Mitch Miller Part 8

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Mitch looked a minute and said: "I'll miss you, but there's nothing to do here." Then when ma went out of the room, he said: "The jig's up at Salem. I dug the Peter Lukins' cellar out, and there's nothing there, and nothing at Salem. So it's us for Tom Sawyer." Then he fished some letters out of his pocket and handed one to me to read. "This is your writin', Mitch," I said. "I know it," says Mitch--"But wait, read this, and I'll show you somethin'." This is what it said:

"Dear Tom: My name is Mitch Miller, and I live here in Petersburg, as you'll see. My chum is Skeet Kirby, a boy as good as Huckleberry Finn, but different, as you'll see when you meet him. But you'll like him. He's sick now, but he's true blue, and when he gets up, we want to come to see you.

For we've dug for treasure all around here, and as fur as that goes, we found some, only the law took it away. But what I want to say is that we know you have things to say that is not in your book, not only about treasure, but about a lot of things. And anyway, we want to see you, and the Mississippi, and Huck, and your folks, and have a visit.

n.o.body knows that I'm writin' this letter, because they say here that you ain't real. But I know better, and Skeet does, and so I've made up my mind to try this letter. If you're real, write me and if you want us to come, say so, and we'll be there, if there's a way. Next to Skeet, I love you and Huck more than anybody in the world, barrin' near relatives, for I think you're brave and plucky, and square, as anybody would who reads your book. I want to meet Becky, too.

"Your Friend, "Mitch Miller."

"Well," I said after readin' this, "when you goin' to send this?" "I have sent it," said Mitch. "This is a copy kept for you to see. Yes, sir, I've sent it, and here is Tom's letter to me."

He pulled a letter out all stamped and everything--stamped Hannibal, Missouri, and handed it to me to take the letter out my own self, which I did, and read:

"Dear Mitch: It's all right for you to come down here and we'll be glad to see you--although you can't depend much on Huck for he's in trouble all the time with his pap. The old man is lawin' with Judge Thatcher about Huck's money, and Huck ain't had any peace of mind since we found the treasure.

Don't think I'm puttin' on airs, when I say that this findin'

of treasure ain't what it's cracked up to be. You see I ain't got my own money either. Aunt Polly is my guardeen, and it's put away until I grow up and have some sense, as she says. By that time, maybe I won't know what to do with it, or we'll be dead or some thin'. You never can tell, and everything is so blamed uncertain. But if I can help you and Skeet any way, I'll do it, and so will Huck. Yours is the first letter I ever got, because everybody I know lives here, and I'm glad to hear from you. So come along, and if we can't put you up here, we'll get the Widow Douglas to take you in. And maybe if I can get you to give up this treasure huntin', which ain't much after all, you'll want to join the gang I'm formin'--that is if I really see that you and Skeet are the right kind. I sign myself,

"Your Friend, "Tom Sawyer."

"There," said Mitch--"how's that? And to show you it's Tom's writin', I've brought the book along. Look here!" Mitch turned to where Tom wrote on the s.h.i.+ngle with blood, and sure enough the writin' was the same. Any one could see it; and so Tom Sawyer was a real person, and it was proved.

Then Mitch said: "Go out to your grandpa's and stay a week. That'll give you time to get strong again. I'm ready to start now, but you ain't. We may have to walk miles and miles, and you must be able to keep up a good pace; for while we can hop some rides now and then, we'll have to do a lot of walkin'. And then we'll have to sleep in barns, in hay-stacks, and everywheres on the way, and pick up what we can eat by odd jobs, maybe."

Says I, "I can get some money. My grandma will pay me for helpin' her.

And maybe I can have a couple of dollars by the time I'm fit to go."

Mitch says: "Charley King has the agency for the Springfield papers, and he's goin' to divy with me for helpin' him deliver, and that way I can get some money too. But shucks, as for that, we can turn tricks on the way for money. All we need is hand-outs, and that's easy."

"Well, then," says I, "let me furnish the money. You just plan things out and wait for me."

Mitch caught somethin' in my voice, and he said, "What makes you say that? I'm square. I want to do my share on the money."

"Well," says I, "I don't like to have you goin' with Charley King. It don't seem the thing to me. His folks don't seem right to me; and he's older than you, and I'm afraid somethin' will happen. I have a funny feelin' about that boy and about George Heigold, too."

"Oh, you're just ticklish," said Mitch, "and if you're afeard they can win me away from you, don't think of it, for they can't, and no one can."

All this time I'd forgot something. Here we was plannin' to go to Hannibal in about a week, when it was clear out of the question, for it was gettin' close to court time, and we was subpoened, Mitch and me, to testify against Doc Lyon. It was clear crazy to think of goin' to Hannibal and gettin' back in time. And I'd made up my mind to stick it out--we couldn't run away for good. And if I had anything to say, I wasn't goin' to let Mitch slump on that. Here was a chance to get rid of a awful criminal, this Doc Lyon, and we could help, and it was our duty.

