The Dead Command Part 4

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In the restaurant Jaime had several times surprised the gaze of her blue eyes, frankly, tranquilly bold, fixed upon him. She was attended by a fat, spongy woman with rouged cheeks, a traveling companion dressed in black with a red straw hat and a broad belt of the same color, which divided the bulky hemispheres of her breast and abdomen. Young and graceful, Mary Gordon resembled a flower of gold and nacre in her white flannel suits of masculine cut with a mannish cravat, and a Panama with drooping brim around which she wound a blue veil.

Febrer met the pair at every turn; in the picture gallery, standing before Durer's Evangelists; in the hall of sculpture examining Egina's marbles; in the rococo theater of the Residence, where Mozart was sung, an audience hall of a former century, with decorations of porcelain and garlands which seemed to require that the spectators wear the purple heel and the white wig. Accustomed to meeting each other, Jaime greeted her with a smile and she seemed to answer timidly with the flash of her eyes.

One morning, on coming out of his room, he met the English girl on a landing of the stairway. She was bending her boyish breast over the bal.u.s.trade.

"Lift! Lift!" she called with her birdlike voice, summoning the elevator man to bring it up.

Febrer bowed as he entered the movable cage with her, and said a few words in French to start a conversation. The English girl stared at him in silence with her light blue eyes in which a star of gold seemed to be floating. She remained silent as if she did not understand, yet Jaime had seen her in the reading room turning the leaves of the Parisian dailies.

Stepping out of the elevator she turned with hasty step toward the office where sat the hotel clerk, pen in hand. He listened with obsequious mien, like a polyglot quick to understand each of his guests, and coming out from his enclosure he made straight toward Jaime, who, still embarra.s.sed by his unsuccessful venture, was pretending to read the advertis.e.m.e.nts in the vestibule. Febrer at first did not realize that it was he who was being addressed.

"Senor, this lady asks me to introduce you to her," said the clerk.

Turning toward the English girl he added with Teutonic composure, like one fulfilling a duty, "Monsieur the hidalgo Febrer, Marquis of Spain."

He understood the part he was playing. Everyone who travels with good valises is an hidalgo and a marquis until the contrary be proven.

Then, with his eyes, he indicated the English girl who stood stiff and grave during the ceremony without which no well-bred woman may exchange a word with a man: "Miss Gordon, doctor of the University of Melbourne."

The young lady extended her white gloved hand and shook Febrer's with gymnastic vigor. Not till then did she venture to speak:

"Oh, Spain! Oh, 'Don Quixote'!"

Unconsciously they strolled out of the hotel together discussing the afternoon performances which they had attended. There was to be no function at the theaters that day and she was thinking of going to the park called Theresienwiese, at the foot of the statue of Bavaria, to see the Tyrolese fair and to listen to the folk-songs. After breakfasting at the hotel they went to the fair grounds; they climbed upon an enormous statue and viewed the Bavarian plain, its lakes and its distant mountains; they explored the Memorial Hall, filled with busts of celebrated Bavarians, most of whose names they read for the first time, and they finished by going from booth to booth, admiring the costumes of the Tyrolese, their gymnastic dances, their birdlike warbling and trilling.

They went about as if they had known each other all their lives, Jaime admiring the masculine liberty of Saxon girls who are not afraid of a.s.sociating with men and who feel strong in their ability to take care of themselves. From that day they visited together museums, academies, old churches, sometimes alone, and again with the companion, who made strenuous exertions to keep pace with them. They were comrades who communicated their impressions without thinking of difference of s.e.x.

Jaime was disposed to take advantage of this intimacy by making gallant speeches, by risking little advances, but he restrained himself. With women like this action might be dangerous, they remain impa.s.sive, proof against all manner of impressions. He must wait until she should take the initiative. These were women who could go alone around the world, likely to interrupt pa.s.sionate advances with the blows of a trained boxer. He had seen some in his travels who carried diminutive nickel-plated revolvers in their m.u.f.fs or in their handbags along with powder box and handkerchief.

