Bleak House Part 29

"Gammon, George! Not handsome?" said Mr. Bucket, tapping him on his broad breast again and shaking hands with him. "I don't say it wasn't handsome in you to keep my man so close, do I? Be equally good-tempered to me, old boy! Old William Tell, Old Shaw, the Life Guardsman! Why, he's a model of the whole British army in himself, ladies and gentlemen. I'd give a fifty-pun' note to be such a figure of a man!"

The affair being brought to this head, Mr. George, after a little consideration, proposed to go in first to his comrade (as he called him), taking Miss Flite with him. Mr. Bucket agreeing, they went away to the further end of the gallery, leaving us sitting and standing by a table covered with guns. Mr. Bucket took this opportunity of entering into a little light conversation, asking me if I were afraid of fire-arms, as most young ladies were; asking Richard if he were a good shot; asking Phil Squod which he considered the best of those rifles and what it might be worth first-hand, telling him in return that it was a pity he ever gave way to his temper, for he was naturally so amiable that he might have been a young woman, and making himself generally agreeable.

After a time he followed us to the further end of the gallery, and Richard and I were going quietly away when Mr. George came after us. He said that if we had no objection to see his comrade, he would take a visit from us very kindly. The words had hardly pa.s.sed his lips when the bell was rung and my guardian appeared, "on the chance," he slightly observed, "of being able to do any little thing for a poor fellow involved in the same misfortune as himself." We all four went back together and went into the place where Gridley was.

It was a bare room, part.i.tioned off from the gallery with unpainted wood. As the screening was not more than eight or ten feet high and only enclosed the sides, not the top, the rafters of the high gallery roof were overhead, and the skylight through which Mr. Bucket had looked down. The sun was low--near setting--and its light came redly in above, without descending to the ground. Upon a plain canvas-covered sofa lay the man from Shrops.h.i.+re, dressed much as we had seen him last, but so changed that at first I recognized no likeness in his colourless face to what I recollected.

He had been still writing in his hiding-place, and still dwelling on his grievances, hour after hour. A table and some shelves were covered with ma.n.u.script papers and with worn pens and a medley of such tokens. Touchingly and awfully drawn together, he and the little mad woman were side by side and, as it were, alone. She sat on a chair holding his hand, and none of us went close to them.

His voice had faded, with the old expression of his face, with his strength, with his anger, with his resistance to the wrongs that had at last subdued him. The faintest shadow of an object full of form and colour is such a picture of it as he was of the man from Shrops.h.i.+re whom we had spoken with before.

He inclined his head to Richard and me and spoke to my guardian.

"Mr. Jarndyce, it is very kind of you to come to see me. I am not long to be seen, I think. I am very glad to take your hand, sir. You are a good man, superior to injustice, and G.o.d knows I honour you."

They shook hands earnestly, and my guardian said some words of comfort to him.

"It may seem strange to you, sir," returned Gridley; "I should not have liked to see you if this had been the first time of our meeting. But you know I made a fight for it, you know I stood up with my single hand against them all, you know I told them the truth to the last, and told them what they were, and what they had done to me; so I don't mind your seeing me, this wreck."

"You have been courageous with them many and many a time," returned my guardian.

"Sir, I have been," with a faint smile. "I told you what would come of it when I ceased to be so, and see here! Look at us--look at us!" He drew the hand Miss Flite held through her arm and brought her something nearer to him.

"This ends it. Of all my old a.s.sociations, of all my old pursuits and hopes, of all the living and the dead world, this one poor soul alone comes natural to me, and I am fit for. There is a tie of many suffering years between us two, and it is the only tie I ever had on earth that Chancery has not broken."

"Accept my blessing, Gridley," said Miss Flite in tears. "Accept my blessing!"

"I thought, boastfully, that they never could break my heart, Mr. Jarndyce. I was resolved that they should not. I did believe that I could, and would, charge them with being the mockery they were until I died of some bodily disorder. But I am worn out. How long I have been wearing out, I don't know; I seemed to break down in an hour. I hope they may never come to hear of it. I hope everybody here will lead them to believe that I died defying them, consistently and perseveringly, as I did through so many years."