Pa had said so. So I spoke up and says to Mitch, "You've forgot somethin', Mitch. We can't leave till this Doc Lyon matter is all fixed."

"It's fixed," said Mitch.

"How?" says I.

"Doc Lyon fixed it his own self. He killed hisself in jail while you was sick."

"What!" says I.

"Yep," says Mitch. "He's dead and buried, and we're out of the law, and I say let's keep out. Let's never be a witness to anything again. We ain't got time till we get this treasure. Do you promise?"

I said "yes."

Then Mitch took my hand and said, "A week from Sat.u.r.day be down at the corner where Linkern got the line wrong, and I'll have everything ready, and we'll go."

So I promised, and Mitch said good-by and left.

CHAPTER XIII

I could hardly wait for Sat.u.r.day to come, for there wasn't anything to do. And everywheres in the house I saw somethin' that made me think of Little Billie. There was his French harp, and the gla.s.s bank that Uncle Harvey had given him; and onct I went into a closet and saw his hat hangin' there yet, and I kept wonderin' if I had been a good brother to him always. Of course there was the time I wouldn't let him go when Old Bender's house was burned down, and that hurt me to think of it. But we did carry him on our hands, Mitch and me, one time from the river. And Mitch said he thought I'd been a good brother, and that Little Billie thought so too. Ma said she just couldn't live with Little Billie gone--Myrtle and me didn't answer, somehow. And one day I heard her singin' at the piano--she and pa had joined the town troupe to sing Pinafore. She was Little b.u.t.tercup, and pa was d.i.c.k Deadeye, and so they practiced together. And I always, to this day, think of Little Billie whenever I hear any one sing "The Nightingale Sighs for the Moon's Bright Rays." These things always get mixed together and stay mixed, so my ma says.

Well, Sat.u.r.day came, and I went down to the square and found my grandpa on the corner, talkin' temperance to a man and sayin' that he'd seen slavery abolished and he hoped to live to see strong drink done away with, that it was sure to come, the questions were just alike; and that Linkern was against slavery and strong drink both, and if he was livin'

he would be in this new fight. And this other man kept sayin', "you're right, you're right," and noddin' his head. So when my grandpa saw me, his eyes grew wonderful kind, and he said, "Son, we're goin' right away.

Go put your things in the carriage. Your grandma is over at the store.

Go over and see her." I went over and found her, and she bought me some jeans to work in and a blue s.h.i.+rt and some heavy shoes to walk through the briars and thickets in, and she said, "Now, we're ready. Go and tell your grandpa." I went back and grandpa was talkin' to another man, about temperance, and sayin' to him that he'd seen slavery abolished and he expected to live to see hard drink done away with. I told him grandma was ready; and he said to go back and tell grandma to go to the harness shop and wait, he had to come there for a halter, and he'd pick us up there. I went back and told her and we went to the harness shop and waited. But grandpa didn't come; and finally grandma said to go out and see what was the matter, and I did, and found grandpa comin' out of the bank. It looked like we'd never get started. But he said, "Come on, Son, we must hurry. It may rain. My darlin', it looks like it." So I thought we were off at last. And just then a man came up and spoke to him. And they began to talk and I stood by restless and gettin' tired. They began to talk temperance, too. And grandpa told him that he'd seen slavery abolished and he hoped to live to see hard drink done away with. And the man said it would come; and then they talked about the corn crop and things, and finally grandpa got away from him and we started for the harness shop. But when we got up to the big store, grandpa says, "Bless me, I've forgot my spectacles at the jeweler's." And he turned around and trotted back. I didn't know whether to foller him or to wait, or to go on to the harness shop. I decided to foller him to keep him from gettin' into more talks, if I could. I suppose he stopped or was stopped a dozen times to talk; and he and the jeweler had a long talk. Mitch and me never wasted time this a way. I couldn't understand it.

Then we got over to the hitchin' rack, and got into the carriage and started for the harness shop. Grandma was fussed and began to scold, and grandpa just laughed and said, "Hey! hey!" and went for his halter. He and the harness maker had a considerable talk, and at last we got started.

By this time I was tired clear out and fell asleep before we got to the fair grounds and slept until we got to the hill where you first see the farm house. And then when we drove into the lot, my Uncle Henry came to take the horses. And I wondered and asked, "Where's Willie Wallace?"

"He's gone to work on the railroad. He's a brakeman now," said my uncle.

My heart sunk clear down, for I had expected to go fis.h.i.+n' with him, and ride around the country while he was haulin' corn. And it made me sad to think he was gone for good, and maybe at this very minute was in some noisy, wicked place, like Peoria, with railroad men, conductors and such. Anyway, he was gone, and they had no one in his place. And grandma said, "It's a great mistake. He'll get killed, or get into bad company.

