Our Village Part 3

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'I can never forget the little figure rolled up in two chairs in the little Swallowfield room, packed round with books up to the ceiling--the little figure with clothes on of no recognised or recognisable pattern; and somewhere, out of the upper end of the heap, gleaming under a great deep globular brow, two such eyes as I never perhaps saw in any other Englishwoman--though I believe she must have had French blood in her veins to breed such eyes and such a tongue, the beautiful speech which came out of that ugly (it was that) face, and the glitter and depth too of the eyes, like live coals--perfectly honest the while....' One would like to go on quoting and copying, but here my preface must cease, for it is but a preface after all, one of those many prefaces written out of the past and when everything is over.

COUNTRY PICTURES.

Of all situations for a constant residence, that which appears to me most delightful is a little village far in the country; a small neighbourhood, not of fine mansions finely peopled, but of cottages and cottage-like houses, 'messuages or tenements,' as a friend of mine calls such ign.o.ble and nondescript dwellings, with inhabitants whose faces are as familiar to us as the flowers in our garden; a little world of our own, close-packed and insulated like ants in an ant-hill, or bees in a hive, or sheep in a fold, or nuns in a convent, or sailors in a s.h.i.+p; where we know every one, are known to every one, interested in every one, and authorised to hope that every one feels an interest in us. How pleasant it is to slide into these true-hearted feelings from the kindly and unconscious influence of habit, and to learn to know and to love the people about us, with all their peculiarities, just as we learn to know and to love the nooks and turns of the shady lanes and sunny commons that we pa.s.s every day. Even in books I like a confined locality, and so do the critics when they talk of the unities. Nothing is so tiresome as to be whirled half over Europe at the chariot-wheels of a hero, to go to sleep at Vienna, and awaken at Madrid; it produces a real fatigue, a weariness of spirit. On the other hand, nothing is so delightful as to sit down in a country village in one of Miss Austen's delicious novels, quite sure before we leave it to become intimate with every spot and every person it contains; or to ramble with Mr. White* over his own parish of Selborne, and form a friends.h.i.+p with the fields and coppices, as well as with the birds, mice, and squirrels, who inhabit them; or to sail with Robinson Crusoe to his island, and live there with him and his goats and his man Friday;--how much we dread any new comers, any fresh importation of savage or sailor! we never sympathise for a moment in our hero's want of company, and are quite grieved when he gets away;--or to be s.h.i.+pwrecked with Ferdinand on that other lovelier island--the island of Prospero, and Miranda, and Caliban, and Ariel, and n.o.body else, none of Dryden's exotic inventions:--that is best of all. And a small neighbourhood is as good in sober waking reality as in poetry or prose; a village neighbourhood, such as this Berks.h.i.+re hamlet in which I write, a long, straggling, winding street at the bottom of a fine eminence, with a road through it, always abounding in carts, hors.e.m.e.n, and carriages, and lately enlivened by a stage-coach from B---- to S----, which pa.s.sed through about ten days ago, and will I suppose return some time or other. There are coaches of all varieties nowadays; perhaps this may be intended for a monthly diligence, or a fortnight fly. Will you walk with me through our village, courteous reader? The journey is not long. We will begin at the lower end, and proceed up the hill.

*White's 'Natural History and Antiquities of Selborne;' one of the most fascinating books ever written. I wonder that no naturalist has adopted the same plan.

The tidy, square, red cottage on the right hand, with the long well-stocked garden by the side of the road, belongs to a retired publican from a neighbouring town; a substantial person with a comely wife; one who piques himself on independence and idleness, talks politics, reads newspapers, hates the minister, and cries out for reform. He introduced into our peaceful vicinage the rebellious innovation of an illumination on the Queen's acquittal. Remonstrance and persuasion were in vain; he talked of liberty and broken windows--so we all lighted up. Oh! how he shone that night with candles, and laurel, and white bows, and gold paper, and a transparency (originally designed for a pocket-handkerchief) with a flaming portrait of her Majesty, hatted and feathered, in red ochre. He had no rival in the village, that we all acknowledged; the very bonfire was less splendid; the little boys reserved their best crackers to be expended in his honour, and he gave them full sixpence more than any one else. He would like an illumination once a month; for it must not be concealed that, in spite of gardening, of newspaper reading, of jaunting about in his little cart, and frequenting both church and meeting, our worthy neighbour begins to feel the weariness of idleness. He hangs over his gate, and tries to entice pa.s.sengers to stop and chat; he volunteers little jobs all round, smokes cherry trees to cure the blight, and traces and blows up all the wasps'-nests in the parish. I have seen a great many wasps in our garden to-day, and shall enchant him with the intelligence. He even a.s.sists his wife in her sweepings and dustings. Poor man! he is a very respectable person, and would be a very happy one, if he would add a little employment to his dignity. It would be the salt of life to him.

