An Artist in Crime Part 25

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This both annoyed and puzzled Mr. Barnes. He had not told any one his true name, and could not guess how the reporters had found out his ident.i.ty. Whilst he was thinking of it a card was brought to him which bore the name

"RICHARD SEFTON."

He directed that the gentleman should be shown to his room, and soon after a man of about thirty-five, with dark complexion, black hair, and keen hazel eyes, entered, bowing politely and saying:

"This is Mr. Barnes, I believe."

"Be seated, Mr. Sefton," said Mr. Barnes, coldly, "and then tell me why you believe me to be Mr. Barnes when I am registered as James Morton."

"I do not believe you to be Mr. Barnes," said the other, coolly seating himself. "I was inaccurate in using that expression. I know that you are Mr. Barnes."

"Oh! You do! And how, pray, do you know that I am Mr. Barnes?"

"Because it is my business to know people. I am a detective like yourself. I have come to help you."

"You have come to help me! You are very kind I am sure. But since you are so very clever, perhaps you would not mind telling me how you know that I need help, and in what direction."

"With pleasure. You need help because, pardon my saying it, you are working on a case in which time is precious to you, and you have already wasted about six weeks. I say wasted, because you have learned nothing that will aid you in your search."

"In my search for what?"

"Mr. Barnes, you are not over-cordial. There should be some fraternal courtesy between us. I have come to you as a friend, honestly wis.h.i.+ng to aid you. I have known that you were in the city for some time. I have heard of you of course. Who in our business has not? Therefore I have spent a great deal of spare time watching you. I did so simply to notice, and perhaps to learn something from, your methods. In this way I became acquainted with the fact, first, that you are interested in the name Mitchel, and secondly in the name Leroy. I have simply put the two together and jumped to the conclusion that you are trying to learn something about Leroy Mitchel. Am I right?"

"Before I reply to you, Mr. Sefton, I must have more a.s.surance of your good-will and responsibility. How do I know that you are a detective at all?"

"Quite right! Here is my badge. I am in the department here."

"Very well so far, but now how can you prove that you have any good reason for a.s.sisting me?"

"You are a hard man to help, I declare. Why, what object but a friendly one can I have?"

"I am not prepared to answer that at present. Perhaps I shall be able to do so later."

"Oh, very well! You can look me up all you want to. I can stand it, I a.s.sure you. But really I did want to help, though of course I have no right to intrude. As you say you do not need me, why I----"

"I did not say that I would not accept your aid. You must not think me ungracious. I am simply a detective, and careful from habit. I certainly should not speak confidentially to a man that I meet for the first time, and so disclose any of my own purposes. But it is different with you.

You must have had a definite idea, by which you expect to give me a.s.sistance, or you would not have come here. If you are earnest and honest, I see no reason why you should not disclose the main purpose of your visit at once."

"If only to prove my honesty, I will do so. I believe you are looking for Leroy Mitchel. If so I can tell you how to find him in a few hours, or at the worst in a day or two."

"You know of a Leroy Mitchel, who is now in this city?"

"I do. He is over in Algiers, a worker in one of the car houses. He is a common drunken brute, and that is the only reason why there would be any difficulty about finding him. When he is sober he is easy to see, but as soon as he gets some money he is off on another spree."

"Do you know of a woman by the name of Rose Mitchel?"

"Certainly. That is, I did know such a woman once. But she has not been in New Orleans for years. At one time any one could have given you her address. I see now that this man is the one whom you want, for once he pa.s.sed as this woman's husband."

"You are sure of this?"

"Positive."

"When and where can I see this man?"

"He works in the shops of the Louisiana and Texas Railroad over in Algiers. You can find him through the foreman."

"Mr. Sefton, it may be that you have given me information which will be of service to me. If so you will not regret it. I will myself examine into the matter. For the present, if I do not make a confident of you, you must attribute it to caution rather than to distrust."

"Oh, I am not easily offended. I would act in the same manner in your place. But you will find that I am your friend. You can count on me to aid you on demand. I won't trouble you again till you send for me. A note to head-quarters will reach me quickest. Good-morning."

"Good-morning, Mr. Sefton, and thank you." Mr. Barnes extended his hand, feeling that perhaps he had been unnecessarily discourteous.

Mr. Sefton took it with that genial smile of friends.h.i.+p so common to the native Southerner.

Left alone, Mr. Barnes at once prepared for a trip to Algiers, determined not to let any more time be lost. He reached the shops just after the men had knocked off for luncheon. The foreman, however, told him that Leroy Mitchel had been at work in the morning, so he waited patiently.

When the men came back to resume work, the foreman pointed out a man who he said was Leroy Mitchel. The fellow had a bad face, and if ever he was a gentleman he had sunk so low through drink that no evidence of it remained in his appearance. Mr. Barnes went up to him and asked when he could have a talk with him.

"Now, if you pay for it," replied the man insolently.

"What do you mean?" asked the detective.

"Just what I say," said the other. "We get our pay here by the hour, and if you want my time why you'll have to pay for it at union rates," and he laughed as though a good joke had been propounded.

"Then," said Mr. Barnes, taking in the kind of a man with whom he had to deal, "I'll engage you on a job that I have for you, and pay you double wages as long as I use you."

"Now you are talking," said the fellow. "Where'll we go?"

"I think I'll take you to my hotel." And thither they proceeded. Up in his own room again, Mr. Barnes felt at ease, whilst his companion certainly made himself comfortable, selecting a rocking-chair, and putting his feet up on the window-sill.

"Now then," began Mr. Barnes, "I want to ask you a few questions. Are you prepared to answer them?"

"That will depend on what they are. If you don't ask impertinent questions, or ones that I think I ought to get more than double wages for answering, why, I am with you."

"In the first place, then, are you willing to say whether you ever knew a woman who called herself Rose Mitchel?"

"Well, rather. I lived with her till she broke me."

"Do you know where she is now?"

"I don't, and I don't care to."

"Suppose I were to tell you that she is dead, and that she had left a hundred thousand dollars which is unclaimed?"

The man jumped to his feet as though shot, and stood staring at the detective. He gave a long, low whistle, and a keen, tricky gleam came into his eye, which Mr. Barnes noted. At length he spoke:

An Artist in Crime Part 25

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An Artist in Crime Part 25 summary

You're reading An Artist in Crime Part 25. This novel has been translated by Updating. Author: Rodrigues Ottolengui already has 655 views.

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