The Woman Who Toils Part 6

My other roommate was of the Madonna type. In our cla.s.s she would have been called an invalid. Her hands trembled, she was constantly in pain, and her nerves were rebellious without frequent doses of bromide. We found her one night lying in a heap on the bed, her moans having called us to her aid. It was the pain in her back that never stopped, the ache between her shoulders, the din of the machines in her ears, the vibration, the strain of incessant hours upon her tired nerves. We fixed her up as best we could, and the next day at quarter before seven she was, like the rest of us, bending over her machine again. She had been a school-teacher, after pa.s.sing the necessary examination at the Geneseo Normal School. She could not say why school-teaching was uncongenial to her, except that the children "made her nervous" and she wanted to try factory work. Her father was a cheese manufacturer up in the Genesee Valley. She might have lived quietly at home, but she disliked to be a dependent. She was of the mystic, sentimental type. She had a broad forehead, straight auburn hair, a clear-cut mouth, whose sharp curves gave it sweetness. Though her large frame indicated clearly an Anglo-Saxon lineage, there was nothing of the sport about her. She had never learned to skate or swim, but she could sit and watch the hills all day long. Her clothes had an esthetic touch. Mingled with her nervous determination there was a sentimental yearning. She was an idealist, impelled by some controlling emotion which was the mainspring of her life.

Little by little we became friends. Our common weariness brought us often together after supper in a listless, confidential mood before the parlour stove. We let the conversation drift inevitably toward the strong current that was marking her with a touch of melancholy, like all those of her type whose emotional natures are an enchanted mirror, reflecting visions that have no place in reality. We talked about blondes and brunettes, tall men and short men, our favourite man's name; and gradually the impersonal became personal, the ideal took form. Her voice, like a broken lute that might have given sweet sounds, related the story. It was inevitable that she should love a dreamer like herself. Nature had imbued her with a hopeless yearning. She slipped a gold locket from a chain on her throat. It framed her hero's picture, the source of her courage, the embodiment of her heroic energy: a man of thirty, who had failed at everything; good-looking, refined, a personage in real life who resembled the inhabitants of her enchanted mirror. In the story she told there were stars and twilight, summer evenings, walks, talks, hopes and vague projects. Any practical questions I felt ready to ask would have sounded coa.r.s.e. The little school-teacher with shattered nerves embodied a hope that was more to her than meat and drink and money. She was of those who do not live by bread alone.

Among the working population of Perry there are all manner of American characteristics manifest. In a country where conditions change with such rapidity that each generation is a revelation to the one which preceded it, it is inevitable that the family and the State should be secondary to the individual. We live with our own generation, with our contemporaries. We subst.i.tute experience for tradition. Each generation lives for itself during its prime. As soon as its powers begin to decline it makes way with resignation for the next: "We have had our day; now you can have yours." Thus in the important decisions of life, the choosing of a career, matrimony or the like, the average American is much more influenced by his contemporaries than by his elders, much more stimulated or determined by the friends of his own age than by the older members of his family. This detaching of generations through the evolution of conditions is inevitable in a new civilization; it is part of the country's freedom. It adds fervour and zest and originality to the effort of each. But it means a youth without the peace of protection; an old age without the harvest of consolation. The man in such a battle as life becomes under these circ.u.mstances is better equipped than the woman, whose nature disarms her for the struggle. The American woman is restless, dissatisfied. Society, whether among the highest or lowest cla.s.ses, has driven her toward a destiny that is not normal. The factories are full of old maids; the colleges are full of old maids; the ballrooms in the worldly centres are full of old maids.

For natural obligations are subst.i.tuted the fict.i.tious duties of clubs, meetings, committees, organizations, professions, a thousand unwomanly occupations.

