Mrs. Shelley Part 9

CHAPTER XIV.

LITERARY WORK.

Having traced Mary's life, as far as s.p.a.ce will allow, to the death of her father, we must now retrace our steps to show the work she did, which gives the _raison-d'etre_ for this biography. It has already been shown that her second book, _Valperga_, much admired by Sh.e.l.ley, was written to a.s.sist her father in his distress before his bankruptcy. After her husband's death, while arranging his MSS., and noting facts in connection with them, she planned and wrote her third romance, _The Last Man_.

This highly imaginative work of Mary Sh.e.l.ley's twenty-sixth year contains some of the author's most powerful ideas; but is marred in the commencement by some of her most stilted writing.

The account of the events recorded professes to be found in the cave of the c.u.msean Sibyl, near Naples, where they had remained for centuries, outlasting the changes of nature and, when found, being still two hundred and fifty years in advance of the time foretold. The accounts are all written on the sibylline leaves; they are in all languages, ancient and modern; and those concerning this story are in English.

We find ourselves in England, in 2073, in the midst of a Republic, the last king of England having abdicated at the quietly expressed wish of his subjects. This book, like all Mrs. Sh.e.l.ley's, is full of biographical reminiscences; the introduction gives the date of her own visit to Naples with Sh.e.l.ley, in 1818; the places they visited are there indicated; the poetry, romance, the pleasures and pains of her own existence, are worked into her subjects; while her imagination carries her out of her own surroundings. We clearly recognise in the ideal character of the son of the abdicated king an imaginary portrait of Sh.e.l.ley as Mary would have him known, not as she knew him as a living person. To give an adequate idea of genius with all its charm, and yet with its human imperfections, was beyond Mary's power. Adrian, the son of kings, the aristocratic republican, is the weakest part, and one cannot help being struck by Mary Sh.e.l.ley's preference for the aristocrat over the plebeian. In fact, Mary's idea of a republic still needed kings' sons by their good manners to grace it, while, at the same time, the king's son had to be trans.m.u.ted into an ideal Sh.e.l.ley.

This strange confusion of ideas allowed for, and the fact that over half a century of perhaps the earth's most rapid period of progress has pa.s.sed, the imaginative qualities are still remarkable in Mary.

Balloons, then dreamed of, were attained; but naturally the steam-engine and other wonders of science, now achieved, were unknown to Marv. When the-pi ague breaks out she has scope for her fancy, and she certainly adds vivid pictures of horror and pathos to a subject which has been handled by masters of thought at different periods. In this time of horror it is amusing to note how the people's candidate, Ryland, represented as a vulgar specimen of humanity, succ.u.mbs to abject fear. The description of the deserted towns and gra.s.s-grown streets of London is impressive. The fortunes of the family, to whom the last man, Lionel Verney, belongs, are traced through their varying phases, as one by one the dire plague a.s.sails them, and Verney, the only man who recovers from the disease, becomes the leader of the remnant of the English nation. This small handful of humanity leaves England, and wanders through France on its way to the favoured southern countries where human aid, now so scarce, was less needed. On this journey Mrs. Sh.e.l.ley avails herself of reminiscences of her own travelling with Sh.e.l.ley some few years before; and we pa.s.s the places noted in her diary; but strange grotesque figures cross the path of the few wanderers, who are decimated each day. At one moment a dying acrobat, deserted by his companions, is seen bounding in the air behind a hedge in the dusk of evening. At another, a black figure mounted on a horse, which only shows itself after dark, to cause apprehensions soon calmed by the death of the poor wanderer, who wished only for distant companions.h.i.+p through dread of contagion.

Dijon is reached and pa.s.sed, and here the old Countess of Windsor, the ex-Queen of England, dies: she had only been reconciled to her changed position by the destruction of humanity. Once, near Geneva, they come upon the sound of divine music in a church, and find a dying girl playing to her blind father to keep up the delusion to the last. The small party, reduced by this time to five, reach Chamouni, and the grand scenes so familiar to Mary contrast with the final tragedy of the human race; yet one more dies, and only four of one family remain; they bury the dead man in an ice cavern, and with this last victim find the pestilence has ended, after a seven years' reign over the earth. A weight is lifted from the atmosphere, and the world is before them; but now alone they must visit her ruins; and the beauty of the earth and the love of each other, bear them up till none but the last man remains to complete the c.u.msaean Sibyl's prophecy.

