The Grey Wig: Stories and Novelettes Part 54
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"You're a silly little baby," he repeated resentfully. "I think you had better go down now. Missus will be wondering."
Mary Ann's sobs grew more spasmodic. "You are going away without me," she cried hysterically.
He went to the door again, as if apprehensive of an eavesdropper. The scene was becoming terrible. The pa.s.sive personality had developed with a vengeance.
"Hush, hus.h.!.+" he cried imperatively.
"You are going away without me. I shall never see you again."
"Be sensible, Mary Ann. You will be--"
"You won't take me with you."
"How can I take you with me?" he cried brutally, losing every vestige of tenderness for this distressful vixen. "Don't you understand that it's impossible--unless I marry you," he concluded contemptuously.
Mary Ann's sobs ceased for a moment.
"Can't you marry me, then?" she said plaintively.
"You know it is impossible," he replied curtly.
"Why is it impossible?" she breathed.
"Because--" He saw her sobs were on the point of breaking out, and had not the courage to hear them afresh. He dared not wound her further by telling her straight out that, with all her money, she was ridiculously unfit to bear his name--that it was already a condescension for him to have offered her his companions.h.i.+p on any terms.
He resolved to temporise again.
"Go downstairs now, there's a good girl; and I'll tell you in the morning. I'll think it over. Go to bed early and have a long, nice sleep--missus will let you--now. It isn't Monday yet; we have plenty of time to talk it over."
She looked up at him with large appealing eyes, uncertain, but calming down.
"Do, now, there's a dear." He stroked her wet cheek soothingly.
"Yessir," and almost instinctively she put up her lips for a good-night kiss. He brushed them hastily with his. She went out softly, drying her eyes. His own grew moist--he was touched by the pathos of her implicit trust. The soft warmth of her lips still thrilled him. How sweet and loving she was! The little dialogue rang in his brain.
"Can't you marry me, then?"
"You know it is impossible."
"Why is it impossible?"
"Because--"
"Because what?" an audacious voice whispered. Why should he not? He stilled the voice but it refused to be silent--was obdurate, insistent, like Mary Ann herself. "Because--oh, because of a hundred things," he told it. "Because she is no fit mate for me--because she would degrade me, make me ridiculous--an unfortunate fortune-hunter, the b.u.t.t of the witlings. How could I take her about as my wife? How could she receive my friends? For a housekeeper--a good, loving housekeeper--she is perfection, but for a wife--_my_ wife--the companion of my soul--impossible!"
"Why is it impossible?" repeated the voice, catching up the cue. And then, from that point, the dialogue began afresh.
"Because this, and because that, and because the other--in short, because I am Lancelot and she is merely Mary Ann."
"But she is not merely Mary Ann any longer," urged the voice.
"Yes, for all her money, she is merely Mary Ann. And am I to sell myself for her money--I who have stood out so n.o.bly, so high-mindedly, through all these years of privation and struggle? And her money is all in dollars. Pah! I smell the oil. Struck ile! Of all things in the world, her brother should just go and strike ile!" A great shudder traversed his form. "Everything seems to have been arranged out of pure cussedness, just to spite me. She would have been happier without the money, poor child--without the money, but with me. What will she do with all her riches? She will only be wretched--like me."
"Then why not be happy together?"
"Impossible."
"Why is it impossible?"
"Because her dollars would stick in my throat--the oil would make me sick. And what would Peter say, and my brother (not that I care what _he_ says), and my acquaintances?"
"What does that matter to you? While you were a dead leaf n.o.body bothered to talk about you; they let you starve--you, with your genius--now you can let them talk--you, with your heiress. Five hundred thousand pounds.
More than you will make with all your operas if you live a century.
Fifteen thousand a year. Why, you could have all your works performed at your own expense, and for your own sole pleasure if you chose, as the King of Bavaria listened to Wagner's operas. You could devote your life to the highest art--nay, is it not a duty you owe to the world? Would it not be a crime against the future to draggle your wings with sordid cares, to sink to lower aims by refusing this Heaven-sent boon?"
The thought clung to him. He rose and laid out heaps of muddled ma.n.u.script--_opera disjecta_--and turned their pages.
"Yes--yes--give us life!" they seemed to cry to him. "We are dead drops of ink, wake us to life and beauty. How much longer are we to lie here, dusty in death? We have waited so patiently--have pity on us, raise us up from our silent tomb, and we will fly abroad through the whole earth, chanting your glory; yea, the world shall be filled to eternity with the echoes of our music and the splendour of your name."
But he shook his head and sighed, and put them back in their niches, and placed the comic opera he had begun in the centre of the table.
"There lie the only dollars that will ever come my way," he said aloud.
And, humming the opening bars of a lively polka from the ma.n.u.script, he took up his pen and added a few notes. Then he paused; the polka would not come--the other voice was louder.
"It would be a degradation," he repeated, to silence it. "It would be merely for her money. I don't love her."
"Are you so sure of that?"
"If I really loved her I shouldn't refuse to marry her."
"Are you so sure of that?"
"What's the use of all this wire-drawing?--the whole thing is impossible."
"Why is it impossible?"
He shrugged his shoulders impatiently, refusing to be drawn back into the eddy, and completed the bar of the polka.
Then he threw down his pen, rose and paced the room in desperation.
"Was ever any man in such a dilemma?" he cried aloud.
"Did ever any man get such a chance?" retorted his silent tormentor.
"Yes, but I mustn't seize the chance--it would be mean."
"It would be meaner not to. You're not thinking of that poor girl--only of yourself. To leave her now would be more cowardly than to have left her when she was merely Mary Ann. She needs you even more now that she will be surrounded by sharks and adventurers. Poor, poor Mary Ann! It is you who have the right to protect her now; you were kind to her when the world forgot her. You owe it to yourself to continue to be good to her."
"No, no, I won't humbug myself. If I married her it would only be for her money."
The Grey Wig: Stories and Novelettes Part 54
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The Grey Wig: Stories and Novelettes Part 54 summary
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