I cannot attempt to touch here upon the cla.s.ses who have not a direct bearing on our subject, but the a.n.a.logy is striking between them and the factory elements of which I wish to speak. I cannot dwell upon details that, while full of interest, are yet somewhat aside from the present point, but I want to state a fact, the origin of whose ugly consequences is in all cla.s.ses and therefore concerns every living American woman. Among the American born women of this country the sterility is greater, the fecundity less than those of any other nation in the world, unless it be France, whose anxiety regarding her depopulation we would share in full measure were it not for the foreign immigration to the United States, which counteracts the degeneracy of the American.[1] The original causes for this increasing sterility are moral and not physical. When this is known, does not the philosophy of the American working woman become a subject of vital interest? Among the enemies to fecundity and a natural destiny there are two which act as potently in the lower as in the upper cla.s.ses: the triumph of individualism, the love of luxury. America is not a democracy, the unity of effort between the man and the woman does not exist. Men were too long in a majority. Women have become autocrats or rivals. A phrase which I heard often repeated at the factory speaks by itself for a condition: "She must be married, because she don't work."

And another phrase p.r.o.nounced repeatedly by the younger girls: "I don't have to work; my father gives me all the money I need, but not all the money I _want_. I like to be independent and spend my money as I please."

[Footnote 1: George Engelman, M.D., "The Increasing Sterility of American Women," from the Journal of the American Medical a.s.sociation, October 5, 1901.]

What are the conclusions to be drawn? The American-born girl is an egoist. Her whole effort (and she makes and sustains one in the life of mill drudgery) is for herself. She works for luxury until the day when a proper husband presents himself. Then, she stops working and lets him toil for both, with the hope that the budget shall not be diminished by increasing family demands.

In those cases where the woman continues to work after marriage, she chooses invariably a kind of occupation which is inconsistent with child-bearing. She returns to the mill with her husband. There were a number of married couples at the knitting factory at Perry. They boarded, like the rest of us. I never saw a baby nor heard of a baby while I was in the town.

I can think of no better way to present this love of luxury, this triumph of individualism, this pa.s.sion for independence than to continue my account of the daily life at Perry.

On Sat.u.r.day night we drew our pay and got out at half-past four. This extra hour and a half was not given to us; we had saved it up by beginning each day at fifteen minutes before seven. In reality we worked ten and a quarter hours five days in the week in order to work eight and a half on the sixth.

By five o'clock on Sat.u.r.days the village street was animated with shoppers--the stores were crowded. At supper each girl had a collection of purchases to show: stockings, lace, fancy buckles, velvet ribbons, elaborate hairpins. Many of them, when their board was paid, had less than a dollar left of the five or six it had taken them a week to earn.

"I am not working to save," was the claim of one girl for all. "I'm working for pleasure."

This same girl called me into her room one evening when she was packing to move to another boarding-house where were more young men and better food. I watched her as she put her things into the trunk. She had a quant.i.ty of dresses, underclothes with lace and tucks, ribbons, fancy hair ornaments, lace boleros, handkerchiefs. The bottom of her trunk was full of letters from her beau. The mail was always the source of great excitement for her, and having noticed that she seemed especially hilarious over a letter received that night, I made this the pretext for a confidence.

"You got a letter to-night, didn't you?" I asked innocently. "Was it the one you wanted?"

"My, yes," she answered, tossing up a heap of missives from the depths of her trunk. "It was from the same one that wrote me these. I've been going with him three years. I met him up in the grape country where I went to pick grapes. They give you your board and you can make twenty-seven or thirty dollars in a fall. He made up his mind as soon as he saw me that I was about right. Now he wants me to marry him. That's what his letter said to-night. He is making three dollars a day and he owns a farm and a horse and wagon. He bought his sister a $300 piano this fall."

"Well, of course," I said eagerly, "you will accept him?"

She looked half shy, half pleased, half surprised.

"No, my! no," she answered, shaking her head. "I don't want to be married."

"But why not? Don't you think you are foolish? It's a good chance and you have already been 'going with him' three years."

"Yes, I know that, but I ain't ready to marry him yet. Twenty-five is time enough. I'm only twenty-three. I can have a good time just as I am.