Next to his house, though parted from it by another long garden with a yew arbour at the end, is the pretty dwelling of the shoemaker, a pale, sickly-looking, black-haired man, the very model of sober industry.

There he sits in his little shop from early morning till late at night.

An earthquake would hardly stir him: the illumination did not. He stuck immovably to his last, from the first lighting up, through the long blaze and the slow decay, till his large solitary candle was the only light in the place. One cannot conceive anything more perfect than the contempt which the man of transparencies and the man of shoes must have felt for each other on that evening. There was at least as much vanity in the st.u.r.dy industry as in the strenuous idleness, for our shoemaker is a man of substance; he employs three journeymen, two lame, and one a dwarf, so that his shop looks like an hospital; he has purchased the lease of his commodious dwelling, some even say that he has bought it out and out; and he has only one pretty daughter, a light, delicate, fair-haired girl of fourteen, the champion, protectress, and playfellow of every brat under three years old, whom she jumps, dances, dandles, and feeds all day long. A very attractive person is that child-loving girl. I have never seen any one in her station who possessed so thoroughly that undefinable charm, the lady-look. See her on a Sunday in her simplicity and her white frock, and she might pa.s.s for an earl's daughter. She likes flowers too, and has a profusion of white stocks under her window, as pure and delicate as herself.

The first house on the opposite side of the way is the blacksmith's; a gloomy dwelling, where the sun never seems to s.h.i.+ne; dark and smoky within and without, like a forge. The blacksmith is a high officer in our little state, nothing less than a constable; but, alas! alas! when tumults arise, and the constable is called for, he will commonly be found in the thickest of the fray. Lucky would it be for his wife and her eight children if there were no public-house in the land: an inveterate inclination to enter those bewitching doors is Mr.

Constable's only fault.

Next to this official dwelling is a spruce brick tenement, red, high, and narrow, boasting, one above another, three sash-windows, the only sash-windows in the village, with a clematis on one side and a rose on the other, tall and narrow like itself. That slender mansion has a fine, genteel look. The little parlour seems made for Hogarth's old maid and her stunted footboy; for tea and card parties,--it would just hold one table; for the rustle of faded silks, and the splendour of old china; for the delight of four by honours, and a little snug, quiet scandal between the deals; for affected gentility and real starvation. This should have been its destiny; but fate has been unpropitious: it belongs to a plump, merry, bustling dame, with four fat, rosy, noisy children, the very essence of vulgarity and plenty.

Then comes the village shop, like other village shops, multifarious as a bazaar; a repository for bread, shoes, tea, cheese, tape, ribands, and bacon; for everything, in short, except the one particular thing which you happen to want at the moment, and will be sure not to find. The people are civil and thriving, and frugal withal; they have let the upper part of their house to two young women (one of them is a pretty blue-eyed girl) who teach little children their A B C, and make caps and gowns for their mammas,--parcel schoolmistress, parcel mantua-maker.

I believe they find adorning the body a more profitable vocation than adorning the mind.

Divided from the shop by a narrow yard, and opposite the shoemaker's, is a habitation of whose inmates I shall say nothing. A cottage--no--a miniature house, with many additions, little odds and ends of places, pantries, and what not; all angles, and of a charming in-and-outness; a little bricked court before one half, and a little flower-yard before the other; the walls, old and weather-stained, covered with hollyhocks, roses, honeysuckles, and a great apricot-tree; the cas.e.m.e.nts full of geraniums (ah! there is our superb white cat peeping out from among them); the closets (our landlord has the a.s.surance to call them rooms) full of contrivances and corner-cupboards; and the little garden behind full of common flowers, tulips, pinks, larkspurs, peonies, stocks, and carnations, with an arbour of privet, not unlike a sentry-box, where one lives in a delicious green light, and looks out on the gayest of all gay flower-beds. That house was built on purpose to show in what an exceeding small compa.s.s comfort may be packed. Well, I will loiter there no longer.

The next tenement is a place of importance, the Rose Inn: a white-washed building, retired from the road behind its fine swinging sign, with a little bow-window room coming out on one side, and forming, with our stable on the other, a sort of open square, which is the constant resort of carts, waggons, and return chaises. There are two carts there now, and mine host is serving them with beer in his eternal red waistcoat. He is a thriving man and a portly, as his waistcoat attests, which has been twice let out within this twelvemonth. Our landlord has a stirring wife, a hopeful son, and a daughter, the belle of the village; not so pretty as the fair nymph of the shoe-shop, and far less elegant, but ten times as fine; all curl-papers in the morning, like a porcupine, all curls in the afternoon, like a poodle, with more flounces than curl-papers, and more lovers than curls. Miss Phoebe is fitter for town than country; and to do her justice, she has a consciousness of that fitness, and turns her steps townward as often as she can. She is gone to B---- to-day with her last and princ.i.p.al lover, a recruiting sergeant--a man as tall as Sergeant Kite, and as impudent. Some day or other he will carry off Miss Phoebe.