Mary Gordon told of the distant Oceanic archipelago in which her father exercised authority like a viceroy. She had no mother, and she had come to Europe to complete studies begun in Australia. She held the degree of Doctor from the University of Melbourne; a doctor of music. Jaime, suppressing his astonishment at this news from a distant world, told of himself, of his family, of his native land, of the curiosities of the island, of the cavern of Arta, tragically grand, chaotic as an ante-chamber of the inferno; of the Dragon's caves with their forests of stalact.i.tes, glistening like an ice palace, of its thousand placid lakes, from the deep crystal depths of which it seemed as if nude sirens would arise like those Rhine maidens who guarded the treasure of the Niebelungs. Mary listened to him, entranced. Jaime seemed to grow greater before her eyes, as she learned that he was a son of that isle of dreams, where the sea is always blue, where the sun is ever s.h.i.+ning, and where blooms the orange flower.

Febrer began to spend his afternoons in the room of the English girl.

The performances of the Mozart festival were ended. Miss Gordon needed daily the spiritual uplift of music. She had a piano in her reception room, and a roll of opera scores which accompanied her on her travels.

Jaime sat near, before the keyboard, trying to accompany the pieces she was interpreting, ever those of the same author, the G.o.d, the only! The hotel was near the station, and the noise of drays, carriages and street cars annoyed the English woman and she closed the windows. Her stout companion had gone to her own apartment, rejoiced at being free from that musical tempest, the delights of which could not compare with those of making a good bit of Irish point lace. Miss Gordon, alone with the Spaniard, treated him as if she were a master.

"Come, do that again; let us repeat the theme of the sword. Pay attention!"

But Jaime was distracted, peeping out of the corner of his eye at the girl's long, white neck bristling with little golden locks, at the network of blue veins delicately outlined beneath the transparency of her pearly skin.

One afternoon it rained; the leaden sky seemed to graze the roofs of the houses; in the reception room there was the diffused light of a cellar.

They were playing almost in the dark, bending their heads forward to read the score. Forth rolled the music of the forest of enchantments, moving its green and whispering tree tops before the rude Siegfried, the innocent child of Nature, eager to know the language of the soul and of inanimate things. The master-bird sang, his voice rising above the murmur of the foliage. Mary was trembling with excitement.

"Ah, poet! Poet!"

She continued playing. Then, in the growing darkness of the room, sounded the strong chords which accompanied the hero to the tomb; the funeral march of the warriors bearing upon the s.h.i.+eld the muscular body of Siegfried, with his golden hair, interrupting the melancholy phrase of the G.o.d of G.o.ds. Mary continued trembling, until suddenly her hands fell from the keyboard and her head rested on Jaime's shoulder, like a bird folding its wings.

"Oh, Richard!... Richard, _mon bien aimee!_"

The Spaniard saw her wandering eyes and her tremulous lips offering themselves to him; in his grasp he felt her cold hands; her breath floated about him. Against his bosom were pressed hidden curves of firm elastic plumpness, the existence of which he had not suspected.

There was no more music that afternoon.

At midnight when Febrer retired, he had not yet recovered from his astonishment. After so many fears, this was the way things had happened, with the greatest simplicity, as one is offered a hand, without exertion on his part.

Another surprise had been to hear himself called by a name which was not his. Who could that Richard be? But in the hour of sweet and dreamy explanations which follow those of madness and forgetfulness, she had told him of the impression she had received in Bayreuth when she saw him for the first time among the thousand heads which filled the theater. It was he, the great musician, as he was portrayed in his youthful pictures! When she met him again in Munich beneath the same roof, she had felt that the die was cast and that it was useless to resist this attraction.

Febrer examined himself with ironical curiosity in the mirror in his room. What ideas a woman is capable of conceiving! Yes, he was something like that other one--the heavy forehead, the drooping hair, the beaked nose, and the prominent chin, which, in years to come would turn inward, seeking each other, and give him a certain witchlike profile....

Excellent and glorious Richard! By what miracle had Wagner brought to him one of the greatest joys of his existence! What an original woman was this!

Astonishment, mingled with a shade of annoyance, grew upon Febrer as the days pa.s.sed. She seemed to forget what had taken place, and to grow constantly more unapproachable. She received him with grave rigidity, as if nothing had occurred, as if the past had left no trace upon her mind, as if the day before had never been. Only when music evoked the memory of the other man came tenderness and submission.

