The Works of Charles and Mary Lamb Part 61

Page 246. THE CONFESSIONS OF H. F. V. H. DELAMORE, ESQ.

_London Magazine_, April, 1821. First reprinted in Mr. Dobell's _Sidelights on Charles Lamb_, 1903.

Lamb's "Chapter on Ears" had appeared in the March number, containing the sentence, "I was never, I thank my stars, in the pillory; nor, if I read them aright, is it within the compa.s.s of my destiny, that I ever should be." The main confession aroused by this statement, although it is hedged about by a host of inventions, seems to be perfectly true: Lamb did on one occasion sit in the stocks. Our evidence, which, fortified by this little article (a discovery of Mr. Bertram Dobell's), is very strong, is to be found on the fly-leaf of the annotated copy of Wither described above. On this fly-leaf Pulham has recorded that during a country walk on a certain Sunday Lamb was set in the stocks for brawling while service was in progress. According to Mr. Delamore, the indignity was suffered at Barnet, and it was probably, if what he says about the short duration of the punishment be true, nearly as much a joke on the part of the authorities as on the part of Lamb. I cannot find any record of the incident in the Barnet archives, but the stocks are still standing, on the outskirts of Barnet, on Hadley Green.

Additional proof that Lamb wrote these "Confessions" is to be found in the little note inserted in the following (May) number of the _London Magazine_, under the "Lion's Head":--

"_Spes_ may be a.s.sured, that the fact related in the paper in our last Number, signed 'Delamore,' and dated 'Sackville Street,' is genuine, with the exception of the name and date. It is the writer's own story.

"----quaeque ipse mserrima vidi, Et quorum pars magna fui.

Four stars was, of course, one of Lamb's commonest non-_Elia_ signatures (see note on page 464). The quotation is from _Aeneid_, II., 5. "The most unhappy scenes which I beheld, and in which I played a leading part."

Page 247, line 15. * * * * * * * * * * *. In the stocks.

Page 247, line 19. _O Clarencieux! O Norroy!_ The two provincial kings-at-arms, Clarencieux, after the Duke of Clarence, son of Edward III., whose office is south of the Trent, and Norroy (North-roy), whose office is north of the Trent.

Page 248, line 4. _Barnet ... Red Rose._ Referring to the battle of Barnet on April 14, 1471, when Edward IV. defeated and slew the Earl of Warwick, and practically destroyed the Lancastrian, or Red Rose, cause, finally doing so at the battle of Tewkesbury a little later.

Page 248. THE GENTLE GIANTESS.

_London Magazine_, December, 1822. Not reprinted by Lamb.

We find the germ of this essay in a letter from Lamb to Dorothy Wordsworth, in 1821, when she was staying with her uncle, Christopher Wordsworth, the Master of Trinity:--

"Ask any body you meet, who is the biggest woman in Cambridge, and I'll hold you a wager they'll say Mrs. Smith. She broke down two benches in Trinity Gardens, one on the confines of St. John's, which occasioned a litigation between the societies as to repairing it. In warm weather she retires into an ice-cellar (literally!), and dates the returns of the years from a hot Thursday some 20 years back. She sits in a room with opposite doors and windows, to let in a thorough draft, which gives her slenderer friends toothaches. She is to be seen in the market every morning, at 10 cheapening fowls, which I observe the Cambridge Poulterers are not sufficiently careful to stump."

It was characteristic of Lamb that finding the widow at Cambridge he should have set her in the essay at Oxford. He did the same thing in his Elia essay "On Oxford in the Vacation," which he conceived at the sister university.

Page 248, line 4 of essay. _The maid's aunt of Brainford._ The maid's aunt of Brentford; otherwise Sir John Falstaff in petticoats (see "The Merry Wives of Windsor," Act IV., Scene 2).

Page 251. LETTER TO AN OLD GENTLEMAN WHOSE EDUCATION HAS BEEN NEGLECTED.

_London Magazine_, January, 1825. Not reprinted by Lamb.

De Quincey's "Letters to a Young Man whose Education has been Neglected"

began in the _London Magazine_ in January, 1823. There were five altogether, ending in July of the same year. From the date at the end of Lamb's "Letter," and from a pa.s.sage in a Letter to Barton of March 5, 1823, we may suppose him to have meant his parody to appear at the same time. "Your poem," he says, "found me engaged about a humorous Paper for the _London_, which I had called 'A Letter to an _Old Gentleman_ whose Education had been Neglected'--and when it was done Taylor & Hessey would not print it, and it discouraged me from doing anything else."

