Women of History Part 7

ROBERTSON.

To all the charms of beauty and the utmost elegance of external form, Mary added those accomplishments which render their impression irresistible. Polite, affable, insinuating, sprightly, and capable of speaking and writing with equal ease and dignity. Sudden, however, and violent in all her attachments, because her heart was warm and unsuspicious. Impatient of contradiction, because she had been accustomed from her infancy to be treated as a queen. No stranger, on some occasions, to dissimulation, which in that perfidious court where she received her education was reckoned among the necessary arts of government. Not insensible to flattery, or unconscious of that pleasure with which almost every woman beholds the influence of her own beauty.

Formed with the qualities which we love, not with the talents that we admire, she was an agreeable woman rather than an ill.u.s.trious queen. The vivacity of her spirit, not sufficiently tempered with sound judgment, and the warmth of her heart, which was not at all times under the restraint of discretion, betrayed her both into errors and into crimes.

To say that she was always unfortunate will not account for that long and almost uninterrupted succession of calamities which befell her; we must likewise add, that she was often imprudent. Her pa.s.sion for Darnley was rash, youthful, and excessive; and though the sudden transition to the opposite extreme was the natural effect of her ill-requited love, and of his ingrat.i.tude, insolence, and brutality, yet neither these nor Bothwell's artful address and important services can justify her attachments to that n.o.bleman. Even the manners of the age, licentious as they were, are no apology for this unhappy pa.s.sion; nor can they induce us to look on that tragical and infamous scene which followed upon it with less abhorrence.

Humanity will draw a veil over this part of her character which it cannot approve, and may perhaps prompt some to impute her actions to her situation more than to her dispositions; and to lament the unhappiness of the former, rather than accuse the perverseness of the latter. Mary's sufferings exceed, both in degree and duration, those tragical distresses which fancy has feigned to excite sorrow and commiseration; and while we survey them, we are apt altogether to forget her frailties: we think of her faults with less indignation, and approve of our tears, as if they were shed for a person who had attained much nearer to pure virtue.

With regard to the queen's person, a circ.u.mstance not to be omitted in writing the history of a female reign, all contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, although, according to the fas.h.i.+on of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a dark grey, her complexion was exquisitely fine, and her hands and arms remarkably delicate, both as to shape and colour. Her stature was of an height that rose to the majestic. She danced, walked, and rode with equal grace.

Her taste for music was just; and she both sung and played upon the lute with uncommon skill. Towards the end of her life, long confinement, and the coldness of the houses in which she had been imprisoned, brought on a rheumatism which often deprived her of the use of her limbs. No man, says Brantome, ever beheld her person without admiration and love, or will read her history without sorrow.

GABRIELLE D'ESTREES.

[1576.]

DAVENPORT ADAMS.

The most famous of the beauties of France, and whose renown is inseparably a.s.sociated with the glory of the most popular of the French monarchs, was born at the Chateau de Coeuvres, near Soissons, in the year 1576. Her father was a gallant soldier, who had deserved well of his country, Antoine D'Estrees, Marquis de Coeuvres. At an early age Gabrielle gave promise of a remarkable beauty, when time should have developed the fair proportions, rounded the slender figure, and lent expression to the radiant face. Though her mother was notorious for the looseness of her life, the daughter showed a high sense of purity, and her reserve was the despair of all the young n.o.bles in her neighbourhood. She reached the age of seventeen without knowing what it was to love, and her heart was as innocent as her loveliness was without blemish.

Shortly after the accession of Henri Quatre to his precarious throne, he despatched on a mission to Monsieur D'Estrees the first gentleman of his chamber, the handsome and accomplished Duke de Bellegarde. This brilliant courtier gazed with wonder on the beauty so long concealed in the obscurity of a feudal castle. Her tresses glowed with burnished gold; her blue eyes sparkled with a dazzling fire, her complexion was radiantly fair, her nose well shaped and aquiline, her mouth was well fitted with pearly teeth, and her lips resembled the all-compelling bow of the G.o.d of love. A stately throat, a gently swelling bust, a rounded arm and slender hand--these completed the charms which a fascinating address and natural elegance of movement rendered still more irresistible.

