Susan Lenox Her Fall and Rise Part 73
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That matter of her untrustworthiness had become a fixed idea with him. The more he concentrated upon her physical loveliness, the more he revolved the dangers, the possibilities of unfaithfulness; for a physical infatuation is always jealous.
His work on the _Herald_ made close guarding out of the question.
The best he could do was to pop in unexpectedly upon her from time to time, to rummage through her belongings, to check up her statements as to her goings and comings by questioning the servants and, most important of all, each day to put her through searching and skillfully planned cross-examination. She had to tell him everything she did--every little thing--and he calculated the time, to make sure she had not found half an hour or so in which to deceive him. If she had sewed, he must look at the sewing; if she had read, he must know how many pages and must hear a summary of what those pages contained. As she would not and could not deceive him in any matter, however small, she was compelled to give over a plan quietly to look for work and to fit herself for some occupation that would pay a living wage--if there were such for a beginning woman worker.
At first he was covert in this detective work, being ashamed of his own suspicions. But as he drank, as he a.s.sociated again with the same sort of people who had wasted his time in Cincinnati, he rapidly became franker and more inquisitorial. And she dreaded to see the look she knew would come into his eyes, the cruel tightening of his mouth, if in her confusion and eagerness she should happen not instantly to satisfy the doubt behind each question. He tormented her; he tormented himself. She suffered from humiliation; but she suffered more because she saw how his suspicions were torturing him. And in her humility and helplessness and inexperience, she felt no sense of right to resist, no impulse to resist.
And she forced herself to look on his spasms of jealousy as the occasional storms which occur even in the best climates. She reminded herself that she was secure of his love, secure in his love; and in her sad mood she reproached herself for not being content when at bottom everything was all right. After what she had been through, to be sad because the man she loved loved her too well! It was absurd, ungrateful.
He pried into every nook and corner of her being with that ingenious and tireless persistence human beings reserve for searches for what they do not wish to find. At last he contrived to find, or to imagine he had found, something that justified his labors and vindicated his disbelief in her.
They were walking in Fifth Avenue one afternoon, at the hour when there is the greatest press of equipages whose expensively and showily dressed occupants are industriously engaged in the occupation of imagining they are doing something when in fact they are doing nothing. What a world! What a grotesque confusing of motion and progress! What fantastic delusions that one is busy when one is merely occupied! They were between Forty-sixth Street and Forty-seventh, on the west side, when a small victoria drew up at the curb and a woman descended and crossed the sidewalk before them to look at the display in a milliner's window. Susan gave her the swift, seeing glance which one woman always gives another--the glance of compet.i.tors at each other's offerings. Instead of glancing away, Susan stopped short and gazed. Forgetting Rod, she herself went up to the millinery display that she might have a fuller view of the woman who had fascinated her.
"What's the matter?" cried Spenser. "Come on. You don't want any of those hats."
But Susan insisted that she must see, made him linger until the woman returned to her carriage and drove away. She said to Rod:
"Did you see her?"
"Yes. Rather pretty--nothing to scream about."
"But her _style!_" cried Susan.
"Oh, she was nicely dressed--in a quiet way. You'll see thousands a lot more exciting after you've been about in this town a while."
"I've seen scores of beautifully dressed women here--and in Cincinnati, too," replied Susan. "But that woman--she was _perfect_. And that's a thing I've never seen before."
"I'm glad you have such quiet tastes--quiet and inexpensive."
"Inexpensive!" exclaimed Susan. "I don't dare think how much that woman's clothes cost. You only glanced at her, Rod, you didn't _look_. If you had, you'd have seen. Everything she wore was just right." Susan's eyes were brilliant. "Oh, it was wonderful! The colors--the fit--the style--the making--every big and little thing. She was a work of art, Rod! That's the first woman I've seen in my life that I through and through envied."
Rod's look was interested now. "You like that sort of thing a lot?" he inquired with affected carelessness.
"Every woman does," replied she, unsuspicious. "But I care--well, not for merely fine clothes. But for the--the kind that show what sort of person is in them." She sighed. "I wonder if I'll ever learn--and have money enough to carry out. It'll take so much--so much!" She laughed. "I've got terribly extravagant ideas. But don't be alarmed--I keep them chained up."
