By What Authority? Part 70

"When dinner is over," she said, "you and I will go to find it."

Dinner was over at last, and the four rose.

"Come," said Mary; while Isabel turned into the garden and Mr. Buxton went to his room. "We will be with you presently," she cried after Isabel.

Then the two went together to the little west parlour, oak-panelled, with a wide fireplace with the logs in their places, and the latticed windows with their bottle-end gla.s.s, looking upon the walled garden. Anthony stood on a chair and opened the top window, letting a flood of summer noises into the room.

They found the lute music, written over its six lines with the queer F's and double F's and numerals--all Hebrew to Anthony, but bursting and blossoming with delicate melodies to Mary's eyes. Then she took up the lute, and tuned it on her knee, still sitting in a deep lounging-chair, with her buckled feet before her; while Anthony sat opposite and watched her supple flas.h.i.+ng fingers busy among the strings, and her grave abstracted look as she listened critically. Then she sounded the strings in little rippling chords.

"Ah! it is a sweet old lute," she said. "Put the music before me."

Anthony propped it on a chair.

"Is that the right side up?" he asked.

Mary smiled and nodded, still looking at the music.

"Now then," she said, and began the prelude.

Anthony threw himself back in his chair as the delicate tinkling began to pour out and overscore the soft cooing of a pigeon on the roofs somewhere and the murmur of bees through the open window. It was an old precise little love-song from Italy, with a long prelude, suggesting by its tender minor chords true and restrained love, not pa.s.sionate but tender, not despairing but melancholy; it was a love that had for its symbols not the rose and the lily, but the lavender and thyme--acrid in its sweetness. The prelude had climbed up by melodious steps to the keynote, and was now rippling down again after its aspirations.

Mary stirred herself.

Ah! now the voice would come in the last chord----when all the music was first drowned and then ceased, as with crash after crash a great bell, sonorous and piercing, began to sound from overhead.

CHAPTER X

THE Pa.s.sAGE TO THE GARDEN-HOUSE

The two looked at one another with parted lips, but without a word. Then both rose simultaneously. Then the bell jangled and ceased; and a crowd of other noises began; there were shouts, tramplings of hoofs in the court; shrill voices came over the wall; then a scream or two. Mary sprang to the door and opened it, and stood there listening.

Then from the interior of the house came an indescribable din, tramplings of feet and shouts of anger; then violent blows on woodwork. It came nearer in a moment of time, as a tide comes in over flat sands, remorselessly swift. Then Mary with one movement was inside again, and had locked the door and drawn the bolt.

"Up there," she said, "it is the only way--they are outside," and she pointed to the chimney.

Anthony began to remonstrate. It was intolerable, he felt, to climb up the chimney like a hunted cat, and he began a word or two. But Mary seized his arm.

"You must not be caught," she said, "there are others"; and there came a confused battering and trampling outside. She pushed him towards the chimney. Then decision came to him, and he bent his head and stepped upon the logs laid upon the ashes, crus.h.i.+ng them down.

"Ah! go," said Mary's voice behind him, as the door began to bulge and creak. There was plainly a tremendous struggle in the little pa.s.sage outside.

Anthony threw his hands up and felt a high ledge in the darkness, gripped it with his hands and made a huge effort combined of a tug and a spring; his feet rapped sharply for a moment or two on the iron fire-plate; and then his knee reached the ledge and he was up. He straightened himself on the ledge, stood upright and looked down; two white hands with rings on them were lifting the logs and drawing them out from the ashes, shaking them and replacing them by others from the wood-basket; and all deliberately, as if laying a fire. Then her voice came up to him, hushed but distinct.

"Go up quickly. I will feign to be burning papers; there will be smoke, but no sparks. It is green wood."

Anthony again felt above him, and found two iron half-rings in the chimney, one above the other; he was in semi-darkness here, but far above there was a patch of pale smoky light; and all the chimney seemed full of a murmurous sound. He tugged at the rings and found them secure, and drew himself up steadily by the higher one, until his knee struck the lower; then with a great effort he got his knee upon it, then his left foot, and again straightened himself. Then, as he felt in the darkness once more, he found a system of rings, one above the other, up the side of the chimney, by which it was not hard to climb. As he went up he began to perceive a sharp acrid smell, his eyes smarted and he closed them, but his throat burned; he climbed fiercely; and then suddenly saw immediately below him another hearth; he was looking over the fireplate of some other room. In a moment more he thrust his head over, and drew a long breath of clear air; then he listened intently. From below still came a murmur of confusion; but in this room all was quiet. He began to think frantically.

He could not remain in the chimney, it was hopeless; they would soon light fires, he knew, in all the chimneys, and bring him down. What room was this? He was bewildered and could not remember. But at least he would climb into it and try to escape. In a moment more he had lifted himself over the fireplate and dropped safely on to the hearth of his own bedroom.

