The Paris Sketch Book of Mr. M. A. Titmarsh Part 19

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Can such things be? Is it possible that French journalists can so forget themselves? The rogues! they should come to England and learn consistency. The honesty of the Press in England is like the air we breathe, without it we die. No, no! in France, the satire may do very well; but for England it is too monstrous. Call the press stupid, call it vulgar, call it violent,--but honest it is. Who ever heard of a journal changing its politics? O tempora! O mores! as Robert Macaire says, this would be carrying the joke too far.

When he has done with newspapers, Robert Macaire begins to distinguish himself on 'Change,* as a creator of companies, a vender of shares, or a dabbler in foreign stock. "Buy my coal-mine shares," shouts Robert; "gold mines, silver mines, diamond mines, 'sont de la pot-bouille de la ratatouille en comparaison de ma houille.'" "Look," says he, on another occasion, to a very timid, open-countenanced client, "you have a property to sell! I have found the very man, a rich capitalist, a fellow whose bills are better than bank-notes." His client sells; the bills are taken in payment, and signed by that respectable capitalist, Monsieur de Saint Bertrand. At Plate 81, we find him inditing a circular letter to all the world, running thus: "Sir,--I regret to say that your application for shares in the Consolidated European Incombustible Blacking a.s.sociation cannot be complied with, as all the shares of the C. E. I. B. A. were disposed of on the day they were issued. I have, nevertheless, registered your name, and in case a second series should be put forth, I shall have the honor of immediately giving you notice.

I am, sir, yours, &c., the Director, Robert Macaire."--"Print 300,000 of these," he says to Bertrand, "and poison all France with them." As usual, the stupid Bertrand remonstrates--"But we have not sold a single share; you have not a penny in your pocket, and"--"Bertrand, you are an a.s.s; do as I bid you."

* We have given a description of a genteel Macaire in the account of M. de Bernard's novels.

Will this satire apply anywhere in England? Have we any Consolidated European Blacking a.s.sociations amongst us? Have we penniless directors issuing El Dorado prospectuses, and jockeying their shares through the market? For information on this head, we must refer the reader to the newspapers; or if he be connected with the city, and acquainted with commercial men, he will be able to say whether ALL the persons whose names figure at the head of announcements of projected companies are as rich as Rothschild, or quite as honest as heart could desire.

When Macaire has sufficiently exploite the Bourse, whether as a gambler in the public funds or other companies, he sagely perceives that it is time to turn to some other profession, and, providing himself with a black gown, proposes blandly to Bertrand to set up--a new religion. "Mon ami," says the repentant sinner, "le temps de la commandite va pa.s.ser, MAIS LES BADAUDS NE Pa.s.sERONT PAS." (O rare sentence! it should be written in letters of gold!) "OCCUPONS NOUS DE CE QUI EST eTERNEL. Si nous fa.s.sions une religion?" On which M. Bertrand remarks, "A religion!

what the devil--a religion is not an easy thing to make." But Macaire's receipt is easy. "Get a gown, take a shop," he says, "borrow some chairs, preach about Napoleon, or the discovery of America, or Moliere--and there's a religion for you."

We have quoted this sentence more for the contrast it offers with our own manners, than for its merits. After the n.o.ble paragraph, "Les badauds ne pa.s.seront pas. Occupons nous de ce qui est eternel," one would have expected better satire upon cant than the words that follow.

We are not in a condition to say whether the subjects chosen are those that had been selected by Pere Enfantin, or Chatel, or Lacordaire; but the words are curious, we think, for the very reason that the satire is so poor. The fact is, there is no religion in Paris; even clever M. Philipon, who satirizes everything, and must know, therefore, some little about the subject which he ridicules, has nothing to say but, "Preach a sermon, and that makes a religion; anything will do." If ANYTHING will do, it is clear that the religious commodity is not in much demand. Tartuffe had better things to say about hypocrisy in his time; but then Faith was alive; now, there is no satirizing religious cant in France, for its contrary, true religion, has disappeared altogether; and having no substance, can cast no shadow. If a satirist would lash the religious hypocrites in ENGLAND now--the High Church hypocrites, the Low Church hypocrites, the promiscuous Dissenting hypocrites, the No Popery hypocrites--he would have ample subject enough. In France, the religious hypocrites went out with the Bourbons.