He was eying her unpleasantly. Suddenly she became confused. He thought it was because she was seeing and understanding his look and was frightened at his having caught her at last. In fact, it was because it all at once struck her that what she had innocently and carelessly said sounded like a hint or a reproach to him. He sneered:
"So you're crazy about finery--eh?"
"Oh, Rod!" she cried. "You know I didn't mean it that way. I long for and dream about a whole lot of beautiful things, but nothing else in the world's in the same cla.s.s with--with what we've got."
"You needn't try to excuse yourself," said he in a tone that silenced her.
She wished she had not seen the woman who had thus put a cloud over their afternoon's happiness. But long after she had forgotten his queerness about what she said, she continued to remember that "perfect" woman--to see every detail of her exquisite toilet, so rare in a world where expensive-looking finery is regarded as the chief factor in the art of dress. How much she would have to learn before she could hope to dress like that!--learn not merely about dress but about the whole artistic side of life. For that woman had happened to cross Susan's vision at just the right moment--in development and in mood--to reveal to her clearly a world into which she had never penetrated--a world of which she had vaguely dreamed as she read novels of life in the lands beyond the seas, the life of palaces and pictures and statuary, of opera and theater, of equipages and servants and food and clothing of rare quality. She had rather thought such a life did not exist outside of novels and dreams. What she had seen of New York--the profuse, the gigantic but also the undiscriminating--had tended to strengthen the suspicion. But this woman proved her mistaken.
Our great forward strides are made unconsciously, are the results of apparently trivial, often unnoted impulses. Susan, like all our race, had always had vague secret dreams of ambition--so vague thus far that she never thought of them as impelling purposes in her life. Her first long forward stride toward changing these dreams from the vague to the definite was when Rod, before her on the horse on the way to Brooksburg, talked over his shoulder to her of the stage and made her feel that it was the life for her, the only life open to her where a woman could hope to be judged as human being instead of as mere instrument of s.e.x. Her second long forward movement toward sharply defined ambition dated from the sight of the woman of the milliner's window--the woman who epitomized to Susan the whole art side of life that always gives its highest expression in some personal achievement--the perfect toilet, the perfect painting or sculpture, the perfect novel or play.
But Rod saw in her enthusiasm only evidence of a concealed longing for the money to indulge extravagant whims. With his narrowing interest in women--narrowed now almost to s.e.x--his contempt for them as to their minds and their hearts was so far advancing that he hardly took the trouble to veil it with remnants of courtesy. If Susan had clearly understood--even if she had let herself understand what her increasing knowledge might have enabled her to understand--she would have hated him in spite of the hold grat.i.tude and habit had given him upon her loyal nature--and despite the fact that she had, as far as she could see, no alternative to living with him but the tenements or the streets.
One day in midsummer she chanced to go into the Hotel Astor to buy a magazine. As she had not been there before she made a wrong turning and was forced to cross one of the restaurants. In a far corner, half hidden by a group of palms, she saw Rod at a small table with a strikingly pretty woman whose expression and dress and manner most energetically proclaimed the actress. The woman was leaning toward him, was touching his hand and looking into his eyes with that show of enthusiasm which raises doubts of sincerity in an experienced man and sets him to keeping an eye or a hand--or both--upon his money. Real emotion, even a professional expert at display of emotion, is rarely so adept at exhibiting itself.
It may have been jealousy that guided her to this swift judgment upon the character of the emotion correctly and charmingly expressing itself. If so, jealousy was for once a trustworthy guide. She turned swiftly and escaped unseen. The idea of trapping him, of confronting him, never occurred to her. She felt ashamed and self-reproachful that she had seen. Instead of the anger that fires a vain woman, whether she cares about a man or not, there came a profound humiliation. She had in some way fallen short; she had not given him all he needed; it must be that she hadn't it to give, since she had given him all she had.
He must not know--he must not! For if he knew he might dislike her, might leave her--and she dared not think what life would be without him, her only source of companions.h.i.+p and affection, her only means of support. She was puzzled that her discovery, not of his treachery--he had so broken her spirit with his suspicions and his insulting questions that she did not regard herself as of the rank and dignity that has the right to exact fidelity--but of his no longer caring enough to be content with her alone, had not stunned her with amazement. She did not realize how completely the instinct that he was estranged from her had prepared her for the thing that always accompanies estrangement. Between the perfect accord, that is, the never realized ideal for a man and a woman living together, and the intolerable discord that means complete repulse there is a vast range of states of feeling imperceptibly shading into each other. Most couples constantly move along this range, now toward the one extreme, now toward the other. As human kings are not given to self-a.n.a.lysis, and usually wander into grotesque error whenever they attempt it, no couple knows precisely where it is upon the range, until something crucial happens to compel them to know. Susan and Rod had begun as all couples begin--with an imaginary ideal accord based upon their ignorance of each other and their misunderstanding of what qualities they thought they understood in each other. The delusion of accord vanished that first evening in New York. What remained? What came in the place? They knew no more about that than does the next couple.