In a line with the bow-window room is a low garden-wall, belonging to a house under repair:--the white house opposite the collar-maker's shop, with four lime-trees before it, and a waggon-load of bricks at the door.

That house is the plaything of a wealthy, well-meaning, whimsical person who lives about a mile off. He has a pa.s.sion for brick and mortar, and, being too wise to meddle with his own residence, diverts himself with altering and re-altering, improving and re-improving, doing and undoing here. It is a perfect Penelope's web. Carpenters and bricklayers have been at work for these eighteen months, and yet I sometimes stand and wonder whether anything has really been done. One exploit in last June was, however, by no means equivocal. Our good neighbour fancied that the limes shaded the rooms, and made them dark (there was not a creature in the house but the workmen), so he had all the leaves stripped from every tree. There they stood, poor miserable skeletons, as bare as Christmas under the glowing midsummer sun. Nature revenged herself, in her own sweet and gracious manner; fresh leaves sprang out, and at nearly Christmas the foliage was as brilliant as when the outrage was committed.

Next door lives a carpenter, 'famed ten miles round, and worthy all his fame,'--few cabinet-makers surpa.s.s him, with his excellent wife, and their little daughter Lizzy, the plaything and queen of the village, a child three years old according to the register, but six in size and strength and intellect, in power and in self-will. She manages everybody in the place, her schoolmistress included; turns the wheeler's children out of their own little cart, and makes them draw her; seduces cakes and lollypops from the very shop window; makes the lazy carry her, the silent talk to her, the grave romp with her; does anything she pleases; is absolutely irresistible. Her chief attraction lies in her exceeding power of loving, and her firm reliance on the love and indulgence of others. How impossible it would be to disappoint the dear little girl when she runs to meet you, slides her pretty hand into yours, looks up gladly in your face, and says 'Come!' You must go: you cannot help it.

Another part of her charm is her singular beauty. Together with a good deal of the character of Napoleon, she has something of his square, st.u.r.dy, upright form, with the finest limbs in the world, a complexion purely English, a round laughing face, sunburnt and rosy, large merry blue eyes, curling brown hair, and a wonderful play of countenance. She has the imperial att.i.tudes too, and loves to stand with her hands behind her, or folded over her bosom; and sometimes, when she has a little touch of shyness, she clasps them together on the top of her head, pressing down her s.h.i.+ning curls, and looking so exquisitely pretty! Yes, Lizzy is queen of the village! She has but one rival in her dominions, a certain white greyhound called Mayflower, much her friend, who resembles her in beauty and strength, in playfulness, and almost in sagacity, and reigns over the animal world as she over the human. They are both coming with me, Lizzy and Lizzy's 'pretty May.' We are now at the end of the street; a cross-lane, a rope-walk shaded with limes and oaks, and a cool clear pond overhung with elms, lead us to the bottom of the hill. There is still one house round the corner, ending in a picturesque wheeler's shop. The dwelling-house is more ambitious. Look at the fine flowered window-blinds, the green door with the bra.s.s knocker, and the somewhat prim but very civil person, who is sending off a labouring man with sirs and curtsies enough for a prince of the blood. Those are the curate's lodgings--apartments his landlady would call them; he lives with his own family four miles off, but once or twice a week he comes to his neat little parlour to write sermons, to marry, or to bury, as the case may require. Never were better or kinder people than his host and hostess; and there is a reflection of clerical importance about them since their connection with the Church, which is quite edifying--a decorum, a gravity, a solemn politeness. Oh, to see the worthy wheeler carry the gown after his lodger on a Sunday, nicely pinned up in his wife's best handkerchief!--or to hear him rebuke a squalling child or a squabbling woman! The curate is nothing to him. He is fit to be perpetual churchwarden.

We must now cross the lane into the shady rope-walk. That pretty white cottage opposite, which stands straggling at the end of the village in a garden full of flowers, belongs to our mason, the shortest of men, and his handsome, tall wife: he, a dwarf, with the voice of a giant; one starts when he begins to talk as if he were shouting through a speaking trumpet; she, the sister, daughter, and grand-daughter, of a long line of gardeners, and no contemptible one herself. It is very magnanimous in me not to hate her; for she beats me in my own way, in chrysanthemums, and dahlias, and the like gauds. Her plants are sure to live; mine have a sad trick of dying, perhaps because I love them, 'not wisely, but too well,' and kill them with over-kindness. Half-way up the hill is another detached cottage, the residence of an officer, and his beautiful family.

That eldest boy, who is hanging over the gate, and looking with such intense childish admiration at my Lizzy, might be a model for a Cupid.

