Journeys Through Bookland Volume Viii Part 25

[324-37] _Chows her cood_ means _chews her cud_.

[324-38] _Weel-hain'd_ means _carefully preserved_.

[324-39] _Kebbuck_ is _cheese_.

[324-40] This line, in English, would read _And often he is urged_ (to take more) _and often he calls it good_.

[324-41] A _towmond_ is a _twelvemonth_, a _year_.

[324-42] _Since flax was in blossom_.

[324-43] The _ha'-Bible_ is the family Bible, which is kept in the _hall_, or the best room.

[324-44] _Ance_ is the Scotch form of _once_.

[324-45] That is, his hat.

[324-46] _Lyart_ means _gray_.

[324-47] _Haffets_ means _temples_.

[325-48] _Wales_ means _chooses_.

CHARLES AND MARY LAMB

One of the most tragic, and at the same time one of the most heroic, of true stories is that of Charles and Mary Lamb, the brother and sister who are known to millions of young people as the writers of _Tales from Shakespeare_.

Charles Lamb was rather a short man, with a spare body and legs so small and thin that Thomas Hood once spoke of them as "immaterial legs." His head, however, was large, and his brow fine; his nose, large and hooked, was in a face which early showed lines of care and trouble; his eyes were large and expressive, twinkling with humor but full of piercing inquiry, and searching with keen interest everything about him; his mouth was large and firm, but around it there flitted a smile that showed the genial, humorous soul of the big-hearted boy.

Lamb's habits were peculiar, there is no denying that, and his habits of dress made him even more noticeable. Almost always he wore a black coat, knickerbockers and black gaiters. The old-fas.h.i.+oned cut of his clothes and their worn appearance showed the narrowness of his means, which, however, never caused him to neglect either clothing or person, for he was remarkably neat in his ways.

[Ill.u.s.tration: CHARLES LAMB 1775-1834]

Although a poor boy, he was educated in the famous old Christ's Hospital School in London, but when he was ready for college he found himself barred by his stammering, stuttering tongue. Giving up his hope of further schooling, he was glad to take a small clerks.h.i.+p in a government office, where he remained for thirty-three years, a long period with little or no advancement.

It was in 1792, when Charles was about seventeen years of age, that he was given his clerks.h.i.+p, and for nearly four years he lived happily, supporting his parents and his sister in their humble home. Mary was eleven years older than Charles, a quiet gentle creature whom everybody loved, though in some respects she was peculiar. There were things, too, that troubled the family and made them reserved and inclined to be oversensitive. Not only were they very poor, but there had been insanity on the mother's side, and Charles, himself, had at one time been in brief confinement for irrational actions. Mary, too, had occasionally shown signs of madness, but no one antic.i.p.ated the dreadful event which took place in 1796.

It came upon them like a stroke of lightning out of a clear sky. All were gathered together for their noon meal when Mary leaped to her feet and ran wildly about the room, shrieking in the terrifying tones of the insane. She caught the forks and spoons from the table, threw them about the room, and then, seizing a case knife, plunged it into the heart of her mother. Although one of the flying forks had struck her aged father in the head and wounded him severely, Mary sprang upon him and would certainly have killed the feeble old man then and there had not Charles caught her and in a terrible struggle overpowered her and wrested the knife from her grasp. Friends and neighbors came in, and the poor woman was taken to an asylum, where in a short time she recovered her reason and learned of the awful consequences of her madness. In those days hospitals for the insane were much more poorly managed than they are at present, and Charles could not be contented to think of his sister confined within their walls. Accordingly he went to the authorities, and after much persuasion they released her, under the condition that she should be constantly under care.

Then began the long career of brotherly devotion which can scarcely be matched, and which never fails to excite our sympathy and admiration. We may well think it a terrible penance, for Mary's attacks recurred again and again, and more than once Charles had to take her back to the hospital for a brief time while her violence remained too great for him to control. There were long lucid intervals, however, and after a while both learned to recognize the symptoms which preceded an attack, and the two would wend their way to the asylum, where she could take refuge.

They carried a straight-jacket with them for use in case she should suddenly become violent, for never could either escape from the nightmare of that first awful catastrophe.

For forty years this companions.h.i.+p, this sublime devotion continued, even to the time of Charles Lamb's death in 1834. Both made many friends, and when the brother was laid away these friends came forward and took up the burden of Mary's care until she, too, died, nearly thirteen years later. The last years of Lamb's life were full of further trouble, that, combined with his crus.h.i.+ng anxiety for Mary, broke his genial spirit and left him sad and melancholy.

One of the greatest blows he suffered in his later life was the death of his life-long friend, Samuel Taylor Coleridge. See how fondly he wrote of this friend:

"Since I feel how great a part he was of me his great and dear spirit haunts me. I cannot think a thought, I cannot make a criticism on men or books without an ineffectual turning and reference to him.... He was my fifty-years-old friend without a dissension. I seem to love the house he died at more pa.s.sionately than when he lived.... What was his mansion is consecrated to me a chapel."

It is said that when his sister was first stricken Lamb was engaged to be married to Ann Simmons, a sweet woman, whom he loved pa.s.sionately. So awful was the blow and so heavy the responsibility he a.s.sumed that the match was broken off, and the gentle man resigned his hope of home and family. We shall see, however, that he never quite forgot his love.

Sad as their life certainly was, there were many pleasant days for both brother and sister. Between her spells of violence Mary was a charming companion, a helpful adviser and a writer of great ability, as loyal to her brother as he was to her. When Lamb was engaged to write the _Tales from Shakespeare_, she took up the pen with him and wrote the stories of the great poet's comedies while Charles wrote the tragedies.