Those who remain pious in that country (or, rather, we should say, in the capital, for of that we speak,) are unaffectedly so, for they have no worldly benefit to hope for from their piety; the great majority have no religion at all, and do not scoff at the few, for scoffing is the minority's weapon, and is pa.s.sed always to the weaker side, whatever that may be. Thus H. B. caricatures the Ministers: if by any accident that body of men should be dismissed from their situations, and be succeeded by H. B.'s friends, the Tories,--what must the poor artist do?

He must pine away and die, if he be not converted; he cannot always be paying compliments; for caricature has a spice of Goethe's Devil in it, and is "der Geist der stets verneint," the Spirit that is always denying.

With one or two of the French writers and painters of caricatures, the King tried the experiment of bribery; which succeeded occasionally in buying off the enemy, and bringing him from the republican to the royal camp; but when there, the deserter was never of any use. Figaro, when so treated, grew fat and desponding, and lost all his sprightly VERVE; and Nemesis became as gentle as a Quakeress. But these instances of "ratting" were not many. Some few poets were bought over; but, among men following the profession of the press, a change of politics is an infringement of the point of honor, and a man must FIGHT as well as apostatize. A very curious table might be made, signalizing the difference of the moral standard between us and the French. Why is the grossness and indelicacy, publicly permitted in England, unknown in France, where private morality is certainly at a lower ebb? Why is the point of private honor now more rigidly maintained among the French?

Why is it, as it should be, a moral disgrace for a Frenchman to go into debt, and no disgrace for him to cheat his customer? Why is there more honesty and less--more propriety and less?--and how are we to account for the particular vices or virtues which belong to each nation in its turn?

The above is the Reverend M. Macaire's solitary exploit as a spiritual swindler: as MAiTRE Macaire in the courts of law, as avocat, avoue--in a humbler capacity even, as a prisoner at the bar, he distinguishes himself greatly, as may be imagined. On one occasion we find the learned gentleman humanely visiting an unfortunate detenu--no other person, in fact, than his friend M. Bertrand, who has fallen into some trouble, and is awaiting the sentence of the law. He begins--

"Mon cher Bertrand, donne moi cent ecus, je te fais acquitter d'emblee."

"J'ai pas d'argent."

"He bien, donne moi cent francs."

"Pas le sou."

"Tu n'as pas dix francs?"

"Pas un liard."

"Alors donne moi tes bottes, je plaiderai la circonstance attenuante."

The manner in which Maitre Macaire soars from the cent ecus (a high point already) to the sublime of the boots, is in the best comic style.

In another instance he pleads before a judge, and, mistaking his client, pleads for defendant, instead of plaintiff. "The infamy of the plaintiff's character, my LUDS, renders his testimony on such a charge as this wholly unavailing." "M. Macaire, M. Macaire," cries the attorney, in a fright, "you are for the plaintiff!" "This, my lords, is what the defendant WILL SAY. This is the line of defence which the opposite party intend to pursue; as if slanders like these could weigh with an enlightened jury, or injure the spotless reputation of my client!" In this story and expedient M. Macaire has been indebted to the English bar. If there be an occupation for the English satirist in the exposing of the cant and knavery of the pretenders to religion, what room is there for him to lash the infamies of the law! On this point the French are babes in iniquity compared to us--a counsel prost.i.tuting himself for money is a matter with us so stale, that it is hardly food for satire: which, to be popular, must find some much more complicated and interesting knavery whereon to exercise its skill.

M. Macaire is more skilful in love than in law, and appears once or twice in a very amiable light while under the influence of the tender pa.s.sion. We find him at the head of one of those useful establishments unknown in our country--a Bureau de Mariage: half a dozen of such places are daily advertised in the journals: and "une veuve de trente ans ayant une fortune de deux cent mille francs," or "une demoiselle de quinze aus, jolie, d'une famille tres distinguee, qui possede trente mille livres de rentes,"--continually, in this kind-hearted way, are offering themselves to the public: sometimes it is a gentleman, with a "physique agreable,--des talens de societe"--and a place under Government, who makes a sacrifice of himself in a similar manner. In our little historical gallery we find this philanthropic anti-Malthusian at the head of an establishment of this kind, introducing a very meek, simple-looking bachelor to some distinguished ladies of his connoissance. "Let me present you, sir, to Madame de St. Bertrand"

(it is our old friend), "veuve de la grande armee, et Mdlle Eloa de Wormspire. Ces dames brulent de l'envie de faire votre connoissance. Je les ai invitees a diner chez vous ce soir: vous nous menerez a l'opera, et nous ferons une pet.i.te partie d'ecarte. Tenez vous bien, M. Gobard!

ces dames ont des projets sur vous!"

