Dangerous Days Part 29

"Why did you not tell me?"

"We're not talking much these days, are we?"

He let her go then, and that night, in the little room behind Gustav Shroeder's saloon, he put the question to Rudolph. Because he was excited and frightened he made slow work of his inquiry, and Rudolph had a moment to think.

"Sure," he replied. "All the girls in the executive offices got them."

But when the meeting was over, Rudolph did not go back to his boarding-house. He walked the streets and thought.

He had saved Anna from her father. But he was of no mind to save her from himself. She would have to account to him for that watch.

Anna herself lay awake until late. She saw already the difficulties before her. Herman was suspicious. He might inquire. There were other girls from the mill offices on the hill. And he might speak to Rudolph.

The next evening she found Rudolph waiting for her outside the mill gate. Together they started up what had been, when Herman bought the cottage, a green hill with a winding path. But the smoke and ore from the mill had long ago turned it to bareness, had killed the trees and shrubbery, and filled the little hollows where once the first arbutus had hidden with cinders and ore dust. The path had become a crooked street, lined with wooden houses, and paved with worn and broken bricks.

Where once Herman Klein had carried his pail and whistled bits of Shubert as he climbed along, a long line of blackened men made their evening way. Untidy children sat on the curb, dogs lay in the center of the road, and women in all stages of dishabille hung over the high railings of their porches and watched for their men.

Under protest of giving her a lift up the hill, Rudolph slipped his hand through Anna's left arm.

Immediately she knew that the movement was a pretext. She could not free herself.

"Be good, now," he cautioned her. "I've got you. I want to see that watch."

"You let me alone."

"I'm going to see that watch."

With his free hand he felt under her sleeve and drew down the bracelet.

"So the mill gave it to you, eh? That's a lie, and you know it."

"I'll tell you, Rudolph," she temporized. "Only don't tell father. All the girls have watches, and I wanted one. So I bought it."

"That's a lie, too."

"On the installment plan," she insisted. "A dollar a week, that's straight. I've paid five on it already."

He was almost convinced, not quite. He unfastened it awkwardly and took it off her wrist. It was a plain little octagonal watch, and on the back was a monogram. The monogram made him suspicious again.

"It's only gold filled, Rudolph."

"Pretty cla.s.sy monogram for a cheap watch." He held it close; on the dial was the jeweler's name, a famous one. He said nothing more, put it back on Anna's arm and released her. At the next corner he left her, with a civil enough good-bye, but with rage in his heart.

CHAPTER XVII

The New-year, destined to be so crucial, came in cheerfully enough.

There was, to be sure, a trifle less ostentation in the public celebrations, but the usual amount of champagne brought in the most vital year in the history of the nation. The customary number of men, warmed by that champagne, made reckless love to the women who happened to be near them and forgot it by morning. And the women themselves presented pictures of splendor of a peculiar gorgeousness.

The fact that almost coincident with the war there had come into prominence an entirely new school of color formed one of the curious contrasts of the period. Into a drab world there flamed strange and bizarre theatrical effects, in scenery and costume. Some of it was beautiful, most of it merely fantastic. But it was immediately reflected in the clothing of fas.h.i.+onable women. Europe, which had originated it, could use it but little; but great opulent America adopted it and made it her own.

So, while the rest of the world was gray, America flamed, and Natalie Spencer, spending her days between dressmakers and decorators, flamed with the rest.

On New-year's Eve Clayton Spencer always preceded the annual ball of the City Club, of which he was president, by a dinner to the board of governors and their wives. It was his dinner. He, and not Natalie, arranged the seating, ordered the flowers, and planned the menu. He took considerable pride in it; he liked to think that it was both beautiful and dignified. His father had been president before him, and he liked to think that he was carrying on his father's custom with the punctilious dignity that had so characterized him.

He was dressed early. Natalie had been closeted with Madeleine, her maid, and a hair-dresser, for hours. As he went down-stairs he could hear her voice raised in querulous protest about something.

When he went into the library Buckham was there stooping over the fire, his austere old face serious and intent.

"Well, another year almost gone, Buckham!" he said.

"Yes, Mr. Spencer."

"It would be interesting to know what the New-year holds."

"I hope it will bring you peace and happiness, sir."

"Thank you."

And after Buckham had gone he thought that rather a curious New-year's wish. Peace and happiness! Well, G.o.d knows he wanted both. A vague comprehension of the understanding the upper servants of a household acquire as to the inner life of the family stirred in him; how much they knew and concealed under their impa.s.sive service.

When Natalie came down the staircase a few minutes later she was swathed in her chinchilla evening wrap, and she watched his face, after her custom when she expected to annoy him, with the furtive look that he had grown to a.s.sociate with some unpleasantness.

"I hate dressing for a ball at this hour," she said, rather breathlessly. "I don't feel half-dressed by midnight."

Madeleine, in street costume, was behind her with a great box.

"She has something for my hair," she explained. Her tone was nervous, but he was entirely unsuspicious.

"You don't mind if I don't go on to Page's, do you? I'm rather tired, and I ought to stay at the club as late as I can."

"Of course not. I shall probably pick up some people, anyhow. Everybody is going on."

In the car she chattered feverishly and he listened, lapsing into one of the silences which her talkative spells always enforced.

"What flowers are you having?" she asked, finally.

"White lilacs and p.u.s.s.y-willow. Did your orchids come?"

"Thanks, yes. But I'm not wearing them. My gown is flame color. They simply shrieked."

"Flame color?"

"A sort of orange," she explained. And, in a slightly defiant tone: "Rodney's is a costume dance, you know."

"Do you mean you are in fancy dress?"