Customs and Fashions in Old New England Part 8

When Judith Sewall was about to be married, in 1720, her father was much pleased with his prospective son-in-law and evidently determined to give the pair a truly elegant wedding outfit. The list of the house-furnis.h.i.+ngs which he ordered from England has been preserved, and may be quoted as showing part of the "setting-off" in furniture of a rich bride of the day. It reads thus:

"Curtains & Vallens for a Bed with Counterpane Head Cloth and Tester made of good yellow waterd worsted camlet with Triming well made and Bases if it be the Fas.h.i.+on. Send also of the Same Camlet & Triming as may be enough to make Cus.h.i.+ons for the Chamber Chairs.

"A good fine large Chintz Quilt well made.

"A true Looking Gla.s.s of Black Walnut Frame of the Newest Fas.h.i.+on if the Fas.h.i.+on be good, as good as can be bought for five or six pounds.

"A second Looking Gla.s.s as good as can be bought for four or five pounds, same kind of frame.

"A Duzen of good Black Walnut Chairs fine Cane with a Couch.

"A Duzen of Cane Chairs of a Different Figure and a great Chair for a Chamber; all black Walnut.

"One bell-metal Skillet of two Quarts, one ditto one Quart.

"One good large Warming Pan bottom and cover fit for an Iron handle.

"Four pair of strong Iron Dogs with Bra.s.s heads about 5 or 6 s.h.i.+llings a pair.

"A Bra.s.s Hearth for a Chamber with Dogs Shovel Tongs & Fender of the newest Fas.h.i.+on (the Fire is to ly upon Iron).

"A strong Bra.s.s Mortar That will hold about a Quart with a Pestle.

"Two pair of large Bra.s.s sliding Candlesticks about 4 s.h.i.+llings a Pair.

"Two pair of large Bra.s.s Candlesticks not sliding of the newest Fas.h.i.+on about 5 or 6 s.h.i.+llings a pair.

"Four Bra.s.s Snuffers with stands.

"Six small strong Bra.s.s Chafing dishes about 4 s.h.i.+llings apiece.

"One Bra.s.s basting Ladle; one larger Bra.s.s Ladle.

"One pair of Chamber Bellows with Bra.s.s Noses.

"One small hair Broom sutable to the Bellows.

"One Duzen of large hard-mettal Pewter Plates new fas.h.i.+on, weighing about fourteen pounds.

"One Duzen hard-mettal Pewter Porringers.

"Four Duzen of Small gla.s.s Salt Cellars of white gla.s.s; Smooth not wrought, and without a foot.

"A Duzen of good Ivory-hafted Knives and Forks."

The floors of colonial houses were sometimes sanded, but were not carpeted, for a carpet in early days was not a floor covering, but the covering of a table or cupboard. In 1646 an inquiry was made into some losses on the wreck of the "Angel Gabriel." A servant took oath that Mr.

John Coggeswell "had a Turkywork'd Carpet in old England which he commonly used to lay on his Parlour Table; and this Carpet was put aboard among my Maisters goods and came safe ash.o.r.e to the best of my Remembrance." Another man testified that he did "frequentlie see a Turkey-work Carpet & heard them say it used to lay upon their Parlour Table." Dornix, arras, cloth, calico, and broadcloth carpets are named.

Sewall tells of an "Irish st.i.tch't hanging made a carpet of." Samuel Danforth gave, in 1661, a "Convenient Carpet for the table of the meeting house." In 1735, in the advertis.e.m.e.nt of the estate of Jonathan Barnard, "one handsome Large Carpet 9 Foot 0 inches by 6 foot 6 inches"

was named. This was, I fancy, a floor covering. In the _Boston Gazette_ of November, 1748, "two large Matts for floors" were advertised--an exceptional instance in the use of the word mat. Large floor-carpets were advertised the following year, and in 1755 a "Variety of List Carpets wide & Narrow," and "Scotch Carpets for Stairs." In 1769 came "Persia Carpets 3 yards Wide." In 1772, in the _Boston Evening Post_, "A very Rich Wilton Carpet 18 ft by 13" was named. The following year "Painted Canva.s.s Floor Cloth" was named. This was doubtless the "Oyl Cloth for Floors and Tables" of the year 1762. Oilcloth had been known in England a century previously. What the "False Carpets" advertised on June 7, 1762, were I do not know.