Happy Gobard! happy system, which can thus bring the pure and loving together, and acts as the best ally of Hymen! The announcement of the rank and t.i.tles of Madame de St. Bertrand--"veuve de la grande armee"--is very happy. "La grande armee" has been a father to more orphans, and a husband to more widows, than it ever made. Mistresses of cafes, old governesses, keepers of boarding-houses, genteel beggars, and ladies of lower rank still, have this favorite pedigree. They have all had malheurs (what kind it is needless to particularize), they are all connected with the grand homme, and their fathers were all colonels.

This t.i.tle exactly answers to the "clergyman's daughter" in England--as, "A young lady, the daughter of a clergyman, is desirous to teach,"

&c. "A clergyman's widow receives into her house a few select," and so forth. "Appeal to the benevolent.--By a series of unheard-of calamities, a young lady, daughter of a clergyman in the west of England, has been plunged," &c. &c. The difference is curious, as indicating the standard of respectability.

The male beggar of fas.h.i.+on is not so well known among us as in Paris, where street-doors are open; six or eight families live in a house; and the gentleman who earns his livelihood by this profession can make half a dozen visits without the trouble of knocking from house to house, and the pain of being observed by the whole street, while the footman is examining him from the area. Some few may be seen in England about the inns of court, where the locality is favorable (where, however, the owners of the chambers are not proverbially soft of heart, so that the harvest must be poor); but Paris is full of such adventurers,--fat, smooth-tongued, and well dressed, with gloves and gilt-headed canes, who would be insulted almost by the offer of silver, and expect your gold as their right. Among these, of course, our friend Robert plays his part; and an excellent engraving represents him, snuff-box in hand, advancing to an old gentleman, whom, by his poodle, his powdered head, and his drivelling, stupid look, one knows to be a Carlist of the old regime.

"I beg pardon," says Robert; "is it really yourself to whom I have the honor of speaking?"--"It is." "Do you take snuff?"--"I thank you."--"Sir, I have had misfortunes--I want a.s.sistance. I am a Vendean of ill.u.s.trious birth. You know the family of Macairbec--we are of Brest.

My grandfather served the King in his galleys; my father and I belong, also, to the marine. Unfortunate suits at law have plunged us into difficulties, and I do not hesitate to ask you for the succor of ten francs."--"Sir, I never give to those I don't know."--"Right, sir, perfectly right. Perhaps you will have the kindness to LEND me ten francs?"

The adventures of Doctor Macaire need not be described, because the different degrees in quackery which are taken by that learned physician are all well known in England, where we have the advantage of many higher degrees in the science, which our neighbors know nothing about.

We have not Hahnemann, but we have his disciples; we have not Broussais, but we have the College of Health; and surely a dose of Morrison's pills is a sublimer discovery than a draught of hot water. We had St. John Long, too--where is his science?--and we are credibly informed that some important cures have been effected by the inspired dignitaries of "the church" in Newman Street which, if it continue to practise, will sadly interfere with the profits of the regular physicians, and where the miracles of the Abbe of Paris are about to be acted over again.

In speaking of M. Macaire and his adventures, we have managed so entirely to convince ourselves of the reality of the personage, that we have quite forgotten to speak of Messrs. Philipon and Daumier, who are, the one the inventor, the other the designer, of the Macaire Picture Gallery. As works of esprit, these drawings are not more remarkable than they are as works of art, and we never recollect to have seen a series of sketches possessing more extraordinary cleverness and variety. The countenance and figure of Macaire and the dear stupid Bertrand are preserved, of course, with great fidelity throughout; but the admirable way in which each fresh character is conceived, the grotesque appropriateness of Robert's every successive att.i.tude and gesticulation, and the variety of Bertrand's postures of invariable repose, the exquisite fitness of all the other characters, who act their little part and disappear from the scene, cannot be described on paper, or too highly lauded. The figures are very carelessly drawn; but, if the reader can understand us, all the att.i.tudes and limbs are perfectly CONCEIVED, and wonderfully natural and various. After pondering over these drawings for some hours, as we have been while compiling this notice of them, we have grown to believe that the personages are real, and the scenes remain imprinted on the brain as if we had absolutely been present at their acting. Perhaps the clever way in which the plates are colored, and the excellent effect which is put into each, may add to this illusion. Now, in looking, for instance, at H. B.'s slim vapory figures, they have struck us as excellent LIKENESSES of men and women, but no more: the bodies want spirit, action, and individuality. George Cruikshank, as a humorist, has quite as much genius, but he does not know the art of "effect" so well as Monsieur Daumier; and, if we might venture to give a word of advice to another humorous designer, whose works are extensively circulated--the ill.u.s.trator of "Pickwick" and "Nicholas Nickleby,"--it would be to study well these caricatures of Monsieur Daumier; who, though he executes very carelessly, knows very well what he would express, indicates perfectly the att.i.tude and ident.i.ty of his figure, and is quite aware, beforehand, of the effect which he intends to produce. The one we should fancy to be a practised artist, taking his ease; the other, a young one, somewhat bewildered: a very clever one, however, who, if he would think more, and exaggerate less, would add not a little to his reputation.