How pleasantly the road winds up the hill, with its broad green borders and hedgerows so thickly timbered! How finely the evening sun falls on that sandy excavated bank, and touches the farmhouse on the top of the eminence! and how clearly defined and relieved is the figure of the man who is just coming down! It is poor John Evans, the gardener--an excellent gardener till about ten years ago, when he lost his wife, and became insane. He was sent to St. Luke's, and dismissed as cured; but his power was gone and his strength; he could no longer manage a garden, nor submit to the restraint, nor encounter the fatigue of regular employment: so he retreated to the workhouse, the pensioner and factotum of the village, amongst whom he divides his services. His mind often wanders, intent on some fantastic and impracticable plan, and lost to present objects; but he is perfectly harmless, and full of a childlike simplicity, a smiling contentedness, a most touching grat.i.tude. Every one is kind to John Evans, for there is that about him which must be loved; and his unprotectedness, his utter defencelessness, have an irresistible claim on every better feeling. I know n.o.body who inspires so deep and tender a pity; he improves all around him. He is useful, too, to the extent of his little power; will do anything, but loves gardening best, and still piques himself on his old arts of pruning fruit-trees, and raising cuc.u.mbers. He is the happiest of men just now, for he has the management of a melon bed--a melon bed!--fie! What a grand pompous name was that for three melon plants under a hand-light!

John Evans is sure that they will succeed. We shall see: as the chancellor said, 'I doubt.'

We are now on the very brow of the eminence, close to the Hill-house and its beautiful garden. On the outer edge of the paling, hanging over the bank that skirts the road, is an old thorn--such a thorn! The long sprays covered with snowy blossoms, so graceful, so elegant, so lightsome, and yet so rich! There only wants a pool under the thorn to give a still lovelier reflection, quivering and trembling, like a tuft of feathers, whiter and greener than the life, and more prettily mixed with the bright blue sky. There should indeed be a pool; but on the dark gra.s.s-plat, under the high bank, which is crowned by that magnificent plume, there is something that does almost as well,--Lizzy and Mayflower in the midst of a game at romps, 'making a suns.h.i.+ne in the shady place;'

Lizzy rolling, laughing, clapping her hands, and glowing like a rose; Mayflower playing about her like summer lightning, dazzling the eyes with her sudden turns, her leaps, her bounds, her attacks, and her escapes. She darts round the lovely little girl, with the same momentary touch that the swallow skims over the water, and has exactly the same power of flight, the same matchless ease and strength and grace. What a pretty picture they would make; what a pretty foreground they do make to the real landscape! The road winding down the hill with a slight bend, like that in the High Street at Oxford; a waggon slowly ascending, and a horseman pa.s.sing it at a full trot--(ah! Lizzy, Mayflower will certainly desert you to have a gambol with that blood-horse!) half-way down, just at the turn, the red cottage of the lieutenant, covered with vines, the very image of comfort and content; farther down, on the opposite side, the small white dwelling of the little mason; then the limes and the rope-walk; then the village street, peeping through the trees, whose cl.u.s.tering tops hide all but the chimneys, and various roofs of the houses, and here and there some angle of a wall; farther on, the elegant town of B----, with its fine old church-towers and spires; the whole view shut in by a range of chalky hills and over every part of the picture, trees so profusely scattered, that it appears like a woodland scene, with glades and villages intermixed. The trees are of all kinds and all hues, chiefly the finely-shaped elm, of so bright and deep a green, the tips of whose high outer branches drop down with such a crisp and garland-like richness, and the oak, whose stately form is just now so splendidly adorned by the sunny colouring of the young leaves.

Turning again up the hill, we find ourselves on that peculiar charm of English scenery, a green common, divided by the road; the right side fringed by hedgerows and trees, with cottages and farmhouses irregularly placed, and terminated by a double avenue of n.o.ble oaks; the left, prettier still, dappled by bright pools of water, and islands of cottages and cottage-gardens, and sinking gradually down to cornfields and meadows, and an old farmhouse, with pointed roofs and cl.u.s.tered chimneys, looking out from its blooming orchard, and backed by woody hills. The common is itself the prettiest part of the prospect; half covered with low furze, whose golden blossoms reflect so intensely the last beams of the setting sun, and alive with cows and sheep, and two sets of cricketers; one of young men, surrounded by spectators, some standing, some sitting, some stretched on the gra.s.s, all taking a delighted interest in the game; the other, a merry group of little boys, at a humble distance, for whom even cricket is scarcely lively enough, shouting, leaping, and enjoying themselves to their hearts' content. But cricketers and country boys are too important persons in our village to be talked of merely as figures in the landscape. They deserve an individual introduction--an essay to themselves--and they shall have it.

No fear of forgetting the good-humoured faces that meet us in our walks every day.

WALKS IN THE COUNTRY.

Frost.