Various stories of minor importance followed from Mrs. Sh.e.l.ley's pen, and preparations were made for the lives of eminent literary men. But it was not till the year preceding her father's death that we have _Lodore_, published in 1835. Of this novel we have already spoken in relation to the separation of Sh.e.l.ley and Harriet.

Mary had too much feeling of art in her work to make an imaginary character a mere portrait, and we are constantly reminded in her novels of the different wonderful and interesting personages whom she knew intimately, though most of their characters were far too subtle and complex to be unravelled by her, even with her intimate knowledge.

Indeed, the very fact of having known some of the greatest people of her age, or of almost any age, gives an appearance of affectation to her novels, as it fills them with characters so far from the common run that their place in life cannot be reduced to an ordinary fas.h.i.+onable level. Romantic episodes there may be, but their true place is in the theatre of time of which they are the movers, not the Lilliputians of life who are slowly worked on and moulder by them, and whose small doings are the material of most novels. We know of few novelists who have touched at all successfully on the less known characters. This accomplishment seems to need the great poet himself.

The manner in which Lady Lodore is influenced seems to point to Harriet; but the unyielding and revengeful side of her character has certainly more of Lady Byron. She is charmingly described, and shows a great deal of insight on Mary's part into the life of fas.h.i.+onable people of her time, which then, perhaps more than now, was the favourite theme with novelists. This must be owing to a certain innate Tory propensity in the English cla.s.ses or ma.s.ses for whom Mary Sh.e.l.ley had to work hard, and for whose tendencies in this respect she certainly had a sympathy. Mary's own life, at the point we have now reached, is also here touched on in the character of Ethel, Lord and Lady Lodore's daughter, who is brought up in America by her father, and on his death entrusted to an aunt, with injunctions in his will that she is not to be allowed to be brought in contact with her mother. Her character is sweetly feminine and trusting, and in her fortunate love and marriage (in all but early money matters) might be considered quite unlike Mary's own less fortunate experiences; but in her perfect love and confidence in her husband, her devotion and unselfishness through the trials of poverty in London, the descriptions of which were evidently taken from Mary's own experiences, there is no doubt of the resemblance, as also in her love and reverence for all connected with her father. There are also pa.s.sages undoubtedly expressive of her own inner feelings--such as this when describing the young husband and wife at a _tete-a-tete_ supper:--

Mutual esteem and grat.i.tude sanctified the unreserved sympathy which made each so happy in the other. Did they love the less for not loving "in sin and fear"? Far from it. The certainty of being the cause of good to each other tended to foster the most delicate of all pa.s.sions, more than the rough ministrations of terror and the knowledge that each was the occasion of injury. A woman's heart is peculiarly unfitted to sustain this conflict. Her sensibility gives keenness to her imagination and she magnifies every peril, and writhes beneath every sacrifice which tends to humiliate her in her own eyes. The natural pride of her s.e.x struggles with her desire to confer happiness, and her peace is wrecked.

What stronger expression of feeling could be needed than this, of a woman speaking from her heart and her own experiences? Does it not remind one of the moral on this subject in all George Eliot's writing, where she shows that the outcome of what by some might be considered minor transgressions against morality leads even in modern times to the Nemesis of the most terrible Greek Dramas?

The complicated money transactions carried on with the aid of lawyers were clearly a reminiscence of Sh.e.l.ley's troubles, and of her own incapacity to feel all the distress contingent so long as she was with him, and there was evidently money somewhere in the family, and it would come some time. In this novel we also perceive that Mary works off her pent-up feelings with regard to Emilia Viviani. It cannot be supposed that the corporeal part of Sh.e.l.ley's creation of _Epipsychidion_ (so exquisite in appearance and touching in manner and story as to give rise, when transmitted through the poet's brain, to the most perfect of love ideals) really ultimately became the fiery-tempered worldly-minded virago that Mary Sh.e.l.ley indulges herself in depicting, after first, in spite of altering some relations and circ.u.mstances, clearly showing whom the character was intended for. It is true that Sh.e.l.ley himself, after investing her with divinity to serve the purposes of art, speaks later of her as a very commonplace worldly-minded woman; but poets, like artists, seem at times to need lay figures to attire with their thoughts. Enough has been shown to prove that there is genuine subject of interest in this work of Mary's thirty-seventh year.

