Without a Home Part 4

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After a day or two of search in the country, he found a place that he thought would answer, and the family prepared as quickly as possible for what seemed to them like a journey to Siberia.

Mildred's farewell to her own private apartment was full of touching pathos. This room was the outward expression not merely of a refined taste, but of some of the deepest feelings and characteristics of her nature. In its furniture and adornment it was as dainty as her own delicate beauty. She had been allowed to fit it up as she wished, and had lavished upon it the greater part of her spending money. She had also bestowed upon it much thought, and the skilful work of her own hands had eked out to a marvellous extent the limited sums that her father had been able to give her. The result was a prettiness and light, airy grace which did not suggest the resting-place of an ordinary flesh-and-blood girl, but of one in whom the spiritual and the love of the beautiful were the ruling forces of life.

It is surprising how character impresses itself on one's surroundings.

Mrs. Arnold's elegant home was a correct expression of herself.

Stately, formal, slightly rigid, decidedly cold, it suggested to the visitor that he would receive the courtesy to which his social position ent.i.tled him, and nothing more. It was the result of an exact and logical mind, and could no more unbend into a little comfortable disorder than the lady herself. She bestowed upon its costly appointments the scrupulous care which she gave to her children, and her manner was much the same in each instance. She was justly called a strong character, but she made herself felt after the fas.h.i.+on of an artist with his hammer and chisel. Carved work is cold and rigid at best.

Mildred had not as yet impressed people as a strong character. On the contrary, she had seemed peculiarly gentle and yielding. Vinton Arnold, however, in his deep need had instinctively half guessed the truth, for her influence was like that of a warm day in spring, undemonstrative, not self-a.s.serting, but most powerful. The tongue-tied could speak in her presence; the diffident found in her a kindly sympathy which gave confidence; men were peculiarly drawn toward her because she was so essentially womanly without being silly. Although as sprightly and fond of fun as most young girls of her age, they recognized that she was perfectly truthful and loyal to all that men--even bad men--most honor in a woman.

They always had a good time in her society, and yet felt the better and purer for it. Life blossomed and grew bright about her from some innate influence that she exerted unconsciously. After all there was no mystery about it. She had her faults like others, but at heart she was genuinely good and unselfish. The gentle mother had taught her woman's best graces of speech and manner; nature had endowed her with beauty, and to that the world always renders homage.

There are thousands of very pretty girls who have no love for beauty save their own, which they do their best to spoil by self-homage.

To Mildred, on the contrary, the beautiful was as essential as her daily food, and she excelled in all the dainty handicrafts by which women can make a home attractive. Therefore her own little sanctum had developed like an exquisite flower, and had become, as we have said, an expression of herself. An auctioneer, in dismantling her apartment, would not have found much more to sell than if he had pulled a rose to pieces, but left intact it was as full of beauty and fragrance as the flower itself. And yet her own hands must destroy it, and in a brief time she must exchange its airy loveliness for a bare room in a farmhouse. After that the future was as vague as it was clouded. The pretty trifles were taken down and packed away, with tears, as if she were laying them in graves.

CHAPTER V

THE RUDIMENTS OF A MAN

"Mother, I hain't no unison with it at all," said Farmer Atwood, leaning on the breakfast table and holding aloft a knife and fork--formidable implements in his hands, but now unemployed through perturbation of mind. "I hain't no unison with it--this havin'

fine city folk right in the family. 'Twill be pretty nigh as bad as visiting one's rich relations. I had a week of that once, but, thank the Lord, I hain't been so afflicted since. I've seen 'em up at the hotel and riding by too often not to know 'em. They are half conceit and half fine feathers, and that doesn't leave many qualities as are suited to a farmhouse. Roger and me will have to be--what was it that lecturin' professor called it--'deodorized'

every mornin' after feedin' and cleanin' the critters. We'll have to put on our go-to-meetin's, instead of sittin' down in our s.h.i.+rt-sleeves comfortable like. I hain't no unison with it, and it's been a-growing on me ever since that city chap persuaded you into being cook and chambermaid for his family." And Farmer Atwood's knife and fork came down into the dish of ham with an onslaught that would have appalled a Jew.

"The governor is right, mother," said the young man referred to as Roger. "We shall all be in strait-jackets for the summer."

The speaker could not have been much more than twenty years old, although in form he appeared a full-grown man. As he stood wiping his hands on a towel that hung in a corner of the large kitchen, which, except on state occasions, also served as dining and sitting-room, it might be noted that he was above medium height, broad-shouldered, and strongly built. When he crossed the room his coa.r.s.e working dress could not disguise the fact that he had a fine figure and an easy bearing of the rustic, rough-and-ready style.