Having pursued, all through these remarks, the comparison between English art and French art, English and French humor, manners, and morals, perhaps we should endeavor, also, to write an a.n.a.lytical essay on English cant or humbug, as distinguished from French. It might be shown that the latter was more picturesque and startling, the former more substantial and positive. It has none of the poetic flights of the French genius, but advances steadily, and gains more ground in the end than its sprightlier compeer. But such a discussion would carry us through the whole range of French and English history, and the reader has probably read quite enough of the subject in this and the foregoing pages.

We shall, therefore, say no more of French and English caricatures generally, or of Mr. Macaire's particular accomplishments and adventures. They are far better understood by examining the original pictures, by which Philipon and Daumier have ill.u.s.trated them, than by translations first into print and afterwards into English. They form a very curious and instructive commentary upon the present state of society in Paris, and a hundred years hence, when the whole of this struggling, noisy, busy, merry race shall have exchanged their pleasures or occupations for a quiet coffin (and a tawdry lying epitaph) at Montmartre, or Pere la Chaise; when the follies here recorded shall have been superseded by new ones, and the fools now so active shall have given up the inheritance of the world to their children: the latter will, at least, have the advantage of knowing, intimately and exactly, the manners of life and being of their grandsires, and calling up, when they so choose it, our ghosts from the grave, to live, love, quarrel, swindle, suffer, and struggle on blindly as of yore. And when the amused speculator shall have laughed sufficiently at the immensity of our follies, and the paltriness of our aims, smiled at our exploded superst.i.tions, wondered how this man should be considered great, who is now clean forgotten (as copious Guthrie before mentioned); how this should have been thought a patriot who is but a knave spouting commonplace; or how that should have been dubbed a philosopher who is but a dull fool, blinking solemn, and pretending to see in the dark; when he shall have examined all these at his leisure, smiling in a pleasant contempt and good-humored superiority, and thanking heaven for his increased lights, he will shut the book, and be a fool as his fathers were before him.

It runs in the blood. Well hast thou said, O ragged Macaire,--"Le jour va pa.s.ser, MAIS LES BADAUDS NE Pa.s.sERONT PAS."

LITTLE POINSINET.

About the year 1760, there lived, at Paris, a little fellow, who was the darling of all the wags of his acquaintance. Nature seemed, in the formation of this little man, to have amused herself, by giving loose to half a hundred of her most comical caprices. He had some wit and drollery of his own, which sometimes rendered his sallies very amusing; but, where his friends laughed with him once, they laughed at him a thousand times, for he had a fund of absurdity in himself that was more pleasant than all the wit in the world. He was as proud as a peac.o.c.k, as wicked as an ape, and as silly as a goose. He did not possess one single grain of common sense; but, in revenge, his pretensions were enormous, his ignorance vast, and his credulity more extensive still. From his youth upwards, he had read nothing but the new novels, and the verses in the almanacs, which helped him not a little in making, what he called, poetry of his own; for, of course, our little hero was a poet. All the common usages of life, all the ways of the world, and all the customs of society, seemed to be quite unknown to him; add to these good qualities, a magnificent conceit, a cowardice inconceivable, and a face so irresistibly comic, that every one who first beheld it was compelled to burst out a-laughing, and you will have some notion of this strange little gentleman. He was very proud of his voice, and uttered all his sentences in the richest tragic tone. He was little better than a dwarf; but he elevated his eyebrows, held up his neck, walked on the tips of his toes, and gave himself the airs of a giant. He had a little pair of bandy legs, which seemed much too short to support anything like a human body; but, by the help of these crooked supporters, he thought he could dance like a Grace; and, indeed, fancied all the graces possible were to be found in his person. His goggle eyes were always rolling about wildly, as if in correspondence with the disorder of his little brain and his countenance thus wore an expression of perpetual wonder. With such happy natural gifts, he not only fell into all traps that were laid for him, but seemed almost to go out of his way to seek them; although, to be sure, his friends did not give him much trouble in that search, for they prepared hoaxes for him incessantly.