They were simply "living along." A crisis, drawing them close together or flinging them forever apart or forcing them to live together, he frankly as keeper and she frankly as kept, might come any day, any hour. Again it might never come.
After a few weeks the matter that had been out of her mind accidentally and indirectly came to the surface in a chance remark. She said:
"Sometimes I half believe a man could be untrue to a woman, even though he loved her."
She did not appreciate the bearings of her remark until it was spoken. With a sensation of terror lest the dreaded crisis might be about to burst, she felt his quick, nervous glance. She breathed freely again when she felt his rea.s.surance and relief as she successfully withstood.
"Certainly," he said with elaborate carelessness. "Men are a rotten, promiscuous lot. That's why it's necessary for a woman to be good and straight."
All this time his cross-examination had grown in severity.
Evidently he was fearing that she might be having a recurrence of the moral disease which was fatal in womankind, though only mild indiscretion in a man, if not positively a virtue, an evidence of possessing a normal masculine nature. Her mind began curiously--sadly--to revolve the occasional presents--of money, of books, of things to wear--which he gave, always quite unexpectedly. At first unconsciously, but soon consciously, she began to a.s.sociate these gifts, given always in an embarra.s.sed, shamefaced way, with certain small but significant indications of his having strayed. And it was not long before she understood; she was receiving his expiations for his indiscretions. Like an honest man and a loyal--masculinely loyal--lover he was squaring accounts. She never read the books she owed to these twinges; it was thus that she got her aversion to Thackeray--one of his "expiations" was a set of Thackeray.
The things to wear she contrived never to use. The conscience money she either spent upon him or put back into his pocket a little at a time, sure that he, the most careless of men about money, would never detect her.
His work forced him to keep irregular hours; thus she could pretend to herself that his absences were certainly because of office duty. Still, whenever he was gone overnight, she became unhappy--not the crying kind of unhappiness; to that she was little given--but the kind that lies awake and aches and with morbid vivid fancy paints the scenes suspicion suggests, and stares at them not in anger but in despair. She was always urging herself to content herself with what she was getting. She recalled and lived again the things she had forgotten while Roderick was wholly hers--the penalties of the birth brand of shame--her wedding night--the miseries of the last period of her wanderings with Burlingham--her tenement days--the dirt, the nakedness, the brutal degradation, the vermin, the savage cold.
And the instant he returned, no matter how low-spirited she had been, she was at once gay, often deliriously gay--until soon his awakened suspicion as to what she had been up to in his absence quieted her. There was little forcing or pretense in this gayety; it bubbled and sparkled from the strong swift current of her healthy pa.s.sionate young life which, suspended in the icy clutch of fear when he was away from her, flowed as freely as the brooks in spring as soon as she realized that she still had him.
Did she really love him? She believed she did. Was she right?
Love is of many degrees--and kinds. And strange and confused beyond untangling is the mixture of motives and ideas in the mind of any human being as to any other being with whom his or her relations are many sided.
Anyone who had not been roughly seized by destiny and forced to fight desperately weaponless might have found it difficult to understand how this intelligent, high-spirited girl could be so reasonable--coa.r.s.ely practical, many people would have said. A brave soul--truly brave with the unconscious courage that lives heroically without any taint of heroics--such a soul learns to accept the facts of life, to make the best of things, to be grateful for whatever suns.h.i.+ne may be and not to shriek and gesticulate at storm. Suffering had given this sapling of a girl the strong fiber that enables a tree to push majestically up toward the open sky. Because she did not cry out was no sign that she was not hurt; and because she did not wither and die of her wounds was only proof of her strength of soul. The weak wail and the weak succ.u.mb; the strong persist--and a world of wailers and weaklings calls them hard, insensible, coa.r.s.e.