The problem of De Quincey's "Young Man" was contained in this sentence in the first letter: "To your first question,--whether to you, with your purposes and at your age of thirty-two, a residence at either of our English universities--or at any foreign university, can be of much service."--Writing to Miss Hutchinson in January, 1825, Lamb says: "De Quincey's Parody was submitted to him before printed, and had his Probatum."

I have not been able to discover whether or no any special significance attaches to the name of Grierson; or whether Lamb took the name at random.

Page 255, line 25. _Mr. Hartlib._ Milton's friend, Samuel Hartlib (died about 1670), to whom the _Tractate on Education_, which Lamb slyly plays upon in this paragraph, was addressed by Milton in 1644. Hartlib is said to have brought himself to poverty by his generosity to poor scholars.

Page 257. RITSON _VERSUS_ JOHN SCOTT THE QUAKER.

_London Magazine_, April, 1823. Not reprinted by Lamb.

This was a hoax, as Lamb explained in a letter to Bernard Barton (March 5, 1823): "I took up Scott, where I had scribbled some petulant remarks, and for a make-s.h.i.+ft father'd them on Ritson." Scott was John Scott, the Quaker, better known as Scott of Amwell (1730-1783), whose _Critical Essays_, 1785, do actually contain the pa.s.sages quoted by Lamb, with slight errors of transcription. Joseph Ritson (1752-1803), antiquary and critic, might easily have commented as Lamb has done, but with more savagery. Ritson's library was sold in December, 1803.

Page 265. LETTER OF ELIA TO ROBERT SOUTHEY.

_London Magazine_, October, 1823. Not reprinted by Lamb, except in part.

See below.

It was Lamb's fate to be misunderstood by the _Quarterly Review_; and in that misunderstanding lay the real origin of the "Letter to Southey." On at least four occasions Lamb was unfairly treated by this powerful organ: in December, 1811, when, in a review of Weber's edition of Ford's works, Lamb was called a poor maniac (see note on page 471); in October, 1814, when his review of Wordsworth's _Excursion_ was hacked to pieces (see same note); in April, 1822, when a reviewer of Reid's _Hypochondriasis_ (believed to be Dr. Robert Gooch, a friend of Southey) stated that he knew for a fact that Lamb's "Confessions of a Drunkard"

were autobiographical (see note on page 458); and lastly, in January, 1823, when Southey, in an article on "Theo-philanthropism in France and the Spread of Infidelity," remarked, incidentally and quite needlessly, of _Elia_, then just published, that it wanted a sounder religious feeling, and went on to rebuke Lamb's friend, Leigh Hunt, for his lack of Christian faith. It was this acc.u.mulation of affront that stirred Lamb to his remonstrance, far more than anger with Southey--although anger he naturally had. Lamb's real opponent was Gifford; as in a private letter to Southey, after the publication of the article and after Southey had written to him on the matter, he admitted (see below).

Lamb's own remark concerning the "Letter to Southey," there expressed--"My guardian angel was absent at that time"--is perhaps right, although the pa.s.sage in the article in defence of his friends could be ill spared. As for Southey, while one can see his point of view and respect his honesty, one is glad that so poor a piece of literary criticism and so unlovely a display of self-righteousness should be chastised; without, however, too greatly admiring the chastis.e.m.e.nt.

Lamb's first idea was to let the review pa.s.s without notice, as we see from the following remark to Bernard Barton in July, 1823:--

"Southey has attacked 'Elia' on the score of infidelity in the _Quarterly_ article, 'Progress of Infidelity.' I had not, nor have seen the _Monthly_. He might have spared an old friend such a construction of a few careless flights, that meant no harm to religion. If all his unguarded expressions were to be collected--!

But I love and respect Southey, and will not retort. I hate his review, and his being a reviewer. The hint he has dropped will knock the sale of the book on the head, which was almost at a stop before.

Let it stop, there is corn in Egypt, while there is cash at Leadenhall. You and I are something besides being writers, thank G.o.d!"

But Lamb thought better, or worse, of his first intention, and wrote the "Letter."

It appeared in October, 1823, and caused some talk among literary people. Southey had many enemies who were glad to see him trounced. _The Times_, for example, of October 2, said:--

The number just published of the _London Magazine_ contains a curious letter from Elia (Charles Lamb) to Mr. Southey. It treats the laureat with that contempt which his always uncandid and frequently malignant spirit deserves. When it is considered that Mr. Lamb has been the fast friend of Southey, and is besides of a particularly kind and peaceable nature, it is evident that nothing but gross provocation could have roused him to this public declaration of his disgust.