The fresh air and the familiarity of the room, as he looked round, swept the confusion out of his brain like a breeze. The thundering and shouting continued below. Then he went on tip-toe to the door and opened it. Round to the right was the head of the stairs which led straight into the little pa.s.sage where the struggle was going on. He could hear Robert's voice in the din; plainly there was no way down the stairs. To the left was the pa.s.sage that ended in a window, with the chapel door at the left and the false shelves on the right. He hesitated a moment between the two hiding-places, and then decided for the cupboard; there was a clean doublet there; his own was one black smear of soot, and as he thought of it, he drew off his sooty shoes. His hose were fortunately dark. He stepped straight out of the door, leaving it just ajar. Even as he left it there was a thunder of footsteps on the stairs, and he was at the shelves in a moment, catching a glimpse through the window on his left of the front court crowded with men and horses. He had opened and shut the secret door three or four times the evening before, and his hands closed almost instinctively on the two springs that must be worked simultaneously. He made the necessary movement, and the shelves with the wall behind it softly slid open and he sprang in. But as he closed it he heard one of the two books drop, and an exclamation from the pa.s.sage he had just left; then quick steps from the head of the stairs; the steps clattered past the door and into the chapel opposite and stopped.

Anthony felt about him in the darkness, found the doublet and lifted it off the nail; slipped off his own, tearing his ruff as he did so; and then quickly put on the other. He had no shoes; but that would not be so noticeable. He had not seriously thought of the possibility of escaping through the portrait-door, as he felt sure the house would be overrun by now; but he put his eyes to the pinholes and looked out; and to his astonishment saw that the gallery was empty. There it lay, with its Flemish furniture on the right and its row of windows on the left, and all as tranquil as if there were no fierce tragedy of terror and wrath raging below. Again decision came to him; by a process of thought so swift that it was an intuition, he remembered that the fall of the book outside would concentrate attention on that corner; it could not be long before the shelves were broken in, and if he did not escape now there would be no possibility later. Then he unslid the inside bolt, and the portrait swung open; he closed it behind, and sped on silent shoeless feet down the polished floor of the gallery.

Of course the great staircase was hopeless. The hall would be seething with men. But there was just a chance through the servants' quarters. He dashed past the head of the stairs, catching a glimpse of heads and sparkles of steel over the banisters, and through the half-opened door at the end, finding himself in the men's corridor that was a continuation of the gallery he had left. On his left rose the head of the back-stairs, that led first with a double flight to the offices, the pantry, the b.u.t.tery and the kitchen, and than, lower still, a single third flight down to the cellar.

He looked down the stairs; at the bottom of the first double flight were a couple of maids, screaming and white-faced, leaning and pressing against the door, immediately below the one he had just come through himself. The door was plainly barred as well, for it was now thudding and cracking with blows that were being showered upon it from the other side.

The maids, it seemed to him, in a panic had locked the door; but that panic might be his salvation. He dashed down the stairs; the maids screamed louder than ever when they saw this man, whom they did not recognise, with blackened face and hands come in noiseless leaps down towards them; but Anthony put his finger on his lips as he flew past them; then he dashed open the little door that shut off the cellar-flight, closed it behind him, and was immediately in the dark.

Then he groped his way down, feeling the rough brick wall as he went, till he reached the floor of the cellar. The air was cool and damp here, and it refreshed him, for he was pouring with sweat. The noise, too, and confusion which, during his flight, had been reverberating through the house with a formidable din, now only reached him as a far-away murmur.

As he counted the four steps up, and then lifted the overhanging edge, there came upon him irresistibly the contrast between the serene party here last night, with their tapers and their delicate dresses and Mary's cool clear-clipped voice--and his own soot-stained person, his desperate energy and his quick panting and heart-beating. Then the steps dropped and he slid in; lifted them again as he lay on his back, and heard the spring catch as they closed. Then he was in silence, too, and comparative safety. But he dared not rest yet, and edged himself along as he had seen Mr. Buxton do last night. Which brick was it? "The fourth of the fourth,"

he murmured, and counted, and pressed it. Again the door pushed back, and with a little struggle he was first on his knees, and then on his feet.

Then he swung the door to again behind him.

Then for the first time he rested; he leaned against the brick-lined side of the tunnel and pa.s.sed his blackened hands over his face. Five minutes ago--yes--certainly not five minutes ago he was lounging in the west parlour, at the other end of the house, while Mary played the prelude to an Italian love-song.--What was she doing now? G.o.d bless her for her quick courage!--And Isabel and Buxton--where were they all? How deadly sick and tired he felt!--Again he pa.s.sed his hands over his face in the pitch darkness.--Well, he must push on.

