The Wife of his Youth and Other Stories of the Color Line Part 3
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A stranger entering the hall with Miss Hohlfelder would have seen, at first glance, only a company of well-dressed people, with nothing to specially distinguish them from ordinary humanity in temperate climates.
After the eye had rested for a moment and begun to separate the ma.s.s into its component parts, one or two dark faces would have arrested its attention; and with the suggestion thus offered, a closer inspection would have revealed that they were nearly all a little less than white.
With most of them this fact would not have been noticed, while they were alone or in company with one another, though if a fair white person had gone among them it would perhaps have been more apparent. From the few who were undistinguishable from pure white, the colors ran down the scale by minute gradations to the two or three brown faces at the other extremity.
It was Miss Hohlfelder's first colored cla.s.s. She had been somewhat startled when first asked to take it. No person of color had ever applied to her for lessons; and while a woman of that race had played the piano for her for several months, she had never thought of colored people as possible pupils. So when she was asked if she would take a cla.s.s of twenty or thirty, she had hesitated, and begged for time to consider the application. She knew that several of the more fas.h.i.+onable dancing-schools tabooed all pupils, singly or in cla.s.ses, who labored under social disabilities--and this included the people of at least one other race who were vastly farther along in the world than the colored people of the community where Miss Hohlfelder lived. Personally she had no such prejudice, except perhaps a little shrinking at the thought of personal contact with the dark faces of whom Americans always think when "colored people" are spoken of. Again, a cla.s.s of forty pupils was not to be despised, for she taught for money, which was equally current and desirable, regardless of its color. She had consulted her foster-parents, and after them her lover. Her foster-parents, who were German-born, and had never become thoroughly Americanized, saw no objection. As for her lover, he was indifferent.
"Do as you please," he said. "It may drive away some other pupils. If it should break up the business entirely, perhaps you might be willing to give me a chance so much the sooner."
She mentioned the matter to one or two other friends, who expressed conflicting opinions. She decided at length to take the cla.s.s, and take the consequences.
"I don't think it would be either right or kind to refuse them for any such reason, and I don't believe I shall lose anything by it."
She was somewhat surprised, and pleasantly so, when her cla.s.s came together for their first lesson, at not finding them darker and more uncouth. Her pupils were mostly people whom she would have pa.s.sed on the street without a second glance, and among them were several whom she had known by sight for years, but had never dreamed of as being colored people. Their manners were good, they dressed quietly and as a rule with good taste, avoiding rather than choosing bright colors and striking combinations--whether from natural preference, or because of a slightly morbid shrinking from criticism, of course she could not say. Among them, the dancing-mistress soon learned, there were lawyers and doctors, teachers, telegraph operators, clerks, milliners and dressmakers, students of the local college and scientific school, and, somewhat to her awe at the first meeting, even a member of the legislature. They were mostly young, although a few light-hearted older people joined the cla.s.s, as much for company as for the dancing.
"Of course, Miss Hohlfelder," explained Mr. Solomon Sadler, to whom the teacher had paid a compliment on the quality of the cla.s.s, "the more advanced of us are not numerous enough to make the fine distinctions that are possible among white people; and of course as we rise in life we can't get entirely away from our brothers and our sisters and our cousins, who don't always keep abreast of us. We do, however, draw certain lines of character and manners and occupation. You see the sort of people we are. Of course we have no prejudice against color, and we regard all labor as honorable, provided a man does the best he can. But we must have standards that will give our people something to aspire to."
The cla.s.s was not a difficult one, as many of the members were already fairly good dancers. Indeed the cla.s.s had been formed as much for pleasure as for instruction. Music and hall rent and a knowledge of the latest dances could be obtained cheaper in this way than in any other.
The pupils had made rapid progress, displaying in fact a natural apt.i.tude for rhythmic motion, and a keen susceptibility to musical sounds. As their race had never been criticised for these characteristics, they gave them full play, and soon developed, most of them, into graceful and indefatigable dancers. They were now almost at the end of their course, and this was the evening of the last lesson but one.
Miss Hohlfelder had remarked to her lover more than once that it was a pleasure to teach them. "They enter into the spirit of it so thoroughly, and they seem to enjoy themselves so much."
"One would think," he suggested, "that the whitest of them would find their position painful and more or less pathetic; to be so white and yet to be cla.s.sed as black--so near and yet so far."
