Stone Spring Part 1

Stone Spring.

by STEPHEN BAXTER.

1.

The comet swam out of the dark. Its light bathed the planet that lay ahead, reflecting from a hemisphere that gleamed a lifeless bone-white.

Vast ice caps covered much of North America and central Asia. In Europe a single monstrous dome stretched from Scotland to Scandinavia, in places piled kilometres thick. To the south was a polar desert, scoured by winds, giving way to tundra. At the glaciation's greatest extent Britain and northern Europe had been abandoned entirely; no human had lived north of the Alps.

At last, prompted by subtle, cyclic changes in Earth's...o...b..t, the climate had s.h.i.+fted - and with dramatic suddenness. Over a few decades millennia-old ice receded north. The revealed landscape, scoured to the bedrock, was tentatively colonised by the grey-green of life. Migrant herds and the humans who depended on them slowly followed, taking back landscapes on which there was rarely a trace of forgotten ancestors.

With so much water still locked up in the ice, the seas were low, and all around the world swathes of continental shelf were exposed. In northern Europe Britain was united with the continent by a bridge of land that, as it happened, had been spared the scouring of the ice. As the thaw proceeded, this north land, a country the size of Britain itself, became rich terrain for humans, who explored the water courses and probed the thickening forests for game.

But now, in the chill nights, eyes animal and human were drawn to the s.h.i.+fting light in the sky.

The comet punched into the atmosphere. It disintegrated over North America and exploded in multiple airbursts and impacts, random acts of cosmic violence. Whole animal herds were exterminated, and human survivors, fleeing south, thought the Sky Wolf was murdering the land they had named for him. One comet fragment skimmed across the atmosphere to detonate over Scandinavia.

In time the skies cleared - but the remnant American ice caps had been destabilised. One tremendous sheet had been draining south down the Mississippi river system. Now huge volumes of cold water flowed through the inland sea that covered the Gulf of St Lawrence, chilling the north Atlantic. Around the world the ice spread from the north once more, and life retreated to its southern refuges. This new winter lasted a thousand years.

But even as the ice receded again, even as life took back the land once more, the world was not at rest. Melt.w.a.ter fuelled rising seas, and the very bedrock rebounded, relieved of the weight of ice - or it sank, in areas that had been at the edge of the ma.s.ses of ice and uplifted by its huge weight. In a process governed by geological chance, coastlines advanced and receded. The basic shape of the world changed around the people, constantly.

And to north and south of the rich hunting grounds of Europe's north land, generation on generation, the chill oceans bit at the coasts, seeking a way to sever the land bridge.

2.

The Year of the Great Sea: Winter Solstice.

The day of Ana's blood tide, with her father missing and her mother dead, was always going to be difficult. And it got a lot worse, early that very morning, when the two Pretani boys walked into her house.

Sunta, Ana's grandmother, sat with Ana opposite the door. Ana was holding open her tunic, the skin of her exposed belly p.r.i.c.kling in the cold air that leaked in around the door flap. Sunta dipped her fingertips in a thick paste of water, menstrual blood and ochre, carefully painting circles around Ana's navel. The sign, when finished, would be three big concentric circles, the largest spanning Ana's ribs to her pubis, with a vertical tail cutting from the centre down to her groin. This was the most ancient mark of Etxelur, the sign of the Door to the Mothers' House - the land of ancestors. Later this painting would be the basis of a tattoo Ana would carry through her life.

Thus they sat, alone in the house, when the two Pretani boys pushed through the door flap.

They looked around. They just ignored the women. There was snow on their shoulders and their boots. Under fur cloaks they wore tunics of heavy, stiff hide, not cloth as the Etxelur women wore. The boys dumped their packs on the floor's stone flags, kicked at pallets stuffed with dry bracken, walked around the peat fire in the big hearth, tested the strength of the house's sloping wooden supports by pus.h.i.+ng at them with their shoulders, and jabbered at each other in their own guttural language. To Ana it was as if two bear cubs had wandered into the house.

For her part Sunta didn't even look up. 'Pretani,' she murmured.

Fourteen years old, Ana had only a blurred memory of the last time Pretani had come to Etxelur, a memory of big men who smelled of leather and tree sap and blood. 'What are they doing in our house? I thought the snailheads were coming for the midwinter gathering.'

Sunta, sitting cross-legged, was stick-thin inside a bundle of furs. She was forty-seven years old, one of the oldest inhabitants of Etxelur, and she was dying. But her eyes were sharp as flint. 'a.r.s.es they are, like the last time they were here, like all Pretani, like all men. But it is custom for the chief Pretani to lodge in my house, the house of the Giver's mother, and here they are. Oh, just ignore them.' She continued working on the design on Ana's belly, her clawlike finger never wavering in the smooth arcs it drew.

