The Quadroon Part 9

"Then I fear he is lost indeed."

I remembered that the wreck went down before the Magnolia had got close alongside. I had noticed this on looking around. Those who could not swim, therefore, must have perished.

"Poor Pierre, too. We hab lost Pierre."

"Pierre? Who was he?"

"De coachman, ma.s.s'r, he war."

"Oh! I remember. You think he is drowned, also?"

"I'se afeerd so, ma.s.s'r. Ole Zip sorry, too, for Pierre. A good n.i.g.g.e.r war daat Pierre. But, Ma.s.s'r Toney, Ma.s.s'r Toney, ebberybody sorry for Ma.s.s'r Toney."

"He was a favourite among you?"

"Ebberybody like 'im--black folks, white folks, all lub 'im. Missa 'Genie lub 'im. He live wi' ole Ma.s.s'r Sancon all him life. I believe war one ob Missy 'Genie gardiums, or whatever you call 'em.

Gorramighty! what will young Missa do now? She hab no friends leff; and daat ole fox Gayarre--he no good--"

Here the speaker suddenly interrupted himself, as if he feared that his tongue was going too freely.

The name he had p.r.o.nounced and the expression by which it was qualified, at once awakened my curiosity--the name more than the qualification.

"If it be the same," thought I, "Scipio has characterised him not otherwise than justly. Can it be the same?"

"You mean Monsieur Dominique Gayarre, the _avocat_?" I asked, after a pause.

Scipio's great white eyeb.a.l.l.s rolled about with an expression of mingled surprise and apprehension, and rather stammeringly he replied:--

"Daat am de genl'um's name. Know 'im, young ma.s.s'r?"

"Only very slightly," I answered, and this answer seemed to set my companion at his ease again.

The truth is, I had no _personal_ acquaintance with the individual mentioned; but during my stay in New Orleans, accident had brought me in contact with the name. A little adventure had befallen me, in which the bearer of it figured--not to advantage. On the contrary, I had conceived a strong dislike for the man, who, as already stated, was a lawyer, or _avocat_ of the New Orleans bar. Scipio's man was no doubt the same. The name was too rare a one to be borne by two individuals; besides, I had heard that he was owner of a plantation somewhere up the coast--at Bringiers, I remembered. The probabilities were it was he.

If so, and Mademoiselle Besancon had no other friend, then, indeed, had Scipio spoken truly when he said, "She hab no friends leff."

Scipio's observation had not only roused my curiosity, but had imparted to me a vague feeling of uneasiness. It is needless to say that I was now deeply interested in this young Creole. A man who has saved a life--the life of a beautiful woman--and under such peculiar circ.u.mstances, could not well be indifferent to the after-fate of her he has rescued.

Was it a lover's interest that had been awakened within me?

My heart answered, No! To my own astonishment, it gave this answer. On the boat I had fancied myself half in love with this young lady; and now, after a romantic incident--one that might appear a very provocative to the sublime pa.s.sion--I lay on my couch contemplating the whole affair with a coolness that surprised even myself! I felt that I had lost much blood--had my incipient pa.s.sion flowed out of my veins at the same time?

I endeavoured to find some explanation for this rare psychological fact; but at that time I was but an indifferent student of the mind. The land of love was to me a _terre inconnue_.

One thing was odd enough. Whenever I essayed to recall the features of the Creole, the dream-face rose up before me more palpable than ever!

"Strange!" thought I, "this lovely vision! this dream of my diseased brain! Oh! what would I not give to embody this fair spectral form!"

I had no longer a doubt about it. I was certain I did not love Mademoiselle Besancon, and yet I was far from feeling indifferent towards her. Friends.h.i.+p was the feeling that now actuated me. The interest, I felt for her was that of a friend. Strong enough was it to render me anxious on her account--to make me desirous of knowing more both of herself and her affairs.

Scipio was not of secretive habit; and in less than half an hour I was the confidant of all he knew.

Eugenie Besancon was the daughter and only child of a Creole planter, who had died some two years before, as some thought wealthy, while others believed that his affairs were embarra.s.sed. Monsieur Dominique Gayarre had been left joint-administrator of the estate with the steward Antoine, both being "guardiums" (sic Scipio) of the young lady. Gayarre had been the lawyer of Besancon, and Antoine his faithful servitor.

Hence the trust reposed in the old steward, who in latter years stood in the relation of friend and companion rather than of servant to Besancon himself.