One day the wags introduced him to a company of ladies, who, though not countesses and princesses exactly, took, nevertheless, those t.i.tles upon themselves for the nonce; and were all, for the same reason, violently smitten with Master Poinsinet's person. One of them, the lady of the house, was especially tender; and, seating him by her side at supper, so plied him with smiles, ogles, and champagne, that our little hero grew crazed with ecstasy, and wild with love. In the midst of his happiness, a cruel knock was heard below, accompanied by quick loud talking, swearing, and shuffling of feet: you would have thought a regiment was at the door. "Oh heavens!" cried the marchioness, starting up, and giving to the hand of Poinsinet one parting squeeze; "fly--fly, my Poinsinet: 'tis the colonel--my husband!" At this, each gentleman of the party rose, and, drawing his rapier, vowed to cut his way through the colonel and all his mousquetaires, or die, if need be, by the side of Poinsinet.

The little fellow was obliged to lug out his sword too, and went shuddering down stairs, heartily repenting of his pa.s.sion for marchionesses. When the party arrived in the street, they found, sure enough, a dreadful company of mousquetaires, as they seemed, ready to oppose their pa.s.sage. Swords crossed,--torches blazed; and, with the most dreadful shouts and imprecations, the contending parties rushed upon one another; the friends of Poinsinet surrounding and supporting that little warrior, as the French knights did King Francis at Pavia, otherwise the poor fellow certainly would have fallen down in the gutter from fright.

But the combat was suddenly interrupted; for the neighbors, who knew nothing of the trick going on, and thought the brawl was real, had been screaming with all their might for the police, who began about this time to arrive. Directly they appeared, friends and enemies of Poinsinet at once took to their heels; and, in THIS part of the transaction, at least, our hero himself showed that he was equal to the longest-legged grenadier that ever ran away.

When, at last, those little bandy legs of his had borne him safely to his lodgings, all Poinsinet's friends crowded round him, to congratulate him on his escape and his valor.

"Egad, how he pinked that great red-haired fellow!" said one.

"No; did I?" said Poinsinet.

"Did you? Psha! don't try to play the modest, and humbug US; you know you did. I suppose you will say, next, that you were not for three minutes point to point with Cartentierce himself, the most dreadful swordsman of the army."

"Why, you see," says Poinsinet, quite delighted, "it was so dark that I did not know with whom I was engaged; although, corbleu, I DID FOR one or two of the fellows." And after a little more of such conversation, during which he was fully persuaded that he had done for a dozen of the enemy at least, Poinsinet went to bed, his little person trembling with fright and pleasure; and he fell asleep, and dreamed of rescuing ladies, and destroying monsters, like a second Amadis de Gaul.

When he awoke in the morning, he found a party of his friends in his room: one was examining his coat and waistcoat; another was casting many curious glances at his inexpressibles. "Look here!" said this gentleman, holding up the garment to the light; "one--two--three gashes! I am hanged if the cowards did not aim at Poinsinet's legs! There are four holes in the sword arm of his coat, and seven have gone right through coat and waistcoat. Good heaven! Poinsinet, have you had a surgeon to your wounds?"

"Wounds!" said the little man, springing up, "I don't know--that is, I hope--that is--O Lord! O Lord! I hope I'm not wounded!" and, after a proper examination, he discovered he was not.

"Thank heaven! thank heaven!" said one of the wags (who, indeed, during the slumbers of Poinsinet had been occupied in making these very holes through the garments of that individual), "if you have escaped, it is by a miracle. Alas! alas! all your enemies have not been so lucky."

"How! is anybody wounded?" said Poinsinet.

"My dearest friend, prepare yourself; that unhappy man who came to revenge his menaced honor--that gallant officer--that injured husband, Colonel Count de Cartentierce--"

"Well?"

"IS NO MORE! he died this morning, pierced through with nineteen wounds from your hand, and calling upon his country to revenge his murder."

The Paris Sketch Book of Mr. M. A. Titmarsh Part 19

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