Spenser was fond of exhibiting to his men friends--to some of them--this treasure to which he always returned the more enamoured for his vagary and its opportunity of comparison.
Women he would not permit. In general, he held that all women, the respectable no less than the other kind, put mischief in each other's heads and egged each other on to carry out the mischief already there in embryo. In particular, he would have felt that he was committing a gross breach of the proprieties, not to say the decencies, had he introduced a woman of Susan's origin, history and present status to the wives and sisters of his friends; and, for reasons which it was not necessary even to pretend to conceal from her, he forbade her having anything to do with the kinds of woman who would not have minded, had they known all about her. Thus, her only acquaintances, her only a.s.sociates, were certain carefully selected men. He asked to dinner or to the theater or to supper at Jack's or Rector's only such men as he could trust. And trustworthy meant physically unattractive. Having small and dwindling belief in the mentality of women, and no belief whatever in mentality as a force in the relations of the s.e.xes, he was satisfied to have about her any man, however clever, provided he was absolutely devoid of physical charm.
The friend who came oftenest was Drumley, an editorial writer who had been his chum at college and had got him the place on the _Herald_. Drumley he would have trusted alone with her on a desert island; for several reasons, all of his personal convenience, it pleased him that Susan liked Drumley and was glad of his company, no matter how often he came or how long he stayed. Drumley was an emaciated Kentucky giant with grotesquely sloping shoulders which not all the ingenious padding of his tailor could appreciably mitigate. His spare legs were bowed in the calves. His skin looked rough and tough, like sandpaper and emery board. The thought of touching his face gave one the same sensation as a too deeply cut nail. His neck was thin and long, and he wore a low collar--through that interesting pa.s.sion of the vain for seeing a defect in themselves as a charm and calling attention to it. The lower part of his sallow face suggested weakness--the weakness so often seen in the faces of professional men, and explaining why they chose pa.s.sive instead of active careers. His forehead was really fine, but the development of the rest of the cranium above the protuberant little ears was not altogether satisfying to a claim of mental powers.
Drumley was a good sort--not so much through positive virtue as through the timidity which too often accounts for goodness, that is, for the meek conformity which pa.s.ses as goodness. He was an insatiable reader, had incredible stores of knowledge; and as he had a large vocabulary and a ready speech he could dole out of those reservoirs an agreeable treacle of commonplace philosophy or comment--thus he had an ideal equipment for editorial writing. He was absolutely without physical magnetism. The most he could ever expect from any woman was respect; and that woman would have had to be foolish enough not to realize that there is as abysmal a difference between knowledge and mentality as there is between reputation and character. Susan liked him because he knew so much. She had developed still further her innate pa.s.sion for educating herself. She now wanted to know all about everything. He told her what to read, set her in the way to discovering and acquiring the art of reading--an art he was himself capable of acquiring only in its rudiments--an art the existence of which is entirely unsuspected by most persons who regard themselves and are regarded as readers. He knew the histories and biographies that are most amusing and least shallow and mendacious. He instructed her in the great playwrights and novelists and poets, and gave--as his own--the reasons for their greatness a.s.signed by the world's foremost critical writers. He showed her what scientific books to read--those that do not bore and do not hide the simple fascinating facts about the universe under pretentious, college-professor phraseology.
He was a pedant, but his pedantry was disguised, therefore mitigated by his having a.s.sociated with men of the world instead of with the pale and pompous capons of the student's closet. His favorite topic was beauty and ugliness--and his abhorrence for anyone who was not good to look at. As he talked this subject, his hearers were nervous and embarra.s.sed. He was a drastic cure for physical vanity. If this man could so far deceive himself that he thought himself handsome, who in all the world could be sure he or she was not the victim of the same incredible delusion? It was this hallucination of physical beauty that caused Rod to regard him as the safest of the safe. For it made him pitiful and ridiculous.
