Great Opera Stories Part 5

Quick as lightning came a squeaking voice from the inside:

"Nibble, nibble, mousekin, Who's nibbling at my housekin?"

Haensel started back in fear.

"'Twas only the wind," said Gretel. "Let's taste it."

They did. Since it tasted better than anything they had ever eaten before, they feasted merrily for a while, never heeding the voice of the Witch or her ugly form, either, which, a little later, appeared at the door. I have no doubt that they would be feasting yet, if the Witch had not then and there stealthily stolen upon them. With a deft movement she threw a rope about Haensel's neck and held him fast.

The children's delight turned to terror. For she was a loathsome sight to see. Bent, toothless, with unkempt hair and clawlike hands, she looked the picture of a Witch indeed.

In spite of her appearance, however, she spoke to them in a very kindly manner. She called them pretty names, told them that they were nice and plump, and that they would make excellent gingerbread. She even caressed Haensel, which made him very angry. Wriggling and squirming, he managed to loosen the rope and seizing Gretel by the hand, ran--alas! only a short distance. For the Witch, holding aloft a juniper branch, circled it in the air, repeating these strange words:

"Hocus, pocus, witch's charm, Move not, as you fear my arm!"

The children stood stock-still. They were stiff from head to toe.

Fortunately, by this time they had undergone so many strange adventures that they had learned fairly well how to conduct themselves.

"Watch carefully all she does!" whispered Haensel, as the Witch led him away to the cage and gave him nuts and raisins to fatten him.

"I will," said Gretel.

Therefore, when, a few moments later, the Witch disenchanted her in order that she might prepare the table, Gretel listened attentively to the words:

"Hocus, pocus, elder bush, Rigid body, loosen hus.h.!.+"

No sooner had Gretel run into the house than the Witch was seized with a fit of wild joy. She thrust more f.a.gots into the fire, laughing wickedly when the flames flared higher and higher. She mounted her broomstick and rode about, shouting a weird song.

Gretel watched her from the doorway. That broomstick ride gave her an opportunity. She stole to the cage, and, whispering,

"Hocus, pocus, elder bush, Rigid body, loosen hus.h.!.+"

she set Haensel free. But he did not move. No, not yet.

For the Witch had come back. She was rubbing her hands with glee. Her face wore an evil smile. Oh, the fine meal she would have! Haensel was not plump enough. Gretel must be eaten first. So, opening the oven door, she called Gretel and told her to look inside. But clever Gretel pretended not to understand. Would not the Witch show her how? Angry, impatient, muttering to herself, the Witch crept nearer to the oven, and when she was about to bend over it, Haensel and Gretel gave her one good, hard push from behind. She toppled over and fell in. Bang! bang!

went the door. She was safe inside.

How the fire crackled and roared. A moment later there was a great crash and the oven fell to pieces. Haensel and Gretel, much terrified, started to run away, but found themselves, to their great surprise, entirely surrounded by a troop of little children.

"It's the fence," exclaimed Haensel, "the gingerbread fence!"

And so it was. The gingerbread had fallen off, and real children stood there, motionless, with closed eyes, murmuring softly:

"Oh, touch us, we pray, That we may all awake!"

"Pooh! if that's all they want!" said Gretel, proudly, and she repeated:

"Hocus, pocus, elder bush, Rigid body, loosen hus.h.!.+"

Instantly life came back to the whole troop. They hurried toward Haensel and Gretel from all sides. They danced, they sang! Two boys ran to the oven and dragged out the Witch in the form of a big gingerbread cake.

Then the merrymaking began in earnest. They made a big circle, and round and round it they danced. Last but not least, they ate up the candy house. At any rate, that is what they were doing when their mothers and fathers found them there that afternoon.

[Ill.u.s.tration]

THE MASTER SINGERS

I

Across the wide sea, amid the green hop fields of southern Germany, is the old, old city of Nuremberg. Shut off from the busy world outside by its great wall of stone, it has stood unchanged through all the pa.s.sing centuries. There are the same narrow, crooked streets leading to the public squares, where quaintly carved stone fountains stand. There are the same many gabled, lofty houses, with oriole windows that open outward. There are latticed doorways with plaster figures that beckon and bless and welcome. And the gray castle, the gra.s.s-grown moat, the dark, pillared church, all tell stories of the days of long ago.

