Mosaics of Grecian History Part 25

Contemporary with Alcaeus was the poetess Sappho, the only female of Greece who ever ranked with the ill.u.s.trious poets of the other s.e.x, and whom Alcaeus called "the dark-haired, spotless, sweetly smiling Sappho." Lesbos was the center of aeolian culture, and Sappho was the center of a society of Lesbian ladies who applied themselves successfully to literature. Says SYMONDS: "They formed clubs for the cultivation of poetry and music. They studied the arts of beauty, and sought to refine metrical forms and diction.

Nor did they confine themselves to the scientific side of art.

Unrestrained by public opinion, and pa.s.sionate for the beautiful, they cultivated their senses and emotions, and indulged their wildest pa.s.sions." Sappho devoted her whole genius to the subject of Love, and her poems express her feelings with great freedom.

Hence arose the charges of a later age, that were made against her character. But whatever difference of view may exist on this point, there is only one opinion as to her poetic genius. She was undoubtedly the greatest erotic poet of antiquity. Plato called her the tenth Muse, and Solon, hearing one of her poems, prayed that he might not die until he had committed it to memory. We cannot forbear introducing the following eloquent characterization of her writings:

"Nowhere is a hint whispered that the poetry of Sappho is aught but perfect. Of all the poets of the world, of all the ill.u.s.trious artists of all literatures, Sappho is the one whose every word has a peculiar and unmistakable perfume, a seal of absolute perfection and inimitable grace. In her art she was unerring.

Even Archilochus seems commonplace when compared with her exquisite rarity of phrase. Whether addressing the maidens whom, even in Elysium, as Horace says, Sappho could not forget, or embodying the profounder yearnings of an intense soul after beauty which has never on earth existed, but which inflames the hearts of n.o.blest poets, robbing the eyes of sleep and giving them the bitterness of tears to drink--these dazzling fragments,

'Which still, like sparkles of Greek fire, Burn on through time and ne'er expire,'

are the ultimate and finished forms of pa.s.sionate utterance --diamonds, topazes, and blazing rubies--in which the fire of the soul is crystallized forever." [Footnote: Symond's "Greek Poets," First Series, p. 189.]

It is related that an a.s.sociate of Sappho once derided her talents, or stigmatized her poetical labors as unsuited to her s.e.x and condition. The poetess, burning with indignation, thus replied to her traducer:

Whenever Death shall seize thy mortal frame, Oblivion's pen shall blot thy worthless name; For thy rude hand ne'er plucked the beauteous rose That on Pie'ria's sky-clad summit blows: [Symond's "Greek Poets," First Series, p. 139.]

Thy paltry soul with vilest souls shall go To Pluto's kingdom--scenes of endless woe; While I on golden wings ascend to fame, And leave behind a muse-enamored, deathless name.

The memory of this poetess of Love rouses the following strain of celebration in ANTIP'ATER of Sidon:

Does Sappho, then, beneath thy bosom rest, aeolian earth? that mortal Muse confessed Inferior only to the choir above, That foster-child of Venus and of Love; Warm from whose lips divine Persuasion came, Greece to delight, and raise the Lesbian name?

O ye, who ever twine the threefold thread, Ye Fates, why number with the silent dead That mighty songstress, whose unrivalled powers Weave for the Muse a crown of deathless flowers?

--Trans. by FRANCIS HODGSON.

ANAC'REON.

The last lyric poet of this period that we shall notice was Anacreon, a native of Teos, in Ionia, who flourished about 530 B.C. He was a voluptuary, who sang beautifully of love, and wine, and nature, and who has been called the courtier and laureate of tyrants, in whose society, and especially in that of Polyc'rates and Hippar'chus, his days were spent. The poet AKENSIDE thus characterizes him:

I see Anacreon smile and sing, His silver tresses breathe perfume; His cheeks display a second spring, Of roses taught by wine to bloom.

Away, deceitful cares, away, And let me listen to his lay; Let me the wanton pomp enjoy, While in smooth dance the light-winged hours Lead round his lyre its patron powers, Kind laughter and convivial joy.

The following is Cowper's translation of a pretty little poem by Anacreon on the gra.s.shopper:

Happy songster, perched above, On the summit of the grove, Whom a dew-drop cheers to sing With the freedom of a king, From thy perch survey the fields, Where prolific Nature yields Naught that, willingly as she, Man surrenders not to thee.

For hostility or hate, None thy pleasures can create.

Thee it satisfies to sing Sweetly the return of spring, Herald of the genial hours, Harming neither herbs nor flowers.

Therefore man thy voice attends, Gladly; thou and he are friends.

Nor thy never-ceasing strains Phoebus and the Muse disdains As too simple or too long, For themselves inspire the song.

Earth-born, bloodless; undecaying, Ever singing, sporting, playing, What has Nature else to show G.o.dlike in its kind as thou?

