A Roman Singer Part 7

"And do you suppose," he continued, "that if once the Conte de Lira had an idea that I was to be a public singer he would employ me as a teacher for his daughter?"

"No, but others might," she objected.

"But not the count--" Nino bit his lip, fearing he had betrayed himself.

"Nor the contessina," laughed the baroness, completing the sentence.

He saw at a glance what she suspected, and instead of keeping cool grew angry.

"I came here, Signora Baronessa, not to be cross-examined, but to teach you Italian. Since you do not desire to study, I will say good-morning." He took his hat and moved proudly to the door.

"Come here," she said, not raising her voice, but still commanding. He turned, hesitated, and came back. He thought her voice was changed.

She rose and swept her silken morning-gown between the chairs and tables till she reached a deep divan on the other side of the room.

There she sat down.

"Come and sit beside me," she said, kindly, and he obeyed in silence.

"Do you know what would have happened," she continued, when he was seated, "if you had left me just now? I would have gone to the Graf von Lira and told him that you were not a fit person to teach his daughter; that you are a singer, and not a professor at all; and that you have a.s.sumed this disguise for the sake of seeing his daughter."

But I do not believe that she would have done it.

"That would have been a betrayal," said Nino fiercely, looking away from her. She laughed lightly.

"Is it not natural," she asked, "that I should make inquiries about my Italian teacher before I begin lessons with him? And if I find he is not what he pretends to be should I not warn my intimate friends?" She spoke so reasonably that he was fain to acknowledge that she was right.

"It is just," he said, sullenly. "But you have been very quick to make your inquiries, as you call them."

"The time was short, since you were to come this morning."

"That is true," he answered. He moved uneasily. "And now, signora, will you be kind enough to tell me what you intend to do with me!"

"Certainly, since you are more reasonable. You see I treat you altogether as an artist, and not at all as an Italian master. A great artist may idle away a morning in a woman's boudoir; a simple teacher of languages must be more industrious."

"But I am not a great artist," said Nino, whose vanity--we all have it--began to flutter a little.

"You will be one before long, and one of the greatest. You are a boy yet, my little tenor," said she, looking at him with her dark eyes, "and I might almost be your mother. How old are you, Signor Nino?"

"I was twenty on my last birthday," he answered, blus.h.i.+ng.

"You see! I am thirty--at least," she added, with a short laugh.

"Well, signora, what of that?" said Nino, half amused. "I wish I were thirty myself."

"I am glad you are not," said she. "Now listen. You are completely in my power, do you understand? Yes. And you are apparently very much in love with my young friend, the Contessina di Lira"--Nino sprang to his feet, his face white again, but with rage this time.

"Signora," he cried, "this is too much! It is insufferable!

Good-morning," and he made as though he would go.

"Very well," said the baroness; "then I will go to the Graf and explain who you are. Ah--you are calm again in a moment? Sit down. Now I have discovered you, and I have a right to you, do you see? It is fortunate for you that I like you."

"You! You like me? In truth, you act as though you did! Besides, you are a stranger, Signora Baronessa, and a great lady. I never saw you till yesterday." But he resumed his seat.

"Good," said she. "Is not the Signorina Edvigia a great lady, and was there never a day when she was a stranger too?"

"I do not understand your caprices, signora. In fine, what do you want of me?"

"It is not necessary that you should understand me," answered the dark-eyed baroness. "Do you think I would hurt you--or rather your voice?"

"I do not know."

"You know very well that I would not; and as for my caprices, as you call them, do you think it is a caprice to love music? No, of course not. And who loves music loves musicians; at least," she added, with a most enchanting smile, "enough to wish to have them near one. That is all. I want you to come here often and sing to me. Will you come and sing to me, my little tenor?"

Nino would not have been human had he not felt the flattery through the sting. And I always say that singers are the vainest kind of people.

"It is very like singing in a cage," he said, in protest. Nevertheless, he knew he must submit; for, however narrow his experience might be, this woman's smile and winning grace, even when she said the hardest things, told him that she would have her own way. He had the sense to understand, too, that whatever her plans might be, their object was to bring him near to herself, a reflection which was extremely soothing to his vanity.

"If you will come and sing to me--only to me, of course, for I would not ask you to compromise your _debut_--but if you will come and sing to me, we shall be very good friends. Does it seem to you such a terrible penance to sing to me in my solitude?"

"It is never a penance to sing," said Nino simply. A shade of annoyance crossed the baroness' face.

