The Dead Command Part 23

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The effect of this was instantaneous. Pep, in the denseness of his dull brain, saw something like a spark of light, a luminous divination, and he extended his hands imperatively, while at the same instant he arose.

"Enough! Enough!"

But it was too late; a form interposed between himself and the candle light; it was Febrer, who had leaped forward.

He grasped the drum from the singer's knees and hurled it at his head with such force that the parchment gave way and the frame fitted itself down over the bleeding forehead like a shapeless cap.

The youths sprang impulsively from their seats, their hands reaching into their girdles. Margalida, screaming, took refuge at her mother's side, and the Little Chaplain felt that the time had come to draw his knife. His father, with the authority of his years, shouted:

"Outside! Outside!"

They all obeyed, and went out into the fields in front of the farmhouse.

Febrer went also, in spite of the resistance of Pep.

The young men seemed to be divided among themselves, and were carrying on a heated discussion. Some were protesting. The idea of striking the poor Minstrel, an unfortunate sick boy who could not defend himself!

Others shook their heads. They had been expecting it. A man could not be insulted gratuitously without something happening. They had opposed the singing; they believed that when a man had something to say to another man he should say it face to face.

In the heat of their contrary opinions and in their jealous rivalry they were about to resort to blows when their attention was distracted by the Minstrel. He had removed the drum from his head and was wiping the blood from his forehead, weeping with the fury of a weak man who longs to wreak direct vengeance, and yet realizes himself a slave to his impotence.

"I'll settle with him!" he cried. Suddenly stooping to pick up stones in the darkness, he began to throw them at Febrer, each time receding a few steps as if to defend himself against a new aggression. The stones, flung by his forceless arms, fell into the shadows or rebounded against the porch.

The Minstrel's friends surrounded him and led him away. His cries could be heard in the distance, shouting defiance, swearing vengeance. He would kill the stranger! He alone would put an end to the Majorcan!

Jaime stood motionless among his enemies, with one hand in his belt. He was overcome with shame at having lost his temper, and having struck the poor consumptive. To stifle his remorse he muttered arrogant threats.

He only wished it had been another man who had done the singing. His eyes sought the Ironworker, as if defying him; but the dreaded man-slayer had disappeared.

Half an hour afterward, when the tumult had subsided and Febrer returned to his tower, he stopped on the way several times, revolver in hand, as if expecting someone.

n.o.body!

CHAPTER II

LOVE AND PISTOLS

The next morning just after sunrise the Little Chaplain ran in search of Don Jaime, revealing in his manner as he entered the tower, the importance of the news which he was bearing.

In Can Mallorqui they had all pa.s.sed a bad night. Margalida wept; her mother lamented the occurrence; what would the people of the district think of them when they heard that men had come to blows in her house as in a tavern? What would the girls say about her daughter? But Margalida gave little heed to the opinion of her friends. Something else seemed to worry her, something of which she said nothing, but which caused her to shed copious tears. Senor Pep, after closing the door on the suitors, had paced up and down the kitchen for an hour muttering to himself and clenching his fists. "That Don Jaime! Why should he persist in trying to obtain the impossible? Obstinate, like all his kindred!"

The Little Chaplain had not slept either. In the mind of the young savage, astute and sagacious, a suspicion tad gradually a.s.sumed the reality of fact.

On entering the tower he immediately communicated his thoughts to Don Jaime. Whom did he imagine had conceived the offensive song? The Minstrel? No, senor; it was the Ironworker! The Minstrel had made the rhymes, but the theme originated with the malicious man-slayer. He it was who had conceived the idea of insulting Don Jaime in the presence of all the suitors, relying on the certainty that he would not let the affront pa.s.s unheeded. Now the boy understood the reason for the interview between the two suitors which he had surprised in the mountain.

Febrer received this news, to which the Little Chaplain attached great importance, with a gesture of indifference. What of that? He had already punished the insolent Minstrel, and as for the man-slayer, he had sneaked off when he had challenged him at the door of the farmhouse. He was a coward.

Pepet shook his head incredulously.

"Be careful, Don Jaime! You do not know the ways of the braves around here, the cunning they employ to avoid being caught when wreaking vengeance. You must be on your guard now more than ever. You know what the jail-bird is, and he doesn't want to get sent back to prison. What he has just done is a trick which other man-slayers have played before."

Jaime lost patience at the boy's mysterious air and confused words.

"Why don't you speak out? Come!"

At last the Little Chaplain gave voice to his suspicions. Now the Ironworker could attempt anything he liked against Don Jaime; he could lie in ambush for him among the tamarisks at the foot of the tower and shoot him as he pa.s.sed. Suspicion would at once be directed against the Minstrel, in view of the quarrel at the farmhouse and his threats of vengeance. With this, and with the man-slayer establis.h.i.+ng an alibi by taking a short cut to some distant place where he could be seen by many persons, it would be easy for him to avenge himself with impunity.

"Ah!" exclaimed Febrer seriously, as if suddenly realizing the importance of these words.

