The Man Who Knew Too Much Part 16

"He was not there when he did it," explained Fisher. "It's a poor sort of murderer who can't murder people when he isn't there."

"You seem to be talking merely for the sake of mystification," said Brain. "If you have any practical advice to give you might as well make it intelligible."

"The only practical advice I can suggest," said Fisher, thoughtfully, "is a little research into local topography and nomenclature. They say there used to be a Mr. Prior, who had a farm in this neighborhood. I think some details about the domestic life of the late Mr. Prior would throw a light on this terrible business."

"And you have nothing more immediate than your topography to offer,"

said Brain, with a sneer, "to help me avenge my friend?"

"Well," said Fisher, "I should find out the truth about the Hole in the Wall."

That night, at the close of a stormy twilight and under a strong west wind that followed the breaking of the frost, Leonard Crane was wending his way in a wild rotatory walk round and round the high, continuous wall that inclosed the little wood. He was driven by a desperate idea of solving for himself the riddle that had clouded his reputation and already even threatened his liberty. The police authorities, now in charge of the inquiry, had not arrested him, but he knew well enough that if he tried to move far afield he would be instantly arrested. Horne Fisher's fragmentary hints, though he had refused to expand them as yet, had stirred the artistic temperament of the architect to a sort of wild a.n.a.lysis, and he was resolved to read the hieroglyph upside down and every way until it made sense.

If it was something connected with a hole in the wall he would find the hole in the wall; but, as a matter of fact, he was unable to find the faintest crack in the wall. His professional knowledge told him that the masonry was all of one workmans.h.i.+p and one date, and, except for the regular entrance, which threw no light on the mystery, he found nothing suggesting any sort of hiding place or means of escape. Walking a narrow path between the winding wall and the wild eastward bend and sweep of the gray and feathery trees, seeing s.h.i.+fting gleams of a lost sunset winking almost like lightning as the clouds of tempest scudded across the sky and mingling with the first faint blue light from a slowly strengthened moon behind him, he began to feel his head going round as his heels were going round and round the blind recurrent barrier. He had thoughts on the border of thought; fancies about a fourth dimension which was itself a hole to hide anything, of seeing everything from a new angle out of a new window in the senses; or of some mystical light and transparency, like the new rays of chemistry, in which he could see Bulmer's body, horrible and glaring, floating in a lurid halo over the woods and the wall. He was haunted also with the hint, which somehow seemed to be equally horrifying, that it all had something to do with Mr. Prior. There seemed even to be something creepy in the fact that he was always respectfully referred to as Mr. Prior, and that it was in the domestic life of the dead farmer that he had been bidden to seek the seed of these dreadful things.

As a matter of fact, he had found that no local inquiries had revealed anything at all about the Prior family.

The moonlight had broadened and brightened, the wind had driven off the clouds and itself died fitfully away, when he came round again to the artificial lake in front of the house. For some reason it looked a very artificial lake; indeed, the whole scene was like a cla.s.sical landscape with a touch of Watteau; the Palladian facade of the house pale in the moon, and the same silver touching the very pagan and naked marble nymph in the middle of the pond. Rather to his surprise, he found another figure there beside the statue, sitting almost equally motionless; and the same silver pencil traced the wrinkled brow and patient face of Horne Fisher, still dressed as a hermit and apparently practicing something of the solitude of a hermit. Nevertheless, he looked up at Leonard Crane and smiled, almost as if he had expected him.

"Look here," said Crane, planting himself in front of him, "can you tell me anything about this business?"

"I shall soon have to tell everybody everything about it," replied Fisher, "but I've no objection to telling you something first. But, to begin with, will you tell me something? What really happened when you met Bulmer this morning? You did throw away your sword, but you didn't kill him."

"I didn't kill him because I threw away my sword," said the other.

"I did it on purpose--or I'm not sure what might have happened."

