Kenelm Chillingly Part 22

The young man wandered alone into the fields. The day was becoming overcast, and the clouds threatened rain. The air was exceedingly still; the landscape, missing the suns.h.i.+ne, wore an aspect of gloomy solitude.

Kenelm came to the banks of the rivulet not far from the spot on which the farmer had first found him. There he sat down, and leaned his cheek on his hand, with eyes fixed on the still and darkened stream lapsing mournfully away: sorrow entered into his heart and tinged its musings.

"Is it then true," said he, soliloquizing, "that I am born to pa.s.s through life utterly alone; asking, indeed, for no sister-half of myself, disbelieving its possibility, shrinking from the thought of it,--half scorning, half pitying those who sigh for it?--thing unattainable,--better sigh for the moon!

"Yet if other men sigh for it, why do I stand apart from them? If the world be a stage, and all the men and women in it merely players, am I to be the solitary spectator, with no part in the drama and no interest in the vicissitudes of its plot? Many there are, no doubt, who covet as little as I do the part of 'Lover,' 'with a woful ballad, made to his mistress's eyebrow;' but then they covet some other part in the drama, such as that of Soldier 'bearded as a pard,' or that of Justice 'in fair round belly with fat capon lined.' But me no ambition fires: I have no longing either to rise or to s.h.i.+ne. I don't desire to be a colonel, nor an admiral, nor a member of Parliament, nor an alderman; I do not yearn for the fame of a wit, or a poet, or a philosopher, or a diner-out, or a crack shot at a rifle-match or a _battue_. Decidedly, I am the one looker-on, the one bystander, and have no more concern with the active world than a stone has. It is a horrible phantasmal crotchet of Goethe, that originally we were all monads, little segregated atoms adrift in the atmosphere, and carried hither and thither by forces over which we had no control, especially by the attraction of other monads, so that one monad, compelled by porcine monads, crystallizes into a pig; another, hurried along by heroic monads, becomes a lion or an Alexander.

Now it is quite clear," continued Kenelm, s.h.i.+fting his position and crossing the right leg over the left, "that a monad intended or fitted for some other planet may, on its way to that destination, be encountered by a current of other monads blowing earthward, and be caught up in the stream and whirled on, till, to the marring of its whole proper purpose and scene of action, it settles here,--conglomerated into a baby. Probably that lot has befallen me: my monad, meant for another region in s.p.a.ce, has been dropped into this, where it can never be at home, never amalgamate with other monads nor comprehend why they are in such a perpetual fidget. I declare I know no more why the minds of human beings should be so restlessly agitated about things which, as most of them own, give more pain than pleasure, than I understand why that swarm of gnats, which has such a very short time to live, does not give itself a moment's repose, but goes up and down, rising and falling as if it were on a seesaw, and making as much noise about its insignificant alternations of ascent and descent as if it were the hum of men. And yet, perhaps, in another planet my monad would have frisked and jumped and danced and seesawed with congenial monads, as contentedly and as sillily as do the monads of men and gnats in this alien Vale of Tears."

Kenelm had just arrived at that conjectural solution of his perplexities when a voice was heard singing, or rather modulated to that kind of chant between recitative and song, which is so pleasingly effective where the intonations are pure and musical. They were so in this instance, and Kenelm's ear caught every word in the following song:--

CONTENT.

"There are times when the troubles of life are still; The bees wandered lost in the depths of June, And I paused where the chime of a silver rill Sang the linnet and lark to their rest at noon.

"Said my soul, 'See how calmly the wavelets glide, Though so narrow their way to their ocean vent; And the world that I traverse is wide, is wide, And yet is too narrow to hold content'

"O my son, never say that the world is wide; The rill in its banks is less closely pent: It is thou who art sh.o.r.eless on every side, And thy width will not let thee enclose content."

As the voice ceased Kenelm lifted his head. But the banks of the brook were so curving and so clothed with brushwood that for some minutes the singer was invisible. At last the boughs before him were put aside, and within a few paces of himself paused the man to whom he had commended the praises of a beefsteak, instead of those which minstrelsy in its immemorial error dedicates to love.

"Sir," said Kenelm, half rising, "well met once more. Have you ever listened to the cuckoo?"

"Sir," answered the minstrel, "have you ever felt the presence of the summer?"

"Permit me to shake hands with you. I admire the question by which you have countermet and rebuked my own. If you are not in a hurry, will you sit down and let us talk?"

The minstrel inclined his head and seated himself. His dog--now emerged from the brushwood--gravely approached Kenelm, who with greater gravity regarded him; then, wagging his tail, reposed on his haunches, intent with ear erect on a stir in the neighbouring reeds, evidently considering whether it was caused by a fish or a water-rat.