III. EARLY GRECIAN PHILOSOPHY.

We now enter upon a new phase of Greek literature. While the first use of prose in writing may be a.s.signed to a date earlier than 700 B.C., it was not until the early part of the sixth century B.C. that use was made of prose for literary purposes; and even then prose compositions were either mythological, or collections of local legends, whether sacred or profane. The importance and the practical uses of genuine history were neither known nor suspected until after the Persian wars. But Grecian philosophy had an earlier dawn, and was coeval with the poetical compositions of Hesiod, although it was in the sixth century that it began to be separated from poetry and religion, and to be cultivated by men who were neither bards, priests, nor seers.

This is the era when the practical maxims and precepts of the Seven Grecian sages began to be collected by the chroniclers, and disseminated among the people.

THE SEVEN SAGES.

Concerning these sages, otherwise called the "Seven Wise Men of Greece," the accounts are confused and contradictory, and their names are variously given; but those most generally admitted to the honor are Solon (the Athenian legislator); Bias, of Ionia; Chi'lo (Ephor of Sparta); Cleobu'lus (despot of Lindos, in the Island of Rhodes); Perian'der (despot of Corinth); Pit'tacus (ruler of Mityle'ne); and Tha'les, of Mile'tus, in accordance with the following enumeration:

"First Solon, who made the Athenian laws; While Chilo, in Sparta, was famed for his saws; In Miletus did Thales astronomy teach; Bias used in Prie'ne his morals to preach; Cleobulus of Lindus was handsome and wise; Mitylene 'gainst thraldom saw Pittacus rise; Periander is said to have gained, through his court, The t.i.tle that Myson, the Chenian, ought."

[Footnote: It is Plato who says that Periander, tyrant of Corinth; should give place to Myson.]

The seven wise men were distinguished for their witty sayings, many of which have grown into maxims that are in current use even at the present day. Out of the number the following seven were inscribed as mottoes, in later days, in the temple at Delphi: "Know thyself," Solon; "Consider the end," Chilo; "Suretys.h.i.+p is the forerunner of ruin" (He that hateth suretys.h.i.+p is sure; Prov.

xi. 15), Thales; "Most men are bad" (There is none that doeth good, no, not one, Psalm xiv. 3), Bias; "Avoid extremes" (the golden mean), Cleobulus; "Know thy opportunity" (Seize time by the forelock), Pittacus; "Nothing is impossible to industry"

(Patience and perseverance overcome mountains), Periander. GROTE says of the seven sages: "Their appearance forms an epoch in Grecian history, inasmuch as they are the first persons who ever acquired an h.e.l.lenic reputation grounded on mental competency apart from poetical genius or effect--a proof that political and social prudence was beginning to be appreciated and admired on its own account."

The eldest school of Greek philosophy, called the Ionian, was founded by Thales of Miletus, about the middle of the sixth century B.C. In the investigation of natural causes and effects he taught, as a distinguis.h.i.+ng tenet of his philosophy, that water, or some other fluid, is the primary element of all things --a theory which probably arose from observations on the uses of moisture in the nourishment of animal and vegetable life. A similar process of reasoning led Anaxim'enes, of Miletus, half a century later, to subst.i.tute air for water; and by a.n.a.logous reasoning Heracli'tus, of Ephesus, surnamed "the naturalist,"

was led to regard the basis of fire or flame as the fundamental principle of all things, both spiritual and material. Diog'enes, the Cretan, was led to regard the universe as issuing from an intelligent principle--a rational as well as sensitive soul--but without recognizing any distinction between mind and matter; while Anaximan'der conceived the primitive state of the universe to have been a vast chaos or infinity, containing the elements from which the world was constructed by inherent or self-moving processes of separation and combination. This doctrine was revived by Anaxag'oras, an Ionian, a century later, who combined it with the philosophy of Diogenes, and taught the existence of one supreme mind.

XENOPH'ANES AND PYTHAG'ORAS.

Two widely different schools of philosophy now arose in the western Greek colonies of lower Italy. Xenophanes, a native of Ionia, who had fled to E'lea, was the founder of one, and Pythagoras, of Samos, of the other. The former, known as the Eleat'ic philosophy, admitted a supreme intelligence, eternal and incorporeal, pervading all things, and, like the universe itself, spherical in form. This system was developed in the following century by Parmen'ides and Zeno, who exercised a great influence upon the Greek mind.

Pythagoras was the first Grecian to a.s.sume the t.i.tle of philosopher, although he was more of a religious teacher. Having traveled extensively in the East, he returned to Samos about 540 B.C.; but, finding the condition of his country, which was then ruled by the despot Polycrates, unfavorable to the progress of his doctrines, he moved to Croto'na, in Italy, and established his school of philosophy there.

Pythagoras, Vexed with the Samian despot's lawless sway (For tyrants ne'er loved wisdom), crossed the seas, And found a home on the Hesperian sh.o.r.e, Time when the Tarquin arched the infant Rome With vaults, the germ of Caesar's golden hall.

There, in Crotona's state, he held a school Of wisdom and of virtue, teaching men The harmony of aptly portioned powers, And of well-numbered days: whence, as a G.o.d, Men honored him; and, from his wells refreshed, The master-builder of pure intellect, Imperial Plato, piled the palace where All great, true thoughts have found a home forever.