"Provided," she said, "it entails nothing. Well, we will not talk about the terms."

They say women sometimes fall in love with a voice: _vox et proeterea nihil_, as the poet has it. I do not know whether that is what happened to the baroness at first, but it has always seemed strange to me that she should have given herself so much trouble to secure Nino, unless she had a very strong fancy for him. I, for my part, think that when a lady of her condition takes such a sudden caprice into her head, she thinks it necessary to maltreat the poor man a little at first, just to satisfy her conscience, and to be able to say later that she did not encourage him. I have had some experience, as everybody is aware, and so I may speak boldly. On the other hand, a man like Nino, when he is in love, is absolutely blind to other women.

There is only one idea in his soul that has any life, and everyone outside that idea is only so much landscape; they are no better for him--the other women--than a museum of wax dolls.

The baroness, as you have seen, had Nino in her power, and there was nothing for it but submission; he came and went at her bidding, and often she would send for him when he least expected it. He would do as she commanded, somewhat sullenly and with a bad grace, but obediently, for all that; she had his destiny in her hands, and could in a moment frustrate all his hopes. But, of course, she knew that if she betrayed him to the count, Nino would be lost to her also, since he came to her only in order to maintain his relations with Hedwig.

Meanwhile the blue-eyed maiden of the North waxed fitful. Sometimes two or three lessons would pa.s.s in severe study. Nino, who always took care to know the pa.s.sages they were reading, so that he might look at her instead of at his book, had inst.i.tuted an arrangement by which they sat opposite each other at a small table. He would watch her every movement and look, and carry away a series of photographs of her,--a whole row, like the little books of Roman views they sell in the streets, strung together on a strip of paper,--and these views of her lasted with him for two whole days, until he saw her again. But sometimes he would catch a glimpse of her in the interval driving with her father.

There were other days when Hedwig could not be induced to study, but would overwhelm Nino with questions about his wonderful cousin who sang, so that he longed with his whole soul to tell her it was he himself who had sung. She saw his reluctance to speak about it, and she blushed when she mentioned the night at the Pantheon; but for her life she could not help talking of the pleasure she had had. Her blushes seemed like the promise of spring roses to her lover, who drank of the air of her presence till that subtle ether ran like fire through his veins. He was nothing to her, he could see; but the singer of the Pantheon engrossed her thoughts and brought the hot blood to her cheek. The beam of moonlight had pierced the soft virgin darkness of her sleeping soul, and found a heart so cold and spotless that even a moon ray was warm by comparison. And the voice that sang "Spirto gentil dei sogni miei" had itself become by memory the gentle spirit of her own dreams. She is so full of imagination, this statue of Nino's, that she heard the notes echoing after her by day and night, till she thought she must go mad unless she could hear the reality again. As the great solemn statue of Egyptian Memnon murmurs sweet, soft sounds to its mighty self at sunrise, a musical whisper in the desert, so the pure white marble of Nino's living statue vibrated with strange harmonies all the day long.

One night, as Nino walked homeward with De Pretis, who had come to supper with us, he induced the maestro to go out of his way at least half a mile, to pa.s.s the Palazzo Carmandola. It was a still night, not over-cold for December, and there were neither stars nor moon.

As they pa.s.sed the great house Nino saw a light in Hedwig's sitting-room--the room where he gave her the lessons. It was late, and she must be alone. On a sudden he stopped.

"What is the matter?" asked De Pretis.

For all answer, Nino, standing in the dark street below, lifted up his voice and sang the first notes of the air he always a.s.sociated with his beautiful contessina. Before he had sung a dozen bars the window opened, and the girl's figure could be seen, black against the light within. He went on for a few notes, and then ceased suddenly.

"Let us go," he said in a low voice to Ercole; and they went away, leaving the contessina listening in the stillness to the echo of their feet. A Roman girl would not have done that; she would have sat quietly inside, and never have shown herself. But foreigners are so impulsive!

Nino never heard the last of those few notes, any more than the contessina, literally speaking, ever heard the end of the song.

"Your cousin, about whom you make so much mystery, pa.s.sed under my window last night," said the young lady the next day, with the usual display of carnation in her cheeks at the mention of him.

"Indeed, signorina?" said Nino, calmly, for he expected the remark.

"And since you have never seen him, pray how did you know it was he?"

"How should one know?" she asked, scornfully. "There are not two such voices as his in Italy. He sang."

"He sang?" cried Nino, with an affectation of alarm. "I must tell the maestro not to let him sing in the open air; he will lose his voice."