An Artist in Crime Part 35
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"I think that I have," said Mr. Barnes.
"You do not make it clear to me," said Mr. Thauret, as coolly as though discussing some question in which he had but a pa.s.sing interest. "You say that your Montalbon woman noticed this Molitaire when she sold her diamonds. Later that both were missing from Paris. The woman turned up in New York, but how do you prove that Molitaire did not go to--let us say Russia?"
"No," said Mr. Barnes, "he did not go to Russia. Suppose that I should tell you that I ferreted out the fact that this name Molitaire was but an alias, and that the man's true name was Montalbon? Then when we remember that the woman's name had been cut from all her garments is that not significant?"
This speech made a mild sensation, but Mr. Thauret remained unmoved. He replied calmly:
"All things are significant--how do you interpret this fact, supposing that you could prove it?"
"This Molitaire was really the dead woman's husband. They quarrelled many years ago, and she went to New Orleans where she kept a gambling-house, having learned the trade from him. When they met again in Paris she recognized him. Then when the fellow conceived the idea of following the jewels, it suited his purpose to affect a reconciliation so that he might use the woman as a tool. After the murder it would be to his interest to hide the name of Montalbon by cutting out the marks on the woman's clothing."
"Pardon my pursuing the argument," said Mr. Thauret, "but I find it entertaining. You surprise me, Mr. Barnes, at the ready way in which you read men's actions. Only, are you sure you are right? Suppose for instance that the woman had cut out the marks herself long before, at some time, when she was using an alias, then your fact would lose some of its significance, would it not? Circ.u.mstantial evidence is so difficult to read, you see! Then having lost that link, where do you prove Molitaire or Montalbon guilty? Being the woman's husband is no crime in itself."
"No," said Mr. Barnes, deciding that the time had come for an end of the controversy. "Being the woman's husband does not count in itself. But when I procure in Paris the photograph of Molitaire, left by accident in his room at his lodgings, and when I recognize that as the same man whom Mr. Mitchel suspected and trapped into stealing the ruby; and when upon my return to New York, I find that ruby upon that very man, and recover it, then we have some facts that do count."
"You recovered the ruby?" said Mr. Mitchel, amazed.
"Here it is," said Mr. Barnes, handing it to Mr. Mitchel. Mr. Thauret bit his lip, and by a strong endeavor retained his self-control.
"Mr. Barnes," said Mr. Mitchel, "I am sorry to disappoint you, but this is not my ruby."
"Are you sure?" asked the detective, with a twinkle in his eye.
"Yes, though you deserve credit, for, though not the ruby, it is the stolen stone. I have a complete set of duplicates of my jewels, and in making my little experiment I did not care to bait my trap with so valuable a gem. I therefore used the duplicate, which is this. But how have you recovered it?"
"I have been in New York for several days. I have devoted myself during that time to a personal watch upon Montalbon. Yesterday, to my surprise, he went to Police Head-quarters and begged for a permit to inspect the stolen jewels, saying that through them he might throw some light upon the mystery. His request was granted. Suspecting treachery I subsequently obtained a similar permit, and investigation with the aid of an expert showed that the bold scoundrel had handled the jewels, and so managed to change the imitation stone which he stole at the festival for the real one in the set which figured in the train robbery."
"By Jove," said Mr. Mitchel, "he is an artist. Then I am indebted to you after all for recovering the stone, but tell us, how did you accomplish it?"
"I overheard Montalbon once say that a wise thief would keep a stolen article upon his person so that it could not be discovered without his knowledge. Therefore I felt certain that he would himself adopt this method. When the conversation this evening reached a point where it was evident that all would be disclosed, the man, who is present, dropped the ruby into his gla.s.s of Burgundy, where it would be out of sight and easily recovered, or swallowed. Later he attempted to dispose of it in this way, but I quickly drank his gla.s.s of wine, the ruby thus pa.s.sing into my mouth. And now Mr. Montalbon, I arrest you in the name of the law," saying which, the detective put his hand upon Mr. Thauret's arm.
The other guests jumped up, excited and expecting a scene. To the astonishment of all, Thauret remained quiet for a few moments, and then speaking slowly and distinctly, said:
"Gentlemen, we have heard several stories here to-night, will you listen to mine, and suspend judgment for a few moments?"
"We will hear you," said Mr. Mitchel, marvelling at the man's nerve. The others resumed their seats, all except the detective, who stood just back of his prisoner.
"I will trouble you to fill my gla.s.s," said Thauret to the waiter, and after being served, he coolly sipped a mouthful.
"I shall not bore you with a lengthy recital," he began, "I shall simply make a statement. Society, the civilized society of to-day, frowns upon and punishes what it terms 'the criminal cla.s.s.' Yet how many have ever examined into the existing state of things, and a.n.a.lyzed the causes which make the criminal a possibility? The life of such a man is not so inviting that one would adopt it from choice, one I mean who had moral instincts. With the naturally immoral it would be otherwise, of course. But if one be born immoral, who is to blame? The individual himself, or the antecedents, including both parentage and circ.u.mstances?
We pity the man who is congenitally tainted with disease, and we condemn that other man who is tainted in morals, though his condition is a.n.a.logous and traceable to similar causes. Such a man I am. I confess that I am, and always have been a criminal, at least in the sense of acquiring money by what are termed illegitimate methods. But you will say, Mr. Barnes," turning for a moment to the detective, and thus whilst speaking to him, attracting his attention, so that unnoticed he dropped a small white pellet into his gla.s.s of wine, "that I worked for the jewelry house. Well, whatever I am, I have aimed to be artistic, as Mr.
Mitchel admitted of me a few moments ago. By seeming to earn an honest living, I blinded the keen eyes of the Paris police, so that though many suspicions have been cast in my direction, conviction has always been impossible. So now, whilst pretending to explain to you all, I have explained nothing. I simply designed to prevent conviction of the crimes charged against me, as I do, thus."
With a swift movement he drained his wine-gla.s.s, though Mr. Barnes attempted to prevent him. In ten minutes he was dead.
THE END.
An Artist in Crime Part 35
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An Artist in Crime Part 35 summary
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