The Tapestry Room Part 9
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The frogs bowed again, which was very considerate of them; then suddenly there seemed a movement among them, those at the end of the boat drew back a little, and a frog, whom the children had not hitherto specially observed, came forward and stood in front of the others. He was bigger, his colour was a brighter green, and his eyes more brilliantly red. He stood up on his hind legs and bowed politely. Then, after clearing his throat, of which there was much need, for even with this precaution it sounded very croaky, he addressed the children.
"Monsieur and Mademoiselle," he began, "are very welcome to what we have done for them--the small service we have rendered. Monsieur and Mademoiselle, I and my companions"--"He should say, 'My companions and I,'" whispered Jeanne--"are well brought up frogs. We know our place in society. We disapprove of newfangled notions. We are frogs--we desire to be nothing else, and we are deeply sensible of the honour Monsieur and Mademoiselle have done us by this visit."
"He really speaks very nicely," said Jeanne in a whisper.
"Before Monsieur and Mademoiselle bid us farewell--before they leave our sh.o.r.es," continued the frog with a wave of his "top legs," as Jeanne afterwards called them, "we should desire to give them what, without presumption, I may call a treat. Monsieur and Mademoiselle are, doubtless, aware that in our humble way we are artists. Our weakness--our strength I should rather say--is music. Our croaking concerts are renowned far and wide, and by a most fortunate coincidence one is about to take place, to celebrate the farewell--the departure to other regions--of a songster whose family fame for many ages has been renowned. Monsieur and Mademoiselle, to-night is to be heard for the first time in this century the 'Song of the Swan.'"
"The song of the swan," repeated Hugh, rather puzzled; "I didn't know swans ever sang. I thought it was just an old saying that they sing once only--when they are dying."
The frog bowed.
"Just so," he said; "it is the truth. And, therefore, the extreme difficulty of a.s.sisting at so unique a performance. It is but seldom--not above half-a-dozen times in the recollection of the oldest of my venerated cousins, the toads, that such an opportunity has occurred--and as to whether human ears have _ever_ before been regaled with what you are about to enjoy, you must allow me, Monsieur and Mademoiselle, with all deference to your race, for whom naturally we cherish the highest respect, to express a doubt."
"It's a little difficult to understand quite what he means, isn't it, Cheri?" whispered Jeanne. "But, of course, we mustn't say so. It might hurt his feelings."
"Yes," agreed Hugh, "it might. But we must say something polite."
"You say it," said Jeanne. "I really daren't stand up, and it's not so easy to make a speech sitting down."
"Monsieur Frog, we are very much obliged to you," began Hugh. "Please tell all the other frogs so too. We would like very much to hear the concert. When does it begin, and where will it be?"
"All round the lake the performers will be stationed," replied the frog pompously. "The chief artist occupies the island which you see from here. If you move forward a little--to about half-way between the sh.o.r.e and the island--you will, I think, be excellently placed. But first,"
seeing that Hugh was preparing to take up the oars, "first, you will allow us, Monsieur and Mademoiselle, to offer you a little collation--some slight refreshment after all the fatigues of your journey to our sh.o.r.es."
"Oh dear! oh dear!" whispered Jeanne in a terrible fright; "please say 'No, thank you,' Cheri. I _know_ they'll be bringing us that horrid green stuff for soup."
"Thank you very much," said Hugh; "you are very kind indeed, Monsieur Frog, only, really, we're not hungry."
"A little refreshment--a mere nothing," said the frog, waving his hands in an elegantly persuasive manner. "Tadpoles"--in a brisk, authoritative tone--"tadpoles, refreshments for our guests."
Jeanne s.h.i.+vered, but nevertheless could not help watching with curiosity. Scores of little tadpoles came hopping up the sides of the boat, each dozen or so of them carrying among them large water-lily leaves, on each of which curious and dainty-looking little cakes and bonbons were arranged. The first that was presented to Jeanne contained neat little biscuits about the size of a half-crown piece, of a tempting rich brown colour.
"Flag-flour cakes," said the frog. "We roast and grind the flour in our own mills. You will find them good."
Jeanne took one and found it very good. She would have taken another, but already a second tray-ful or leaf-ful was before her, with pinky-looking b.a.l.l.s.
"Those are made from the sugar of water-brambles," remarked the frog, with a self-satisfied smile. "No doubt you are surprised at the delicacy and refinement of our tastes. Many human beings are under the deplorable mistake of supposing we live on slimy water and dirty insects--ha, ha, ha! whereas our cuisine is astounding in variety and delicacy of material and flavour. If it were not too late in the season, I wish you could have tasted our mushroom pates and minnows' eggs vols-au-vent."
"Thank you," said Hugh, "what we have had is very nice indeed."
"I _couldn't_ eat minnows' eggs," whispered Jeanne, looking rather doubtfully at the succession of leaf trays that continued to appear. She nibbled away at some of the least extraordinary-looking cakes, which the frog informed her were made from the pith of rushes roasted and ground down, and then flavoured with essence of marsh marigold, and found them nearly as nice as macaroons. Then, having eaten quite as much as they wanted, the tadpoles handed to each a leaf of the purest water, which they drank with great satisfaction.
