Scenes from a Courtesan's Life Part 77

"He will always be the boss of the swells," replied la Pouraille. "Our pieces are safe enough."

La Pouraille, wis.h.i.+ng to find some man he could trust, had an interest in considering Jacques Collin an honest man. And in prison, of all places, a man believes what he hopes.

"I lay you anything, he will come round the big Boss and save his chum!"

said Fil-de-Soie.

"If he does that," said le Biffon, "though I don't believe he is really G.o.d, he must certainly have smoked a pipe with old Scratch, as they say."

"Didn't you hear him say, 'Old Scratch has cut me'?" said Fil-de-Soie.

"Oh!" cried la Pouraille, "if only he would save my nut, what a time I would have with my whack of the s.h.i.+ners and the yellow boys I have stowed."

"Do what he bids you!" said Fil-de Soie.

"You don't say so?" retorted la Pouraille, looking at his pal.

"What a flat you are! You will be booked for the Abbaye!" said le Biffon. "You have no other door to budge, if you want to keep on your pins, to yam, wet your whistle, and fake to the end; you must take his orders."

"That's all right," said la Pouraille. "There is not one of us that will blow the gaff, or if he does, I will take him where I am going----"

"And he'll do it too," cried Fil-de-Soie.

The least sympathetic reader, who has no pity for this strange race, may conceive of the state of mind of Jacques Collin, finding himself between the dead body of the idol whom he had been bewailing during five hours that night, and the imminent end of his former comrade--the dead body of Theodore, the young Corsican. Only to see the boy would demand extraordinary cleverness; to save him would need a miracle; but he was thinking of it.

For the better comprehension of what Jacques Collin proposed to attempt, it must be remarked that murderers and thieves, all the men who people the galleys, are not so formidable as is generally supposed. With a few rare exceptions these creatures are all cowards, in consequence no doubt, of the constant alarms which weigh on their spirit. The faculties being perpetually on the stretch in thieving, and the success of a stroke of business depending on the exertion of every vital force, with a readiness of wit to match their dexterity of hand, and an alertness which exhausts the nervous system; these violent exertions of will once over, they become stupid, just as a singer or a dancer drops quite exhausted after a fatiguing pas seul, or one of those tremendous duets which modern composers inflict on the public.

Malefactors are, in fact, so entirely bereft of common sense, or so much oppressed by fear, that they become absolutely childish. Credulous to the last degree, they are caught by the bird-lime of the simplest snare.

When they have done a successful _job_, they are in such a state of prostration that they immediately rush into the debaucheries they crave for; they get drunk on wine and spirits, and throw themselves madly into the arms of their women to recover composure by dint of exhausting their strength, and to forget their crime by forgetting their reason.

Then they are at the mercy of the police. When once they are in custody they lose their head, and long for hope so blindly that they believe anything; indeed, there is nothing too absurd for them to accept it. An instance will suffice to show how far the simplicity of a criminal who has been _nabbed_ will carry him. Bibi-Lupin, not long before, had extracted a confession from a murderer of nineteen by making him believe that no one under age was ever executed. When this lad was transferred to the Conciergerie to be sentenced after the rejection of his appeal, this terrible man came to see him.

"Are you sure you are not yet twenty?" said he.

"Yes, I am only nineteen and a half."

"Well, then," replied Bibi-Lupin, "you may be quite sure of one thing--you will never see twenty."

"Why?"

"Because you will be scragged within three days," replied the police agent.

The murderer, who had believed, even after sentence was pa.s.sed, that a minor would never be executed, collapsed like an omelette soufflee.

Such men, cruel only from the necessity for suppressive evidence, for they murder only to get rid of witnesses (and this is one of the arguments adduced by those who desire the abrogation of capital punishment),--these giants of dexterity and skill, whose sleight of hand, whose rapid sight, whose every sense is as alert as that of a savage, are heroes of evil only on the stage of their exploits. Not only do their difficulties begin as soon as the crime is committed, for they are as much bewildered by the need for concealing the stolen goods as they were depressed by necessity--but they are as weak as a woman in childbed. The vehemence of their schemes is terrific; in success they become like children. In a word, their nature is that of the wild beast--easy to kill when it is full fed. In prison these strange beings are men in dissimulation and in secretiveness, which never yields till the last moment, when they are crushed and broken by the tedium of imprisonment.

It may hence be understood how it was that the three convicts, instead of betraying their chief, were eager to serve him; and as they suspected he was now the owner of the stolen seven hundred and fifty thousand francs, they admired him for his calm resignation, under bolt and bar of the Conciergerie, believing him capable of protecting them all.

When Monsieur Gault left the sham priest, he returned through the parlor to his office, and went in search of Bibi-Lupin, who for twenty minutes, since Jacques Collin had gone downstairs, had been on the watch with his eye at a peephole in a window looking out on the prison-yard.

"Not one of them recognized him," said Monsieur Gault, "and Napolitas, who is on duty, did not hear a word. The poor priest all through the night, in his deep distress, did not say a word which could imply that his gown covers Jacques Collin."

"That shows that he is used to prison life," said the police agent.

Napolitas, Bibi-Lupin's secretary, being unknown to the criminals then in the Conciergerie, was playing the part of the young gentlemen imprisoned for forgery.

"Well, but he wishes to be allowed to hear the confession of the young fellow who is sentenced to death," said the governor.