The next work, _Falkner_, published in 1837, is the last novel we have by Mary Sh.e.l.ley; and as we see from her letter she had been pa.s.sing through a period of ill-health and depression while writing it, this may account for less spontaneity in the style, which is decidedly more stilted; but, here again, we feel that we are admitted to some of the circle which Mary had encountered in the stirring times of her life, and there is undoubted imagination with some fine descriptive pa.s.sages.

The opening chapter introduces a little deserted child in a picturesque Cornish village. Her parents had died there in apartments, one after the other, the husband having married a governess against the wishes of his relations; consequently, the wife was first neglected on her husband's death; and on her own sudden death, a few months later, the child was simply left to the care of the poor people of the village--a dreamy, poetic little thing, whose one pleasure was to stroll in the twilight to the village churchyard and be with her mamma. Here she was found by Falkner, the princ.i.p.al character of the romance, who had selected this very spot to end a ruined existence; in which attempt he was frustrated by the child jogging his arm to move him from her mother's grave. His life being thus saved by the child's instrumentality, he naturally became interested in her. He is allowed to look through the few remaining papers of the parents. Among these he finds an unfinished letter of the wife, evidently addressed to a lady he had known, and also indications who the parents were. He was much moved, and offered to relieve the poor people of the child and to restore her to her relations.

The mother's unfinished letter to her friend contains the following pa.s.sage, surely autobiographical:--

When I lost Edwin (the husband), I wrote to Mr. Raby (the husband's father) acquainting him with the sad intelligence, and asking for a maintenance for myself and my child. The family solicitor answered my letter. Edwin's conduct had, I was told, estranged his family from him, and they could only regard me as one encouraging his disobedience and apostasy. I had no claim on them. If my child were sent to them, and I would promise to abstain from all intercourse with her, she should be brought up with her cousins, and treated in all respects like one of the family. I declined their barbarous offer, and haughtily and in few words relinquished every claim on their bounty, declaring my intention to support and bring up my child myself. This was foolishly done, I fear; but I cannot regret it, even now.

I cannot regret the impulse that made me disdain these unnatural and cruel relatives, or that led me to take my poor orphan to my heart with pride as being all my own. What had they done to merit such a treasure? And did they show themselves capable of replacing a fond and anxious mother? This reminds the reader of the correspondence between Mary and her father on Sh.e.l.ley's death.

It suffices to say that Falkner became so attached to the small child, that by the time he discovered her relations he had not the heart to confide her to their hard guardians.h.i.+p, and as he was compelled to leave England shortly, he took her with him, and through all difficulties he contrived that she should be well guarded and brought up. There is much in the character of Falkner that reminds the reader of Trelawny, the gallant and generous friend of Byron and Sh.e.l.ley in their last years, the brave and romantic traveller. The description of Falkner's face and figure must have much resembled that of Trelawny when young, though, of course, the incidents of the story have no connection with him. In the meantime the little girl is growing up, and the nurses are replaced by an English governess, whom Falkner engages abroad, and whose praises and qualifications he hears from everyone at Odessa. The story progresses through various incidents foreshadowing the cause of Falkner's mystery. Elizabeth, the child, now grown up, pa.s.ses under his surname. While travelling in Germany they come across a youth of great personal attraction, who appears, however, to be of a singularly reckless and misanthropical disposition for one so young. Elizabeth seeming attracted by his daring and beauty, Falkner suddenly finds it necessary to return to England.