In a few months mademoiselle would be of age; but whether her inheritance was large, Scipio could not tell. He only knew that since her father's death, Monsieur Dominique, the princ.i.p.al executor, had furnished her with ample funds whenever called upon; that she had not been restricted in any way; that she was generous; that she was profuse in her expenditure, or, as Scipio described it, "berry wasteful, an flung about de s.h.i.+nin dollars as ef dey war _donicks_!"

The black gave some glowing details of many a grand ball and _fete champetre_ that had taken place on the plantation, and hinted at the expensive life which "young missa" led while in the city, where she usually resided during most part of the winter. All this I could easily credit. From what had occurred on the boat, and other circ.u.mstances, I was impressed with the belief that Eugenie Besancon was just the person to answer to the description of Scipio. Ardent of soul--full of warm impulses--generous to a fault--reckless in expenditure--living altogether in the present--and not caring to make any calculation for the future. Just such an heiress as would exactly suit the purposes of an unprincipled administrator.

I could see that poor Scipio had a great regard for his young mistress; but, even ignorant as he was, he had some suspicion that all this profuse outlay boded no good. He shook his head as he talked of these matters, adding--

"I'se afeerd, young ma.s.s'r, it'll nebber, nebber last. De Planters'

bank hisseff would be broke by such a constant drawin ob money."

When Scipio came to speak of Gayarre he shook his head still more significantly. He had evidently some strange suspicions about this individual, though he was unwilling, just then, to declare them.

I learnt enough to identify Monsieur Dominique Gayarre with my _avocat_ of the Rue --, New Orleans. No doubt remained on my mind that it was the same. A lawyer by profession, but more of a speculator in stocks--a money-lender, in other words, usurer. In the country a planter, owning the plantation adjoining that of Besancon, with more than a hundred slaves, whom he treats with the utmost severity. All this is in correspondence with the calling and character of my Monsieur Dominique.

They are the same.

Scipio gives me some additional details of him. He was the law adviser and the companion of Monsieur Besancon--Scipio says, "Too often for ole ma.s.s'r's good," and believes that the latter suffered much from his acquaintance: or, as Scipio phrases it, "Ma.s.s'r Gayarre humbug ole ma.s.s'r; he cheat 'im many an many a time, I'se certain."

Furthermore, I learn from my attendant, that Gayarre resides upon his plantation during the summer months; that he is a daily visitor at the "big house"--the residence of Mademoiselle Besancon--where he makes himself quite at home; acting, says Scipio, "as ef de place 'longed to him, and he war de boss ob de plantation."

I fancied Scipio knew something more about this man--some definite matter that he did not like to talk about. It was natural enough, considering our recent acquaintance. I could see that he had a strong dislike towards Gayarre. Did he found it on some actual knowledge of the latter, or was it instinct--a principle strongly developed in these poor slaves, who are not permitted to _reason_?

His information, however, comprised too many facts to be the product of mere instinct: it savoured of actual knowledge. He must have learnt these things from some quarter. Where could he have gathered them?

"Who told you all this, Scipio?"

"Aurore, ma.s.s'r."

"Aurore!"

CHAPTER SIXTEEN.

MONSIEUR DOMINIQUE GAYARRE.

I felt a sudden desire, amounting almost to anxiety, to learn who was "Aurore." Why? Was it the singularity and beauty of the name,--for novel and beautiful it sounded in my Saxon ears? No. Was it the mere euphony of the word; its mythic a.s.sociations; its less ideal application to the rosy hours of the Orient, or the s.h.i.+ning phosph.o.r.escence of the North? Was it any of these a.s.sociate thoughts that awoke within me this mysterious interest in the name "Aurore?"

I was not allowed time to reflect, or question Scipio farther. At that moment the door was darkened by the entrance of two men; who, without saying a word, stepped inside the apartment.

"Da doctor, ma.s.s'r," whispered Scipio, falling back, and permitting the gentlemen to approach.

Of the two it was not difficult to tell which was the "doctor." The professional face was unmistakeable: and I knew that the tall pale man, who regarded me with interrogative glance, was a disciple of Esculapius, as certainly as if he had carried his diploma in one hand and his door-plate in the other.

He was a man of forty, not ill-featured, though the face was not one that would be termed handsome. It was, however, interesting, from a quiet intellectuality that characterised it, as well as an habitual expression of kind feeling. It had been a German face some two or three generations before, but an American climate,--political, I mean,--had tamed down the rude lines produced by ages of European despotism, and had almost restored it to its primitive n.o.bility of feature.

Afterwards, when better acquainted with American types, I should have known it as a Pennsylvanian face, and such in reality it was. I saw before me a graduate of one of the great medical schools of Philadelphia, Dr Edward Reigart. The name confirmed my suspicion of German origin.