Here Mr. Bucket, who was sitting in a corner by the door, good- naturedly offered such consolation as he could administer.

"Come, come!" he said from his corner. "Don't go on in that way, Mr. Gridley. You are only a little low. We are all of us a little low sometimes. I am. Hold up, hold up! You'll lose your temper with the whole round of 'em, again and again; and I shall take you on a score of warrants yet, if I have luck."

He only shook his head.

"Don't shake your head," said Mr. Bucket. "Nod it; that's what I want to see you do. Why, Lord bless your soul, what times we have had together! Haven't I seen you in the Fleet over and over again for contempt? Haven't I come into court, twenty afternoons for no other purpose than to see you pin the Chancellor like a bull-dog? Don't you remember when you first began to threaten the lawyers, and the peace was sworn against you two or three times a week? Ask the little old lady there; she has been always present. Hold up, Mr. Gridley, hold up, sir!"

"What are you going to do about him?" asked George in a low voice.

"I don't know yet," said Bucket in the same tone. Then resuming his encouragement, he pursued aloud: "Worn out, Mr. Gridley? After dodging me for all these weeks and forcing me to climb the roof here like a tom cat and to come to see you as a doctor? That ain't like being worn out. I should think not! Now I tell you what you want. You want excitement, you know, to keep YOU up; that's what YOU want. You're used to it, and you can't do without it. I couldn't myself. Very well, then; here's this warrant got by Mr. Tulkinghorn of Lincoln's Inn Fields, and backed into half-a-dozen counties since. What do you say to coming along with me, upon this warrant, and having a good angry argument before the magistrates? It'll do you good; it'll freshen you up and get you into training for another turn at the Chancellor. Give in? Why, I am surprised to hear a man of your energy talk of giving in. You mustn't do that. You're half the fun of the fair in the Court of Chancery. George, you lend Mr. Gridley a hand, and let's see now whether he won't be better up than down."

"He is very weak," said the trooper in a low voice.

"Is he?" returned Bucket anxiously. "I only want to rouse him. I don't like to see an old acquaintance giving in like this. It would cheer him up more than anything if I could make him a little waxy with me. He's welcome to drop into me, right and left, if he likes. I shall never take advantage of it."

The roof rang with a scream from Miss Flite, which still rings in my ears.

"Oh, no, Gridley!" she cried as he fell heavily and calmly back from before her. "Not without my blessing. After so many years!"

The sun was down, the light had gradually stolen from the roof, and the shadow had crept upward. But to me the shadow of that pair, one living and one dead, fell heavier on Richard's departure than the darkness of the darkest night. And through Richard's farewell words I heard it echoed: "Of all my old a.s.sociations, of all my old pursuits and hopes, of all the living and the dead world, this one poor soul alone comes natural to me, and I am fit for. There is a tie of many suffering years between us two, and it is the only tie I ever had on earth that Chancery has not broken!"

CHAPTER XXV.

Mrs. Snagsby Sees It All.

There is disquietude in Cook's Court, Cursitor Street. Black suspicion hides in that peaceful region. The ma.s.s of Cook's Courtiers are in their usual state of mind, no better and no worse; but Mr. Snagsby is changed, and his little woman knows it.

For Tom-all-Alone's and Lincoln's Inn Fields persist in harnessing themselves, a pair of ungovernable coursers, to the chariot of Mr. Snagsby's imagination; and Mr. Bucket drives; and the pa.s.sengers are Jo and Mr. Tulkinghorn; and the complete equipage whirls though the law-stationery business at wild speed all round the clock. Even in the little front kitchen where the family meals are taken, it rattles away at a smoking pace from the dinner-table, when Mr. Snagsby pauses in carving the first slice of the leg of mutton baked with potatoes and stares at the kitchen wall.