On the other hand, Christopher North (John Wilson), of _Blackwood_, made the letter the text of a homily to literary men, in _Blackwood_, for October, 1823, under the heading of "A Manifesto." After some general remarks on the tendency of authors to take themselves, or at any rate their position in the public eye, too seriously, he continued:--

Our dearly-beloved friend, Charles Lamb, (we would fain call him ELIA; but that, as he himself says, "would be as good as naming him,") what is this you are doing? Mr. Southey, having read your Essays, wished to pay you a compliment, and called them, in the "Quarterly," "a book which wants only a sounder religious feeling, to be as delightful as it is original!" And with this eulogy you are not only dissatisfied, but so irate at the Laureate, that nothing will relieve your bile, but a Letter to the Doctor of seven good pages in "The London." Prodigious! Nothing would content your highness (not serene) of the India-House, but such a sentence as would sell your lucubrations as a puff; and because Taylor and Hessey cannot send this to the newspapers, you wax sour, sulky, and vituperative of your old crony, and twit him with his "old familiar faces." This is, our dear Charles, most unreasonable--most unworthy of you; and we know not how to punish you with sufficient severity, now that Hodge of Tortola[69] is no more; but the inflexible Higgins of Nevis still survives, and we must import him to flog you in the market-place.

[69] See note to "Christ's Hospital" essay, in Vol. II.--ED.

Are you, or are you not, a friend to the liberty of the press? of human thought? feeling? opinion? Is it, Charles, enormous wickedness in Southey thus to characterize your Essays? If so, what do you think of the invasion of Spain, the murder of the Franks family, Pygmalion's amour with the tailor's daughter, the military execution of the Duc d'Enghien, Palm's death, the ma.s.sacre at Scio, Z.'s Letters on the c.o.c.kney-School, Don Juan, John Knox, Calvin, c.o.c.k-fighting, the French Revolution, the Reduction of the Five Per Cents Navy, G.o.dwin's Political Justice, the Tread-Mill, the Crusades, Gas fighting booty, D'Israeli's Quarrels of Authors, Byron's conduct to the Hunts, and the doctrine of the universal depravity of the human race?

Is there a sound religious feeling in your Essays, or is there not?

And what is a sound religious feeling? You declare yourself a Unitarian; but, as a set-off to that heterodoxy, you vaunt your bosom-friends.h.i.+p with T. N. T., "a little tainted with Socinianism," and "----, a st.u.r.dy old Athanasian." With this vaunting anomaly you make the Laureate blush, till his face tinges Derwent-water with a ruddy l.u.s.tre as of the setting sun. O Charles, Charles----if we could but "see ourselves as others see us!" Would that we ourselves could do so! But how would that benefit you? You are too amiable to wish to see Christopher North humiliated in his own estimation, and startled at the sight of _Public Derision_, like yourself! Yes----even c.o.c.kneys blush for you; and the many clerks of the India-House hang down their heads and are ashamed.

You present THE PUBLIC with a list of your friends. "W., the light, and warm--as light-hearted Ja.n.u.s of the London!" Who the devil is he? Let him cover both his faces with a handkerchief. "H. C. R., unwearied in the offices of a friend;" the correspondent and caricaturist of Wordsworth, the very identical "W----th," who "estated" you in so many "possessions," and made you proud of your "rent-roll." "W. A., the last and steadiest of that little knot of whist-players." Ah! lack-a-day, Charles, what are trumps? And "M., the n.o.ble-minded kinsman by wedlock" of the same eternal "W----th."

Pray, what is his wife's name? and were the banns published in St.

Pancras Church?----All this is very vain and very virulent; and you indeed give us portraits of your friends, each in the clare-obscure.

We were in the number of your earliest, sincerest, best, and most powerful friends, Charles; and yet, alas! for the ingrat.i.tude of the human heart, you have never so much as fortified yourself with the initials of our formidable name----"C. N. the Editor of Blackwood." Oh, that would have been worth P----r, A---- P----, G----n, and "the rest," all in a lump; better than the "Four-and-twenty Fiddlers all in a row." Or had you had the courage and the conscience to print, at full length, "CHRISTOPHER NORTH," why, these sixteen magical letters would have opened every door for you, like Sesame in the Arabian Tales. These four magical syllables, triumphant over the Laureate's "ugly characters, standing in the very front of his notice, like some bug-bear, to frighten all good Christians from purchasing," would have been a pa.s.sport for Elia throughout all the kingdoms of Christianity, and billetted you, a true soldier of the Faith, in any serious family you chose, with morning and evening prayers; a hot, heavy supper every night; a pan of hot-coals ere you were sheeted; and a good motherly body, with six unmarried daughters, to tap at your bed-room door at day-light, and summon you down stairs from a state of "_otium c.u.m dignitate_" to one of "gaiety and innocence," among damsels with scriptural names, short petticoats, and a zealous attachment to religious establishments.