "I wonder if I can be the least bit like Jane?"

she said aloud while she watched the sleeping child.

George did not come home to dinner; and the wonder was still in Gabriella's mind when she dressed herself in her black net gown, and went downstairs to meet Florrie, who looked younger and more brilliant than ever in a dress of white and silver brocade. Florrie's husband, a dreamy, quiet man,--the safe kind of man, Gabriella reflected, who inevitably marries a dangerous woman--regarded his noisy wife with a guileless admiration which was triumphantly surviving a complete submergence in the sparkling shallows of Florrie's personality. He was a man of sense and of breeding. He possessed the ordinary culture of a gentleman as well as the trained mind of a lawyer, yet he appeared impervious alike to the cheapness of Florrie's wit and the vulgarity of her taste. Her beauty had not only blinded him to her mental deficiencies; it had actually deluded him into a belief in her intelligence. He treated her slangy sallies as if they were an original species of humour; he accepted the sweeping comment of her ignorance as if it had been an inspired criticism of life. While she chattered, parrotlike, to the judge, who was obviously impressed by her appearance, Algernon listened to her ejaculatory conversation with a mixture of admiration and awe.

"How do you think Florrie is looking?" he asked in a low tone of Gabriella, while his wife's laugh, high, shrill, penetrating in its dry soprano quality, fluted loudly on the opposite side of the table. Beside Patty's patrician loveliness, as serene and flawless as that of a marble G.o.ddess, Florrie appeared cheap, common, and merely pretty to Gabriella. The hard brilliancy of her surface was like a s.h.i.+ning polish which would wear off with sleep and have to be replenished each morning; and while she watched her, Gabriella saw, in imagination, a vaguely ominous outline surrounding her which might have been the uncertain edge of her mother's shadow. In twenty-five years Florrie would be the image of her mother--protuberant hips, pinched waist, mottled complexion, and hopelessly tarnished hair; yet, with this awful prospect before him, Algernon could appear not only tolerant, but positively adoring. He had seen Bessie--he had known her for years--and he could marry her daughter!

"I never saw her look handsomer," said Gabriella, "that white and silver gown is very becoming."

"That's what I told her, but she wouldn't believe me. She thought it was too plain for her style. Your sister-in-law is something of Florrie's type, isn't she? Not quite so striking a figure, perhaps, but the same sort of colouring."

Was it possible that for the first time in his life the simple Algernon was speaking in irony? Turning in her chair, she looked questioningly into his kind, grave face, so empty of humour, into his serious gray eyes, which followed each movement of his wife's with admiring attention. No, he was not ironic; he was perfectly solemn. It was a miracle--a miracle not of piety, but of pa.s.sion--that she was witnessing.

"Yes, Patty is lovely," she answered, thinking, as she reflected upon the eccentricities of love, how much too good he was for his wife.

Across the table Florrie's voice was heard exclaiming: "Now, you don't mean it! Well, I'm just as flattered as I can be!" and Gabriella surmised that she was completing her conquest of the judge.

"It's wonderful how well she gets on with everybody," observed Algernon.

"She's never at a loss for a word, and I tell her if I had her ready wit, I'd be the greatest lawyer in Virginia to-day. Have you noticed the way she is managing Judge Crowborough?"

"She always gets on well with men," acquiesced Gabriella, though without the enthusiasm of Algernon. "Do you remember what a belle she always was at the germans?" Though she was willing to admit that love was the ruling principle of life, it occurred to her that Algernon would be more amusing if he were less abundantly supplied with that virtue.

They talked of nothing but Florrie until the women went into the drawing-room; and there, from the safe haven of a window, Gabriella listened to Florrie's ceaseless prattle about herself. She was as egotistical, as effervescent, as she had been as a schoolgirl; and it seemed to Gabriella that she was hardly a day older. Her eyes, of a grayish blue, like pale periwinkles, were as bold, as careless, as conquering in their glances; her hair was still as dazzling; her face, with its curious resemblance in shape to the face of a pretty cat, was still as frank, as nave, as confiding in its innocence. If she had changed at all, it was that, since her marriage to the silent Algernon, she had become even more talkative than she had been in her girlhood.

Her vivacity was as disturbing as the incessant buzzing of a June beetle.

"Well, you need never tell me again that you wouldn't rather live in New York, Gabriella," she fluted at parting, "because I shan't believe a single word of it. Why, we've been to the theatre every night for a fortnight, and we haven't seen half the good plays that are going on.

Algy wanted to stay at Niagara Falls--you know we went to Niagara Falls first--but it was so deadly quiet I couldn't stand it. 'I don't care if I am married,' I said to Algy, 'what I want is the theatre.'"

After she had gone, adoringly wrapped up by Algernon, Patty turned to her mother with a little malicious grimace:

"I know it's horrid to say she's dreadful, mamma, but she really is."