The boy, delighting in his superior knowledge, continued giving advice.

Don Jaime must be more careful; he must lock the door of his tower and pay no attention to calls from outside after dark. Surely the man-slayer would try to induce him to come out by challenging cries, with howls of defiance.

"If you hear any cries of challenge during the night, Don Jaime, you must keep still. I know their ways," continued the Little Chaplain with the importance of a hardened man-slayer. "They hide in the bushes, with weapon aimed, and if their man comes out, they fire without ever showing themselves. You must stay in after dark."

This advice was for the night. By day the senor could go abroad without fear.

"Here am I to accompany you wherever you wish."

The boy straightened himself with an aggressive air, moving one hand to his belt to convince himself that his knife had not disappeared, but he was immediately undeceived by Febrer's mocking expression of grat.i.tude.

"Laugh, Don Jaime; make fun of me if you will; but I can be of some use to you. See how I warn you of danger! You must be on your guard. The Ironworker planned that singing with evil intent."

He glanced about like a chieftain preparing for a long siege. His eyes encountered the gun hanging on the wall among the decorations of sh.e.l.ls.

Very good; both barrels must be loaded with ball, and on top of this a good handful of lead slugs or coa.r.s.e bird-shot. It would be no more than prudent. Thus his glorious grandfather had done. Seeing Jaime's revolver lying on the table, he frowned.

"Very bad! Small arms should be worn on one's person at all hours. I sleep with my knife on my breast. What if an enemy should rush in suddenly without giving a man time to look for his weapon?"

The tower, which, in former centuries, had been the scene of executions and battles between pirates, a stone vault suggestive of tragedies, the walls covered by gleaming whitewash, then claimed the boy's attention.

He cautiously made his way to the door as if an enemy were lying in wait for him at the foot of the stairway, and concealing his body behind the thick wall, he advanced, nothing but an eye and part of his forehead being visible. Then he shook his head with despair. If one looked out at night, even with these precautions, the enemy, lying in ambush below, could see him, could aim at him with the greatest facility, resting his arms on a branch or on a stone with no fear of missing him. It would be even worse to step outside the door and venture to go down. No matter how dark the night, the enemy could point his gun at a cl.u.s.ter of leaves, at a star on the horizon, at anything standing out conspicuously in the dusk near the stairway, and when a dark form should pa.s.s before it, momentarily obscuring the object sighted at--bang! It was sure game!

He had heard grave men tell of having spent whole months crouching behind a hillock or a tree trunk, the b.u.t.t-end of a musket close to the cheek and the eyes fixed on the end of the barrel, from sunset till daybreak, lying in wait for some old-time enemy.

No, the Little Chaplain did not like this door with its stairway in the open. He must find another exit, and he inspected the window, opened it, and looked out. With simian agility, laughing with joy at his discovery, he sprang over the embrasure and disappeared, seeking with feet and hands the irregularities of the rubble-work, the deep, stair-like sockets left by the stones when they had fallen loose from the mortar.

Febrer looked out and saw him picking up his hat and waving it with a triumphant expression. Then the boy ran around the base of the tower, and soon his steps resounded, trotting noisily up the wooden stairs.

"That's easy enough!" he shouted, as he entered the room, red with excitement over his discovery. "That's a stairway fit for a gentleman!"

Realizing the importance of his discovery, he a.s.sumed a grand air of mystery. This must be kept between them--not a word to anyone. It was a precious means of exit, the secret of which must be jealously guarded.

The Little Chaplain envied Don Jaime. How he longed to have an enemy himself to come and call a challenge to him in the tower during the night! While the Ironworker lay howling in ambush, his eyes glued upon the stairway, he would descend by means of the window, at the rear of the tower, and, creeping cautiously around, he would hunt the hunter.

What a stroke! He laughed with savage glee, as if on his dark red lips trembled the ferocity of his glorious ancestors who considered the hunting of man the most n.o.ble of exercises.

Febrer seemed to be infected by the boy's exhilaration. He would try going down by the window route himself! He flung his legs over the sill, and carefully, clumsily, began feeling with his toes for the irregularities in the wall until he found the holes which served as steps. He slowly made his way down, loose stones slipping beneath his feet, until he reached the ground, giving a sigh of satisfaction. Very good! The descent was easy; after a few more trials he would be able to get down as nimbly as the Little Chaplain. Pepet, who had followed him agilely, almost hanging over his head, smiled, like a master pleased at the lesson, and repeated his advice. Don Jaime must not forget! When he heard the challenge he must climb out of the window and down the wall, getting around behind his adversary.

At noon when Febrer was left alone he felt himself possessed of a warlike ferocity, of an aggressiveness which caused him to look long at the wall on which hung his gun.

At the foot of the promontory, from the sh.o.r.e where Tio Ventolera's boat was beached, rose the voice of the old fisherman singing ma.s.s. Febrer looked out the door, carrying both hands to his mouth in the form of a trumpet.

The Dead Command Part 23

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The Dead Command Part 23 summary

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