He had been out in the tall, dew-drenched gra.s.s, and therefore had tucked the lower part of his trousers in his boot tops, and, like his father, dispensed with his coat in the warm June morning. As he drew a chair noisily across the floor and sat down at the table, it was evident that he had a good though undeveloped face. His upper lip was deeply shadowed by a coming event, to which he looked forward with no little pride, and his well-tanned cheeks could not hide a faint glow of youthful color. One felt at a glance that his varying expressions could scarcely fail to reveal all that the young man was now or could ever become, for his face suggested a nature peculiarly frank and rather matter-of-fact, or at least unawakened. The traits of careless good-nature and self-confidence were now most apparent. He had always been regarded as a clever boy at home, and his rustic gallantry was well received by the farmers' daughters in the neighborhood. What better proofs that he was about right could a young fellow ask? He was on such good terms with himself and the world that even the event which his father so deprecated did not much disturb his easy-going a.s.surance.

He doubted, in his thoughts, whether the city girls would "turn up their noses" at him, and if they did, they might, for all that he cared, for there were plenty of rural beauties with whom he could console himself. But, like his father, he felt that the careless undress and freedom of their farm life would be criticised by the new-comers. He proposed, however, to make as little change as possible in his habits and dress, and to teach the Jocelyns that country people had "as good a right to their ways as city people to theirs." Therefore the threatened invasion did not in the least prevent him from making havoc in the substantial breakfast that Mrs. Atwood and her daughter Susan put on the table in a haphazard manner, taking it from the adjacent stove as fast as it was ready.

A stolid-looking hired man sat opposite to Roger, and shovelled in his food with his knife, with a monotonous a.s.siduity that suggested a laborer filling a coal-bin. He seemed oblivious to everything save the breakfast, and with the exception of heaping his plate from time to time he was ignored by the family.

The men-folk were quite well along with their meal before Mrs.

Atwood and Susan, flushed with their labors about the stove, were ready to sit down. They were accustomed to hear the farmer grumble, and, having carried their point, were in no haste to reply or to fight over a battle that had been won already. Roger led to a slight resumption of hostilities, however, by a disposition--well-nigh universal in brothers--to tease.

"Sue," he said, "will soon be wanting to get some feathers like those of the fine birds that will light in our door-yard this evening."

"That's it," snarled the farmer; "what little you make will soon be on your backs or streamin' away in ribbons."

"Well," said Mrs. Atwood, a little sharply, "it's quite proper that we should have something on our backs, and if we earn the money to put it there ourselves, I don't see why you should complain; as for ribbons, Sue has as good right to 'em as Roger to a span-new buggy that ain't good for anything but taking girls out in."

"What made you have the seat so narrow, Roger?" asked Sue; "you couldn't squeeze three people in to save your life."

"I'm content with one girl at a time," replied Roger, with a complacent shrug.

"And the same girl only one time, too, from what I hear. You've taken out all there are in Forestville haven't you?"

"Haven't got quite around yet. And then some prudent mothers do think the seat a trifle narrow, and the ones I'd like to take out most can't go. But there's plenty that can."

"And one is as good as another," added his sister, maliciously, "If she will only talk nonsense, and let you hold her from falling out when you whisk over the thank-e-ma'ams."

"I didn't have to go from home to learn that most girls talk nonsense," laughed Roger. "By the way, how did you learn about the thank-e-ma'ams? I didn't teach you."

"No, indeed! Sisters may fall out for all that brothers care."

"That depends on whose sisters they are," said Roger, rising. "I now perceive that mine has been well taken care of."

"You think other young men have your pert ways," retorted Sue, reddening. "My friends have manners."

"Oh, I see. They let you fall out, and then politely pick you up."

"Come, you are both in danger of falling out now," said the mother reprovingly.

Roger went off whistling to his work, and the hired man lumbered after him.

"Father," said Mrs. Atwood, "who'll go down to the river for the trunks?"

"Well, I s'pose I'll have to," grumbled Mr. Atwood. "Roger don't want to, and Jotham can do more work in the cornfield than me."

"I'm glad you're so sensible. Riding down to the river and back will be a good bit easier than hoeing corn all day. The stage will be along about five, I guess, and I'll get supper for 'em in the sittin'-room, so you can eat in your s.h.i.+rt-sleeves, if that'll quiet your mind."