Mr. Snagsby cannot make out what it is that he has had to do with. Something is wrong somewhere, but what something, what may come of it, to whom, when, and from which unthought of and unheard of quarter is the puzzle of his life. His remote impressions of the robes and coronets, the stars and garters, that sparkle through the surface-dust of Mr. Tulkinghorn's chambers; his veneration for the mysteries presided over by that best and closest of his customers, whom all the Inns of Court, all Chancery Lane, and all the legal neighbourhood agree to hold in awe; his remembrance of Detective Mr. Bucket with his forefinger and his confidential manner, impossible to be evaded or declined, persuade him that he is a party to some dangerous secret without knowing what it is. And it is the fearful peculiarity of this condition that, at any hour of his daily life, at any opening of the shop-door, at any pull of the bell, at any entrance of a messenger, or any delivery of a letter, the secret may take air and fire, explode, and blow up--Mr. Bucket only knows whom.

For which reason, whenever a man unknown comes into the shop (as many men unknown do) and says, "Is Mr. Snagsby in?" or words to that innocent effect, Mr. Snagsby's heart knocks hard at his guilty breast. He undergoes so much from such inquiries that when they are made by boys he revenges himself by flipping at their ears over the counter and asking the young dogs what they mean by it and why they can't speak out at once? More impracticable men and boys persist in walking into Mr. Snagsby's sleep and terrifying him with unaccountable questions, so that often when the c.o.c.k at the little dairy in Cursitor Street breaks out in his usual absurd way about the morning, Mr. Snagsby finds himself in a crisis of nightmare, with his little woman shaking him and saying "What's the matter with the man!"

The little woman herself is not the least item in his difficulty. To know that he is always keeping a secret from her, that he has under all circ.u.mstances to conceal and hold fast a tender double tooth, which her sharpness is ever ready to twist out of his head, gives Mr. Snagsby, in her dentistical presence, much of the air of a dog who has a reservation from his master and will look anywhere rather than meet his eye.

These various signs and tokens, marked by the little woman, are not lost upon her. They impel her to say, "Snagsby has something on his mind!" And thus suspicion gets into Cook's Court, Cursitor Street. From suspicion to jealousy, Mrs. Snagsby finds the road as natural and short as from Cook's Court to Chancery Lane. And thus jealousy gets into Cook's Court, Cursitor Street. Once there (and it was always lurking thereabout), it is very active and nimble in Mrs. Snagsby's breast, prompting her to nocturnal examinations of Mr. Snagsby's pockets; to secret perusals of Mr. Snagsby's letters; to private researches in the day book and ledger, till, cash-box, and iron safe; to watchings at windows, listenings behind doors, and a general putting of this and that together by the wrong end.

Mrs. Snagsby is so perpetually on the alert that the house becomes ghostly with creaking boards and rustling garments. The 'prentices think somebody may have been murdered there in bygone times. Guster holds certain loose atoms of an idea (picked up at Tooting, where they were found floating among the orphans) that there is buried money underneath the cellar, guarded by an old man with a white beard, who cannot get out for seven thousand years because he said the Lord's Prayer backwards.

"Who was Nimrod?" Mrs. Snagsby repeatedly inquires of herself. "Who was that lady--that creature? And who is that boy?" Now, Nimrod being as dead as the mighty hunter whose name Mrs. Snagsby has appropriated, and the lady being unproducible, she directs her mental eye, for the present, with redoubled vigilance to the boy. "And who," quoth Mrs. Snagsby for the thousand and first time, "is that boy? Who is that--!" And there Mrs. Snagsby is seized with an inspiration.

He has no respect for Mr. Chadband. No, to be sure, and he wouldn't have, of course. Naturally he wouldn't, under those contagious circ.u.mstances. He was invited and appointed by Mr. Chadband--why, Mrs. Snagsby heard it herself with her own ears!--to come back, and be told where he was to go, to be addressed by Mr. Chadband; and he never came! Why did he never come? Because he was told not to come. Who told him not to come? Who? Ha, ha! Mrs. Snagsby sees it all.