Shortly afterwards, he is moved to go to Greece during the War of Independence, and wishes to leave Elizabeth with her relations in England; but this she strenuously opposes so far as to induce Falkner to let her accompany him to Greece, where he places her with a family while he rushes into the thick of the danger, only hoping to end his life in a good cause. In this he nearly succeeds, but Elizabeth, hearing of his danger, hastens to his side, and nurses him a.s.siduously through the fever brought on from his wounds and the malarious climate. By short stages and the utmost care, she succeeds in reaching Malta on their homeward journey, and Falkner, a second time rescued from death by his beloved adopted child, determines not again to endanger recklessly the life more dear to her than that of many fathers. Again, at Malta, during a fortnight's quarantine, the smallness of the world of fas.h.i.+onable people brings them in contact with an English party, a Lord and Lady Cecil, who are travelling with their family. Falkner is too ill to see anyone, and when Elizabeth finally gets him on board a vessel to proceed to Genoa, he seems rapidly sinking. In his despair and loneliness, feeling unable to cope with all the difficulties of burning sun and cold winds, help unexpectedly comes: a gentleman whom Elizabeth has not before perceived, and whom now she is too much preoccupied to observe, quietly arranges the sail to shelter the dying man from sun and wind, places pillows, and does all that is possible; he even induces the poor girl to go below and rest on a couch for a time while he watches.

Falkner becomes easier in the course of the night; he sleeps and gains in strength, and from this he progresses till, while at Ma.r.s.eilles, he hears the name, Neville, of the unknown friend who had helped to restore him to life. He becomes extremely agitated and faints. On being restored to consciousness he begs Elizabeth to continue the journey with him alone, as he can bear no one but her near him. The mystery of Falkner's life seems to be forcing itself to the surface.

The travellers reach England, and Elizabeth is sought out by Lady Cecil, who had been much struck by her devotion to her father.

Elizabeth is invited to stay with Lady Cecil, as she much needs rest in her turn. During a pleasant time of repose near Hastings, Elizabeth hears Lady Cecil talk much of her brother Gerard; but it is not till he, too, arrives on a visit, that she acknowledges to herself that he is really the same Mr. Neville whom she had met, and from whom she had received such kindness. Nor had Gerard spoken of Elizabeth; he had been too much drawn towards her, as his life also is darkened by a mystery. They spend a short tranquil time together, when a letter announces the approaching arrival of Sir Boyvill Neville, the young man's father (although Lady Cecil called Gerard her brother, they were not really related; Sir Boyvill had married the mother of Lady Cecil, who was the offspring of a previous marriage).

Gerard Neville at once determines to leave the house, but before going refers Elizabeth to his sister, Lady Cecil, to hear the particulars of the tragedy which surrounds him. The story told is this. Sir Boyvill Neville was a man of the world with all the too frequent disbelief in women and selfishness. This led to his becoming very tyrannical when he married, at the age of 45, Alethea, a charming young woman who had recently lost her mother, and whose father, a retired naval officer of limited means, would not hear of her refusing so good an offer as Sir Boyvill's. After their marriage Sir Boyvill, feeling himself too fortunate in having secured so charming and beautiful a wife, kept out of all society, and after living abroad for some years took her to an estate he possessed in c.u.mberland. They lived there shut out from all the world, except for trips which he took himself to London, or elsewhere, whenever _ennui_ a.s.sailed him. They had, at the time we are approaching, two charming children, a beautiful boy of some ten years and a little girl of two. At this time while Alethea was perfectly happy with her children, and quite contented with her retirement, which she perceived took away the jealous tortures of her husband, he left home for a week, drawn out to two months, on one of his periodical visits to the capital. Lady Neville's frequent letters concerning her home and her children were always cheerful and placid, and the time for her husband's return was fixed. He arrived at the appointed hour in the evening. The servants were at the door to receive him, but in an instant alarm prevailed; Lady Neville and her son Gerard were not with him. They had left the house some hours before to walk in the park, and had not since been seen or heard of, an unprecedented occurrence. The alarm was raised; the country searched in all directions, but ineffectually, during a fearful tempest. Ultimately the poor boy was found unconscious on the ground, drenched to the skin. On his being taken home, and his father questioning him, all that could be heard were his cries "Come back, mamma; stop, stop for me!" Nothing else but the tossings of fever.