"I asked you, sir, if you had ever listened to the cuckoo from no irrelevant curiosity; for often on summer days, when one is talking with one's self,--and, of course, puzzling one's self,--a voice breaks out, as it were from the heart of Nature, so far is it and yet so near; and it says something very quieting, very musical, so that one is tempted inconsiderately and foolishly to exclaim, 'Nature replies to me.' The cuckoo has served me that trick pretty often. Your song is a better answer to a man's self-questionings than he can ever get from a cuckoo."

"I doubt that," said the minstrel. "Song, at the best, is but the echo of some voice from the heart of Nature. And if the cuckoo's note seemed to you such a voice, it was an answer to your questionings perhaps more simply truthful than man can utter, if you had rightly construed the language."

"My good friend," answered Kenelm, "what you say sounds very prettily; and it contains a sentiment which has been amplified by certain critics into that measureless domain of dunderheads which is vulgarly called BOSH. But though Nature is never silent, though she abuses the privilege of her age in being tediously gossiping and garrulous, Nature never replies to our questions: she can't understand an argument; she has never read Mr. Mill's work on Logic. In fact, as it is truly said by a great philosopher, 'Nature has no mind.' Every man who addresses her is compelled to force upon her for a moment the loan of his own mind. And if she answers a question which his own mind puts to her, it is only by such a reply as his own mind teaches to her parrot-like lips. And as every man has a different mind, so every man gets a different answer.

Nature is a lying old humbug."

The minstrel laughed merrily; and his laugh was as sweet as his chant.

"Poets would have a great deal to unlearn if they are to look upon Nature in that light."

"Bad poets would, and so much the better for them and their readers."

"Are not good poets students of Nature?"

"Students of Nature, certainly, as surgeons study anatomy by dissecting a dead body. But the good poet, like the good surgeon, is the man who considers that study merely as the necessary A B C, and not as the all-in-all essential to skill in his practice. I do not give the fame of a good surgeon to a man who fills a book with details, more or less accurate, of fibres and nerves and muscles; and I don't give the fame of a good poet to a man who makes an inventory of the Rhine or the Vale of Gloucester. The good surgeon and the good poet are they who understand the living man. What is that poetry of drama which Aristotle justly ranks as the highest? Is it not a poetry in which description of inanimate Nature must of necessity be very brief and general; in which even the external form of man is so indifferent a consideration that it will vary with each actor who performs the part? A Hamlet may be fair or dark. A Macbeth may be short or tall. The merit of dramatic poetry consists in the subst.i.tuting for what is commonly called Nature (namely, external and material Nature) creatures intellectual, emotional, but so purely immaterial that they may be said to be all mind and soul, accepting the temporary loans of any such bodies at hand as actors may offer, in order to be made palpable and visible to the audience, but needing no such bodies to be palpable and visible to readers. The highest kind of poetry is therefore that which has least to do with external Nature. But every grade has its merit more or less genuinely great, according as it instils into Nature that which is not there,--the reason and the soul of man."

"I am not much disposed," said the minstrel, "to acknowledge any one form of poetry to be practically higher than another; that is, so far as to elevate the poet who cultivates what you call the highest with some success above the rank of the poet who cultivates what you call a very inferior school with a success much more triumphant. In theory, dramatic poetry may be higher than lyric, and 'Venice Preserved' is a very successful drama; but I think Burns a greater poet than Otway."

"Possibly he may be; but I know of no lyrical poet, at least among the moderns, who treats less of Nature as the mere outward form of things, or more pa.s.sionately animates her framework with his own human heart, than does Robert Burns. Do you suppose when a Greek, in some perplexity of reason or conscience, addressed a question to the oracular oak-leaves of Dodona that the oak-leaves answered him? Don't you rather believe that the question suggested by his mind was answered by the mind of his fellow-man, the priest, who made the oak-leaves the mere vehicle of communication, as you and I might make such vehicle in a sheet of writing-paper? Is not the history of superst.i.tion a chronicle of the follies of man in attempting to get answers from external Nature?"

"But," said the minstrel, "have I not somewhere heard or read that the experiments of Science are the answers made by Nature to the questions put to her by man?"

"They are the answers which his own mind suggests to her,--nothing more.