But Ana couldn't take her eyes off the Pretani. She tried to remember what her mother had told her about them before she died. They were younger than they had looked at first. Boy-men, from the forests of Albia.

Under tied-back mops of black hair, both of them wore beards. The older one had a thick charcoal-black line tattooed on his forehead. But the younger one, who was probably not much older than Ana, had a finer face, a strong jaw, thin nose, high brow, prominent cheekbones. No forehead scars. He peered into the stone-lined hole in the ground where they kept limpets for use as bait in fis.h.i.+ng, and he studied the way the house had been set up over a pit dug into the sand, knee deep, to give more room. These were features you wouldn't find in houses in the woods of Albia, she supposed, where n.o.body fished, and drainage would always be a problem. The younger boy was similar enough to the other that they must be brothers, but he seemed to have a spark of curiosity the other lacked.

He glanced at Ana, a flash of dark eyes as he caught her watching him. She looked away.

His brother, meanwhile, raised his fur-boot-swathed foot and swung a kick at the wall, not quite opposite where the women sat. Brush snapped, and layers of dried kelp fell to the floor. Even a little snow fell in.

At last Sunta rose to her feet. She wore her big old winter cloak, sealskin lined with gull down, and as she rose stray wisps of feathers fluttered into the air around her. She wasn't much more than two-thirds the size of the Pretani, but she looked oddly grand. 'Stop that.' She switched to the traders' tongue. 'I said, stop kicking my wall, you big a.r.s.e.'

The man looked down at her, directly for the first time. 'What did you call me?'

'Oh, so you can see me after all. a.r.s.e. a.r.s.e.' She bent stiffly and slapped her bony behind, through the thickness of her cloak.

Ana sought for the words in the unfamiliar tongue. 'But then,' she said, 'grandmother calls all men a.r.s.es.'

The Pretani's gaze flickered over her body, like a carrion bird eyeing up a piece of meat. She realised she was still holding open her tunic, exposing her throat and b.r.e.a.s.t.s and belly. She fumbled to close it.

Her grandmother snapped, 'Leave that. You'll smudge the paint.' In the traders' tongue she said, 'You. Big fellow. Tell me your name.'

The man sneered. 'Get out of my way.'

'You get out of my way.'

'In my country the women get out of the way of the men, who own the houses.'

'This isn't your country, and I thank the mothers for that.'

He looked around. 'Where is the Giver? Where is the man who owns this house?'

'In Etxelur the women own the houses. This is my house. I am the oldest woman here.'

'From the shrivelled look of you, I think you are probably the oldest woman in the world. My name is Gall. This is my brother Shade. In our country our father is the Root. The most powerful man. Do you understand? We have come to this scrubby coastal place to hunt and to trade and to let you hear our songs of killing. Every seven years, we do this. It is an old custom.'

Sunta said, 'And did you travel all this way just to kick a hole in my wall?'

'I was making a new door.' He pointed. 'That door is in the wrong place.'

'No, it isn't,' Ana said. 'In all our houses the door faces north.'

The younger boy, Shade, asked, 'Why? What's so special about north? There's nothing north of here but ocean.'

'That's where the Door to the Mothers' House lies. Where our ancestors once lived, now lost under the sea-'

Gall snorted. 'We have doors facing south-east.'

'Why?' Sunta snapped at him.

'Because of the light - it goes around - something to do with the sun. That's the priest's business. All I know is I'm not going to stay in a house with a door in the wrong place.'

Sunta smiled. 'But this is the Giver's house. It is the largest in Etxelur. If you don't stay here you'll have to stay in a smaller house, and it would not be the Giver's house. What would your father think of that?'

Gall scowled. 'I ask you again - if this is the Giver's house, where is the Giver?'

Ana said, 'In the autumn my father went to sea to hunt whale.'

Shade looked at her. 'He has not come back?'

'No.'

Gall sneered. 'Then he's dead.'

'No!'

'He's dead and you have no Giver.'

'Kirike is not dead,' Sunta said quietly. 'Not until the priest says so, or his body washes up on the beach, or his Other, the pine marten, says so in a human tongue. Anyhow we don't need a Giver until the summer. And even if he returns, even if he were standing here now-'

'What?'

'Even then, Pretani a.r.s.e, you would do as I say, here in my house.'

Enraged, he ran a dirty thumbnail along the line on his forehead. 'See this? I got this scar when I first took a man's life. I was fourteen years old.'

Sunta smiled. 'If you like I'll show you the scars I got when I first gave a woman her life. I was thirteen years old.'

Complicated, baffled expressions chased across Gall's face. He was evidently grasping for a way out of this while saving his pride. 'This house is evidently the least unsuitable in this squalid huddle for sons of Albia. We will stay here. We will discuss the issue of the door later.'

'As you wish,' Sunta said, mocking. 'And we will also discuss how you are going to fix my wall.'