January 23rd.--At noon to-day I and my white greyhound, Mayflower, set out for a walk into a very beautiful world,--a sort of silent fairyland,--a creation of that matchless magician the h.o.a.r-frost. There had been just snow enough to cover the earth and all its covers with one sheet of pure and uniform white, and just time enough since the snow had fallen to allow the hedges to be freed of their fleecy load, and clothed with a delicate coating of rime. The atmosphere was deliciously calm; soft, even mild, in spite of the thermometer; no perceptible air, but a stillness that might almost be felt, the sky, rather gray than blue, throwing out in bold relief the snow-covered roofs of our village, and the rimy trees that rise above them, and the sun s.h.i.+ning dimly as through a veil, giving a pale fair light, like the moon, only brighter.

There was a silence, too, that might become the moon, as we stood at our little gate looking up the quiet street; a Sabbath-like pause of work and play, rare on a work-day; nothing was audible but the pleasant hum of frost, that low monotonous sound, which is perhaps the nearest approach that life and nature can make to absolute silence. The very waggons as they come down the hill along the beaten track of crisp yellowish frost-dust, glide along like shadows; even May's bounding footsteps, at her height of glee and of speed, fall like snow upon snow.

But we shall have noise enough presently: May has stopped at Lizzy's door; and Lizzy, as she sat on the window-sill with her bright rosy face laughing through the cas.e.m.e.nt, has seen her and disappeared. She is coming. No! The key is turning in the door, and sounds of evil omen issue through the keyhole--st.u.r.dy 'let me outs,' and 'I will goes,'

mixed with shrill cries on May and on me from Lizzy, piercing through a low continuous harangue, of which the prominent parts are apologies, chilblains, sliding, broken bones, lollypops, rods, and gingerbread, from Lizzy's careful mother. 'Don't scratch the door, May! Don't roar so, my Lizzy! We'll call for you as we come back.' 'I'll go now! Let me out! I will go!' are the last words of Miss Lizzy. Mem. Not to spoil that child--if I can help it. But I do think her mother might have let the poor little soul walk with us to-day. Nothing worse for children than coddling. Nothing better for chilblains than exercise. Besides, I don't believe she has any--and as to breaking her bones in sliding, I don't suppose there's a slide on the common. These murmuring cogitations have brought us up the hill, and half-way across the light and airy common, with its bright expanse of snow and its cl.u.s.ters of cottages, whose turf fires send such wreaths of smoke sailing up the air, and diffuse such aromatic fragrance around. And now comes the delightful sound of childish voices, ringing with glee and merriment almost from beneath our feet. Ah, Lizzy, your mother was right! They are shouting from that deep irregular pool, all gla.s.s now, where, on two long, smooth, liny slides, half a dozen ragged urchins are slipping along in tottering triumph. Half a dozen steps bring us to the bank right above them. May can hardly resist the temptation of joining her friends, for most of the varlets are of her acquaintance, especially the rogue who leads the slide,--he with the brimless hat, whose bronzed complexion and white flaxen hair, reversing the usual lights and shadows of the human countenance, give so strange and foreign a look to his flat and comic features. This hobgoblin, Jack Rapley by name, is May's great crony; and she stands on the brink of the steep, irregular descent, her black eyes fixed full upon him, as if she intended him the favour of jumping on his head. She does: she is down, and upon him; but Jack Rapley is not easily to be knocked off his feet. He saw her coming, and in the moment of her leap sprung dexterously off the slide on the rough ice, steadying himself by the shoulder of the next in the file, which unlucky follower, thus unexpectedly checked in his career, fell plump backwards, knocking down the rest of the line like a nest of card-houses. There is no harm done; but there they lie, roaring, kicking, sprawling, in every att.i.tude of comic distress, whilst Jack Rapley and Mayflower, sole authors of this calamity, stand apart from the throng, fondling, and coquetting, and complimenting each other, and very visibly laughing, May in her black eyes, Jack in his wide, close-shut mouth, and his whole monkey-face, at their comrades' mischances. I think, Miss May, you may as well come up again, and leave Master Rapley to fight your battles.

He'll get out of the sc.r.a.pe. He is a rustic wit--a sort of Robin Goodfellow--the sauciest, idlest, cleverest, best-natured boy in the parish; always foremost in mischief, and always ready to do a good turn.

The sages of our village predict sad things of Jack Rapley, so that I am sometimes a little ashamed to confess, before wise people, that I have a lurking predilection for him (in common with other naughty ones), and that I like to hear him talk to May almost as well as she does. 'Come, May!' and up she springs, as light as a bird. The road is gay now; carts and post-chaises, and girls in red cloaks, and, afar off, looking almost like a toy, the coach. It meets us fast and soon. How much happier the walkers look than the riders--especially the frost-bitten gentleman, and the s.h.i.+vering lady with the invisible face, sole pa.s.sengers of that commodious machine! Hooded, veiled, and bonneted, as she is, one sees from her att.i.tude how miserable she would look uncovered.

