Mary Olivier: a Life Part 35

"My poor Mary, is it possible?"

"Yes. Mamma says she's been thinking of it for a long time."

"Don't be too hard on your mother till you're quite sure it wasn't my aunt."

"It may have been both of them. Anyhow, it's awful. Just--just when I was so happy."

"Just when I was so happy," he said. "But that's the sort of thing they do."

"I knew you'd be sorry for me."

XVIII

I.

She was shut up with Papa, tight, in the narrow cab that smelt of the mews. Papa, sitting slantways, nearly filled the cab. He was quiet and sad, almost as if he were sorry she was going.

His sadness and quietness fascinated her. He had a mysterious, wonderful, secret life going on in him. Funny you should think of it for the first time in the cab. Supposing you stroked his hand. Better not. He mightn't like it.

Not forty minutes from Liverpool Street to Victoria. If only cabs didn't smell so.

II.

The small, ugly houses streamed past, backs turned to the train, stuck together, rus.h.i.+ng, rus.h.i.+ng in from the country.

Grey streets, trying to cut across the stream, getting nowhere, carried past sideways on.

Don't look at the houses. Shut your eyes and remember.

Her father's hand on her shoulder. His face, at the carriage window, looking for her. A girl moving back, pus.h.i.+ng her to it. "Papa!"

Why hadn't she loved him all the time? Why hadn't she liked his beard?

His nice, brown, silky beard. His poor beard.

Mamma's face, in the hall, breaking up suddenly. Her tears in your mouth.

Her arms, crus.h.i.+ng you. Mamma's face at the dining-room window. Tears, p.r.i.c.king, cutting your eyelids. Blink them back before the girls see them. Don't think of Mamma.

The Thames. Barking Creek goes into the Thames and the Roding goes into Barking Creek. Yesterday, the last walk with Roddy, across Barking Flats to the river, over the dry, sallow gra.s.s, the wind blowing in their faces. Roddy's face, beautiful, like Mamma's, his mouth, white at the edges. Roddy gasping in the wind, trying to laugh, his heart thumping.

Roddy was excited when he saw the tall masts of the s.h.i.+ps. He had wanted to be a sailor.

Dan's face, when he said good-bye; his hurt, unhappy eyes; the little dark, furry moustache trying to come. Tibby's eyes. Dank wanted to marry Effie. Mark was the only one who got what he wanted.

Better not think of Dank.

She looked shyly at her companions. The stout lady in brown, sitting beside her; kind, thin mouth, pursed to look important; dull kind eyes trying to be wise and sharp behind spectacles, between curtains of dead hair. A grand manner, excessively polite, on the platform, to Papa--Miss Lambert.

The three girls, all facing them. Pam Quin; flaxen pigtail; grown up nose; polite mouth, b.u.t.toned, little flaxen and pink old lady, Pam Quin, talking about her thirteenth birthday.

Lucy Elliott, red pig-tail, suddenly sad in her corner, innocent white-face, grey eyes blinking to swallow her tears. Frances Elliott, hay coloured pig-tail, very upright, sitting forward and talking fast to hide her sister's shame.

Mamma's face--Don't think of it.

Green fields and trees rus.h.i.+ng past now. Stop a tree and you'll change and feel the train moving. Plato. You can't trust your senses. The cave-dwellers didn't see the things that really moved, only the shadows of the images of the things. Is the world in your mind or your mind in the world? Which really moves? Perhaps the world stands still and you move on and on like the train. If both moved together that would feel like standing still.

Gra.s.s banks. Telegraph wires dipping and rising like sea-waves. At Dover there would be the sea.

Mamma's face--Think. Think harder. The world was going on before your mind started. Supposing you lived before, would that settle it? No. A white chalk cutting flashed by. G.o.d's mind is what both go on in. That settles it.

The train dashed into a tunnel. A long tunnel. She couldn't remember what she was thinking of the second before they went in. Something that settled it. Settled what? She couldn't think any more.

Dover. The girls standing up, and laughing. They said she had gone to sleep in the train.

III.

There was no sea; only the Maison Dieu Road and the big square house in the walled garden. Brown wire blinds half way up the schoolroom windows.

An old lady with grey hair and a kind, blunt face, like Jenny; she unpacked your box in the large, light bedroom, folding and unfolding your things with little gentle, tender hands. Miss Haynes. She hoped you would be happy with them, hoped you wouldn't mind sleeping alone the first night, thought you must be hungry and took you down to tea in the long dining-room.

More girls, pretending not to look at you; talking politely to Miss Lambert.

After tea they paired off, glad to see each other. She sat in the corner of the schoolroom reading the new green Shakespeare that Roddy had given her. Two girls glanced at her, looked at each other. "Is she doing it for fun?" "Cheek, more likely."

Night. A strange white bed. Two empty beds, strange and white, in the large, light room. She wondered what sort of girls would be sleeping there to-morrow night. A big white curtain: you could draw it across the room and shut them out.

She lay awake, thinking of her mother, crying now and then; thinking of Roddy and Dan. Mysterious, measured sounds came through the open window.

That was the sea. She got up and looked out. The deep-walled garden lay under the window, black and clear like a well. Calais was over there. And Paris. Mr. Jourdain had written to say he was going to Paris. She had his letter.

In bed she felt for the sharp edge of the envelope sticking out under the pillow. She threw back the hot blankets. The wind flowed to her, running cold like water over the thin sheet.

A light moved across the ceiling. Somebody had waked her. Somebody was putting the blankets back again, pressing a large, kind hand to her forehead. Miss Lambert.

IV.

"Mais--mais--de grace! ca ne finira jamais--jamais, s'il faut repondre a tes sottises, Marie. Recommencons."

Mademoiselle, golden top-knot s.h.i.+ning and shaking, blue eyes rolling between black lashes.

"De ta tige detachee, Pauvre feuille dessechee"--

Detachee--dessechee. They didn't rhyme. Their not rhyming irritated her distress.

She hated the schoolroom: the ochreish wall-paper, the light soiled by the brown wire gauze; the cramped cla.s.ses, the faint odour of girl's skin; girl's talk in the bedroom when you undressed.