The Village Watch-Tower Part 2

"I'll go with you," said the Widow Buzzell. "I'd like to see with my own eyes how she takes it, 'n' it'll be too late to tell if I wait till after supper. If she'd ben more open with me 'n' ever asked for my advice, I could 'a' told her it wa'n't the first time Rube Hobson has played that trick."

"I'd come too if 't wa'n't milkin' but Jot ain't home from the Centre, and I've got to do his ch.o.r.es; come in as you go along back, will you?"

asked Diadema.

Hannah Sophia remained behind, promising to meet them at the post-office and hear the news. As the two women walked down the hill she drew the old envelope from the Bible and read the wavering words scrawled upon it in old Mrs. Bascom's rheumatic and uncertain hand,--

_the_ _milikins_ _Mills_ _Teecher._

"Well Lucindy, you do make good use o' your winder," she exclaimed, "but how you pitched on anything so onlikely as her is more'n I can see."

"Just because 't was onlikely. A man's a great sight likelier to do an onlikely thing than he is a likely one, when it comes to marryin'. In the first place, Rube sent his children to school up to the Mills 'stid of to the brick schoolhouse, though he had to pay a little something to get 'em taken in to another deestrick. They used to come down at night with their hands full o' 'ward o' merit cards. Do you s'pose I thought they got 'em for good behavior, or for knowin' their lessons? Then aunt Hitty told me some question or other Rube had asked examination day.

Since when has Rube Hobson 'tended examinations, thinks I. And when I see the girl, a red-and-white paper doll that wouldn't know whether to move the churn-dasher up 'n' down or round 'n' round, I made up my mind that bein' a man he'd take her for certain, and not his next-door neighbor of a sensible age and a house 'n' farm 'n' cow 'n' buggy!"

"Sure enough," agreed Hannah Sophia, "though that don't account for Eunice's queer actions, 'n' the pa'cels 'n' the fruit cake."

"When I make out a case," observed Mrs. Bascom modestly, "I ain't one to leave weak spots in it. If I guess at all, I go all over the ground 'n' stop when I git through. Now, sisters or no sisters, Maryabby Emery ain't spoke to Eunice sence she moved to Salem. But if Eunice has ben bringin' pa'cels home, Maryabby must 'a' paid for what was in 'em; and if she's ben bakin' fruit cake this hot day, why Maryabby used to be so font o' fruit cake her folks were afraid she'd have fits 'n' die.

I shall be watchin' here as usual to-morrow morning', 'n' if Maryabby don't drive int' Eunice's yard before noon I won't brag any more for a year to come."

Hannah Sophia gazed at old Mrs. Bascom with unstinted admiration. "You do beat all," she said; "and I wish I could stay all night 'n' see how it turns out, but Almiry is just comin' over the bridge, 'n' I must start 'n' meet her. Good-by. I'm glad to see you so smart; you always look slim, but I guess you'll tough it out's long 's the rest of us. I see your log was all right, last time I was down side o' the river."

"They say it 's jest goin' to break in two in the middle, and fall into the river," cheerfully responded Lucinda. "They say it's just hanging'

on by a thread. Well, that's what they 've ben sayin' about me these ten years, 'n' here I be still hanging! It don't make no odds, I guess, whether it's a thread or a rope you 're hangin' by, so long as you hang."

The next morning, little Mote Hobson, who had stayed all night with his uncle in Union, was walking home by the side of the river. He strolled along, the happy, tousle-headed, barefooted youngster, eyes one moment on the trees in the hope of squirrels and birds'-nests, the next on the ground in search of the first blueberries. As he stooped to pick up a bit of s.h.i.+ning quartz to add to the collection in his ragged trousers'

pockets he glanced across the river, and at that very instant Lucinda's log broke gently in twain, rolled down the bank, crumbling as it went, and, dropping in like a tired child, was carried peacefully along on the river's breast.

