The Exploits of Elaine Part 18

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"Who is this?" she asked, as Michael led the bogus telephone inspector into the room.

"A man from the telephone company," he answered deferentially.

Aunt Josephine, unsophisticated, allowed them to enter without a further question.

Quickly, like a good workman, Clutching Hand went to the telephone instrument and by dint of keeping his finger on the hook and his back to Aunt Josephine succeeded in conveying the illusion that he was examining it.

Aunt Josephine moved to the door. Not so, Rusty. He did not like the looks of the stranger and he had no scruples against letting it be known.

As she put her hand on the k.n.o.b to go out into the hall, Rusty uttered a low growl which grew into a full-lunged snarl at the Clutching Hand.

Clutching Hand kicked at him vigorously, if surrept.i.tiously. Rusty barked.

"Lady," he disguised his voice, "will yer please ter call off the dog?

Me and him don't seem to cotton to each other."

"Here, Rusty," she commanded, "down!"

Together Aunt Josephine and Michael removed the still protesting Rusty.

No sooner was the door shut than the Clutching Hand moved over swiftly to it. For a few seconds, he stood gazing at them as they disappeared down-stairs. Then he came back into the center of the room.

Hastily he opened his bag and from it drew a small powder-spraying outfit such as I have seen used for spraying bug-powder. He then took out a sort of muzzle with an elastic band on it and slipped it over his head so that the muzzle protected his nose and mouth.

He seemed to work a sort of pumping attachment and from the nozzle of the spraying instrument blew out a cloud of powder which he directed at the wall.

The wall paper was one of those rich, fuzzy varieties and it seemed to catch the powder. Clutching Hand appeared to be more than satisfied with the effect.

Meanwhile, Michael, in the hallway, on guard to see that no one bothered the Clutching Hand at his work, was overcome by curiosity to see what his master was doing. He opened the door a little bit and gazed stealthily through the crack into the room.

Clutching Hand was now spraying the rug close to the dressing table of Elaine and was standing near the mirror. He stooped down to examine the rug. Then, as he raised his head, he happened to look into the mirror.

In it he could see the full reflection of Michael behind him, gazing into the room.

"The scoundrel!" muttered Clutching Hand, with repressed fury at the discovery.

He rose quickly and shut off the spraying instrument, stuffing it into the bag. He took a step or two toward the door. Michael drew back, fearfully, pretending now to be on guard.

Clutching Hand opened the door and, still wearing the muzzle, beckoned to Michael. Michael could scarcely control his fears. But he obeyed, entering Elaine's room after the Clutching Hand, who locked the door.

"Were you watching me?" demanded the master criminal, with rage.

Michael, trembling all over, shook his head. For a moment Clutching Hand looked him over disdainfully at the clumsy lie.

Then he brutally struck Michael in the face, knocking him down. An ungovernable, almost insane fury seemed to possess the man as he stood over the prostrate footman, cursing.

"Get up!" he ordered.

Michael obeyed, thoroughly cowed.

"Take me to the cellar, now," he demanded.

Michael led the way from the room without a protest, the master criminal following him closely.

Down into the cellar, by a back way, they went, Clutching Hand still wearing his muzzle and Michael saying not a word.

Suddenly Clutching Hand turned on him and seized him by the collar.

"Now, go upstairs, you," he muttered, shaking him until his teeth fairly chattered, "and if you watch me again--I'll kill you!"

He thrust Michael away and the footman, overcome by fear, hurried upstairs. Still trembling and fearful, Michael paused In the hallway, looking back resentfully, for even one who is in the power of a super-criminal is still human and has feelings that may be injured.

Michael put his hand on his face where the Clutching Hand had struck him. There he waited, muttering to himself. As he thought it over, anger took the place of fear. He slowly turned in the direction of the cellar. Closing both his fists, Michael made a threatening gesture at his master in crime.

Meanwhile, Clutching Hand was standing by the electric meter. He examined it carefully, feeling where the wires entered and left it starting to trace them out. At last he came to a point where it seemed suitable to make a connection for some purpose he had in mind.

Quickly he took some wire from his bag and connected it with the electric light wires. Next, he led these wires, concealed of course, along the cellar floor, in the direction of the furnace.

The furnace was one of the old hot air heaters and he paused before it as though seeking something. Then he bent down beside it and uncovered a little tank. He took off the top on which were cast in the iron the words:

"This tank must be kept full of water."

He thrust his hand gingerly into it, bringing it out quickly. The tank was nearly full of water and he brought his hand out wet. It was also hot. But he did not seem to mind that, for he shook his head with a smile of satisfaction.

Next, from his capacious bag he took two metal poles, or electrodes, and fastened them carefully to the ends of the wires, placing them at opposite ends of the tank in the water.

For several moments he watched. The water inside the tank seemed the same as before, only on each electrode there appeared bubbles, on one bubbles of oxygen, on the other of hydrogen. The water was decomposing under the current by electrolysis.

Another moment he surveyed his work to see that he had left no loose ends. Then he picked up his bag and moved toward the cellar steps. As he did so, he removed the muzzle from his nose and quietly let himself out of the house.

The next morning, Rusty, who had been Elaine's constant companion since the trouble had begun, awakened his mistress by licking her hand as it hung limply over the side of her bed.

She awakened with a start and put her hand to her head. She felt ill.

"Poor old fellow," she murmured, half dazedly, for the moment endowing her pet with her own feelings, as she patted his faithful s.h.a.ggy head.

Rusty moved away again, wagging his tail listlessly. The collie, too, felt ill. Elaine watched him as he walked, dejected, across the room and then lay down.

"Why, Miss Elaine--what ees ze mattair? You are so pale!" exclaimed the maid, Marie, as she entered the room a moment later with the morning's mail on a salver.

"I don't feel well, Marie," she replied, trying with her slender white hand to brush the cobwebs from her brain. "I--I wish you'd tell Aunt Josephine to telephone Dr. Hayward."

"Yes, mademoiselle," answered Marie, deftly and sympathetically straightening out the pillows.

Languidly Elaine took the letters one by one off the salver. She looked at them, but seemed not to have energy enough to open them.

Finally she selected one and slowly tore it open. It had no superscription, but it at once arrested her attention and transfixed her with terror.

It read:

The Exploits of Elaine Part 18

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The Exploits of Elaine Part 18 summary

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