Bellegarde saw and loved; nor was his evident devotion unpleasing to Mademoiselle D'Estrees, who had never before encountered a cavalier so handsome, so gallant, and so chivalrous. The course of true love seemed with this fortunate twain to run most smoothly; for though Gabrielle had been betrothed from her childhood to Andre de Brancas Sieur de Villars, brother of the Marquis de Villars, who had married her elder sister Juliette, the Marquis de Coeuvres could not resist his daughter's entreaties, and consented to affiance her to the Duke de Bellegarde. He was not, indeed, insensible to the advantages of an alliance with a n.o.ble so powerful and wealthy, and who stood so high in the favour of King Henry. The lovers exchanged rings in his presence; the duke presented his lady-love with his portrait, and then returned to his duties at court, where his engagement to an unknown beauty excited great astonishment.

At this time Henri Quatre was holding his court at Mantes, and relieving the sterner toils of empire by sharing in the banquet and the song. The dames and demoiselles of Mantes were often the themes of the merry talk of the jocund monarch and his courtiers, and much surprise was expressed at the indifference with which the Duke de Bellegarde conducted himself among them. They could not conceive that a country maiden could be any worthy rival of the dazzling _dames de la cour_. The duke replied that not one of them could hope to equal _la dame des ses pensees_, the beautiful Gabrielle D'Estrees. Henry laughed at the lover's infatuation.

Bellegarde, piqued at his incredulity, invited him to accompany him to the Chateau de Coeuvres. The king promised; and thus, as Mademoiselle de Guise sagely observes, "the hopeful lover became the artificer of his own misfortunes," for it was due to that ill-omened visit that he perilled his happiness, and lost the favour of the king.

As the chateau was at no great distance from Senlis, where Henry afterwards was, he and the courtiers rode hastily forward. Henry was received with the welcome due to so brave a king; and the beautiful Gabrielle did homage to him by kissing his hand, and proffered the winecup for his refreshment. Her loveliness burst upon the astonished monarch, as the glories of the new world broke on the dazzled eyes of Columbus. Fresh, and pure, and unsophisticated, it took captive the royal heart, and the memories of all former loves paled before the fervency of this new pa.s.sion. When he retired to Senlis, he summoned thither the Marquis de Coeuvres and his daughter, under pretext that the marquis might take his oaths as a member of the royal council. The summons was most unacceptable to Gabrielle, who complained bitterly that Henry's attentions sullied her maiden fame, while she grieved at the popular rumour that her lover Bellegarde had been ensnared by the charms of Mademoiselle de Guise. On her arrival at Senlis, she offered Bellegarde to consent to a private marriage as the only means of evading the "evil designs" of his majesty; but the duke was not chivalrous enough to dare the royal wrath. The king persisted in demanding Bellegarde's submission. He visited the beauty in the hope of soothing her disappointment and moderating her anger; but she wept continually, and, flinging herself on her knees, implored him to restore to her her affianced husband. When she found him immovable, she rose and abruptly left the apartment, and during the night quitted Senlis, and returned to her father's castle.

Meanwhile, engaged in war, Henry joined his princ.i.p.al officers at La Fere. It was at this epoch that he resolved on the most romantic and adventurous pa.s.sage of his romantic and adventurous life. He set out from La Fere early in the dim, misty morning of the 18th November, accompanied by twelve cavaliers. At a village about nine miles from Coeuvres he quitted his attendants, and prosecuted his journey on foot, in the disguise of a peasant. To complete the transformation he carried a sack of straw on his head. It was difficult for even the invincible Gabrielle to resist so surprising a proof of her royal lover's devotion. She did not allow herself, however, to succ.u.mb too quickly. The reception was cold and ungracious. Mademoiselle professed to be disgusted with the coa.r.s.e, rude garb a.s.sumed by the royal adventurer; but a brief conversation having followed, a visible relenting on the part of the flattered beauty so cheered the enamoured Henry, that, on taking leave, he said to Madame Villars, "I have now a good heart that nothing will go wrong with me, but all things prosper. I am going to pursue the enemy, and in a day or two _ma belle_ will hear what gallant exploits I have accomplished for love of her."