After a pause he went on, quietly: "The late Lord Bulmer was a very breezy gentleman, extremely breezy. He was very genial with his inferiors, and would have his lawyer and his architect staying in his house for all sorts of holidays and amus.e.m.e.nts. But there was another side to him, which they found out when they tried to be his equals. When I told him that his sister and I were engaged, something happened which I simply can't and won't describe. It seemed to me like some monstrous upheaval of madness. But I suppose the truth is painfully simple. There is such a thing as the coa.r.s.eness of a gentleman. And it is the most horrible thing in humanity."

"I know," said Fisher. "The Renaissance n.o.bles of the Tudor time were like that."

"It is odd that you should say that," Crane went on. "For while we were talking there came on me a curious feeling that we were repeating some scene of the past, and that I was really some outlaw, found in the woods like Robin Hood, and that he had really stepped in all his plumes and purple out of the picture frame of the ancestral portrait. Anyhow, he was the man in possession, and he neither feared G.o.d nor regarded man. I defied him, of course, and walked away. I might really have killed him if I had not walked away."

"Yes," said Fisher, nodding, "his ancestor was in possession and he was in possession, and this is the end of the story. It all fits in."

"Fits in with what?" cried his companion, with sudden impatience. "I can't make head or tail of it. You tell me to look for the secret in the hole in the wall, but I can't find any hole in the wall."

"There isn't any," said Fisher. "That's the secret." After reflecting a moment, he added: "Unless you call it a hole in the wall of the world. Look here; I'll tell you if you like, but I'm afraid it involves an introduction. You've got to understand one of the tricks of the modern mind, a tendency that most people obey without noticing it. In the village or suburb outside there's an inn with the sign of St. George and the Dragon. Now suppose I went about telling everybody that this was only a corruption of King George and the Dragoon. Scores of people would believe it, without any inquiry, from a vague feeling that it's probable because it's prosaic. It turns something romantic and legendary into something recent and ordinary. And that somehow makes it sound rational, though it is unsupported by reason. Of course some people would have the sense to remember having seen St. George in old Italian pictures and French romances, but a good many wouldn't think about it at all. They would just swallow the skepticism because it was skepticism. Modern intelligence won't accept anything on authority. But it will accept anything without authority. That's exactly what has happened here.

"When some critic or other chose to say that Prior's Park was not a priory, but was named after some quite modern man named Prior, n.o.body really tested the theory at all. It never occurred to anybody repeating the story to ask if there _was_ any Mr. Prior, if anybody had ever seen him or heard of him. As a matter of fact, it was a priory, and shared the fate of most priories--that is, the Tudor gentleman with the plumes simply stole it by brute force and turned it into his own private house; he did worse things, as you shall hear. But the point here is that this is how the trick works, and the trick works in the same way in the other part of the tale. The name of this district is printed Holinwall in all the best maps produced by the scholars; and they allude lightly, not without a smile, to the fact that it was p.r.o.nounced Holiwell by the most ignorant and old-fas.h.i.+oned of the poor. But it is spelled wrong and p.r.o.nounced right."

"Do you mean to say," asked Crane, quickly, "that there really was a well?"

"There is a well," said Fisher, "and the truth lies at the bottom of it."

As he spoke he stretched out his hand and pointed toward the sheet of water in front of him.

"The well is under that water somewhere," he said, "and this is not the first tragedy connected with it. The founder of this house did something which his fellow ruffians very seldom did; something that had to be hushed up even in the anarchy of the pillage of the monasteries. The well was connected with the miracles of some saint, and the last prior that guarded it was something like a saint himself; certainly he was something very like a martyr. He defied the new owner and dared him to pollute the place, till the n.o.ble, in a fury, stabbed him and flung his body into the well, whither, after four hundred years, it has been followed by an heir of the usurper, clad in the same purple and walking the world with the same pride."

"But how did it happen," demanded Crane, "that for the first time Bulmer fell in at that particular spot?"

"Because the ice was only loosened at that particular spot, by the only man who knew it," answered Horne Fisher. "It was cracked deliberately, with the kitchen chopper, at that special place; and I myself heard the hammering and did not understand it. The place had been covered with an artificial lake, if only because the whole truth had to be covered with an artificial legend. But don't you see that it is exactly what those pagan n.o.bles would have done, to desecrate it with a sort of heathen G.o.ddess, as the Roman Emperor built a temple to Venus on the Holy Sepulchre. But the truth could still be traced out, by any scholarly man determined to trace it.