Another pond, and another noise of children. More sliding? Oh no! This is a sport of higher pretension. Our good neighbour, the lieutenant, skating, and his own pretty little boys, and two or three other four-year-old elves, standing on the brink in an ecstasy of joy and wonder! Oh what happy spectators! And what a happy performer! They admiring, he admired, with an ardour and sincerity never excited by all the quadrilles and the spread-eagles of the Seine and the Serpentine. He really skates well though, and I am glad I came this way; for, with all the father's feelings sitting gaily at his heart, it must still gratify the pride of skill to have one spectator at that solitary pond who has seen skating before.

Now we have reached the trees,--the beautiful trees! never so beautiful as to-day. Imagine the effect of a straight and regular double avenue of oaks, nearly a mile long, arching overhead, and closing into perspective like the roof and columns of a cathedral, every tree and branch incrusted with the bright and delicate congelation of h.o.a.r-frost, white and pure as snow, delicate and defined as carved ivory. How beautiful it is, how uniform, how various, how filling, how satiating to the eye and to the mind--above all, how melancholy! There is a thrilling awfulness, an intense feeling of simple power in that naked and colourless beauty, which falls on the earth like the thoughts of death--death pure, and glorious, and smiling,--but still death. Sculpture has always the same effect on my imagination, and painting never. Colour is life.--We are now at the end of this magnificent avenue, and at the top of a steep eminence commanding a wide view over four counties--a landscape of snow.

A deep lane leads abruptly down the hill; a mere narrow cart-track, sinking between high banks clothed with fern and furze and low broom, crowned with luxuriant hedgerows, and famous for their summer smell of thyme. How lovely these banks are now--the tall weeds and the gorse fixed and stiffened in the h.o.a.r-frost, which fringes round the bright p.r.i.c.kly holly, the pendent foliage of the bramble, and the deep orange leaves of the pollard oaks! Oh, this is rime in its loveliest form! And there is still a berry here and there on the holly, 'blus.h.i.+ng in its natural coral' through the delicate tracery, still a stray hip or haw for the birds, who abound here always. The poor birds, how tame they are, how sadly tame! There is the beautiful and rare crested wren, 'that shadow of a bird,' as White of Selborne calls it, perched in the middle of the hedge, nestling as it were amongst the cold bare boughs, seeking, poor pretty thing, for the warmth it will not find. And there, farther on, just under the bank, by the slender runlet, which still trickles between its transparent fantastic margin of thin ice, as if it were a thing of life,--there, with a swift, scudding motion, flits, in short low flights, the gorgeous kingfisher, its magnificent plumage of scarlet and blue flas.h.i.+ng in the sun, like the glories of some tropical bird.

He is come for water to this little spring by the hillside,--water which even his long bill and slender head can hardly reach, so nearly do the fantastic forms of those garland-like icy margins meet over the tiny stream beneath. It is rarely that one sees the shy beauty so close or so long; and it is pleasant to see him in the grace and beauty of his natural liberty, the only way to look at a bird. We used, before we lived in a street, to fix a little board outside the parlour window, and cover it with bread crumbs in the hard weather. It was quite delightful to see the pretty things come and feed, to conquer their shyness, and do away their mistrust. First came the more social tribes, 'the robin red-breast and the wren,' cautiously, suspiciously, picking up a crumb on the wing, with the little keen bright eye fixed on the window; then they would stop for two pecks; then stay till they were satisfied. The shyer birds, tamed by their example, came next; and at last one saucy fellow of a blackbird--a sad glutton, he would clear the board in two minutes,--used to tap his yellow bill against the window for more. How we loved the fearless confidence of that fine, frank-hearted creature!

And surely he loved us. I wonder the practice is not more general. 'May!

May! naughty May!' She has frightened away the kingfisher; and now, in her coaxing penitence, she is covering me with snow. 'Come, pretty May!

it is time to go home.'

Thaw.

January 28th.--We have had rain, and snow, and frost, and rain again four days of absolute confinement. Now it is a thaw and a flood; but our light gravelly soil, and country boots, and country hardihood, will carry us through. What a dripping, comfortless day it is! just like the last days of November: no sun, no sky, gray or blue; one low, overhanging, dark, dismal cloud, like London smoke; Mayflower is out coursing too, and Lizzy gone to school. Never mind. Up the hill again!