But happily (and Mrs. Snagsby tightly shakes her head and tightly smiles) that boy was met by Mr. Chadband yesterday in the streets; and that boy, as affording a subject which Mr. Chadband desires to improve for the spiritual delight of a select congregation, was seized by Mr. Chadband and threatened with being delivered over to the police unless he showed the reverend gentleman where he lived and unless he entered into, and fulfilled, an undertaking to appear in Cook's Court to-morrow night, "to--mor--row--night," Mrs. Snagsby repeats for mere emphasis with another tight smile and another tight shake of her head; and to-morrow night that boy will be here, and to-morrow night Mrs. Snagsby will have her eye upon him and upon some one else; and oh, you may walk a long while in your secret ways (says Mrs. Snagsby with haughtiness and scorn), but you can't blind ME!

Mrs. Snagsby sounds no timbrel in anybody's ears, but holds her purpose quietly, and keeps her counsel. To-morrow comes, the savoury preparations for the Oil Trade come, the evening comes. Comes Mr. Snagsby in his black coat; come the Chadbands; come (when the gorging vessel is replete) the 'prentices and Guster, to be edified; comes at last, with his slouching head, and his shuffle backward, and his shuffle forward, and his shuffle to the right, and his shuffle to the left, and his bit of fur cap in his muddy hand, which he picks as if it were some mangy bird he had caught and was plucking before eating raw, Jo, the very, very tough subject Mr. Chadband is to improve.

Mrs. Snagsby screws a watchful glance on Jo as he is brought into the little drawing-room by Guster. He looks at Mr. Snagsby the moment he comes in. Aha! Why does he look at Mr. Snagsby? Mr. Snagsby looks at him. Why should he do that, but that Mrs. Snagsby sees it all? Why else should that look pa.s.s between them, why else should Mr. Snagsby be confused and cough a signal cough behind his hand? It is as clear as crystal that Mr. Snagsby is that boy's father.

"Peace, my friends," says Chadband, rising and wiping the oily exudations from his reverend visage. "Peace be with us! My friends, why with us? Because," with his fat smile, "it cannot be against us, because it must be for us; because it is not hardening, because it is softening; because it does not make war like the hawk, but comes home unto us like the dove. Therefore, my friends, peace be with us! My human boy, come forward!"

Stretching forth his flabby paw, Mr. Chadband lays the same on Jo's arm and considers where to station him. Jo, very doubtful of his reverend friend's intentions and not at all clear but that something practical and painful is going to be done to him, mutters, "You let me alone. I never said nothink to you. You let me alone."

"No, my young friend," says Chadband smoothly, "I will not let you alone. And why? Because I am a harvest-labourer, because I am a toiler and a moiler, because you are delivered over unto me and are become as a precious instrument in my hands. My friends, may I so employ this instrument as to use it to your advantage, to your profit, to your gain, to your welfare, to your enrichment! My young friend, sit upon this stool."

Jo, apparently possessed by an impression that the reverend gentleman wants to cut his hair, s.h.i.+elds his head with both arms and is got into the required position with great difficulty and every possible manifestation of reluctance.

When he is at last adjusted like a lay-figure, Mr. Chadband, retiring behind the table, holds up his bear's-paw and says, "My friends!" This is the signal for a general settlement of the audience. The 'prentices giggle internally and nudge each other. Guster falls into a staring and vacant state, compounded of a stunned admiration of Mr. Chadband and pity for the friendless outcast whose condition touches her nearly. Mrs. Snagsby silently lays trains of gunpowder. Mrs. Chadband composes herself grimly by the fire and warms her knees, finding that sensation favourable to the reception of eloquence.