"They don't accept our cla.s.sification blindly. They do not acknowledge any inferiority; they think they are a great deal better than any but the best white people," replied Miss Hohlfelder. "And since they have been coming here, do you know," she went on, "I hardly think of them as any different from other people. I feel perfectly at home among them."
"It is a great thing to have faith in one's self," he replied. "It is a fine thing, too, to be able to enjoy the pa.s.sing moment. One of your greatest charms in my eyes, Clara, is that in your lighter moods you have this faculty. You sing because you love to sing. You find pleasure in dancing, even by way of work. You feel the _joie de vivre_--the joy of living. You are not always so, but when you are so I think you most delightful."
Miss Hohlfelder, upon entering the hall, spoke to the pianist and then exchanged a few words with various members of the cla.s.s. The pianist began to play a dreamy Strauss waltz. When the dance was well under way Miss Hohlfelder left the hall again and stepped into the ladies'
dressing-room. There was a woman seated quietly on a couch in a corner, her hands folded on her lap.
"Good-evening, Miss Hohlfelder. You do not seem as bright as usual to-night."
Miss Hohlfelder felt a sudden yearning for sympathy. Perhaps it was the gentle tones of the greeting; perhaps the kindly expression of the soft though faded eyes that were scanning Miss Hohlfelder's features. The woman was of the indefinite age between forty and fifty. There were lines on her face which, if due to years, might have carried her even past the half-century mark, but if caused by trouble or ill health might leave her somewhat below it. She was quietly dressed in black, and wore her slightly wavy hair low over her ears, where it lay naturally in the ripples which some others of her s.e.x so sedulously seek by art. A little woman, of clear olive complexion and regular features, her face was almost a perfect oval, except as time had marred its outline. She had been in the habit of coming to the cla.s.s with some young women of the family she lived with, part boarder, part seamstress and friend of the family. Sometimes, while waiting for her young charges, the music would jar her nerves, and she would seek the comparative quiet of the dressing-room.
"Oh, I 'm all right, Mrs. Harper," replied the dancing-mistress, with a brave attempt at cheerfulness,--"just a little tired, after a hard day's work."
She sat down on the couch by the elder woman's side. Mrs. Harper took her hand and stroked it gently, and Clara felt soothed and quieted by her touch.
"There are tears in your eyes and trouble in your face. I know it, for I have shed the one and known the other. Tell me, child, what ails you? I am older than you, and perhaps I have learned some things in the hard school of life that may be of comfort or service to you."
Such a request, coming from a comparative stranger, might very properly have been resented or lightly parried. But Clara was not what would be called self-contained. Her griefs seemed lighter when they were shared with others, even in spirit. There was in her nature a childish strain that craved sympathy and comforting. She had never known--or if so it was only in a dim and dreamlike past--the tender, brooding care that was her conception of a mother's love. Mrs. Hohlfelder had been fond of her in a placid way, and had given her every comfort and luxury her means permitted. Clara's ideal of maternal love had been of another and more romantic type; she had thought of a fond, impulsive mother, to whose bosom she could fly when in trouble or distress, and to whom she could communicate her sorrows and trials; who would dry her tears and soothe her with caresses. Now, when even her kind foster-mother was gone, she felt still more the need of sympathy and companions.h.i.+p with her own s.e.x; and when this little Mrs. Harper spoke to her so gently, she felt her heart respond instinctively.
"Yes, Mrs. Harper," replied Clara with a sigh, "I am in trouble, but it is trouble that you nor any one else can heal."
"You do not know, child. A simple remedy can sometimes cure a very grave complaint. Tell me your trouble, if it is something you are at liberty to tell."
"I have a story," said Clara, "and it is a strange one,--a story I have told to but one other person, one very dear to me."
"He must be dear to you indeed, from the tone in which you speak of him.
Your very accents breathe love."
"Yes, I love him, and if you saw him--perhaps you have seen him, for he has looked in here once or twice during the dancing-lessons--you would know why I love him. He is handsome, he is learned, he is ambitious, he is brave, he is good; he is poor, but he will not always be so; and he loves me, oh, so much!"
The other woman smiled. "It is not so strange to love, nor yet to be loved. And all lovers are handsome and brave and fond."
"That is not all of my story. He wants to marry me." Clara paused, as if to let this statement impress itself upon the other.
"True lovers always do," said the elder woman.
"But sometimes, you know, there are circ.u.mstances which prevent them."
"Ah yes," murmured the other reflectively, and looking at the girl with deeper interest, "circ.u.mstances which prevent them. I have known of such a case."