He was about to argue with that when Lightning burst in. The dog's tail was up, his eyes bright, tongue lolling, his fur covered in snow. Excited by the presence of the strangers, the dog jumped up at them, barking.

Gall cringed back. 'Wolf! Wolf!' He drew a flint-blade knife from his belt.

Ana stood between Gall and the dog. 'You harm him and I'll harm you back, Pretani.'

Sunta laughed, rocking. 'Lightning is Kirike's dog - oh, come here, Lightning! He chose him because he was the runt of the litter, and gave him his name as a joke, because as a puppy he was the slowest dog anybody had ever seen. And you big men cower before him!'

Shade looked nervous, but he was smiling. 'Pretani don't keep dogs.'

'Maybe you should,' Ana said, petting Lightning.

Gall, trying to regain his pride, put away his knife and strutted around the house. 'I am hungry from the journey.'

'Are you indeed?' Sunta asked. She gave no sign she was going to offer him food.

He paused by the hearth. 'What kind of fire is this? Where is the wood?'

'This is not your forest-world. Wood is precious here. We burn peat.'

'It is a stupid fire. It gives off smoke but no heat.' He hawked and spat on the inadequate fire. 'Come, Shade. Let's find a less ugly old woman who might feed us.' And with that he walked out of the north-facing door. His brother hurried after him, with a backwards glance at Ana.

When they were gone the s.p.a.ce suddenly seemed huge and empty.

Sunta seemed to collapse, as if her bones had turned to water. 'Oh, what a fuss. Give me your hand, dear.' Ana helped her back to where she had been sitting. Sunta's seal-fur cloak fell open, scattering feathers and exposing her body; the only flesh on her was the ma.s.s that protruded from her belly, the growth that so horribly mimicked a pregnancy. 'All men are a.r.s.es. Do something about that hole in the wall, would you? The wind pierces me.'

Ana took handfuls of dry bracken from a pallet and shoved them into the broken place. 'You can't be serious.'

'About what?'

'About letting them stay here!'

'Every seven years the Pretani hunters come to the winter gathering. And they always stay in the Giver's house. I am your grandmother, and I remember my grandmother telling me how this was the way when she was a girl, and her grandmother told her of it when she was a girl, and before that only the sun and moon remember. This is custom, like it or not.'

'I don't care about custom. I live here. All my things are here . . .'

'They won't touch you, you know.'

'That's not the point. And why today, of all days?' She felt tears p.r.i.c.kle her eyes. Her grandmother didn't approve of crying; she dug the heels of her hands into her eyes. 'It's my blood tide. And now them. If only my father were here-'

'But he isn't,' Sunta said. Her voice broke up in a flurry of dry, painful-sounding coughs. She sat back and dipped her finger in the paint once more. 'Now let's see how much mess you've made.'

Ana turned away, breathing hard. She was no longer a child; her blood tide marked the dawning of adulthood. She had to behave well. Deliberately she calmed herself and opened her tunic.

But when she turned back Sunta had fallen asleep. A single thread of drool dripped from her open mouth, the stubs of her worn teeth.

3.

As the day wore on towards noon, and with her blood-tide mark still no more than a sketch, Ana pulled on her own sealskin cloak and left the house to collect fish for her grandmother's meal. The fis.h.i.+ng boats were due back at noon, and perhaps she could get some fresh cod, Sunta's favourite; if not there was probably some on the drying racks. And if her father had been here, she couldn't help but think, they might all be feasting on whale meat.

Once outside Ana could hear seals calling, like children singing.

The house was one of seven cl.u.s.tered together on a plain of tough gra.s.s, just south of a bank of dunes that offered some protection from the north wind. This morning the fresh snow, a hand deep, covered the Seven Houses' thatch of dried kelp; the houses were conical heaps, like wind-carved snow drifts. The adults sc.r.a.ped the snow away from the houses and piled it into banks. They had shovels made of the shoulder blades of deer, big old tools. Children ran around, excited, throwing snow in the air and over each other.

Ana picked her way north, towards the dunes and the coast beyond. The snow crunched and squeaked under her feet. The ground between the houses had been churned to mud, frozen, then blanketed over by snow, so you couldn't see the ridges in the soil, hard as rock, or the places where a sheet of ice covered a puddle of ice-cold mud, waiting to trap an unwary foot. The going got easier as she climbed the ridge of dunes, for here the frost and snow and sand were mixed up, and the long dead gra.s.s brushed her legs. Even on the newest snow she saw tracks of rabbits, deer, the arrow-head markings of birds, and here and there tiny paw prints, almost invisible, that were the tracks of stoats and weasels. Ana went at it briskly, relis.h.i.+ng the feeling of her heart and lungs working.

As she moved away from the houses the land grew silent, even the cries of the children m.u.f.fled. Sunta once told her that snow was sound made solid and fallen to the ground, birdsong and wolf cries and the calls of people all compressed into the same s.h.i.+mmering white.