It happens that Mr. Chadband has a pulpit habit of fixing some member of his congregation with his eye and fatly arguing his points with that particular person, who is understood to be expected to be moved to an occasional grunt, groan, gasp, or other audible expression of inward working, which expression of inward working, being echoed by some elderly lady in the next pew and so communicated like a game of forfeits through a circle of the more fermentable sinners present, serves the purpose of parliamentary cheering and gets Mr. Chadband's steam up. From mere force of habit, Mr. Chadband in saying "My friends!" has rested his eye on Mr. Snagsby and proceeds to make that ill-starred stationer, already sufficiently confused, the immediate recipient of his discourse.

"We have here among us, my friends," says Chadband, "a Gentile and a heathen, a dweller in the tents of Tom-all-Alone's and a mover-on upon the surface of the earth. We have here among us, my friends," and Mr. Chadband, untwisting the point with his dirty thumb-nail, bestows an oily smile on Mr. Snagsby, signifying that he will throw him an argumentative back-fall presently if he be not already down, "a brother and a boy. Devoid of parents, devoid of relations, devoid of flocks and herds, devoid of gold and silver and of precious stones. Now, my friends, why do I say he is devoid of these possessions? Why? Why is he?" Mr. Chadband states the question as if he were propounding an entirely new riddle of much ingenuity and merit to Mr. Snagsby and entreating him not to give it up.

Mr. Snagsby, greatly perplexed by the mysterious look he received just now from his little woman--at about the period when Mr. Chadband mentioned the word parents--is tempted into modestly remarking, "I don't know, I'm sure, sir." On which interruption Mrs. Chadband glares and Mrs. Snagsby says, "For shame!"

"I hear a voice," says Chadband; "is it a still small voice, my friends? I fear not, though I fain would hope so--"

"Ah--h!" from Mrs. Snagsby.

"Which says, 'I don't know.' Then I will tell you why. I say this brother present here among us is devoid of parents, devoid of relations, devoid of flocks and herds, devoid of gold, of silver, and of precious stones because he is devoid of the light that s.h.i.+nes in upon some of us. What is that light? What is it? I ask you, what is that light?"

Mr. Chadband draws back his head and pauses, but Mr. Snagsby is not to be lured on to his destruction again. Mr. Chadband, leaning forward over the table, pierces what he has got to follow directly into Mr. Snagsby with the thumb-nail already mentioned.

"It is," says Chadband, "the ray of rays, the sun of suns, the moon of moons, the star of stars. It is the light of Terewth."

Mr. Chadband draws himself up again and looks triumphantly at Mr. Snagsby as if he would be glad to know how he feels after that.

"Of Terewth," says Mr. Chadband, hitting him again. "Say not to me that it is NOT the lamp of lamps. I say to you it is. I say to you, a million of times over, it is. It is! I say to you that I will proclaim it to you, whether you like it or not; nay, that the less you like it, the more I will proclaim it to you. With a speaking-trumpet! I say to you that if you rear yourself against it, you shall fall, you shall be bruised, you shall be battered, you shall be flawed, you shall be smashed."

The present effect of this flight of oratory--much admired for its general power by Mr. Chadband's followers--being not only to make Mr. Chadband unpleasantly warm, but to represent the innocent Mr. Snagsby in the light of a determined enemy to virtue, with a forehead of bra.s.s and a heart of adamant, that unfortunate tradesman becomes yet more disconcerted and is in a very advanced state of low spirits and false position when Mr. Chadband accidentally finishes him.

"My friends," he resumes after dabbing his fat head for some time-- and it smokes to such an extent that he seems to light his pocket- handkerchief at it, which smokes, too, after every dab--"to pursue the subject we are endeavouring with our lowly gifts to improve, let us in a spirit of love inquire what is that Terewth to which I have alluded. For, my young friends," suddenly addressing the 'prentices and Guster, to their consternation, "if I am told by the doctor that calomel or castor-oil is good for me, I may naturally ask what is calomel, and what is castor-oil. I may wish to be informed of that before I dose myself with either or with both. Now, my young friends, what is this Terewth then? Firstly (in a spirit of love), what is the common sort of Terewth--the working clothes--the every-day wear, my young friends? Is it deception?"