The walls of the rooms were wainscoted and painted. Gurdon Saltonstall had on the walls of some of his state-rooms leathern hangings or tapestries. We find wealthy Sir William Pepperel sending to England, in 1737, the draught of a chamber he was furnis.h.i.+ng, and writing, "Geet mock Tapestry or paint'd Canva.s.s lay'd in Oyls for ye same and send me."

In 1734 "Paper for Rooms," and a little later "Rolled Paper for Hanging of Rooms" were advertised in the _Boston News Letter_. "Statues on Paper" were soon sold, and "Architraves on Roll Paper" and "Landscape Paper." These old paper-hangings were of very heavy and strong materials, close-grained, firm and durable. The rooms of a few wealthy men were hung with heavy tapestries. The ceilings usually exposed to view the great summer-tree and cross rafters, sometimes rough-hewn and still showing the marks of the woodman's axe. But little decoration was seen overhead, even in the form of chandeliers; sometimes a candle beam bore a score of candles, or in some fine houses, such as the Storer mansion in Boston, great ornamental globes of gla.s.s hung from the summer-tree.

In the first log cabins oiled paper was placed in windows. We find more than one colonist writing to England for that semi-opaque window-setting. Soon gla.s.s windows, framed in lead, were sent from London and Liverpool and Bristol, ready for insertion in the walls of houses; and at an early day sheets of gla.s.s came to Winthrop. We find, by Sewall's time, that the houses of well-to-do folk all had "quarrels of gla.s.s" set in windows.

The flight of time in New England houses was marked without doors by sun-dials; within, by noon-marks, hour-gla.s.ses, and rarely by clepsydras, or water-clocks.

The first mention, in New England records, of a clock is in Lechford's note-book. He states that in 1628 Joseph Stratton had of his brother a clock and watch, and that Joseph acknowledged this, but refused to pay for them and was sued for payment. Hence Lawyer Lechford's interest in the articles and mention of them. In 1640 Henry Parks, of Hartford, left a clock by will to the church. In the inventory of Thomas Coteymore, made in Charleston, in 1645, his clock is apprized at 1. In 1657 there was a town-clock in Boston and a man appointed to take care of it. In 1677 E. Needham, of Lynn, left a "striking clock, a Larum that does not strike and a watch," valued at 5--this in an estate of 1,117 total.

Judge Sewall wrote, in 1687, "Got home rather before 12 Both by my Clock and Dial."

Clocks must have become rather plentiful in the early part of the following century, for in 1707 this advertis.e.m.e.nt appeared in the _Boston News Letter_:

"To all gentlemen and others: There is lately arrived in Boston by way of Pennsylvania a Clock maker. If any person or persons hath any occasions for new Clocks or to have Old Ones turn'd into Pendulums, or any other thing either in making or mending, they can go to the Sign of the Clock and Dial on the South Side of the Town House."

In 1712, in November, appeared in the _News Letter_ the advertis.e.m.e.nt of a man who "performed all sorts of New Clocks and Watch works, viz: 30 hour Clocks, Week Clocks, Month Clocks, Spring Table Clocks, Chime Clocks, quarter Clocks, quarter Chime Clocks, Church Clocks, Terret Clocks;" and on April 16, 1716, this notice appeared: "Lately come from London. A Parcel of very Fine Clocks. They go a week and repeat the hour when Pull'd. In j.a.pan Cases or Wall Nutt."

By this time, in the inventory or "enroulment" of the estate of any person of note, we always find a clock mentioned. Increase Mather left to his son Cotton "one Pendilum Clock." Soon appear j.a.pann'd clocks and Pullup Clocks. In the _New England Weekly Journal_ of October, 1732, the fourth prize in the Newport lottery was announced to be a clock worth 65. "A Handsome new Eight day Clock which shows the Moons Age, Strikes the Quarters on Six very Tunable Bells & is in a Good j.a.pann'd Case in Imitation of Tortoise Sh.e.l.l & Gold."

This advertis.e.m.e.nt of Edmund Entwisle, in the _Boston News Letter_ of November 18, 1742, proves, I think, that they had some very handsome clocks in those days:

"A Fine Clock. It goes 8 or 9 days with once winding up. And repeats the Hour it struck last when you pull it. The Dial is 13 inches on the Square & Arched with a SemiCircle on the Top round which is a strong Plate with this Motto (Time shews the Way of Lifes Decay) well engraved & silver'd, within the Motto Ring it shews from behind two Semispheres the Moons Increase & Decrease by two curious Painted Faces ornamented with Golden Stars between on a Blue Ground, and a white Circle on the Outside divided into Days figured at every Third, in which Divisions is shewn the Age by a fix't Index from the Top, as they pa.s.s by the great Circle is divided into three Concentrick Collums on the outmost of which it shews the Minute of each Hour and the Middlemost the Hours &c. the innermost is divided into 31 equal parts figur'd at every other on which is shewn the Day of the Month by a Hand from the Dial Plate as the Hour & Minute is, it also shews the Seconds as common & is ornamented with curious Engravings in a Most Fas.h.i.+onable Manner.