"Now," said Hugh, "we're quite ready for the concert. Shall I row out to the middle of the lake, Monsieur Frog?"
"Midway between the sh.o.r.e and the island," said the frog; "that will be the best position;" and, as by this time all the frogs that had been sitting round the edge of the boat had disappeared, Hugh took the oars and paddled away.
CHAPTER VI.
THE SONG OF THE SWAN.
"----If I were on that sh.o.r.e, I should live there and not die, but sing evermore."
JEAN INGELOW.
"About here will do, I should think--eh, Monsieur Frog?" said Hugh, resting on his oars half-way to the island. But there was no answer. The frog had disappeared.
"What a queer way all these creatures behave, don't they, Jeanne?" he said. "First Dudu, then Houpet and the others. They go off all of a sudden in the oddest way."
"I suppose they have to go when we don't need them any more," said Jeanne. "I daresay they are obliged to."
"Who obliges them?" said Hugh.
"Oh, I don't know! The fairies, I suppose," said Jeanne.
"Was it the fairies you meant when you kept saying 'they'?" asked Hugh.
"I don't know--perhaps--it's no use asking me," said Jeanne. "Fairies, or dream-spirits, or something like that. Never mind who they are if they give us nice things. I am sure the frogs have been _very_ kind, haven't they?"
"Yes; you won't be so afraid of them now, will you, Jeanne?"
"Oh, I don't know. I daresay I shall be, for they're quite different from _our_ frogs. Ours aren't so bright green, and their eyes aren't red, and they can't _talk_. Oh no, our frogs are quite different from _theirs_, Cheri," she added with profound conviction.
"Just like our trees and everything else, I suppose," said Hugh.
"Certainly this is a funny country. But hush, Jeanne! I believe the concert's going to begin."
They sat perfectly still to listen, but for a minute or two the sound which had caught Hugh's attention was not repeated. Everything about them was silent, except that now and then a soft faint breeze seemed to flutter across the water, slightly rippling its surface as it pa.s.sed.
The strange, even light which had shone over all the scene ever since the children had stepped out at the hillside door had now grown paler: it was not now bright enough to distinguish more than can be seen by an autumn twilight. The air was fresh and clear, though not the least cold; the drooping forms of the low-hanging branches of the island trees gave the children a melancholy feeling when they glanced in that direction.
"I don't like this very much," said Jeanne. "It makes me sad, and I wanted to have fun."
"It must be sad for the poor swan if it's going to die," said Hugh. "But I don't mind this sort of sad feeling. I think it's rather nice. Ah!
Jeanne, listen, there it is again. They must be going to begin."
"It" was a low sort of "call" which seemed to run round the sh.o.r.es of the lake like a preliminary note, and then completely died away.
Instantly began from all sides the most curious music that Hugh and Jeanne had ever heard. It was croaking, but croaking in unison and regular time, and harsh as it was, there was a very strange charm about it--quite impossible to describe. It sounded pathetic at times, and at times monotonous, and yet inspiriting, like the beating of a drum; and the children listened to it with actual enjoyment. It went on for a good while, and then stopped as suddenly as it had begun; and then again, after some minutes of perfect silence, it recommenced in a low and regular chant--if such a word can be used for croaking--a steady, regular croak, croak, as if an immense number of harsh-sounding instruments were giving forth one note in such precise tune and measure that the harshness was softened and lost by the union of sound. It grew lower and lower, seeming almost to be about to die altogether away, when, from another direction--from the tree-shaded island in the centre of the lake--rose, low and faint at first, gathering strange strength as it mounted ever higher and higher, the song of the swan.
The children listened breathlessly and in perfect silence to the wonderful notes which fell on their ears--notes which no words of mine could describe, for in themselves they were words, telling of suffering and sorrow, of beautiful things and sad things, of strange fantastic dreams, of suns.h.i.+ne and flowers and summer days, of icy winds from the snow-clad hills, and days of dreariness and solitude. Each and all came in their turn; but, at the last, all melted, all grew rather, into one magnificent song of bliss and triumph, of joyful tenderness and brilliant hope, too pure and perfect to be imagined but in a dream. And as the last clear mellow notes fell on the children's ears, a sound of wings seemed to come with them, and gazing ever more intently towards the island they saw rising upwards the pure white snow-like bird--upwards and upwards, ever higher, till at last, with the sound of its own joyous song, it faded and melted into the opal radiance of the calm sky above.
For long the children gazed after it--a spot of light seemed to linger for some time in the sky just where it had disappeared--almost, to their fancy, as if the white swan was resting there, again to return to earth.
But it was not so. Slowly, like the light of a dying star, the brightness faded; there was no longer a trace of the swan's radiant flight; again a soft low breeze, like a farewell sigh, fluttered across the lake, and the children withdrew their eyes from the sky and looked at each other.
"Jeanne!" said Hugh.
"Cheri!" said Jeanne.
"What was it? Was it not an angel, and not a swan?"
The Tapestry Room Part 9
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The Tapestry Room Part 9 summary
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