And this man was determined to trace it."

"What man?" asked the other, with a shadow of the answer in his mind.

"The only man who has an alibi," replied Fisher. "James Haddow, the antiquarian lawyer, left the night before the fatality, but he left that black star of death on the ice. He left abruptly, having previously proposed to stay; probably, I think, after an ugly scene with Bulmer, at their legal interview. As you know yourself, Bulmer could make a man feel pretty murderous, and I rather fancy the lawyer had himself irregularities to confess, and was in danger of exposure by his client. But it's my reading of human nature that a man will cheat in his trade, but not in his hobby. Haddow may have been a dishonest lawyer, but he couldn't help being an honest antiquary. When he got on the track of the truth about the Holy Well he had to follow it up; he was not to be bamboozled with newspaper anecdotes about Mr. Prior and a hole in the wall; he found out everything, even to the exact location of the well, and he was rewarded, if being a successful a.s.sa.s.sin can be regarded as a reward."

"And how did you get on the track of all this hidden history?" asked the young architect.

A cloud came across the brow of Horne Fisher. "I knew only too much about it already," he said, "and, after all, it's shameful for me to be speaking lightly of poor Bulmer, who has paid his penalty; but the rest of us haven't. I dare say every cigar I smoke and every liqueur I drink comes directly or indirectly from the harrying of the holy places and the persecution of the poor. After all, it needs very little poking about in the past to find that hole in the wall, that great breach in the defenses of English history. It lies just under the surface of a thin sheet of sham information and instruction, just as the black and blood-stained well lies just under that floor of shallow water and flat weeds. Oh, the ice is thin, but it bears; it is strong enough to support us when we dress up as monks and dance on it, in mockery of the dear, quaint old Middle Ages. They told me I must put on fancy dress; so I did put on fancy dress, according to my own taste and fancy. I put on the only costume I think fit for a man who has inherited the position of a gentleman, and yet has not entirely lost the feelings of one."

In answer to a look of inquiry, he rose with a sweeping and downward gesture.

"Sackcloth," he said; "and I would wear the ashes as well if they would stay on my bald head."

VII. THE TEMPLE OF SILENCE

Harold March and the few who cultivated the friends.h.i.+p of Horne Fisher, especially if they saw something of him in his own social setting, were conscious of a certain solitude in his very sociability. They seemed to be always meeting his relations and never meeting his family. Perhaps it would be truer to say that they saw much of his family and nothing of his home. His cousins and connections ramified like a labyrinth all over the governing cla.s.s of Great Britain, and he seemed to be on good, or at least on good-humored, terms with most of them. For Horne Fisher was remarkable for a curious impersonal information and interest touching all sorts of topics, so that one could sometimes fancy that his culture, like his colorless, fair mustache and pale, drooping features, had the neutral nature of a chameleon. Anyhow, he could always get on with viceroys and Cabinet Ministers and all the great men responsible for great departments, and talk to each of them on his own subject, on the branch of study with which he was most seriously concerned. Thus he could converse with the Minister for War about silkworms, with the Minister of Education about detective stories, with the Minister of Labor about Limoges enamel, and with the Minister of Missions and Moral Progress (if that be his correct t.i.tle) about the pantomime boys of the last four decades. And as the first was his first cousin, the second his second cousin, the third his brother-in-law, and the fourth his uncle by marriage, this conversational versatility certainly served in one sense to create a happy family. But March never seemed to get a glimpse of that domestic interior to which men of the middle cla.s.ses are accustomed in their friends.h.i.+ps, and which is indeed the foundation of friends.h.i.+p and love and everything else in any sane and stable society. He wondered whether Horne Fisher was both an orphan and an only child.