It's not a good thing to leave home and your place and go gallivantin'

around the country on the cars." But it seemed he wasn't so far away, after all. He was on the C. P. which came through Atterberry, and I was bettin' if we went there some day when the train came through we could see him in the caboose, or runnin' on top of the cars, or couplin' and sayin' "back her up," or motionin' to go ahead.

You can bet that grandma started to get me well. I had the softest bed you ever see, and the best things to eat, and a horse to ride, and we went visitin' around to the neighbors, and over to old Cy McDoel's who was dyin' that summer and had been in bed a long while. He was about ninety. I saw and heard my grandpa say to Cy, "I seen slavery abolished, and I expect to live to see hard drink done away with." And Cy said, "You will, but I won't. But it makes no difference. The Lord will have His own way. Blessed be the name of the Lord." The flies was awful and every now and then Cy's granddaughter came in to fan the flies off him--but they came right back.

By Wednesday it seemed I'd been there a month. I had made kites and done about everything, and I began to think of Sat.u.r.day, when I'd see Mitch.

So on Thursday I said to grandma that I had to go by Sat.u.r.day, and she says, "Your popie said you was to stay all this month. You must get well, and besides I want you here with me."

I began to see I was in for it, and what would Mitch say? He would be waitin' for me on the corner where Linkern got the line wrong, and what would he think? There was nothing to do but to run away or do somethin'

so they wouldn't want me any more. And I didn't want to do that, but I pretty near stumbled into it. That afternoon I went out into the work house and there I found all kinds of paint, red, white, blue and green.

So I began to paint pictures. Then I took to paintin' signs. I got a nice board and painted a beer keg on it with a gla.s.s under the faucet and beer runnin' in it, all white and foamy. Then I painted some letters, "Billiards and Beer." It was a dandy sign--as good as you see in town.

There was an outdoor cellar in the yard, and over the cellar a shed that you could see from the road; so I nailed the sign up on the shed and stood off and looked at it. I wasn't thinkin'--I wasn't tryin' to do a thing. But it looked so funny considerin' that grandpa said that he'd seen slavery abolished and he'd live to see hard drink done away with too. And I just laughed. Grandma came out and said, "What you laughin'

at, Skeet?" Says I, "At the chickens." "Here," she says, "don't you feed them poor dumb creatures red flannel again. Have you?" "No'm," I said.

"Well, if you do, I'll flax you," and she went into the kitchen.

That very afternoon a peddler came into the yard. He had an oilcloth pack full of tablecloths, napkins, towels, suspenders, lead pencils, laces, overalls, mirrors, combs--a lot of things. And he threw his pack down and opened it up. Grandpa was carryin' slop to the pigs. It was awful hot; you couldn't hardly breathe--except when you got in front of the cellar door. Grandpa had no use for peddlers and never bought nothin' of 'em, and he kept answerin' the peddler short and carryin'

slop, so as to keep away from hearin' him ask: "Any napkins, any handkerchiefs, any combs?" Grandpa kept sayin', "Nope, nope, nope." I was standing there and all at once I saw the peddler glue his eye on the sign "Billiards and Beer"--so I thought somethin' was goin' to happen, and went into the dinin' room and looked out of the window. Then the peddler folded up his pack and strapped it, and turned to grandpa and said, "I'll take a beer."

Grandpa didn't understand him. He didn't know about the sign, and if the peddler had said, "I'll take a set of plush furniture," or "Give me a barrel of coal oil," it would have meant just as much to him. Grandpa looked at him as if he was crazy. "Do you keep it real cold?" said the peddler. "What?" said my grandpa. "Why, the beer. Because that's the way I like it. And come to think of it, I'll take a bucket. It's hotter'n blazes and my throat is caked with dust."

[Ill.u.s.tration: "I'll Take a Beer"]

Then grandpa thought that the peddler was mad and was mockin' him because he didn't buy anything, and that the peddler had heard about his temperance work and was tryin' to be insultin'. So he said, "If you're thirsty, here's plenty of slops."

So then the peddler flew all to pieces. "Well, this is what I'd like to know. I want you to tell me. I want to know why you make fools of people. I want to know what's the matter with me. You won't buy of me, and you won't sell to me. And I'd like to know what I've done. I'm a man, the same as you. And you've got beer to sell. And you have no right to discriminate, even if I was a n.i.g.g.e.r, which I'm not. I've been respectful to you, and I don't deserve this here treatment. And I won't stand it. You've either got the right to sell it, or you ain't; and if you ain't I'll have the law on you, and if you have, I want the beer--that's what I want. I speak right out what I think. And what right have you to put up a sign like that and attract people from the road if you didn't mean to sell it?" And he pointed to the sign.

"What sign?" said grandpa, comin' around and lookin' up and seem' it.

Mitch Miller Part 8

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