Once again, "Then she has come back," he cried, "that man did not take her quite away; the carriage drove here at last." The story slowly elicited from the child on his gaining strength was this. On his going for a walk with his mother in the park, she took the key of a gate which led into a lane. A gentleman was waiting outside. Gerard had never seen him before, but he heard his mother call him Rupert. They walked together through the lane accompanied by the child, and talked earnestly. She wept, and the boy was indignant. When they reached a cross-road, a carriage was waiting. On approaching it the gentleman pulled the child's hands from hers, lifted her in, sprang in after, and the coachman drove like the wind, leaving the child to hear his mother shriek in agony, "My child--my son!" Nothing more could be discovered; the country was ransacked in vain. The servants only stated that ten days ago a gentleman called, asked for Lady Neville and was shown in to her; he remained some two hours, and on his leaving it was remarked that she had been weeping. He had called again but was not admitted. One letter was found, signed "Rupert," begging for one more meeting, and if that were granted he would leave her and his just revenge for ever; otherwise, he could not tell what the consequences might be on her husband's return that night. In answer to this letter she went, but with her child, which clearly proved her innocent intention. Months pa.s.sed with no fresh result, till her husband, beside himself with wounded pride, determined to be avenged by obtaining a Bill of Divorce in the House of Lords, and producing his son Gerard as evidence against his lost mother, whom he so dearly loved. The poor child by this time, by dint of thinking and weighing every word he could remember, such as "I grieve deeply for you, Rupert: my good wishes are all I have to give you," became more and more convinced that his mother was taken forcibly away, and would return at any moment if she were able. He only longed for the time when he should be old enough to go and seek her through the world. His father was relentless, and the child was brought before the House of Lords to repeat the evidence he had innocently given against her; but when called on to speak in that awful position, no word could be drawn from him except "She is innocent." The House was moved by the brave child's agony, and resolved to carry on the case without him, from the witnesses whom he had spoken to, and finally they p.r.o.nounced a decree of divorce in Sir Boyvill's favour. The struggle and agony of the poor child are admirably described, as also his subsequent flight from his father's house, and wanderings round his old home in c.u.mberland. In his fruitless search for his mother he reached a deserted sea-coast.

After wandering about for two months barefoot, and almost starving but for the ewe's milk and bread given him by the cottagers, he was recognized. His father, being informed, had him seized and brought home, where he was confined and treated as a criminal. His state became so helpless that even his father was at length moved to some feeling of self-restraint, and finally took Gerard with him abroad, where he was first seen at Baden by Elizabeth and Palkner. There also he first met his sister by affinity, Lady Cecil. With her he lost somewhat his defiant tone, and felt that for his mother's sake he must not appear to others as lost in sullenness and despair. He now talked of his mother, and reasoned about her; but although he much interested Lady Cecil, he did not convince her really of his mother's innocence, so much did all circ.u.mstances weigh against her. But now, during Elizabeth's visit to Lady Cecil, a letter is received by Gerard and his father informing them that one Gregory Hoskins believed he could give some information; he was at Lancaster. Sir Boyvill, only anxious to hush up the matter by which his pride had suffered, hastened to prevent his son from taking steps to re-open the subject. This Hoskins was originally a native of the district round Dromoor, Neville's home, and had emigrated to America at the time of Sir Boyvill's marriage. At one time--years ago--he met a man named Osborne, who confided to him how he had gained money before coming to America by helping a gentleman to carry off a lady, and how terribly the affair ended, as the lady got drowned in a river near which they had placed her while nearly dead from fright, on the dangerous coast of c.u.mberland. On returning to England, and hearing the talk about the Nevilles in his native village, this old story came to his mind, and he wrote his letter. Neville, on hearing this, instantly determined to proceed to Mexico, trace out Osborne, and bring him to accuse his mother's murderer.

All these details were written by Elizabeth to her beloved father.

After some delay, one line entreated her to come to him instantly for one day.