Walk we must. Oh what a watery world to look back upon! Thames, Kennet, Loddon--all overflowed; our famous town, inland once, turned into a sort of Venice; C. park converted into an island; and the long range of meadows from B. to W. one huge unnatural lake, with trees growing out of it. Oh what a watery world!--I will look at it no longer. I will walk on. The road is alive again. Noise is reborn. Waggons creak, horses splash, carts rattle, and pattens paddle through the dirt with more than their usual clink. The common has its old fine tints of green and brown, and its old variety of inhabitants, horses, cows, sheep, pigs, and donkeys. The ponds are unfrozen, except where some melancholy piece of melting ice floats sullenly on the water; and cackling geese and gabbling ducks have replaced the lieutenant and Jack Rapley. The avenue is chill and dark, the hedges are dripping, the lanes knee-deep, and all nature is in a state of 'dissolution and thaw.'

THE FIRST PRIMROSE.

March 6th.--Fine March weather: boisterous, bl.u.s.tering, much wind and squalls of rain; and yet the sky, where the clouds are swept away, deliciously blue, with s.n.a.t.c.hes of suns.h.i.+ne, bright, and clear, and healthful, and the roads, in spite of the slight glittering showers, crisply dry. Altogether the day is tempting, very tempting. It will not do for the dear common, that windmill of a walk; but the close sheltered lanes at the bottom of the hill, which keep out just enough of the stormy air, and let in all the sun, will be delightful. Past our old house, and round by the winding lanes, and the workhouse, and across the lea, and so into the turnpike-road again,--that is our route for to-day.

Forth we set, Mayflower and I, rejoicing in the suns.h.i.+ne, and still more in the wind, which gives such an intense feeling of existence, and, co-operating with brisk motion, sets our blood and our spirits in a glow. For mere physical pleasure, there is nothing perhaps equal to the enjoyment of being drawn, in a light carriage, against such a wind as this, by a blood-horse at his height of speed. Walking comes next to it; but walking is not quite so luxurious or so spiritual, not quite so much what one fancies of flying, or being carried above the clouds in a balloon.

Nevertheless, a walk is a good thing; especially under this southern hedgerow, where nature is just beginning to live again; the periwinkles, with their starry blue flowers, and their s.h.i.+ning myrtle-like leaves, garlanding the bushes; woodbines and elder-trees pus.h.i.+ng out their small swelling buds; and gra.s.ses and mosses springing forth in every variety of brown and green. Here we are at the corner where four lanes meet, or rather where a pa.s.sable road of stones and gravel crosses an impa.s.sable one of beautiful but treacherous turf, and where the small white farmhouse, scarcely larger than a cottage, and the well-stocked rick-yard behind, tell of comfort and order, but leave all unguessed the great riches of the master. How he became so rich is almost a puzzle; for, though the farm be his own, it is not large; and though prudent and frugal on ordinary occasions, Farmer Barnard is no miser. His horses, dogs, and pigs are the best kept in the parish,--May herself, although her beauty be injured by her fatness, half envies the plight of his b.i.t.c.h Fly: his wife's gowns and shawls cost as much again as any shawls or gowns in the village; his dinner parties (to be sure they are not frequent) display twice the ordinary quant.i.ty of good things--two couples of ducks, two dishes of green peas, two turkey poults, two gammons of bacon, two plum-puddings; moreover, he keeps a single-horse chaise, and has built and endowed a Methodist chapel. Yet is he the richest man in these parts. Everything prospers with him. Money drifts about him like snow. He looks like a rich man. There is a st.u.r.dy squareness of face and figure; a good-humoured obstinacy; a civil importance. He never boasts of his wealth, or gives himself undue airs; but n.o.body can meet him at market or vestry without finding out immediately that he is the richest man there. They have no child to all this money; but there is an adopted nephew, a fine spirited lad, who may, perhaps, some day or other, play the part of a fountain to the reservoir.

Now turn up the wide road till we come to the open common, with its park-like trees, its beautiful stream, wandering and twisting along, and its rural bridge. Here we turn again, past that other white farmhouse, half hidden by the magnificent elms which stand before it. Ah! riches dwell not there, but there is found the next best thing--an industrious and light-hearted poverty. Twenty years ago Rachel Hilton was the prettiest and merriest la.s.s in the country. Her father, an old gamekeeper, had retired to a village alehouse, where his good beer, his social humour, and his black-eyed daughter, brought much custom. She had lovers by the score; but Joseph White, the das.h.i.+ng and lively son of an opulent farmer, carried off the fair Rachel. They married and settled here, and here they live still, as merrily as ever, with fourteen children of all ages and sizes, from nineteen years to nineteen months, working harder than any people in the parish, and enjoying themselves more. I would match them for labour and laughter against any family in England. She is a blithe, jolly dame, whose beauty has amplified into comeliness; he is tall, and thin, and bony, with sinews like whipcord, a strong lively voice, a sharp weather-beaten face, and eyes and lips that smile and brighten when he speaks into a most contagious hilarity. They are very poor, and I often wish them richer; but I don't know--perhaps it might put them out.