At first he came only with Spenser. Afterward, Spenser used to send him to dine with Susan and to spend the evenings with her when he himself had to be--or wished to be elsewhere. When she was with Drumley he knew she was not "up to any of her old tricks." Drumley fell in love with her; but, as in his experience the female s.e.x was coldly chaste, he never developed even the slight hope necessary to start in a man's mind the idea of treachery to his friend about a woman. Whenever Drumley heard that a woman other than the brazenly out and out disreputables was "loose" or was inclined that way, he indignantly denied it as a libel upon the empedestaled s.e.x. If proofs beyond dispute were furnished, he raved against the man with all the venom of the unsuccessful hating the successful for their success. He had been sought of women, of course, for he had a comfortable and secure position and money put by. But the serious women who had set snares for him for the sake of a home had not attracted him; as for the better looking and livelier women who had come a-courting with alimony in view, they had unwisely chosen the method of approach that caused him to set them down as nothing but professional loose characters. Thus his high ideal of feminine beauty and his lofty notion of his own deserts, on the one hand, and his reverence for womanly propriety, on the other hand, had kept his charms and his income unshared.
Toward the end of Spenser's first year on the _Herald_--it was early summer--he fell into a melancholy so profound and so prolonged that Susan became alarmed. She was used to his having those fits of the blues that are a part of the nervous, morbidly sensitive nature and in the unhealthfulness of an irregular and dissipated life recur at brief intervals. He spent more and more time with her, became as ardent as in their first days together, with an added desperation of pa.s.sionate clinging that touched her to the depths. She had early learned to ignore his moods, to avoid sympathy which aggravates, and to meet his blues with a vigorous counterirritant of liveliness. After watching the course of this acute attack for more than a month, she decided that at the first opportunity she would try to find out from Drumley what the cause was. Perhaps she could cure him if she were not working in the dark.
One June evening Drumley came to take her to dinner at the Casino in Central Park. She hesitated. She still liked Drumley's mind; but latterly he had fallen into the way of gazing furtively, with a repulsive tremulousness of his loose eyelids, at her form and at her ankles--especially at her ankles--especially at her ankles. This furtive debauch gave her a s.h.i.+very sense of intrusion. She distinctly liked the candid, even the not too coa.r.s.e, glances of the usual man. But not this shy peeping. However, as there were books she particularly wished to talk about with him, she accepted.
It was an excursion of which she was fond. They strolled along Seventh Avenue to the Park, entered and followed the lovely walk, quiet and green and odorous, to the Mall. They sauntered in the fading light up the broad Mall, with its roof of boughs of majestic trees, with its pale blue vistas of well-kept lawns.
At the steps leading to the Casino they paused to delight in the profusely blooming wistaria and to gaze away northward into and over what seemed an endless forest with towers and cupolas of castle and fortress and cathedral rising serene and graceful here and there above the sea of green. There was the sound of tinkling fountains, the musical c.h.i.n.k-c.h.i.n.k of harness chains of elegant equipages; on the Mall hundreds of children were playing furiously, to enjoy to the uttermost the last few moments before being s.n.a.t.c.hed away to bed--and the birds were in the same hysterical state as they got ready for their evening song. The air was saturated with the fresh odors of spring and early summer flowers. Susan, walking beside the homely Drumley, was a charming and stylish figure of girlish womanhood. The year and three months in New York had wrought the same transformations in her that are so noticeable whenever an intelligent and observant woman with taste for the luxuries is dipped in the magic of city life. She had grown, was now perhaps a shade above the medium height for women, looked even taller because of the slenderness of her arms, of her neck, of the lines of her figure. There was a deeper melancholy in her violet-gray eyes. Experience had increased the allure of her wide, beautifully curved mouth.
They took a table under the trees, with beds of blooming flowers on either hand. Drumley ordered the sort of dinner she liked, and a bottle of champagne and a bottle of fine burgundy to make his favorite drink--champagne and burgundy, half and half. He was running to poetry that evening--Keats and Swinburne.
Finally, after some hesitation, he produced a poem by Dowson--"I ran across it today. It's the only thing of his worth while, I believe--and it's so fine that Swinburne must have been sore when he read it because he hadn't thought to write it himself.
Its moral tone is not high, but it's so beautiful, Mrs. Susan, that I'll venture to show it to you. It comes nearer to expressing what men mean by the man sort of constancy than anything I ever read. Listen to this:
"I cried for madder music and for stronger wine, But when the feast is finished, and the lamps expire, Then falls thy shadow, Cynara!--the night is thine; And I am desolate and sick of an old pa.s.sion, Yea, hungry for the lips of my desire; I have been faithful to thee, Cynara, in my fas.h.i.+on."
Susan Lenox Her Fall and Rise Part 73
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Susan Lenox Her Fall and Rise Part 73 summary
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