Jaime was irritated, and he determined to dominate her; he would prove himself a man! At last he triumphed to such an extent that the piano was heard less and she began to see in him something more than a living picture of her idol.

In their happy intoxication Munich and the hotel in which they had seen each other as strangers seemed to them offensive. They felt the need of flying far away, where they could make love freely, and one day they found themselves in a port which had a stone lion at its entrance, while beyond spread the liquid surface of an immense lake which mingled with the sky on the horizon. They were in Lindau. One steamer could convey them to Switzerland, another to Constance, but they preferred the tranquil German city of the famous Ec.u.menical Council, establis.h.i.+ng themselves in the Island Hotel, an ancient Dominican Monastery.

Febrer was stirred as he contemplated this epoch, the happiest of his existence! Mary continued for him ever an original woman, in whom there was always something left to conquer; tolerant at certain hours, repellant and austere throughout the rest of the day. He was her lover, and yet she would not permit the slightest familiarity, nor any liberty which might reveal the confidence of their common life. The least allusion to their intimacy caused her to flush in protest. "Shocking!"

Yet, every morning at daybreak Febrer sneaked into his room along the corridors of the old convent, unmade his bed so that the servants would not suspect, and he would show himself on the balcony. The birds were singing in the tall rose bushes in the garden below his feet. Beyond, the immense sheet of Lake Constance was flus.h.i.+ng with purple tints caught from the rising sun. The first fis.h.i.+ng barks were cleaving the orange tinted waters; in the distance sounded the cathedral bells, softened by the damp, morning breeze; the cranes began to creak on the quay where the waters cease to be a lake, and narrowing into a channel become the river Rhine; the footsteps of the servants and the swish of cleaning startled the monastic cloister with the noises of the hotel.

Near the balcony, adjoining the wall, and so close that Jaime could touch it with his hand, was a small tower with a slate roof and with ancient coats of arms on the circular wall. It was the tower in which John Huss had been imprisoned before going to the stake.

The Spaniard thought of Mary. At this time she must be in the perfumed shadows of her room, her blonde head clasped in her arms, sleeping her first real sleep of the night, her tired body still vibrant from fatigue. Poor John Huss! Febrer sympathized with him as if he had been his friend. To burn him in the presence of such a beautiful landscape, perhaps on a morning like this! To cast one's self into the wolf's mouth, and to give up one's life over the question whether the Pope were good or bad, or whether laymen should receive the sacrament with wine the same as priests! To die for such absurdities when life is so beautiful and the heretic might have enjoyed it so richly with any of the plump-breasted, big-hipped blonde women, friends of the cardinals, who witnessed his torture! Unhappy apostle! Jaime ironically pitied the simplicity of the martyr. He looked at life through different eyes.

_Viva el amor!_ Love was the only thing worth while in life.

They remained nearly a month in the ancient episcopal city, strolling out in the gloaming through the lonely, gra.s.s-grown streets with their crumbling palaces of the time of the Council; floating with the current down the river Rhine along its forest-clad banks; stopping to look at the tiny houses with red roofs and s.p.a.cious arbors beneath which sang the bourgeoisie, stein in hand, with the Germanic joy of a subchanter, grave and reposeful.

From Constance they pa.s.sed on to Switzerland and afterward to Italy.

They traveled together for a year viewing landscapes, seeing museums, visiting ruins, the windings and sheltered nooks in which Jaime made use of for kissing Mary's pearly skin, reveling in the rush of color and the gesture of annoyance with which she protested "Shocking!"

The old traveling companion, unconscious as a suitcase of the points of interest in their journey, continued making the cloak of Irish point, beginning in Germany, and working at it while crossing the Alps, along the whole length of the Apennines, and in sight of Vesuvius and aetna.

Unable to talk with Febrer, who spoke no English, she greeted him with the yellowish glitter of her teeth and returned to her task, forming a conspicuous figure in the hotel lobbies.