It was, therefore, with something like a start that he found that Fisher had a brother, much more prosperous and powerful than himself, though hardly, March thought, so entertaining. Sir Henry Harland Fisher, with half the alphabet after his name, was something at the Foreign Office far more tremendous than the Foreign Secretary. Apparently, it ran in the family, after all; for it seemed there was another brother, Ashton Fisher, in India, rather more tremendous than the Viceroy. Sir Henry Fisher was a heavier, but handsomer edition of his brother, with a brow equally bald, but much more smooth. He was very courteous, but a shade patronizing, not only to March, but even, as March fancied, to Horne Fisher as well. The latter gentleman, who had many intuitions about the half-formed thoughts of others, glanced at the topic himself as they came away from the great house in Berkeley Square.

"Why, don't you know," he observed quietly, "that I am the fool of the family?"

"It must be a clever family," said Harold March, with a smile.

"Very gracefully expressed," replied Fisher; "that is the best of having a literary training. Well, perhaps it is an exaggeration to say I am the fool of the family. It's enough to say I am the failure of the family."

"It seems queer to me that you should fail especially," remarked the journalist. "As they say in the examinations, what did you fail in?"

"Politics," replied his friend. "I stood for Parliament when I was quite a young man and got in by an enormous majority, with loud cheers and chairing round the town. Since then, of course, I've been rather under a cloud."

"I'm afraid I don't quite understand the 'of course,'" answered March, laughing.

"That part of it isn't worth understanding," said Fisher. "But as a matter of fact, old chap, the other part of it was rather odd and interesting. Quite a detective story in its way, as well as the first lesson I had in what modern politics are made of. If you like, I'll tell you all about it." And the following, recast in a less allusive and conversational manner, is the story that he told.

n.o.body privileged of late years to meet Sir Henry Harland Fisher would believe that he had ever been called Harry. But, indeed, he had been boyish enough when a boy, and that serenity which shone on him through life, and which now took the form of gravity, had once taken the form of gayety. His friends would have said that he was all the more ripe in his maturity for having been young in his youth. His enemies would have said that he was still light minded, but no longer light hearted. But in any case, the whole of the story Horne Fisher had to tell arose out of the accident which had made young Harry Fisher private secretary to Lord Saltoun. Hence his later connection with the Foreign Office, which had, indeed, come to him as a sort of legacy from his lords.h.i.+p when that great man was the power behind the throne. This is not the place to say much about Saltoun, little as was known of him and much as there was worth knowing. England has had at least three or four such secret statesmen. An aristocratic polity produces every now and then an aristocrat who is also an accident, a man of intellectual independence and insight, a Napoleon born in the purple. His vast work was mostly invisible, and very little could be got out of him in private life except a crusty and rather cynical sense of humor.

But it was certainly the accident of his presence at a family dinner of the Fishers, and the unexpected opinion he expressed, which turned what might have been a dinner-table joke into a sort of small sensational novel.

Save for Lord Saltoun, it was a family party of Fishers, for the only other distinguished stranger had just departed after dinner, leaving the rest to their coffee and cigars. This had been a figure of some interest--a young Cambridge man named Eric Hughes who was the rising hope of the party of Reform, to which the Fisher family, along with their friend Saltoun, had long been at least formally attached. The personality of Hughes was substantially summed up in the fact that he talked eloquently and earnestly through the whole dinner, but left immediately after to be in time for an appointment.

All his actions had something at once ambitious and conscientious; he drank no wine, but was slightly intoxicated with words. And his face and phrases were on the front page of all the newspapers just then, because he was contesting the safe seat of Sir Francis Verner in the great by-election in the west. Everybody was talking about the powerful speech against squirarchy which he had just delivered; even in the Fisher circle everybody talked about it except Horne Fisher himself who sat in a corner, lowering over the fire.

"We jolly well have to thank him for putting some new life into the old party," Ashton Fisher was saying. "This campaign against the old squires just hits the degree of democracy there is in this county.

This act for extending county council control is practically his bill; so you may say he's in the government even before he's in the House."

"One's easier than the other," said Harry, carelessly. "I bet the squire's a bigger pot than the county council in that county. Verner is pretty well rooted; all these rural places are what you call reactionary. d.a.m.ning aristocrats won't alter it."