--J. STUART BLACKIE.

Pythagoras made some important discoveries in geometry, music, and astronomy. The demonstration of the forty-seventh proposition of Euclid is attributed to him. He also discovered the chords in music, which led him to conceive that the planets, striking upon the ether through which they move in their celestial orbits; produce harmonious sounds, varying according to the differences of the magnitudes, velocities, and relative distances of the planets, in a manner corresponding to the proportion of the notes in a musical scale. Hence the "music of the spheres." From what can be gathered of the astronomical doctrine of Pythagoras, it has been inferred that he was possessed of the true idea of the solar system, which was revived by Coper'nicus and fully established by Newton. With respect to G.o.d, Pythagoras appears to have taught that he is the universal, ever-existent mind, the first principle of the universe, the source and cause of all animal life and motion, in substance similar to light, in nature like truth, incapable of pain, invisible, incorruptible, and only to be comprehended by the mind. His philosophy and teachings are thus pictured by the poet THOMSON:

Here dwelt the Samian sage; to him belongs The brightest witness of recording fame.

He sought Crotona's pure, salubrious air, And through great Greece his gentle wisdom taught.

His mental eye first launched into the deeps Of boundless ether; where unnumbered orbs, Myriads on myriads, through the pathless sky Unerring roll, and wind their steady way.

There he the full consenting choir beheld; There first discerned the secret band of love, The kind attraction, that to central suns Binds circling earths, and world with world unites.

Instructed thence, he great ideas formed Of the whole-moving, all-informing G.o.d, The Sun of Beings! beaming unconfined-- Light, life, and love, and ever active power: Whom naught can image, and who best approves The silent wors.h.i.+p of the moral heart, That joys in bounteous Heaven and spreads the joy.

Pythagoras also taught the doctrine of the transmigration of souls, which he probably derived from the Egyptians; and he professed to preserve a distinct remembrance of several states of existence through which his soul had pa.s.sed. It is related of him that on one occasion, seeing a dog beaten, he interceded in its behalf, saying, "It is the soul of a friend of mine, whom I recognize by its voice." It would seem as if the poet COLERIDGE had at times been dimly conscious of the reality of this Pythagorean doctrine, for he says:

Oft o'er my brain does that strange fancy roll Which makes the present (while the flash doth last) Seem a mere semblance of some unknown past, Mixed with such feelings as perplex the soul Self-questioned in her sleep: and some have said We lived ere yet this robe of flesh we wore.

One of our favorite American poets; LOWELL, indulges in a like fancy in the following lines from that dream, like, exquisite fantasy, "In the Twilight," found in the Biglow Papers:

Sometimes a breath floats by me, An odor from Dream-land sent, That makes the ghost seem nigh me Of a splendor that came and went, Of a life lived somewhere, I know not In what diviner sphere-- Of memories that stay not and go not, Like music once heard by an ear That cannot forget or reclaim it-- A something so shy, it would shame it To make it a show-- A something too vague, could I name it, For others to know, As if I had lived it or dreamed it, As if I had acted or schemed it, Long ago!

And yet, could I live it over, This life that stirs in my brain-- Could I be both maiden and lover, Moon and tide, bee and clover, As I seem to have been, once again-- Could I but speak and show it, This pleasure, more sharp than pain, That baffles and lures me so, The world should not lack a poet, Such as it had In the ages glad Long ago.

On the whole, the system of Pythagoras, with many excellencies, contained some gross absurdities and superst.i.tions, which were dignified with the name of philosophy, and which exerted a pernicious influence over the opinions of many succeeding generations.

THE ELEUSIN'IAN MYSTERIES,

Closely connected with the public and private instruction that the philosophers gave in their various systems, were certain national inst.i.tutions of a secret character, which combined the mysteries of both philosophy and religion. The most celebrated of these, the great festival of Eleusinia, sacred to Ce'res and Pros'erpine, was observed every fourth year in different parts of Greece, but more particularly by the people of Athens every fifth year, at Eleu'sis, in Attica.

What is known of the rites performed at Eleusis has been gathered from occasional incidental allusions found in the pages of nearly all the cla.s.sical authorities; and although the penalty of a sudden and ignominious death impended over anyone who divulged these symbolic ceremonies, yet enough is now known to describe them with much minuteness of detail. We have not the s.p.a.ce to give that detailed description here, but the ceremonies occupied nine days, from the 15th to the 23d of September, inclusive. The first day was that on which the wors.h.i.+ppers merely a.s.sembled; the second, that on which they purified themselves by bathing in the sea; the third, the day of sacrifices; the fourth, the day of offerings to the G.o.ddess; the fifth, the day of torches, when the mult.i.tude roamed over the meadows at nightfall carrying flambeaus, in imitation of Ceres searching for her daughter; the sixth, the day of Bacchus, the G.o.d of Vintage; the seventh, the day of athletic pastimes; the eighth, the day devoted to the lesser mysteries and celestial revelations; and the ninth, the day of libations.