"The circ.u.mstance which prevents us from marrying is my story."
"Tell me your story, child, and perhaps, if I cannot help you otherwise, I can tell you one that will make yours seem less sad."
"You know me," said the young woman, "as Miss Hohlfelder; but that is not actually my name. In fact I do not know my real name, for I am not the daughter of Mr. and Mrs. Hohlfelder, but only an adopted child.
While Mrs. Hohlfelder lived, I never knew that I was not her child. I knew I was very different from her and father,--I mean Mr. Hohlfelder. I knew they were fair and I was dark; they were stout and I was slender; they were slow and I was quick. But of course I never dreamed of the true reason of this difference. When mother--Mrs. Hohlfelder--died, I found among her things one day a little packet, carefully wrapped up, containing a child's slip and some trinkets. The paper wrapper of the packet bore an inscription that awakened my curiosity. I asked father Hohlfelder whose the things had been, and then for the first time I learned my real story.
"I was not their own daughter, he stated, but an adopted child.
Twenty-three years ago, when he had lived in St. Louis, a steamboat explosion had occurred up the river, and on a piece of wreckage floating down stream, a girl baby had been found. There was nothing on the child to give a hint of its home or parentage; and no one came to claim it, though the fact that a child had been found was advertised all along the river. It was believed that the infant's parents must have perished in the wreck, and certainly no one of those who were saved could identify the child. There had been a pa.s.senger list on board the steamer, but the list, with the officer who kept it, had been lost in the accident. The child was turned over to an orphan asylum, from which within a year it was adopted by the two kind-hearted and childless German people who brought it up as their own. I was that child."
The woman seated by Clara's side had listened with strained attention.
"Did you learn the name of the steamboat?" she asked quietly, but quickly, when Clara paused.
"The Pride of St. Louis," answered Clara. She did not look at Mrs.
Harper, but was gazing dreamily toward the front, and therefore did not see the expression that sprang into the other's face,--a look in which hope struggled with fear, and yearning love with both,--nor the strong effort with which Mrs. Harper controlled herself and moved not one muscle while the other went on.
"I was never sought," Clara continued, "and the good people who brought me up gave me every care. Father and mother--I can never train my tongue to call them anything else--were very good to me. When they adopted me they were poor; he was a pharmacist with a small shop. Later on he moved to Cincinnati, where he made and sold a popular 'patent' medicine and ama.s.sed a fortune. Then I went to a fas.h.i.+onable school, was taught French, and deportment, and dancing. Father Hohlfelder made some bad investments, and lost most of his money. The patent medicine fell off in popularity. A year or two ago we came to this city to live. Father bought this block and opened the little drug store below. We moved into the rooms upstairs. The business was poor, and I felt that I ought to do something to earn money and help support the family. I could dance; we had this hall, and it was not rented all the time, so I opened a dancing-school."
"Tell me, child," said the other woman, with restrained eagerness, "what were the things found upon you when you were taken from the river?"
"Yes," answered the girl, "I will. But I have not told you all my story, for this is but the prelude. About a year ago a young doctor rented an office in our block. We met each other, at first only now and then, and afterwards oftener; and six months ago he told me that he loved me."
She paused, and sat with half opened lips and dreamy eyes, looking back into the past six months.
"And the things found upon you"----
"Yes, I will show them to you when you have heard all my story. He wanted to marry me, and has asked me every week since. I have told him that I love him, but I have not said I would marry him. I don't think it would be right for me to do so, unless I could clear up this mystery. I believe he is going to be great and rich and famous, and there might come a time when he would be ashamed of me. I don't say that I shall never marry him; for I have hoped--I have a presentiment that in some strange way I shall find out who I am, and who my parents were. It may be mere imagination on my part, but somehow I believe it is more than that."
"Are you sure there was no mark on the things that were found upon you?"
said the elder woman.
"Ah yes," sighed Clara, "I am sure, for I have looked at them a hundred times. They tell me nothing, and yet they suggest to me many things.
Come," she said, taking the other by the hand, "and I will show them to you."
She led the way along the hall to her sitting-room, and to her bedchamber beyond. It was a small room hung with paper showing a pattern of morning-glories on a light ground, with dotted muslin curtains, a white iron bedstead, a few prints on the wall, a rocking-chair--a very dainty room. She went to the maple dressing-case, and opened one of the drawers.
The Wife of his Youth and Other Stories of the Color Line Part 3
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