Dangerous Days Part 27
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In the upper floor he had built a skylight, and there, in odd hours, he worked out, in water-color, sketches of interiors, sometimes for houses he was building, sometimes purely for the pleasure of the thing.
The war had brought him enormous increase in his collection. Owners of French chateaus, driven to poverty, were sending to America treasures of all sorts of furniture, tapestries, carpets, old fountains, porcelains, even carved woodwork and ancient mantels, and Rodney, from the mixed motives of business and pride, decided to exhibit them.
The old brick floor of the stable he replaced with handmade tiles. The box-stalls were small display-rooms, hung with tapestries and lighted with candles in old French sconces. The great carriage-room became a refectory, with Jacobean and old monastery chairs, and the vast loft overhead, reached by a narrow staircase that clung to the wall, was railed on its exposed side, waxed as to floor, hung with lanterns, and became a ballroom.
Natalie worked with him, spending much time and a prodigious amount of energy. There was springing up between them one of those curious and dangerous intimacies, of idleness on the woman's part, of admiration on the man's, which sometimes develop into a wholly spurious pa.s.sion.
Probably Rodney realized it; certainly Natalie did not. She liked his admiration; she dressed, each day, for Rodney's unfailing comment on her clothes.
"Clay never notices what I wear," she said, once, plaintively.
So it was Rodney who brought Audrey Valentine out of her seclusion, and he did it by making her angry. He dropped in to see her between Christmas and New-years, and made a plea.
"A stable-warming!" she said. "How interesting! And fancy dress! Are you going to have them come as grooms, or jockeys? If I were going I'd go as a circus-rider. I used to be able to stand up on a running horse. Of course you're having horses. What's a stable without a horse?"
He saw she was laughing at him and was rather resentful.
"I told you I have made it into a studio."
But when he implored her to go, she was obdurate.
"Do go away and let me alone, Rodney," she said at last. "I loathe fancy-dress parties."
"It won't be a party without you."
"Then don't have it. I've told you, over and over, I'm not going out. It isn't decent this year, in my opinion. And, anyhow, I haven't any money, any clothes, any anything. A bad evening at bridge, and I shouldn't be able to pay my rent."
"That's nonsense. Why do you let people say you are moping about Chris?
You're not."
"Of course not."
She sat up.
"What else are they saying?"
"Well, there's some talk, naturally. You can't be as popular as you have been, and then just drop out, without some gossip. It's not bad."
"What sort of talk?"
He was very uncomfortable.
"Well, of course, you have been pretty strong on the war stuff?"
"Oh, they think I sent him!"
"If only you wouldn't hide, Audrey. That's what has made the talk. It's not Chris's going."
"I'm not hiding. That's idiotic. I was bored to death, if you want the truth. Look here, Rodney. You're not being honest. What do they say about Chris and myself?"
He was cornered.
"Is it--about another woman?"
"Well, of course now and then--there are always such stories. And of course Chris--"
"Yes, they knew Chris." Her voice was scornful. "So they think I'm moping and hiding because--How interesting!"
She sat back, with her old insolent smile.
"Poor Chris!" she said. "The only man in the lot except Clay Spencer who is doing his bit for the war, and they--when is your party, Roddie?"
"New-year's Eve."
"I'll come," she said. And smiling again, dangerously, "I'll come, with bells on."
CHAPTER XVI
There had been once, in Herman Klein the making of a good American.
He had come to America, not at the call of freedom, but of peace and plenty. Nevertheless, he had possibilities.
Taken in time he might have become a good American. But nothing was done to stimulate in him a sentiment for his adopted land. He would, indeed, have been, for all his citizens.h.i.+p papers, a man without a country but for one thing.
The Fatherland had never let go. When he went to the Turnverein, it was to hear the old tongue, to sing the old songs. Visiting Germans from overseas were constantly lecturing, holding before him the vision of great Germany. He saw moving-pictures of Germany; he went to meetings which commenced with "Die Wacht am Rhine." One Christmas he received a handsome copy of a photograph of the Kaiser through the mail. He never knew who sent it, but he had it framed in a gilt frame, and it hung over the fireplace in the sitting-room.
He had been adopted by America, but he had not adopted America, save his own tiny bit of it. He took what the new country gave him with no faintest sense that he owed anything in return beyond his small yearly taxes. He was neither friendly nor inimical.
His creed through the years had been simple: to owe no man money, even for a day; to spend less than he earned; to own his own home; to rise early, work hard, and to live at peace with his neighbors. He had learned English and had sent Anna to the public school. He spoke English with her, always. And on Sunday he put on his best clothes, and sat in the German Lutheran church, dozing occasionally, but always rigidly erect.
With his first savings he had bought a home, a tiny two-roomed frame cottage on a bill above the Spencer mill, with a bit of waste land that he turned into a thrifty garden. Anna was born there, and her mother had died there ten years later. But long enough before that he had added four rooms, and bought an adjoining lot. At that time the hill had been green; the way to the little white house had been along and up a winding path, where in the spring the early wild flowers came out on sunny banks, and the first buds of the neighborhood were on Klein's own lilac-bushes.
He had had a magnificent sense of independence those days, and of freedom.
He voted religiously, and now and then in the evenings he had been the moderate member of a mild socialist group. Theoretically, he believed that no man should ama.s.s a fortune by the labor of others. Actually he felt himself well paid, a respected member of society, and a property owner.
In the early morning, winter and summer, he emerged into the small side porch of his cottage and there threw over himself a pail of cold water from the well outside. Then he rubbed down, dressed in the open air behind the old awning hung there, took a dozen deep breaths and a cup of coffee, and was off for work. The addition of a bathroom, with running hot water, had made no change in his daily habits.
He was very strict with Anna, and with the women who, one after another, kept house for him.
"I'll have no men lounging around," was his first instruction on engaging them. And to Anna his solicitude took the form almost of espionage. The only young man he tolerated about the place was a distant relative. Rudolph Klein.
On Sunday evenings Rudolph came in to supper. But even Rudolph found it hard to get a word with the girl alone.
"What's eating him, anyhow," he demanded of Anna one Sunday evening, when by the accident of a neighbor calling old Herman to the gate, he had the chance of a word.
"He knows a lot about you fellows," Anna had said. "And the more he knows the less he trusts you. I don't wonder."
Dangerous Days Part 27
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Dangerous Days Part 27 summary
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