Falkner could not ignore the present state of things--the mutual attraction of his Elizabeth and of Gerard. Yet how, with all he knew, could that be suffered to proceed? Never, except by eternal separation from his adored child; but this should be done. He would now tell her his story. He could not speak, but he wrote it, and now she must come and receive it from him. He told of all his solitary, unloved youth, the miseries and tyranny of school to the unprotected--a reminiscence of Sh.e.l.ley; how, on emerging from, childhood, one gleam of happiness entered his life in the friends.h.i.+p of a lady, an old friend of his mother's, who had one lovely daughter; of the happy, innocent time spent in their cottage during holidays; of the dear lady's death; of her daughter's despair; then how he was sent off to India; of letters he wrote to the daughter Alethea, letters unanswered, as the father, the naval officer, intercepted all; of his return, after years, to England, his one hope that which had buoyed him up through years of constancy, to meet and marry his only love, for that he felt she was and must remain. He recounted his return, and the news lie received; his one rash visit to her to judge for himself whether she was happy--this, from her manner, he could not feel, in spite of her delight in her children; his mad request to see her; mad plot, and still madder execution of it, till he had her in his arms, das.h.i.+ng through the country, through storm and thunder, unable to tell whether she lived or died; the first moment of pause; the efforts to save the ebbing life in a ruined hut; the few minutes' absence to seek materials for fire; the return, to find her a floating corpse in the wild little river flowing to the sea; the rescue of her body from the waves; her burial on the sea-sh.o.r.e; and his own subsequent life of despair, saved twice by Elizabeth. All this was told to the son, to whom Falkner denounced himself as his mother's destroyer. He named the spot where the remains would be found. And now what was left to be done? Only to wait a little, while Sir Boyvill and Gerard Neville proved his words, and traced out the grave. An inquest was held, and Falkner apprehended. A few days pa.s.sed, and then Elizabeth found her father gone; and by degrees it was broken to her that he was in Carlisle gaol on the charge of murder. She, who had not feared the dangers in Greece of war and fever, was not to be deterred now; she, who believed in his innocence. No minutes were needed to decide her to go straight to Carlisle, and remain as near as she could to the dear father who had rescued and cared for her when deserted. Gerard, who was with his father when the bones were exhumed at the spot indicated, soon realised the new situation. His pa.s.sion for justice to his mother did not deaden his feeling for others. He felt that Falkner's story was true, and though nothing could restore his mother's life, her honour was intact. Sir Boyvill would leave no stone unturned to be revenged, rightly or wrongly, on the man who had a.s.sailed his domestic peace; but Gerard saw Elizabeth, gave what consolation he could, and determined to set off at once to America to seek Osborne, as the only witness who could exculpate Falkner from the charge of murder. After various difficulties...o...b..rne was found in England, where he had returned in terror of being taken in America as accomplice in the murder. With great difficulty he is brought to give evidence, for all his thoughts and fears are for himself; but at length, when all hopes seem failing, he is induced by Elizabeth to give his evidence, which fully confirms Falkner's statement.

At length the day of trial came. The news of liberty arrived. "Not Guilty!" Who can imagine the effect but those who have pa.s.sed innocently through the ordeal? Once more all are united. Gerard has to remain for the funeral of his father, who had died affirming his belief, which in fact he had always entertained, in Falkner's innocence. Lady Cecil had secured for Elizabeth the companions.h.i.+p of Mrs. Raby, her relation on the father's side. She takes Falkner and Elizabeth home to the beautiful ancestral Belleforest. Here a time of rest and happiness ensues. Those so much tried by adversity would not let real happiness escape for a chimera; honour being restored love and friends.h.i.+p remained, and Gerard, Elizabeth and Falkner felt that now they ought to remain, together, death not having disunited them.

Too much s.p.a.ce may appear to be here given to one romance; but it seems just to show the scope of Mary's imaginative conception. There are certainly both imagination and power in carrying it out. It is true that the idea seems founded, to some extent, on G.o.dwin's Caleb Williams, the man pa.s.sing through life with a mystery; the similar names of Falkner and Falkland may even be meant to call attention to this fact. The three-volume form, in this as in many novels, seems to detract from the strength of the work in parts, the second volume being noticeably drawn out here and there. It may be questioned, also, whether the form adopted in this as in many romances of giving the early history by way of narrative told by one of the _dramatis personae_ to another, is the desirable one--a point to which we have already adverted in relation to _Frankenstein_. Can it be true to nature to make one character give a description, over a hundred pages long, repeating at length, word for word, long conversations which he has never heard, marking the changes of colour which he has not seen--and all this with a minuteness which even the firmest memory and the most loquacious tongue could not recall? Does not this give an unreality to the style incompatible with art, which ought to be the mainspring of all imaginative work? This, however, is not Mrs.