"Ah--h!" from Mrs. Snagsby.

"Is it suppression?"

A s.h.i.+ver in the negative from Mrs. Snagsby.

"Is it reservation?"

A shake of the head from Mrs. Snagsby--very long and very tight.

"No, my friends, it is neither of these. Neither of these names belongs to it. When this young heathen now among us--who is now, my friends, asleep, the seal of indifference and perdition being set upon his eyelids; but do not wake him, for it is right that I should have to wrestle, and to combat and to struggle, and to conquer, for his sake--when this young hardened heathen told us a story of a c.o.c.k, and of a bull, and of a lady, and of a sovereign, was THAT the Terewth? No. Or if it was partly, was it wholly and entirely? No, my friends, no!"

If Mr. Snagsby could withstand his little woman's look as it enters at his eyes, the windows of his soul, and searches the whole tenement, he were other than the man he is. He cowers and droops.

"Or, my juvenile friends," says Chadband, descending to the level of their comprehension with a very obtrusive demonstration in his greasily meek smile of coming a long way downstairs for the purpose, "if the master of this house was to go forth into the city and there see an eel, and was to come back, and was to call unto him the mistress of this house, and was to say, 'Sarah, rejoice with me, for I have seen an elephant!' would THAT be Terewth?"

Mrs. Snagsby in tears.

"Or put it, my juvenile friends, that he saw an elephant, and returning said 'Lo, the city is barren, I have seen but an eel,' would THAT be Terewth?"

Mrs. Snagsby sobbing loudly.

"Or put it, my juvenile friends," said Chadband, stimulated by the sound, "that the unnatural parents of this slumbering heathen--for parents he had, my juvenile friends, beyond a doubt--after casting him forth to the wolves and the vultures, and the wild dogs and the young gazelles, and the serpents, went back to their dwellings and had their pipes, and their pots, and their flutings and their dancings, and their malt liquors, and their butcher's meat and poultry, would THAT be Terewth?"

Mrs. Snagsby replies by delivering herself a prey to spasms, not an unresisting prey, but a crying and a tearing one, so that Cook's Court re-echoes with her shrieks. Finally, becoming cataleptic, she has to be carried up the narrow staircase like a grand piano. After unspeakable suffering, productive of the utmost consternation, she is p.r.o.nounced, by expresses from the bedroom, free from pain, though much exhausted, in which state of affairs Mr. Snagsby, trampled and crushed in the piano-forte removal, and extremely timid and feeble, ventures to come out from behind the door in the drawing-room.

All this time Jo has been standing on the spot where he woke up, ever picking his cap and putting bits of fur in his mouth. He spits them out with a remorseful air, for he feels that it is in his nature to be an unimprovable reprobate and that it's no good HIS trying to keep awake, for HE won't never know nothink. Though it may be, Jo, that there is a history so interesting and affecting even to minds as near the brutes as thine, recording deeds done on this earth for common men, that if the Chadbands, removing their own persons from the light, would but show it thee in simple reverence, would but leave it unimproved, would but regard it as being eloquent enough without their modest aid--it might hold thee awake, and thou might learn from it yet!

Jo never heard of any such book. Its compilers and the Reverend Chadband are all one to him, except that he knows the Reverend Chadband and would rather run away from him for an hour than hear him talk for five minutes. "It an't no good my waiting here no longer," thinks Jo. "Mr. Snagsby an't a-going to say nothink to me to-night." And downstairs he shuffles.

But downstairs is the charitable Guster, holding by the handrail of the kitchen stairs and warding off a fit, as yet doubtfully, the same having been induced by Mrs. Snagsby's screaming. She has her own supper of bread and cheese to hand to Jo, with whom she ventures to interchange a word or so for the first time.

"Here's something to eat, poor boy," says Guster.

"Thank'ee, mum," says Jo.

"Are you hungry?"

"Jist!" says Jo.

"What's gone of your father and your mother, eh?"