The two lovers spoke of marriage. Mary summed up the situation with energetic decision. She need only write a few lines to her father. He was very far away, and besides she never consulted him in regard to her affairs. He would approve whatever she did, sure of her wisdom and prudence.

They were in Sicily, a land which reminded Febrer of his own island. The ancient members of his family had been here also, but with cuira.s.ses on their b.r.e.a.s.t.s, and in worse company. Mary spoke of the future, arranging the financial side of the antic.i.p.ated partners.h.i.+p with the practical sense of her race. It did not matter to her that Febrer had little fortune; she was rich enough for both; and she enumerated her worldly goods, lands, houses, and stocks like an administrator with accurate memory. On their return to Rome they would be married in the evangelical chapel and also in a Catholic church. She knew a cardinal who had arranged for her an audience with the Pope. His Eminence would manage everything.

Jaime pa.s.sed a sleepless night in a hotel in Syracuse. Marriage? Mary was agreeable; she made life pleasant, and she would bring with her a fortune. But should he really marry her? Then the other man began to annoy him, the ill.u.s.trious shade which had appeared in Zurich, in Venice, in every place visited by them which held memories of the maestro's past. Jaime would grow old, and music, his formidable rival, would be ever fresh. In a little while, when marriage should have robbed his relations of the charm of illegality, of the delight of the prohibited, Mary would discover some orchestra leader who bore a still greater resemblance to the other man, or some ugly violinist with long hair and possessed of youth who would remind her of Beethoven in his boyhood. Besides, he was of different race, different customs and pa.s.sions; he was tired of her shamefaced reserve in love, of her resistance to final submission which had pleased him at first, but which had come at last to bore him. No; there was yet time to save himself.

"I regret it on account of what she will think of Spain. I regret it on account of Don Quixote," he said to himself while packing his suitcase one morning at sunrise.

He fled, losing himself in Paris, where the English woman would never seek him. She hated that ungrateful city for its hissing of Tannhauser many years before she was born.

Of these relations, which had lasted a year, Jaime cherished only the memory of a felicity, increased and sweetened by the pa.s.sing of time and by a lock of golden hair. Then, too, he must have somewhere among his papers, guide books, and post cards, lying forgotten in an old secretary in the great house, a photograph of the feminine doctor of music, strangely adorable in her long-sleeved toga with a square plate-like cap from which hung a ta.s.sel.

Of the rest of his life he remembered little; a void of tedium broken only by monetary worries. The administrator was slow and grudging in sending his remittances. Jaime would ask him for money and he would reply with grumbling letters, telling of interest which must be met, of second mortgages on which he could barely realize a loan, of the precariousness of a fortune in which nothing was left free of inc.u.mbrance.

Febrer, believing that his presence might disentangle this wretched situation, made short trips to Majorca, which always resulted in the sale of property, yielding him scarcely enough money to take flight again, heedless of his administrator's advice. Money aroused in him a smiling optimism. Everything would turn out all right. As a last resort he counted on recourse to matrimony. Meanwhile,--he would live!

He managed to exist a few years longer, sometimes in Madrid, or again in the great foreign cities, until at last his administrator brought this period of merry prodigality to an end by sending his resignation, with his accounts and his refusal to continue forwarding money.

He had spent one year on the island, buried, as he said, with no other diversion than nights of gambling in the Casino and afternoons on the Paseo del Borne, sitting around a table with a company of friends, sedentary islanders who reveled in the stories of his travels. Misery and want--this was the reality of his present life. His creditors threatened him with immediate legal process. He still outwardly retained possession of Son Febrer and of other estates derived from his forefathers, but property yielded little on the island; the rents, according to traditional custom, were no higher than in the time of his ancestors, for the families of the original renters inherited the right to farm the lands. They made payments directly to his creditors, but even this did not satisfy half of the interest due. The palace was but a storehouse for its rich decorations. The n.o.ble mansion of the Febrers was submerged, and no one could float it. Sometimes Jaime calmly considered the convenience of slipping out of his wretched predicament with neither humiliation nor dishonor by letting himself be found some afternoon in the garden asleep forever under an orange tree with a revolver in his hand.

The Dead Command Part 4

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The Dead Command Part 4 summary

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