Sh.e.l.ley's error alone, but is traceable through many masterpieces. The author, the creator, who sees the workings of the souls of his characters, has, naturally, memory and perception for all. Yet Mary Sh.e.l.ley, in this as in most of her work, has great insight into character. Elizabeth's grandfather in his dotage is quite a photograph from life; old Oswig Raby, who was more shrivelled with narrowness of mind than with age, but who felt himself and his house, the oldest in England, of more importance than aught else he knew of. His daughter-in-law, the widow of his eldest son, is also well drawn; a woman of upright nature who can acknowledge the faults of the family, and try to retrieve them, and who finally does her best to atone for the past.

CHAPTER XV.

LATER WORKS.

The writing of these novels, with other literary work we must refer to, pa.s.sed over the many years of Mrs. Sh.e.l.ley's life until 1837, and saved her from the ennui of a quiet life in London with few friends.

Certainly in Mary's case there had been a reason for the neglect of "Society," which at times she bitterly deplored; and as she had little other than intellectual and amiable qualities to recommend her for many years, she was naturally not sought after by the more successful of her contemporaries. There are instances even of her being cruelly mortified by marked rudeness at some receptions she attended; in one case years later, when her fidelity to her husband and his memory might have appeased the sternest moralist. During these early years, which she writes of afterwards as years of privation which caused her to shed many bitter tears at the time, though they were frequently gilded by imagination, Mrs. Sh.e.l.ley was cheered by seeing her son grow up entirely to her satisfaction, pa.s.sing through the child's stage and the school-boy's at Harrow, from which place he proceeded to Cambridge; and many and substantially happy years must have been pa.s.sed, during which Claire was not forgotten. Poor Claire, who pa.s.sed through much severe servitude, from which Mary would fain have spared her, as she wrote once to Mr. Trelawny that this was one of her chief reasons for wis.h.i.+ng for independence; but "Old Time," or "Eternity,"

as she called Sir Timothy, who certainly had no reason to claim her affection, was long in pa.s.sing; and though a small allowance before 1831 of three hundred pounds a year had increased to four hundred pounds a year when her only child reached his majority in 1841, for this, on Sir Timothy's death, she had to repay thirteen thousand pounds. It had enabled her to make a tour in Germany with her son; of this journey we will speak after referring to her _Lives of Eminent Literary Men_.

These lives, written for _Lardner's Cyclopedia_, and published in 1835, are a most interesting series of biographies written by a woman who could appreciate the poet's character, and enter into the injustices and sorrows from which few poets have been exempt. They show careful study, her knowledge of various countries gives local colour to her descriptions, and her love of poetry makes her an admirable critic. She is said to have written all the Italian and Spanish lives with the exception of Galileo and Ta.s.so; and certainly her writing contrasts most favourably with the life of Ta.s.so, to whomever this may have been a.s.signed. Mary was much disappointed at not having this particular sketch to write.

To her life of Dante she affixes Byron's lines from _The Prophecy of Dante_--

'Tis the doom Of spirits of my order to be racked In life; to wear their hearts out, and consume Their days in endless strife, and die alone.

Then future thousands crowd around their tomb, And pilgrims, come from climes where they have known The name of him who now is but a name, Spread his, by him unheard, unheeded fame.

Mary felt how these beautiful lines were appropriate to more than one poet. Freedom from affectation, and a genuine love of her subject, make her biographies most readable, and for the ordinary reader there is a fund of information. The next life--that of Petrarch--is equally attractive; in fact, there is little that can exceed the interest of lives of these immortal beings when written--with the comprehension here displayed. Even the complicated history of the period is made clear, and the poet, whose tortures came from the heart, is as feelingly touched on as he who suffered from the political factions of the Bianchi and the Neri, and who felt the steepness of other's stairs and the salt savour of other's bread. Petrarch's banishment through love is not less feelingly described, and we are taken to the life and the homes of the time in the living descriptions given by Mary. One pa.s.sage ought in fairness to be given to show her enthusiastic understanding and appreciation of the poet she writes of:--