Jo stops in the middle of a bite and looks petrified. For this orphan charge of the Christian saint whose shrine was at Tooting has patted him on the shoulder, and it is the first time in his life that any decent hand has been so laid upon him.

"I never know'd nothink about 'em," says Jo.

"No more didn't I of mine," cries Guster. She is repressing symptoms favourable to the fit when she seems to take alarm at something and vanishes down the stairs.

"Jo," whispers the law-stationer softly as the boy lingers on the step.

"Here I am, Mr. Snagsby!"

"I didn't know you were gone--there's another half-crown, Jo. It was quite right of you to say nothing about the lady the other night when we were out together. It would breed trouble. You can't be too quiet, Jo."

"I am fly, master!"

And so, good night.

A ghostly shade, frilled and night-capped, follows the law- stationer to the room he came from and glides higher up. And henceforth he begins, go where he will, to be attended by another shadow than his own, hardly less constant than his own, hardly less quiet than his own. And into whatsoever atmosphere of secrecy his own shadow may pa.s.s, let all concerned in the secrecy beware! For the watchful Mrs. Snagsby is there too--bone of his bone, flesh of his flesh, shadow of his shadow.

CHAPTER XXVI.

Sharpshooters.

Wintry morning, looking with dull eyes and sallow face upon the neighbourhood of Leicester Square, finds its inhabitants unwilling to get out of bed. Many of them are not early risers at the brightest of times, being birds of night who roost when the sun is high and are wide awake and keen for prey when the stars s.h.i.+ne out. Behind dingy blind and curtain, in upper story and garret, skulking more or less under false names, false hair, false t.i.tles, false jewellery, and false histories, a colony of brigands lie in their first sleep. Gentlemen of the green-baize road who could discourse from personal experience of foreign galleys and home treadmills; spies of strong governments that eternally quake with weakness and miserable fear, broken traitors, cowards, bullies, gamesters, shufflers, swindlers, and false witnesses; some not unmarked by the branding-iron beneath their dirty braid; all with more cruelty in them than was in Nero, and more crime than is in Newgate. For howsoever bad the devil can be in fustian or smock-frock (and he can be very bad in both), he is a more designing, callous, and intolerable devil when he sticks a pin in his s.h.i.+rt-front, calls himself a gentleman, backs a card or colour, plays a game or so of billiards, and knows a little about bills and promissory notes than in any other form he wears. And in such form Mr. Bucket shall find him, when he will, still pervading the tributary channels of Leicester Square.

But the wintry morning wants him not and wakes him not. It wakes Mr. George of the shooting gallery and his familiar. They arise, roll up and stow away their mattresses. Mr. George, having shaved himself before a looking-gla.s.s of minute proportions, then marches out, bare-headed and bare-chested, to the pump in the little yard and anon comes back s.h.i.+ning with yellow soap, friction, drifting rain, and exceedingly cold water. As he rubs himself upon a large jack-towel, blowing like a military sort of diver just come up, his hair curling tighter and tighter on his sunburnt temples the more he rubs it so that it looks as if it never could be loosened by any less coercive instrument than an iron rake or a curry-comb--as he rubs, and puffs, and polishes, and blows, turning his head from side to side the more conveniently to excoriate his throat, and standing with his body well bent forward to keep the wet from his martial legs, Phil, on his knees lighting a fire, looks round as if it were enough was.h.i.+ng for him to see all that done, and sufficient renovation for one day to take in the superfluous health his master throws off.

When Mr. George is dry, he goes to work to brush his head with two hard brushes at once, to that unmerciful degree that Phil, shouldering his way round the gallery in the act of sweeping it, winks with sympathy. This chafing over, the ornamental part of Mr. George's toilet is soon performed. He fills his pipe, lights it, and marches up and down smoking, as his custom is, while Phil, raising a powerful odour of hot rolls and coffee, prepares breakfast. He smokes gravely and marches in slow time. Perhaps this morning's pipe is devoted to the memory of Gridley in his grave.