He didn't want me to come away and neither did my parents. I thought it would 'most kill my father. He looked like he'd been sick the day I left, but he let me come 'cause he knew I'd never be satisfied until I got my independence."

What part did the love of humanity play in this young egoist's heart?

She was living, as she had so well explained it, "not to save, but to give herself pleasure"; not to spare others, but to exercise her will in spite of them. Tenderness, reverence, grat.i.tude, protection are the feelings which one generation awakens for another. Among the thousand contemporaries at Perry, from the sameness of their ambitions, there was inevitable rivalry and selfishness. The closer the age and capacity the keener the struggle.

[Ill.u.s.tration: AFTER SAt.u.r.dAY NIGHT'S SHOPPING]

There are seven churches in Perry of seven different denominations. In this small town of 3,000 inhabitants there are seven different forms of wors.h.i.+p. The church plays an important part in the social life of the mill hands. There are gatherings of all sorts from one Sunday to another, and on Sunday there are almost continuous services. There are frequent conversions. When the Presbyterian form fails they "try" the Baptist. There is no moral instruction; it is all purely religious; and they join one church or another more as they would a social club than an ordained religious organization.

Friday was "social" night at the church. Sometimes there was a "poverty"

social, when every one put on shabby clothes, and any one who wore a correct garment of any sort was fined for the benefit of the church.

Pound socials were another variety of diversion, where all the attendants were weighed on arriving and charged a cent admission for every pound of avoirdupois.

The most popular socials, however, were box socials, and it was to one of these I decided to go with two girls boarding in the house. Each of us packed a box with lunch as good as we could afford--eggs, sandwiches, cakes, pickles, oranges--and arrived with these, we proceeded to the vestry-room, where we found an improvised auctioneer's table and a pile of boxes like our own, which were marked and presently put up for sale.

The youths of the party bid cautiously or recklessly, according as their inward conviction told them that the box was packed by friend or foe.

My box, which, like the rest, had supper for two, was bid in by a tall, nice-looking mill hand, and we installed ourselves in a corner to eat and talk. He was full of reminiscence and had had a checkered career.

His first experience had been at night work in a paper mill. He worked eleven hours a night one week, thirteen hours a night the next week, in and out of doors, drenched to the skin. He had lost twenty-five pounds in less than a year, and his face was a mere mask drawn over the irregular bones of the skull.

"I always like whatever I am doing," he responded at my protestation of sympathy. "I think that's the only way to be. I never had much appet.i.te at night. They packed me an elegant pail, but somehow all cold food didn't relish much. I never did like a pail.... How would you like to take a dead man's place?" he asked, looking at me grimly.

I begged him to explain.

"One of my best friends," he began, "was working alongside of me, and I guess he got dizzy or something, for he leaned up against the big belt that ran all the machinery and he was lifted right up in the air and tore to pieces before he ever knew what struck him. The boss came in and seen it, and the second question he asked, he says, 'Say, is the machinery running all right?' It wasn't ten minutes before there was another man in there doing the dead man's work."

I began to undo the lunch-box, feeling very little inclined to eat. We divided the contents, and my friend, seeing perhaps that I was depressed, told me about the "shows" he had been to in his wanderings.

"Now, I don't care as much for comedy as some folks," he explained. "I like 'Puddin' Head Wilson' first rate, but the finest thing I ever seen was two of Shakespeare's: 'The Merchant of Venice' and 'Julius Caesar.'

If you ever get a chance I advise you to go and hear them; they're great."

I responded cordially, and when we had exhausted Shakespeare I asked him how he liked Perry people.

"Oh, first rate," he said. "I've been here only a month, but I think there's too much formality. It seems to me that when you work alongside of a girl day after day you might speak to her without an introduction, but they won't let you here. I never seen such a formal place."

I said very little. The boy talked on of his life and experiences. His English was good except for certain grammatical errors. His words were well chosen. There was between him and the fortunate boys of a superior cla.s.s only a few years of training.