Quite close to Farmer White's is a little ruinous cottage, white-washed once, and now in a sad state of betweenity, where dangling stockings and s.h.i.+rts, swelled by the wind, drying in a neglected garden, give signal of a washerwoman. There dwells, at present in single blessedness, Betty Adams, the wife of our sometimes gardener. I never saw any one who so much reminded me in person of that lady whom everybody knows, Mistress Meg Merrilies;--as tall, as grizzled, as stately, as dark, as gipsy-looking, bonneted and gowned like her prototype, and almost as oracular. Here the resemblance ceases. Mrs. Adams is a perfectly honest, industrious, painstaking person, who earns a good deal of money by was.h.i.+ng and charing, and spends it in other luxuries than tidiness,--in green tea, and gin, and snuff. Her husband lives in a great family, ten miles off. He is a capital gardener--or rather he would be so, if he were not too ambitious. He undertakes all things, and finishes none. But a smooth tongue, a knowing look, and a great capacity of labour, carry him through. Let him but like his ale and his master and he will do work enough for four. Give him his own way, and his full quantum, and nothing comes amiss to him.

Ah, May is bounding forward! Her silly heart leaps at the sight of the old place--and so in good truth does mine. What a pretty place it was--or rather, how pretty I thought it! I suppose I should have thought any place so where I had spent eighteen happy years. But it was really pretty. A large, heavy, white house, in the simplest style, surrounded by fine oaks and elms, and tall ma.s.sy plantations shaded down into a beautiful lawn by wild overgrown shrubs, bowery acacias, ragged sweet-briers, promontories of dogwood, and Portugal laurel, and bays, over-hung by laburnum and bird-cherry; a long piece of water letting light into the picture, and looking just like a natural stream, the banks as rude and wild as the shrubbery, interspersed with broom, and furze, and bramble, and pollard oaks covered with ivy and honeysuckle; the whole enclosed by an old mossy park paling, and terminating in a series of rich meadows, richly planted. This is an exact description of the home which, three years ago, it nearly broke my heart to leave.

What a tearing up by the root it was! I have pitied cabbage-plants and celery, and all transplantable things, ever since; though, in common with them, and with other vegetables, the first agony of the transportation being over, I have taken such firm and tenacious hold of my new soil, that I would not for the world be pulled up again, even to be restored to the old beloved ground;--not even if its beauty were undiminished, which is by no means the case; for in those three years it has thrice changed masters, and every successive possessor has brought the curse of improvement upon the place; so that between filling up the water to cure dampness, cutting down trees to let in prospects, planting to keep them out, shutting up windows to darken the inside of the house (by which means one end looks precisely as an eight of spades would do that should have the misfortune to lose one of his corner pips), and building colonnades to lighten the out, added to a general clearance of pollards, and brambles, and ivy, and honeysuckles, and park palings, and irregular shrubs, the poor place is so transmogrified, that if it had its old looking-gla.s.s, the water, back again, it would not know its own face. And yet I love to haunt round about it: so does May. Her particular attraction is a certain broken bank full of rabbit burrows, into which she insinuates her long pliant head and neck, and tears her pretty feet by vain scratchings: mine is a warm sunny hedgerow, in the same remote field, famous for early flowers. Never was a spot more variously flowery: primroses yellow, lilac white, violets of either hue, cowslips, oxslips, arums, orchises, wild hyacinths, ground ivy, pansies, strawberries, heart's-ease, formed a small part of the Flora of that wild hedgerow. How profusely they covered the sunny open slope under the weeping birch, 'the lady of the woods'--and how often have I started to see the early innocent brown snake, who loved the spot as well as I did, winding along the young blossoms, or rustling amongst the fallen leaves!

There are primrose leaves already, and short green buds, but no flowers; not even in that furze cradle so full of roots, where they used to blow as in a basket. No, my May, no rabbits! no primroses! We may as well get over the gate into the woody winding lane, which will bring us home again.

Here we are making the best of our way between the old elms that arch so solemnly over head, dark and sheltered even now. They say that a spirit haunts this deep pool--a white lady without a head. I cannot say that I have seen her, often as I have paced this lane at deep midnight, to hear the nightingales, and look at the glow-worms;--but there, better and rarer than a thousand ghosts, dearer even than nightingales or glow-worms, there is a primrose, the first of the year; a tuft of primroses, springing in yonder sheltered nook, from the mossy roots of an old willow, and living again in the clear bright pool. Oh, how beautiful they are--three fully blown, and two bursting buds! How glad I am I came this way! They are not to be reached. Even Jack Rapley's love of the difficult and the unattainable would fail him here: May herself could not stand on that steep bank. So much the better. Who would wish to disturb them? There they live in their innocent and fragrant beauty, sheltered from the storms, and rejoicing in the suns.h.i.+ne, and looking as if they could feel their happiness. Who would disturb them? Oh, how glad I am I came this way home!

VIOLETING.

Our Village Part 3

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Our Village Part 3 summary

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