The case is made of very Good Mohogony with Quarter Collums in the Body, broke in the Surface with Raised Pannels with Quarter Rounds burs Bands & Strings. The head is ornamented with Gilded Capitalls Bases & Frise with New fas.h.i.+on'd b.a.l.l.s compos'd of Mohogony with Gilt Leaves & Flowers."

I do not quite understand this description, and I know I could never have told the correct time by this clock, but surely it must have been very elegant and costly.

The earliest and most natural, as well as most plentiful, illuminating medium for the colonists was found in pine-knots. Wood says:

"Out of these Pines is gotten the Candlewood that is so much spoke of which may serve as a s.h.i.+ft among poore folks but I cannot commend it for Singular good because it is something s.l.u.ttish dropping a pitchy kind of substance where it stands."

Higginson wrote in 1630, "Though New England has no tallow to make candles of yet by abundance of fish thereof it can afford oil for lamps."

Though lamps and "lamp yearne," or wicks, appear in many an early invoice, I cannot think that they were extensively used. Betty lamps were the earliest form. They were a shallow receptacle, usually of pewter, iron, or bra.s.s, circular or oval in shape, and occasionally triangular, and about two or three inches in diameter, with a projecting nose an inch or two long. When in use they were filled with tallow or grease, and a wick or piece of twisted rag was placed so that the lighted end could hang on the nose. Specimens can be seen at Deerfield Memorial Hall. I have one with a hook and chain by which to hang it up, and a handled hook attached with which to clean out the grease. These lamps were sometimes called "brown-bettys," or "kials," or "cruiseys." A ph[oe]be lamp resembled a betty lamp, but had a shallow cup underneath to catch the dripping grease.

Soon candles were made by being run in moulds, or by a tedious process of dipping. The fragrant bayberry furnished a pale green wax, which Robert Beverly thus described in 1705:

"A pale brittle wax of a curious green color, which by refining becomes almost transparent. Of this they make candles which are never greasy to the touch, nor melt with lying in the hottest weather; neither does the snuff of these ever offend the smell, like that of a tallow candle; but, instead of being disagreeable, if an accident puts a candle out, it yields a pleasant fragrancy to all that are in the room; insomuch that nice people often put them out on purpose to have the incense of the expiring snuff."

The Abbe Robin and other travellers gave similar testimony. Bayberry wax was a standard farm production wherever bayberries grew, and was advertised in New England papers until this century. I entered within a year a single-storied house a few miles from Plymouth Rock, where an aged descendant of the Pilgrims earns her scanty spending-money by making "bayberry taller," and bought a cake and candles of the wax, made in precisely the method of her ancestors; and I too can add my evidence as to the pure, spicy perfume of this New England incense.

The growth of the whaling trade, and consequent use of spermaceti, of course increased the facilities for, and the possibilities of, house illumination. In 1686 Governor Andros pet.i.tioned for a commission for a voyage after "Sperma-Coeti Whales," but not till the middle of the following century did spermaceti become of common enough use to bring forth such notices as this, in the _Boston Independent Advertiser_ of January, 1749:

"Sperma-Ceti Candles, exceeding all others for Beauty Sweetness of Scent when Extinguished. Duration being more than Double with Tallow Candles of Equal Size. Dimensions of Flame near 4 Times more. Emitting a Soft easy Expanding Light, bringing the object close to the Sight, rather than causing the Eye to trace after them, as all Tallow Candles do, from a Constant Dimnes which they produce. One of these Candles serves the use and purpose of 3 Tallow Candles, and upon the Whole are much pleasanter and cheaper."

These candles were placed in candle-beams--rude chandeliers of crossed sticks of wood or strips of metal with sockets; in sliding stands, in sconces, which were also called p.r.o.ngs or candle-arms. The latter appeared in the inventories of all genteel folk, and decorated the walls of all genteel parlors.

Candlesticks and snuffers were found in every house; the latter were called by various names, the word snit or snite being the most curious.

It is from the old English snyten, to blow, and was originally a verb--to snite the candle, or put it out. In the inventory of property of John Gager, of Norwich, in 1703, appears "One Snit."