"To be sure! That is our last chance," cried Bibi-Lupin. "I had forgotten that. Theodore Calvi, the young Corsican, was the man chained to Jacques Collin; they say that on the hulks Jacques Collin made him famous pads----"

The convicts on the galleys contrive a kind of pad to slip between their skin and the fetters to deaden the pressure of the iron ring on their ankles and instep; these pads, made of tow and rags, are known as patara.s.ses.

"Who is warder over the man?" asked Bibi-Lupin.

"Coeur la Virole."

"Very well, I will go and make up as a gendarme, and be on the watch; I shall hear what they say. I will be even with them."

"But if it should be Jacques Collin are you not afraid of his recognizing you and throttling you?" said the governor to Bibi-Lupin.

"As a gendarme I shall have my sword," replied the other; "and, besides, if he is Jacques Collin, he will never do anything that will risk his neck; and if he is a priest, I shall be safe."

"Then you have no time to lose," said Monsieur Gault; "it is half-past eight. Father Sauteloup has just read the reply to his appeal, and Monsieur Sanson is waiting in the order room."

"Yes, it is to-day's job, the 'widow's huzzars'" (les hussards de la veuve, another horrible name for the functionaries of the guillotine) "are ordered out," replied Bibi-Lupin. "Still, I cannot wonder that the prosecutor-general should hesitate; the boy has always declared that he is innocent, and there is, in my opinion, no conclusive evidence against him."

"He is a thorough Corsican," said Monsieur Gault; "he has not said a word, and has held firm all through."

The last words of the governor of the prison summed up the dismal tale of a man condemned to die. A man cut off from among the living by law belongs to the Bench. The Bench is paramount; it is answerable to n.o.body, it obeys its own conscience. The prison belongs to the Bench, which controls it absolutely. Poetry has taken possession of this social theme, "the man condemned to death"--a subject truly apt to strike the imagination! And poetry has been sublime on it. Prose has no resource but fact; still, the fact is appalling enough to hold its own against verse. The existence of a condemned man who has not confessed his crime, or betrayed his accomplices, is one of fearful torment. This is no case of iron boots, of water poured into the stomach, or of limbs racked by hideous machinery; it is hidden and, so to speak, negative torture.

The condemned wretch is given over to himself with a companion whom he cannot but trust.

The amiability of modern philanthropy fancies it has understood the dreadful torment of isolation, but this is a mistake. Since the abolition of torture, the Bench, in a natural anxiety to rea.s.sure the too sensitive consciences of the jury, had guessed what a terrible auxiliary isolation would prove to justice in seconding remorse.

Solitude is void; and nature has as great a horror of a moral void as she has of a physical vacuum. Solitude is habitable only to a man of genius who can people it with ideas, the children of the spiritual world; or to one who contemplates the works of the Creator, to whom it is bright with the light of heaven, alive with the breath and voice of G.o.d. Excepting for these two beings--so near to Paradise--solitude is to the mind what torture is to the body. Between solitude and the torture-chamber there is all the difference that there is between a nervous malady and a surgical disease. It is suffering multiplied by infinitude. The body borders on the infinite through its nerves, as the spirit does through thought. And, in fact, in the annals of the Paris law courts the criminals who do not confess can be easily counted.

This terrible situation, which in some cases a.s.sumes appalling importance--in politics, for instance, when a dynasty or a state is involved--will find a place in the HUMAN COMEDY. But here a description of the stone box in which after the Restoration, the law shut up a man condemned to death in Paris, may serve to give an idea of the terrors of a felon's last day on earth.

Before the Revolution of July there was in the Conciergerie, and indeed there still is, a condemned cell. This room, backing on the governor's office, is divided from it by a thick wall in strong masonry, and the other side of it is formed by a wall seven or eight feet thick, which supports one end of the immense _Salle des Pas-Perdus_. It is entered through the first door in the long dark pa.s.sage in which the eye loses itself when looking from the middle of the vaulted gateway. This ill-omened room is lighted by a funnel, barred by a formidable grating, and hardly perceptible on going into the Conciergerie yard, for it has been pierced in the narrow s.p.a.ce between the office window close to the railing of the gateway, and the place where the office clerk sits--a den like a cupboard contrived by the architect at the end of the entrance court.

This position accounts for the fact that the room thus enclosed between four immensely thick walls should have been devoted, when the Conciergerie was reconst.i.tuted, to this terrible and funereal service.

Escape is impossible. The pa.s.sage, leading to the cells for solitary confinement and to the women's quarters, faces the stove where gendarmes and warders are always collected together. The air-hole, the only outlet to the open air, is nine feet above the floor, and looks out on the first court, which is guarded by sentries at the outer gate. No human power can make any impression on the walls. Besides, a man sentenced to death is at once secured in a straitwaistcoat, a garment which precludes all use of the hands; he is chained by one foot to his camp bed, and he has a fellow prisoner to watch and attend on him. The room is paved with thick flags, and the light is so dim that it is hard to see anything.

It is impossible not to feel chilled to the marrow on going in, even now, though for sixteen years the cell has never been used, in consequence of the changes effected in Paris in the treatment of criminals under sentence. Imagine the guilty man there with his remorse for company, in silence and darkness, two elements of horror, and you will wonder how he ever failed to go mad. What a nature must that be whose temper can resist such treatment, with the added misery of enforced idleness and inaction.

And yet Theodore Calvi, a Corsican, now twenty-seven years of age, m.u.f.fled, as it were, in a shroud of absolute reserve, had for two months held out against the effects of this dungeon and the insidious chatter of the prisoner placed to entrap him.