The king's visit to the chateau was not attended by any disastrous consequences. He returned to La Fere in safety, and his devotion to the lady became well known all over France; but her father was determined to save her honour by a method not unusual in those days. He chose a husband for his daughter, and intimated that no option would be allowed her. This was Monsieur de Liancourt, who was many years her senior, and a widower, with nine children,--wealthy, ignorant, weak in mind, and disagreeable in person. In vain Gabrielle appealed to the king against a marriage which was little better than "a living death." Henry was well pleased with an event which he foresaw would vanquish the beauty's last lingering reluctance. He said "he would cause her to be carried away within one hour of the celebration of her espousals." Her marriage took place at Coeuvres in January 1591, and she made her preparations to escape immediately from the bridegroom she loathed to the gallant Henry.

The following day a royal order exiled Monsieur de Liancourt.

Thenceforth Gabrielle reigned supreme in the heart of Henri Quatre.

ANNE, d.u.c.h.eSS OF PEMBROKE.

[1589.]

BISHOP RAINBOW.

This lady was daughter of George Clifford, Earl of c.u.mberland, and born in 1589. She was first married to the Earl of Dorset, and secondly to the Earl of Pembroke. She had a clear soul s.h.i.+ning through a vivid body; her body was durable and healthful, her soul sprightful, of great understanding and judgment, faithful memory, and ready wit. She had early gained knowledge as of the best things; so an ability to discourse in all commendable arts and sciences, as well as in those things which belong to persons of her birth and s.e.x to know. For she could discourse with virtuosos, travellers, scholars, merchants, divines, statesmen, and with good housewives, in any kind; in so much that a prime and elegant wit, Dr Donne, well seen in all human learning, and afterwards devoted to the study of divinity, is reported to have said of this lady in her younger years, "that she knew well how to discourse of all things, from predestination to slea-silk." Although she knew wool and flax, fine linen and silk, things appertaining to the spindle and distaff, yet "she could open her mouth with wisdom," knowledge of the best and highest things. If she had sought fame rather than wisdom, possibly she might have been ranked among those wits and learned of that s.e.x of whom Pythagoras, or Plutarch, or any of the ancients, have made such honourable mention.

Authors of several kinds of learning, some of controversies very abstruse, were not unknown to her. She much commended one book, William Barclay's dispute with Bellarmine, both, as she knew, of the Popish persuasion; but the former less papal, and, she said, had well stated a main point, and opposed that learned cardinal for giving too much power even in temporals to the pope over kings and secular princes, which she seemed to think the main thing aimed at by the followers of that court; to pretend to claim only to govern directly in spirituals, but to intend chiefly, though indirectly, to hook in temporals, and in them to gain power, dominion, and tribute; money and rule being G.o.ds to which the Roman courtiers and their partisans chiefly sacrifice.

As she had been a most critical searcher into her own life, so she had been a diligent inquirer into the lives, fortunes, and characters of many of her ancestors for many years. Some of them she has left particularly described, and the exact annals of diverse pa.s.sages, which were most remarkable in her own life ever since it was wholly at her own disposal, that is, since the death of her last lord and husband, Philip, Earl of Pembroke, which was for the s.p.a.ce of twenty-six or twenty-seven years.

From this her great diligence, as her posterity may find in reading those abstracts of occurrences in her own life, being added to her heroic fathers' and pious mothers' lives, dictated by herself, so they may reap greater fruits of her diligence in finding the honours, descents, pedigrees, estates, and the t.i.tles and claims of their progenitors to them, comprised historically and methodically in three volumes of the larger size, and each of them three or four times fairly written over; which, although they were said to have been collected and digested in some parts by one or more learned heads, yet were they wholly directed by herself, and attested in the most parts by her own hand.

ESTHER INGLIS.

[1600.]

BALLARD.

Remarkable for her caligraphy, the chief thing I have to mention concerning her. All that see her writing are astonished at it, upon the account of its exactness, its fineness, and variety; and many are of opinion that nothing can be more exquisite. Gazius, Ascham, Davies, Gething, Lyte, and many others, have been celebrated for their extraordinary talents this way; but this lady has excelled them all, what she has done being almost incredible. One of the many delicate pieces she wrote was in the custody of Mr Samuel Kello, her great-grandson, in 1711. Others are remaining at the Castle of Edinburgh. Mr Hearne saw one in the hands of Philip Harcourt, Esq., ent.i.tled, "Historiae Memorabiles Genesis, per Estheram Inglis, Edinburgi.