He turned and began to grope patiently through the blackness--step by step--feeling the roughness of the bricks beneath with his shoeless feet before he set them down; once or twice he stepped into a little icy pool, which had collected through some crack in the vaulting overhead; once, too, he slipped on a lump of something wet and shapeless; and thought even then of Mary's suspicions the night before. He pushed on, s.h.i.+vering now with cold and excitement, through what seemed the interminable tunnel, until at last his outstretched hands touched wood before him. He had not seen this end of the pa.s.sage for nearly two years, and he wondered if he could remember the method of opening, and gave a gulp of horror at the thought that he might not. But there had been no reason to make a secret of the inside of the door, and he presently found a b.u.t.ton and drew it; it creaked rustily, but gave, and the door with another pull opened inwards, and there was a faint glimmer of light. Then he remembered that the entrances to the tunnel at either end were exactly on the same system; and putting out his hands felt the slope of the underside of the staircase, cutting diagonally across the opening of the pa.s.sage. He slid himself on to the boarding sideways, and drew the brickwork towards him till the spring snapped, and lay there to consider before he went farther.

First he ran over in his mind the construction of the garden-house.

The bas.e.m.e.nt in which he was lying corresponded to the cellar under the house from which he had come, and ran the whole length of the building, about forty feet by twenty. It was a large empty chamber, where nothing of any value was kept. He remembered last time he was here seeing a heap of tiles in one corner, with a pile of disused poles; pieces of rope, and old iron in another. The stairs led up through an ordinary trap-door into what was the ground-floor of the house. This, too, was one immense room, with four latticed windows looking on to the garden, and one with opaque gla.s.s on to the lane at the back; and a great door, generally kept locked, for rather more valuable things were kept here, such as the garden-roller, flower-pots, and the targets for archery. Then a light staircase led straight up from this room to the next floor, which was divided into two, both of which, so far as Anthony remembered, were empty. Mr. Buxton had thought of letting his gardeners sleep there when he had at first built this immense useless summer-house; but he had ultimately built a little gardener's cottage adjoining it. The two fantastic towers that flanked the building held nothing but staircases, which could be entered by either of the two floors, and which ascended to tiny rooms with windows on all four sides.

When Anthony had run over these details as he lay on his back, he pushed up the stair over his face and let the front of it with the step of the next swing inwards; the light was stronger now, and poured in, though still dim, through three half-moon windows, glazed and wired, that just rose above the level of the ground outside. Then he extricated himself, closed the steps behind him, and went up the stairs.

The trap-door at the top was a little stiff, but he soon raised it, and in a moment more was standing in the ground-floor room of the garden-house. All round him was much as he remembered it; he first went to the door and found it securely fastened, as it often was for days together; he glanced at the windows to a.s.sure himself that they were bottle-gla.s.s too, and then went to them to look out. He was fortunate enough to find the corner of one pane broken away; he put his eye to this, and there lay a little lawn, with a yew-hedge beyond blotting out all of the great house opposite except the chimneys,--the house which even across the whole s.p.a.ce of garden hummed like a hive. On the lawn was a chair, and an orange-bound book lay face down on the gra.s.s beside it.

Anthony stared at it; it was the book that he had seen in Isabel's hand not half an hour ago, as she had gone out into the garden from the hall to wait until he and Mary joined her with the lute.

And at that the priest knelt down before the window, covered his face with his hands, and began to stammer and cry to G.o.d: "O G.o.d! G.o.d! G.o.d!"

he said.

When Mary Corbet had seen Anthony's feet disappear, she already had the outline of a plan in her mind. To light a fire and pretend to be burning important papers would serve as an excuse for keeping the door fast; it would also suggest at least that no one was in the chimney. The ordinary wood, however, sent up sparks; but she had noticed before a little green wood in the basket, and knew that this did not do so to the same extent; so she pulled out the dry wood that Anthony had trodden into the ashes and subst.i.tuted the other. Then she had looked round for paper;--the lute music, that was all. Meantime the door was giving; the noise outside was terrible; and it was evident that one or two of the servants were obstructing the pa.s.sage of the pursuivants.

When at last the door flew in, there was a fire cracking furiously on the hearth, and a magnificently dressed lady kneeling before it, crus.h.i.+ng paper into the flames. Half a dozen men now streamed in and more began to follow, and stood irresolute for a moment, staring at her. From the resistance they had met with they had been certain that the priest was here, and this sight perplexed them. A big ruddy man, however, who led them, sprang across the room, seized Mary Corbet by the shoulders and whisked her away against the wall, and then dashed the half-burnt paper out of the grate and began to beat out the flames.

Mary struggled violently for a moment; but the others were upon her and held her, and she presently stood quiet. Then she began upon them.

"You insolent hounds!" she cried, "do you know who I am?" Her cheeks were scarlet and her eyes blazing; she seemed in a superb fury.

"Burning treasonable papers," growled the big man from his knees on the hearth, "that is enough for me."

"Who are you, sir, that dare to speak to me like that?"