The box social was the beginning of a round of gaieties. The following night I went with my box-social friend to a ball. Neither of us danced, but we arrived early and took good places for looking on. The barren hall was dimly lighted. In the corner there was a stove; at one end a stage. An old man with a chin beard was scattering sand over the floor with a springtime gesture of seed sowing. He had his hat on and his coat collar turned up, as though to indicate that the party had not begun. By and by the stage curtain rolled up and the musicians came out and unpacked a violin, a trombone, a flute and a drum. They sat down in the Medieval street painted on the scenery back of them, crossed their legs and asked for _sol la_ from an esthetic young lady pianist, with whom they seemed on very familiar terms. The old man with the chin beard made an official _entree_ from the wing, picked up the drum and became a part of the orchestra. The subscribers had begun to arrive, and when the first two-step struck up there were eight or ten couples on the floor.

They held on to each other closely, with no outstretched arms as is the usual form, and they revolved very slowly around and around the room.

The young men had smooth faces, patent leather boots, very smart cravats and a sheepish, self-conscious look. The girls had elaborate constructions in frizzed hair, with bows and tulle; black trailing skirts with coloured ruffled under-petticoats, light-coloured blouses and fancy belts. They seemed to be having a very good time.

On the way home we pa.s.sed a brightly lighted grocery shop. My friend looked in with interest. "Goodness," he said, "but those Saratoga chips look good. Now, what would you order," he went on, "if you could have anything you liked?" We began to compose a menu with oysters and chicken and all the things we never saw, but it was not long before my friend cried "Mercy! Oh, stop; I can't stand it. It makes me too hungry."

The moon had gone under a cloud. The wooden sidewalks were rough and irregular, and as we walked along toward home I tripped once or twice.

Presently I felt a strong arm put through mine, with this a.s.surance: "Now if you fall we'll both fall together."

After four or five days' experience with a machine I began to work with more ease and with less pain between my shoulders. The girls were kind and sympathetic, stopping to help and encourage the "new girl." One of the s.h.i.+rt finishers, who had not been long in the mill herself, came across from her table one day when I was hard at work with a pain like a sword stab in my back.

"I know how you ache," she said. "It just makes me feel like crying when I see how you keep at it and I can guess how tired you are."

Nothing was so fatiguing as the noise. In certain places near the eyelet and b.u.t.tonhole machines it was impossible to make one's neighbour hear without shouting. My teacher, whose nerves, I took it, were less sensitive than mine, expressed her sensations in this way:

"It's just terrible sitting here all day alone, worrying and thinking all by yourself and hustling from morning until night. Lots of the girls have nervous prostration. My sister had it and I guess I'm getting it. I hear the noise all night. Quite a few have consumption, too, from the dust and the lint."

The butcher's widow, the school-teacher and I started in at about the same time. At the end of two weeks the butcher's widow had long been gone. The school-teacher had averaged seventy-nine cents a day and I had averaged eighty-nine. My best day I finished sixteen dozen s.h.i.+rts and netted $1.11. My board and was.h.i.+ng cost me three dollars, so that from the first I had a living insured.

There was one negress in the factory. She worked in a corner quite by herself and attended to menial jobs, such as sweeping and picking up sc.r.a.ps. A great many of the girls and boys took correspondence courses in stenography, drawing, bookkeeping, ill.u.s.trating, etc., etc. The purely mechanical work of the mill does not satisfy them. They are restless and ambitious, exactly the material with which to form schools of industrial art, the cla.s.s of hand-workers of whom I have already spoken.

One of the girls who worked beside us as usual in the morning, left a note on her machine at noon one day to say that she would never be back.

She was going up to the lake to drown herself, and we needn't look for her. Some one was sent in search. She was found sitting at the lake's edge, weeping. She did not speak. We all talked about it in our leisure moments, but the work was not interrupted. There were various explanations: she was out of her mind; she was discouraged with her work; she was nervous. No one suggested that an unfortunate love affair be the cause of her desperate act. There was not a word breathed against her reputation. I would have felt impure in proposing what to me seemed most probable.