His mind studies the laws of matter, and in that study makes experiments on matter; out of those experiments his mind, according to its previous knowledge or natural acuteness, arrives at its own deductions, and hence arise the sciences of mechanics and chemistry, etc. But the matter itself gives no answer: the answer varies according to the mind that puts the question; and the progress of science consists in the perpetual correction of the errors and falsehoods which preceding minds conceived to be the correct answers they received from Nature. It is the supernatural within us,--namely, Mind,--which can alone guess at the mechanism of the natural, namely, Matter. A stone cannot question a stone."

The minstrel made no reply. And there was a long silence, broken but by the hum of the insects, the ripple of onward waves, and the sigh of the wind through reeds.

CHAPTER XVII.

SAID Kenelm, at last breaking silence--

"'Rapiamus, amici, Occasionem de die, dumque virent genua, Et decet, obducta solvatur fronte senectus!'"

"Is not that quotation from Horace?" asked the minstrel.

"Yes; and I made it insidiously, in order to see if you had not acquired what is called a cla.s.sical education."

"I might have received such education, if my tastes and my destinies had not withdrawn me in boyhood from studies of which I did not then comprehend the full value. But I did pick up a smattering of Latin at school; and from time to time since I left school I have endeavoured to gain some little knowledge of the most popular Latin poets; chiefly, I own to my shame, by the help of literal English translations."

"As a poet yourself, I am not sure that it would be an advantage to know a dead language so well that its forms and modes of thought ran, though perhaps unconsciously, into those of the living one in which you compose. Horace might have been a still better poet if he had not known Greek better than you know Latin."

"It is at least courteous in you to say so," answered the singer, with a pleased smile.

"You would be still more courteous," said Kenelm, "if you would pardon an impertinent question, and tell me whether it is for a wager that you wander through the land, Homer-like, as a wandering minstrel, and allow that intelligent quadruped your companion to carry a tray in his mouth for the reception of pennies?"

"No, it is not for a wager; it is a whim of mine, which I fancy from the tone of your conversation you could understand, being apparently somewhat whimsical yourself."

"So far as whim goes, be a.s.sured of my sympathy."

"Well, then, though I follow a calling by the exercise of which I secure a modest income, my pa.s.sion is verse. If the seasons were always summer, and life were always youth, I should like to pa.s.s through the world singing. But I have never ventured to publish any verses of mine. If they fell still-born it would give me more pain than such wounds to vanity ought to give to a bearded man; and if they were a.s.sailed or ridiculed it might seriously injure me in my practical vocation. That last consideration, were I quite alone in the world, might not much weigh on me; but there are others for whose sake I should like to make fortune and preserve station. Many years ago--it was in Germany--I fell in with a German student who was very poor, and who did make money by wandering about the country with lute and song. He has since become a poet of no mean popularity, and he has told me that he is sure he found the secret of that popularity in habitually consulting popular tastes during his roving apprentices.h.i.+p to song. His example strongly impressed me. So I began this experiment; and for several years my summers have been all partly spent in this way. I am only known, as I think I told you before, in the rounds I take as 'The Wandering Minstrel;' I receive the trifling moneys that are bestowed on me as proofs of a certain merit. I should not be paid by poor people if I did not please; and the songs which please them best are generally those I love best myself.

For the rest, my time is not thrown away,--not only as regards bodily health, but healthfulness of mind: all the current of one's ideas becomes so freshened by months of playful exercise and varied adventure."

"Yes, the adventure is varied enough," said Kenelm, somewhat ruefully; for he felt, in s.h.i.+fting his posture, a sharp twinge of his bruised muscles. "But don't you find those mischief-makers, the women, always mix themselves up with adventure?"

"Bless them! of course," said the minstrel, with a ringing laugh. "In life, as on the stage, the petticoat interest is always the strongest."

"I don't agree with you there," said Kenelm, dryly. "And you seem to me to utter a claptrap beneath the rank of your understanding. However, this warm weather indisposes one to disputation; and I own that a petticoat, provided it be red, is not without the interest of colour in a picture."

"Well, young gentleman," said the minstrel, rising, "the day is wearing on, and I must wish you good-by; probably, if you were to ramble about the country as I do, you would see too many pretty girls not to teach you the strength of petticoat interest,--not in pictures alone; and should I meet you again I may find you writing love-verses yourself."

"After a conjecture so unwarrantable, I part company with you less reluctantly than I otherwise might do. But I hope we shall meet again."

"Your wish flatters me much; but, if we do, pray respect the confidence I have placed in you, and regard my wandering minstrelsy and my dog's tray as sacred secrets. Should we not so meet, it is but a prudent reserve on my part if I do not give you my right name and address."

"There you show the cautious common-sense which belongs rarely to lovers of verse and petticoat interest. What have you done with your guitar?"