"Don't, Patty, it isn't kind, and, besides, she's a friend of Gabriella's. What I can't understand," she added, "is how Bessie ever came out of Virginia, yet there were always a few like her. You don't remember p.u.s.s.y Prime, do you? Of course you don't, she died long before your day, but she was just that loud, boisterous kind, and all the men were in love with her."

"Well, if I'm ever born again," remarked Gabriella, as she kissed Patty good-night, "I hope I'll be born a fat blonde. They always get taken care of."

She ascended the stairs wearily to her room. Yes, she was barely twenty-two and love was over forever. "I couldn't hold a man six months," she thought dejectedly, "and yet Florrie, who is a fool and vulgar, will be adored all her life."

BOOK SECOND

THE AGE OF KNOWLEDGE

CHAPTER I

DISENCHANTMENT

In July Gabriella joined her mother in the mountains of Virginia, and when she returned in the autumn, she found that the character of her home had changed perceptibly during her absence. Brightness had followed gloom; the fog of suspense had dissolved, and the hazy suns.h.i.+ne of an ambiguous optimism flooded the house. What the change implied she could not immediately discover; but before the first day was over she surmised that the financial prospects of her father-in-law had improved since the spring. If she had had any doubt of his rising fortunes, the sight of the diminished pile of bills on Mrs. Fowler's desk would have quickly dispelled it.

And even George had apparently altered for the better. His improved finances had sweetened his temper and cast the s.h.i.+ning gloss of prosperity over his appearance; and, in a measure at least, time had revived in him the ardent, if fluctuating, emotions of the lover. For three months after her return, he evinced a fervent sentiment for Gabriella, which she, who was staunchly paying the price of her folly, received with an inner shrinking but an outward complaisance. Her feeling for George was quite dead--so dead that it was impossible for any artificial stimulus to revive it--but she had learned that marriage is founded upon a more substantial basis than the romantic emotions of either a wife or a husband. Though she had ceased to love George, she could still be amiable to him; and it occurred to her at times that if one had to choose between the two not necessarily inseparable qualities of love and amiability, George was not losing greatly by the exchange.

When, however, at the end of three months, George's capricious symptoms disappeared as suddenly as they had come, and his attentions lapsed into casual expressions of a nonchalant kindness, she drew a breath of relief, and devoted her happiest days to the nursery. There at least she had found a stable refuge amid the turmoil of selfish human desires.

In the house, which like George, began presently to show the gloss of prosperity, the winter brought a continuous flas.h.i.+ng stream of gaiety, in which Mrs. Fowler darted joyously about like some bright hungry minnow beneath the iridescent ripples of a brook. There were new rugs, new curtains, new gowns, new bonnets; and Gabriella was led compliantly from dressmaker to milliner, until she lost in the process her look of shabbiness and developed into the fas.h.i.+onable curving figure of the period. She had always liked clothes; her taste was naturally good; and as she followed eagerly from shop to shop, she recalled the three months she had spent in Brandywine's millinery department, and the rudiments of a trade she had learned there. "I'd rather design my next gown myself,"

she said one day to Mrs. Fowler, while they were looking at French models in the establishment of Madame Dinard, who had been born an O'Grady. "I know I can do better than these, and besides I shan't meet duplicates of myself every time I go out." That night she dreamed of hats and gowns, and the next morning she drew pictures of them in coloured chalk. "It's the only talent I ever had," she remarked gaily to her mother-in-law, "and it is running to waste."

Madame, who regarded the sketches with uncompromising disdain, showed great interest in the practical application of Gabriella's ideas to the dressing of Mrs. Fowler.

"Yes, you have undoubtedly ideas," she said, discarding in her enthusiasm the accent she had spent twenty years in acquiring, "and there is nothing so rare in any department--in any walk of life--as ideas. You have style, too," she pursued admiringly, turning her eyes on Gabriella's figure in one of her Parisian models. "It is very rare--such chic. You wear your clothes with a grace."

"That, also, is a marketable a.s.set in a dressmaker," laughed Gabriella.

"Do you know I ought to have been a dressmaker, Madame. Only I hate the very sight of a needle."

"But I never sew! I haven't had a needle in my hand for twenty years--no, not for thirty," protested Madame.

"Then I mustn't give up hope. If I ever have to earn my living, I'll come to you, Madame."

Then Madame bowed and smiled and shrugged as if at a gracious jest, and Mrs. Fowler observed in her crisp, matter-of-fact manner: "Yes, my daughter has a genuine instinct for dress, and, as you say, that is very rare. She carries her clothes well, doesn't she? It's such a blessing to be tall--though my husband insists that the women who have ruled the world have always been small ones. But I do love a fine figure, and she looks so distinguished in that cherry-coloured cloth, doesn't she?"