Mote walked more quickly after that. It was quite a feather in his cap to see, with his own eyes, the old landmark slip from its accustomed place and float down the stream. The other boys would miss it and say, "It's gone!" He would say, "I saw it go!"

Grandpa Bascom was standing at the top of the hill. His white locks were uncovered, and he was in his s.h.i.+rt-sleeves. Baby Jot, as usual, held fast by his shaking hand, for they loved each other, these two. The cruel stroke of the sun that had blurred the old man's brain had spared a blessed something in him that won the healing love of children.

"How d' ye, Mote?" he piped in his feeble voice. "They say Lucindy's dead. ... Jot says she is, 'n' Diademy says she is, 'n' I guess she is.

... It 's a dretful thick year for fol'age; ... some o' the maples looks like b.a.l.l.s in the air."

Mote looked in at the window. The neighbors were hurrying to and fro.

Diadema sat with her calico ap.r.o.n up to her face, sobbing; and for the first morning in thirty years, old Mrs. Bascom's high-backed rocker was empty, and there was no one sitting in the village watch-tower.

TOM O' THE BLUEB'RY PLAINS.

The sky is a shadowless blue; the noon-day sun glows fiercely; a cloud of dust rises from the burning road whenever the hot breeze stirs the air, or whenever a farm wagon creaks along, its wheels sinking into the deep sand.

In the distance, where the green of the earth joins the blue of the sky, gleams the silver line of a river.

As far as the eye an reach, the ground is covered with blueberry bushes; red leaves peeping among green ones; bloom of blue fruit hanging in full warm cl.u.s.ters,--spheres of velvet mellowed by summer sun, moistened with crystal dew, spiced with fragrance of woods.

In among the blueberry bushes grow huckleberries, "choky pears," and black-snaps.

Gnarled oaks and stunted pines lift themselves out of the wilderness of shrubs. They look dwarfed and gloomy, as if Nature had been an untender mother, and denied them proper nourishment.

The road is a little-traveled one, and furrows of feathery gra.s.ses grow between the long, hot, sandy stretches of the wheel-ruts.

The first goldenrod gleams among the loose stones at the foot of the alder bushes. Whole families of pale b.u.t.terflies, just out of their long sleep, perch on the brilliant stalks and tilter up and down in the suns.h.i.+ne.

Straggling processions of wooly brown caterpillars wend their way in the short gra.s.s by the wayside, where the wild carrot and the purple bull-thistle are coming into bloom.

The song of birds is seldom heard, and the blueberry plains are given over to silence save for the buzzing of gorged flies, the humming of bees, and the chirping of crickets that stir the drowsy air when the summer begins to wane.

It is so still that the shuffle-shuffle of a footstep can be heard in the distance, the tinkle of a tin pail swinging musically to and fro, the swish of an alder switch cropping the heads of the roadside weeds.

All at once a voice breaks the stillness. Is it a child's, a woman's, or a man's? Neither yet all three.

"I'd much d'ruth-er walk in the bloom-in' gy-ar-ding, An' hear the whis-sle of the jol-ly --swain."

Everybody knows the song, and everybody knows the cracked voice. The master of this bit of silent wilderness is coming home: it is Tom o' the blueb'ry plains.

He is more than common tall, with a sandy beard, and a mop of tangled hair straggling beneath his torn straw hat. A square of wet calico drips from under the back of the hat. His gingham s.h.i.+rt is open at the throat, showing his tanned neck and chest. Warm as it is, he wears portions of at least three coats on his back. His high boots, split in foot and leg, are mended and spliced and laced and tied on with bits of s.h.i.+ngle rope.

He carries a small tin pail of mola.s.ses. It has a bail of rope, and a battered cover with a k.n.o.b of sticky newspaper. Over one shoulder, suspended on a crooked branch, hangs a bundle of basket stuff,--split willow withes and the like; over the other swings a decrepit, bottomless, three-legged chair.