How strong his affection and respect for her really were we may see from his own words: "I am a fool bereft of her co-operation. I am used to look up at her in the worst and biggest perplexities. To say all that I find her would be more than I think anybody could possibly understand.

She is older, wiser, and better than I am, and all my wretched imperfections I cover to myself by resolutely thinking on her goodness.

She would share life and death with me."

A more lovable character than Lamb's is hard to find. Full of fun he was when with his friends, punning, quibbling and joking in quaint and original ways that made him welcome wherever he went. "The best acid is a.s.siduity" was one of his favorite puns, and "_No_ work is worse than _over_-work" is one of his wise and witty remarks.

The stuttering which in some persons might have seemed an annoyance only served to add a certain spiciness to his good-natured quips. It is said that a certain gus.h.i.+ng lady once went into a long description of her children and her own pa.s.sionate love for them. Suddenly interrupting herself she said to Lamb, "And how do you like babies, Mr. Lamb?" With a sober face, but unable to conceal the humorous twinkle in his sharp eyes, Charles replied, "Bub-bub-boiled, Madam!"

Lamb's friends.h.i.+p for Coleridge was fully returned, as we may see from many things the latter wrote. At one time he said: "Lamb's character is a sacred one with me. No a.s.sociations that he may form can hurt the purity of his mind.... Nothing ever left a stain on that gentle creature's mind."

In 1825 Lamb's health became so poor that he was compelled to give up his clerks.h.i.+p, and thereafter he lived most of his time at Edmonton. The British government gave him an annual pension of 441, which sufficed for the simple wants of himself and his sister.

The immediate cause of his death was a slight accident that befell him a few months after the burial of Coleridge. Unconsciousness came before he had been long ill and before any of his intimate friends could reach him, yet it was their names that were last on his lips. They buried him in the churchyard at Edmonton, as he wished, where on his tombstone may be read:

"Farewell, dear friend--that smile, that harmless mirth, No more shall gladden our domestic hearth; That rising tear, with pain forbid to flow-- Better than words--no more a.s.suage our woe.

That hand outstretch'd from small but well-earned store Yield succor to the dest.i.tute no more.

Yet art thou not all lost. Through many an age, With sterling sense and humour, shall thy page Win many an English bosom, pleased to see That old and happier vein revived in thee.

This for our earth: and if with friends we share Our joys in heaven we hope to meet thee there."

Besides the _Tales from Shakespeare_, Charles Lamb wrote many beautiful sketches which are known as the _Essays of Elia_. _Elia_ was the name of one of the clerks in the South Sea House, where Lamb worked at one time.

A reader can easily form some idea of a writer's character from his work, but Lamb was always so wholly himself, and he threw himself so freely into his essays, that you can tell just what manner of man he was as you read. A large part of the pleasure of reading him comes from this trait. We seem to be sitting with a charming friend whenever we hold one of his books, and to feel that the friend is pouring out his whole heart for our delight and inspiration. Naturally a person must keep alert when he is reading from Charles Lamb, for no one can predict what course the brilliant mind will take. When once a reader has learned to understand his oddities, delicate sentiment, bright wit and loving faithfulness, every word becomes a living thing, and every reading a new delight, a higher inspiration. In none of his essays is he seen to greater advantage than in _Dream Children_, which follows this brief sketch. The only people young or old who do not love this beautiful essay are those who have not read it or who have read it without really understanding it. You may need to read it once just to see what it is about; again with the aid of the notes and comments we make upon it; a third time to let it cast its spell upon you. If you do that you will not forget it, but will return to it often as years go on and the hard world buffets you with those stern experiences which make you men and women. Every time you read it you will find new graces, more touching sentiment.

Will you read it now for the first time, paying only so much attention to the footnotes as may be necessary for you to understand the language?

DREAM CHILDREN: A REVERY

_By_ CHARLES LAMB

Children love to listen to stories about their elders when _they_ were children; to stretch their imagination to the conception of a traditionary great-uncle, or grandame, whom they never saw.

It was in this spirit that my little ones crept about me the other evening to hear about their great-grandmother Field,[335-1] who lived in a great house in Norfolk (a hundred times bigger than that in which they and papa lived) which had been the scene--so at least it was generally believed in that part of the country--of the tragic incidents which they had lately become familiar with from the ballad of the Children in the Wood.[335-2]

Certain it is that the whole story of the children and their cruel uncle was to be seen fairly carved out in wood upon the chimney-piece of the great hall,[335-3] the whole story down to the Robin Redbreast; till a foolish person pulled it down to set up a marble one of modern invention in its stead, with no story upon it.

Here Alice put out one of her dear mother's looks, too tender to be called upbraiding.

Then I went on to say, how religious and how good their great-grandmother Field was, how beloved and respected by everybody, though she was not indeed the mistress of this great house, but had only the charge of it (and yet in some respects she might be said to be the mistress of it too) committed to her by the owner, who preferred living in a newer and more fas.h.i.+onable mansion which he had purchased somewhere in the adjoining county; but still she lived in it in a manner as if it had been her own, and kept up the dignity of the great house in a sort while she lived. Afterwards it came to decay, and was nearly pulled down, and all its old ornaments stripped and carried away to the owner's other house, where they were set up, and looked as awkward as if someone were to carry away the old tombs they had lately seen at the Abbey,[336-4] and stick them up in Lady C.'s[336-5] tawdry gilt drawing-room. Here John smiled, as much as to say, "that would be foolish indeed."