Anno 1600."

In the archives of Christ's Church, in Oxford, are the Psalms of David, written in French with her own hand, and presented to Queen Elizabeth by Mrs Inglis herself; and were by that princess given to this library. In the archives in Bodley's Library are two more of her ma.n.u.scripts, preserved with great care. One of them is ent.i.tled "Les Six Vingts et Six Quartains de Guy de Faur Sieur de Pybrae, escrits Esther Inglis, pour sin dernier adieu ce 21 jour de June 1617." In the second leaf this in capital letters: "To the Right Wors.h.i.+pfull my very singular friende, Joseph Hall, Doctor of Divinity and Dean of Worchester, Esther Inglis wisheth all increase of true happiness, Junii 21, 1616." In third leaf, her head, painted on a card, and pasted upon the leaf.

The t.i.tle of the other book is "Les Proverbes de Solomon, escrites in diverses sortes des Lettres, par Esther Anglois, Francoise. A Lislebourge en Escosse, 1599." This delicate performance gains the admiration of all who see it; every chapter is wrote in a different hand, as is the dedication, and some other things at the beginning of the book, which makes near forty several sorts of hands. The beginnings and endings of the chapters are adorned with most beautiful head and tail pieces, and the margins are elegantly decorated with the pen, in imitation, I suppose, of the elegant old ma.n.u.scripts. The book is dedicated to the Earl of Ess.e.x, Queen Elizabeth's great favourite. At the beginning are his arms, neatly drawn, with all its quarterings, in number fifty-six. In the fifth leaf is her own picture, done with the pen, in the habit of that time. In her right hand a pen, the left resting upon a book opened, in one of the leaves of which is written, "Del eternal le bien. De moi le mal, ou rien." On the table before her there is likewise a music-book lying open, which perhaps intimates that she had some skill in that art. Under the picture is an epigram in Latin, written by Andrew Melvin, and, in the next page, another composed by the same author in Latin, of which the following is a translation:--

"One hand Dame Nature's mimic does express Her larger figures, to the life in less; In the rich border of her work do stand Afresh, created by her curious hand, The various signs and planets of the sky, Which seem to move and twinkle in our eye; Much we the work, much more the hand admire, Her fancy guiding this does raise our wonder higher."

It appears that she lived unmarried till she was about forty; and then, I find by a memorandum made by my late friend Mr Hearne, in a spare leaf at the beginning of her ma.n.u.script of the Proverbs of Solomon, that she was married to Mr Bartholomew Kello [Kelly?], a Scotchman, by whom she had a son, named Samuel Kello, who was educated in Christ Church College, Oxon.

MARGARET, d.u.c.h.eSS OF NEWCASTLE.

[1620.]

BALLARD.

The youngest daughter of Sir Charles Lucas, and the wife of the Marquis of Newcastle, had, from her infancy, a natural inclination to learning, and spent so much of her time in study and writing, that it is much to be lamented she had not the advantage of an acquaintance with the learned languages, which would have extended her knowledge, refined her genius, and have been of infinite service to her in the many compositions and productions of her pen.

In 1643, she obtained leave of her mother to go to Oxford, where the court then resided, and was made one of the maids of honour to Henrietta Maria, the royal consort of King Charles I.; and when the queen, by her rebellious subjects, was unhappily forced to leave England and go to her native country, she attended her thither. At Paris she met with the Marquis of Newcastle, then a widower, who, admiring her person, disposition, and ingenuity, was married to her in that place in the year 1645. She was said to be the most voluminous dramatic writer of our female poets, that she had a great deal of wit, and a more than ordinary propensity to dramatic poetry. Mr Langbaine tells us that all the language and plots of her plays were her own, which is a commendation preferable to fame built on other people's foundation, and will very well atone for some faults in her numerous productions. [A catalogue of this lady's works, "tragicomical, poetical, romancical, philosophical, and historical," both in prose and verse, would occupy pages.]

Her person was very graceful, her temper naturally reserved, and she seldom said much in company, especially among strangers. She was most indefatigable in her studies and contemplations; truly pious, charitable, and generous; an excellent economist; very kind to her servants, and a perfect pattern of conjugal love and duty.

LADY PAKINGTON.

[1679.]