With the aspect of a November day Mr. Atwood got out the great farm-wagon and jogged down to the landing on the Hudson, which was so distant as to insure his absence for several hours.

It was a busy day for Mrs. Atwood and Susan. Fresh bread and cake were to be baked, and the rooms "tidied up" once more. A pitcher that had lost its handle was filled with old-fas.h.i.+oned roses that persisted in blooming in a gra.s.s-choked flower-bed. This was placed in the room designed for Mrs. Jocelyn and the children, while the one flower vase, left unbroken from the days of Roger's boyish carelessness, adorned the smaller apartment that Mildred and Belle were to occupy, and this was about the only element of elegance or beauty that Susan was able to impart part to the bare little room.

Even to the country girl, to whom the term "decorative art" was but a vague phrase, the place seemed meagre and hard in its outlines, and she instinctively felt that it would appear far more so to its occupants.

"But it's the best we can afford," she sighed; "and at the prices they'll pay us they shouldn't complain."

Still the day was full of pleasurable excitement and antic.i.p.ation to the young girl. She was aware that her mother's tasks and her own would be greatly increased, but on the other hand the monotony of the farm-house life would be broken, and in the more distant future she saw a vista of new gowns, a jaunty winter hat with a feather, and other like conditions of unalloyed happiness. Susan had dwelt thus far in one of life's secluded valleys, and if she lost much because her horizon was narrow she was s.h.i.+elded from far more. Her fresh, full face had a certain pleasant, wholesome aspect, like the fields about her home in June, as she bustled about, preparing for the "city folks" whom her father so dreaded.

Roger's buggy was not yet paid for. It was the one great extravagance that Mr. Atwood had permitted for many a year. As usual, his wife had led him into it, he growling and protesting, but unable to resist her peculiar persistency. Roger was approaching man's estate, and something must be done to signalize so momentous an event. A light buggy was the goal of ambition to the young men in the vicinity, and Roger felt that he could never be a man without one. He also recognized it as the best means of securing a wife to his mind, for courting on a moonlit, shadowy road was far more satisfactory than in the bosom of the young woman's family. Not that he was bent on matrimony, but rather on several years of agreeable preparation for it, proposing to make tentative acquaintances, both numerous and miscellaneous.

In his impatience to secure this four-wheeled compendium of happiness he had mortgaged his future, and had promised his father to plant and cultivate larger areas. The shrewd farmer therefore had no prospect of being out of pocket, for the young man was keeping his word. The acres of the cornfield were nearly double those of the previous year, and on them Roger spent the long hot day in vigorous labor in preference to the easy task of going to the river for the luggage. Dusty and weary, but in excellent spirits over the large s.p.a.ce that he and the hired man had "hilled up," he went whistling home through the long shadows of the June evening. The farm wagon stood in the door-yard piled with trunks. The front entrance of the house--rarely used by the family--was open, and as he came up the lane a young girl emerged from it, and leaned for a few moments against the outer pillar of the little porch, unconscious of the picture she made. A climbing rose was in bloom just over her head, and her cheeks, flushed with heat and fatigue, vied with them in color. She had exchanged her travelling-dress for one of light muslin, and entwined in her hair a few buds from the bush that covered the porch. If Roger was not gifted with a vivid imagination he nevertheless saw things very accurately, and before he reached the head of the lane admitted to himself that the old "front steps"

had never been so graced before. He had seen many a rustic beauty standing there when his sister had company, but the city girl impressed him with a difference which he then could not understand.

He was inclined to resent this undefined superiority, and he muttered, "Father's right. They are birds of too fine a feather for our nest."

He had to pa.s.s near her in order to reach the kitchen door, or else make a detour which his pride would not permit. Indeed, the youth plodded leisurely along with his hoe on his shoulder, and scrupled not to scrutinize the vision on the porch with the most matter-of-fact minuteness.

"What makes her so 'down in the mouth'?" he queried. "She doesn't fancy us barbarians, I suppose, and Forestville to her is a howling wilderness. Like enough she'll take me for an Indian."

Mildred's eyes were fixed on a great s.h.a.ggy mountain in the west, that was all the more dark and forbidding in its own deep shadow.

She did not see it, however, for her mind was dwelling on gloomier shadows than the mountain cast.

As he pa.s.sed he caught her attention, and stepping toward him a little impatiently, she said,

"I suppose you belong to the premises?"

He made an awkward attempt at a bow, and said stiffly, "I'm one of the Atwood chattels."

Without a Home Part 4

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Without a Home Part 4 summary

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