In those days men dreamed dreams and sang songs as they sat on the bench or in the market place. The cobbler at his last, the baker before the oven, the silversmith by the fire, even the little apprentice, watching and learning, looked out upon a fair world and found it good. So while hands were busy, thoughts roved far and wide, and fancy wove many a song to sing by the fireside on wintry nights.

But not only by the fireside were those songs sung in the days when Nuremberg was young. The good people there prized the Art of Song too highly for that alone.

"Though a man's lot be humble," they said, "his thoughts may be rich in fancy; he may have a song to sing." So they formed a guild devoted to the cultivation of poetry and music, and the members of this guild were called Master Singers. Every man who wished to enter the guild was obliged to write some verses,--according to the rules of the guild; and to compose appropriate music for those verses,--according to the rules of the guild; and, finally, to sing them both together,--according to the rules of the guild. Then if the masters approved of his performance, he became one of the Master Singers of Nuremberg. And great was the honor conferred upon him when he reached this high estate! Many had tried, but few had been chosen. Indeed, the entire guild was composed of but twelve members. These were, for the most part, worthy men, devoted to their trades and to music. And each one had a boy apprenticed to him, to whom he taught cobbling or soap-making or baking or tailoring by day, and the Art of Song by night.

Among the Master Singers of Nuremberg none is better remembered than Hans Sachs. He was a cobbler by trade and a poet by nature, and his songs and verses have outlived his boots by many a year. It is of his part in a song festival of the Master Singers hundreds of years ago that our story has to tell.

II

It began on the day before the feast of St. John in St. Catherine's Church, which was really not the proper place for a love affair to begin at all. But what did Eva Pogner or Sir Walter von Stolzing care for that? The only thing that mattered to them was the joyous Springtime which had stolen in through the open chancel window and had warmed their hearts toward everything in the world,--but most of all toward each other.

Sir Walter stood leaning against a great stone pillar at the back of the church. He wore a blue velvet suit, his hat had a long white plume, and he was as handsome a young knight as one could ever wish to see.

Pretty Eva sat in the last pew with her maid Magdalena by her side. Her head was bent, and her eyes were upon her prayer book, as befitted a modest maiden. Still she saw Sir Walter very plainly. In fact, somehow, she caught every message that his dark eyes sent across the church. And her cheeks turned rosy, and her heart grew warmer than ever the Springtime had made it. Indeed, those glances so confused her that she lost her place in the hymn book. Magdalena noticed it and nudged her mistress sharply. So Eva sent one glance back to the fascinating young knight, just a little frightened one; and then she joined in the closing hymn. But when she lifted up her joyous young voice and made it ring high above all the rest, Sir Walter stared harder than ever.

The young knight had loved this light-hearted maiden since he had first seen her in her father's house. And his only wish was to win her for his bride. But how? Suppose she were already promised to some one else!

While these mingled thoughts of joy and doubt possessed him, a ray of suns.h.i.+ne crept into the dark church. It lingered on Eva's head, making a halo of her golden hair. A moment later he saw two eyes, mirroring some of the sky's own blue, dart him a shy glance. And he heard a voice so sweet that he was sure the angels themselves stood still to listen. Come what might, thought he, he would speak to her that very day.

The service was over. One by one the people filed slowly between the dark pillars, and out of the church, into the bright suns.h.i.+ne. Only Eva and Magdalena lingered, smiling and chatting with friends and neighbors as they walked slowly along. As they approached the pillar behind which Sir Walter stood, he stepped forward. The long, white plume of his hat swept the floor as he bowed in greeting.

"One word, my fair maid, I entreat," he began.

Strange to say, the moment Eva heard his voice she discovered that she had forgotten her handkerchief. Perhaps it was in the pew. Magdalena must return for it.

Then, with the maid safely out of hearing, Eva turned her mischievous face to Sir Walter. She was ready to listen, so he spoke. Did Eva look upon him with favor? Might he hope? Scarcely were the words out of his mouth, when Magdalena was back again, handkerchief in hand.

"Come, Eva," she said; "it is growing late."