Dante, as hath been already intimated, is the hero of his own poem; and the Divina Commedia is the only example of an attempt triumphantly achieved, and placed beyond the reach of scorn or neglect, wherein from beginning to end the author discourses concerning himself individually. Had this been done in any other way than the consummately simple, delicate, and un.o.btrusive one which he has adopted, the whole would have been insufferable egotism, disgusting c.o.xcombry, or oppressive dulness. Whereas, this personal ident.i.ty is the charm, the strength, the soul of the book; he lives, he breathes, he moves through it; his pulse beats or stands still, his eye kindles or fades, his cheek grows pale with horror, colours with shame, or burns with indignation; we hear his voice, his step, in every page; we see his shape by the flame of h.e.l.l; his shadow in the land where there is no _other_ shadow (_Purgatoria_) and his countenance gaining angelic elevation from "colloquy sublime" with glorified intelligence in the paradise above. Nor does he ever go out of his natural character. He is, indeed, the lover from infancy of Beatrice, the aristocratic magistrate of a fierce democracy, the valiant soldier in the field of Campaldino, the fervent patriot in the feuds of Guelphs and Ghibellines, the eloquent and subtle disputant in the school of theology, the melancholy exile wandering from court to court, depending for bread and shelter on petty princes who knew not his worth, except as a splendid captive in their train; and above all, he is the poet antic.i.p.ating his own a.s.sured renown (though not obtrusively so), and dispensing at his will honour or infamy to others, whom he need but to name, and the sound must be heard to the end of time and echoed from all regions of the globe. Dante in his vision is Dante as he lived, as he died, and as he expected to live in both worlds beyond death--an immortal spirit in the one, an unforgotten poet in the other.

You feel this is written from the heart of the woman who herself felt as she wrote. We would fain go through her different biographies, tracing her feelings, her appreciation, and poetic enthusiasm throughout, but that is impossible. She takes us through Boccaccio's life, and, as by the reflection of a sunset from a mirror, we are warmed with the glow and mirth from distant and long-past times in Italy. One feels through her works the innate delicacy of her mind.

Through Boccaccio's life, as through all the others, the history of the times and the noteworthy facts concerning the poets are brought forward--such as the sums of money Boccaccio spent, though poor, to promote the study of Greek, so long before the taking of Constantinople by the Turks. In the friends.h.i.+p of Petrarch and Boccaccio, she shows how great souls can love, and makes you love them in return, and you feel the riches of the meetings of such people, these dictators of mankind--not of a faction-tossed country or continent. How paltry do the triumphs of conquerors which end with the night, the feasts of princes which leave still hungry, appear beside the triumphs of intellect, the symposium of souls.

After Boccaccio, Mary rapidly ran over the careers of Lorenzo de'

Medici, Ficino, Pico della Mirandola, Politian, and the Pulci, exhibiting again, after the lapse of a century, the study in Italy of the Greek language. The story of the truly great prince with his circle of poet friends, one of whom, Politian, died of a broken heart at the death of his beloved patron, is well told. From these she pa.s.ses on to the followers of the romantic style begun by Pulci, Cieco da Ferrara, Burchiello, Bojardo; then Berni, born at the end of the fifteenth century, who carried on or recast Bojardo's _Orlando Innamorato_, which was followed by Ariosto's _Orlando Furioso_, the delight of Italy. In Ariosto's life Mary, as ever, delights in showing the filial affection and fine traits of the poet's nature.

She quotes his lines--

Our mother's years with pity fill my heart, For without infamy she could not be By all of us at once forsaken.

But with these commendations she strongly denounces the profligacy of his writing as presumably of his life. She says: "An author may not be answerable to posterity for the evil of his mortal life; but for the profligacy of that life which he lives through after ages, contaminating by irrepressible and incurable infection the minds of others, he is amenable even in his grave."

Through the intricacies of Machiavelli Mary's clear head and conscientious treatment lead the reader till light appears to gleam.

The many-sided character of the man comes out, the difficulties of the time he wrote in, while advising Princes how to act in times of danger, and so admonis.h.i.+ng the people how to resist. Did he not foresee tyranny worked out and resistance complete, and his own favourite republic succeeding to the death of tyrants? One remark of Mary's with regard to the time when Machiavelli considered himself most neglected is worth recording: "He bitterly laments the inaction of his life, and expresses an ardent desire to be employed. Meanwhile he created occupation for himself, and it is one of the lessons that we may derive from becoming acquainted with the feelings and actions of celebrated men, to learn that this very period during which Machiavelli repined at the neglect of his contemporaries, and the tranquillity of his life, was that during which his fame took root, and which brought his name down to us. He occupied his leisure in writing those works which have occasioned his immortality."