I call him the master of the plains, but in faith he had no legal claim to the t.i.tle. If he owned a habitation or had established a home on any spot in the universe, it was because no man envied him what he took; for Tom was one of G.o.d's fools, a foot-loose pilgrim in this world of ours, a poor addle-pated, simple-minded, harmless creature,--in village parlance, a "softy."

Mother or father, sister or brother, he had none, nor ever had, so far as any one knew; but how should people who had to work from sun-up to candlelight to get the better of the climate have leisure to discover whether or no Blueb'ry Tom had any kin?

At some period in an almost forgotten past there had been a house on Tom's particular patch of the plains. It had long since tumbled into ruins and served for fire-wood and even the chimney bricks had disappeared one by one, as the monotonous seasons came and went.

Tom had settled himself in an old tool-shop, corn-house, or rude out-building of some sort that had belonged to the ruined cottage. Here he had set up his house-hold G.o.ds; and since no one else had ever wanted a home in this dreary tangle of berry bushes, where the only shade came from stunted pines that flung shriveled arms to the sky and dropped dead cones to the sterile earth, here he remained unmolested.

In the lower part of the hut he kept his basket stuff and his collection of two-legged and three-legged chairs. In the course of evolution they never sprouted another leg, those chairs; as they were given to him, so they remained. The upper floor served for his living-room, and was reached by a ladder from the ground, for there was no stairway inside.

No one had ever been in the little upper chamber. When a pa.s.ser-by chanced to be-think him that Tom's hermitage was close at hand, he sometimes turned in his team by a certain clump of white birches and drove nearer to the house, intending to remind Tom that there was a chair to willow-bottom the next time he came to the village. But at the noise of the wheels Tom drew in his ladder; and when the visitor alighted and came within sight, it was to find the inhospitable host standing in the opening of the second-story window, a quaint figure framed in green branches, the ladder behind him, and on his face a kind of impenetrable dignity, as he shook his head and said, "Tom ain't ter hum; Tom's gone to Bonny Eagle."

There was something impressive about his way of repelling callers; it was as effectual as a door slammed in the face, and yet there was a sort of mendacious courtesy about it. No one ever cared to go further; and indeed there was no mystery to tempt the curious, and no spoil to attract the mischievous or the malicious. Any one could see, without entering, the straw bed in the far corner, the beams piled deep with red and white oak acorns, the strings of dried apples and bunches of everlastings hanging from the rafters, and the half-finished baskets filled with blown bird's-eggs, pine cones, and pebbles.

No home in the village was better loved than Tom's retreat in the blueberry plains. Whenever he approached it, after a long day's tramp, when he caught the first sight of the white birches that marked the gateway to his estate and showed him where to turn off the public road into his own private grounds, he smiled a broader smile than usual, and broke into his well-known song:

"I'd much d'ruth-er walk in the bloom-in' gy-ar-ding, An' hear the whis-sle of the jol-ly --swain."

Poor Tom could never catch the last note. He had sung the song for more than forty years, but the memory of this tone was so blurred, and his cherished ideal of it so high (or so low, rather), that he never managed to reach it.

Oh, if only summer were eternal! Who could wish a better supper than ripe berries and mola.s.ses? Nor was there need of sleeping under roof nor of lighting candles to grope his way to pallet of straw, when he might have the blue vault of heaven arching over him, and all G.o.d's stars for lamps, and for a bed a horse blanket stretched over an elastic couch of pine needles. There were two gaunt pines that had been dropping their polished spills for centuries, perhaps silently adding, year by year, another layer of aromatic springiness to poor Tom's bed. Flinging his tired body on this grateful couch, burying his head in the crushed sweet fern of his pillow with one deep-drawn sigh of pleasure,--there, haunted by no past and hara.s.sed by no future, slept G.o.d's fool as sweetly as a child.

Yes, if only summer were eternal, and youth as well!