The Girl From the Marsh Croft Part 15
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"It isn't worth while to lose heart, Hugo," says Lennart. "We'll have a fine time if we can only finish it!"
Father and his ill-luck are things which do not concern them any more.
One who has something as great to strive for as they have cannot let himself be hindered by anything so pitiable!
The balloon gains in speed the farther out it comes. The skaters have ceased following it. The only ones who continue the chase are the two little boys. They move ahead as swiftly and lightly as if their feet had taken on wings.
Suddenly the people who stand on the sh.o.r.e and can look far out across the fiord send up a great cry of horror and fear. They see that the balloon, pursued all the while by the two children, sails away toward the fairway, where there is open sea. "Open sea! It is open sea out there!" the people shout.
The skaters down on the ice hear the shouts and turn their eyes toward the mouth of the fiord. They see how a strip of water s.h.i.+mmers in the sunlight yonder. They see, also, that two little boys are skating toward this strip, which they do not notice because their eyes are fixed on the balloon; and not for a second do they turn them toward earth.
The people are calling out with all their might and stamping on the ice.
Fast runners are hurrying on to stop them; but the little ones mark nothing of all this, where they are chasing after the airs.h.i.+p. They do not know that they alone are following it. They hear no cries back of them. They do not hear the splash and roar of the water ahead of them.
They see only the balloon, which as it were carries them with it.
Lennart already feels his own airs.h.i.+p rising under him, and Hugo soars away over the North Pole.
The people on the ice and on the sh.o.r.e see how rapidly they are nearing the open sea. For a second or two they are in such breathless suspense that they can neither move nor cry out. It seems as if the two children are under a magic spell--in their chase after a s.h.i.+ning heavenly vision.
The air-sailors up in the balloon have also caught a glimpse of the little boys. They see that they are in danger and scream at them and make warning gestures; but the boys do not understand them. When they notice that the air-sailors are making signs at them, they think they want to take them up into the car. They stretch their arms toward them, overjoyed in the hope of accompanying them through the bright upper regions.
At this moment the boys have reached the sailing channel, and, with arms uplifted, they skate down into the water and disappear without a cry for help. The skaters, who have tried to reach them in time, are standing a couple of seconds later on the edge of the ice, but the current has carried their bodies under the ice, and no helping hand can reach them.
The Wedding March
Now I'm going to tell a pretty story.
A good many years ago there was to be a very big wedding at Svartsjo parish in Vermland.
First, there was to be a church ceremony and after that three days of feasting and merrymaking, and every day while the festivities lasted there was to be dancing from early morning till far into the night.
Since there was to be so much dancing, it was of very great importance to get a good fiddler, and Juryman Nils Olafsson, who was managing the wedding, worried almost more over this than over anything else.
The fiddler they had at Svartsjo he did not care to engage. His name was Jan oster. The Juryman knew, to be sure, that he had quite a big name; but he was so poor that sometimes he would appear at a wedding in a frayed jacket and without shoes to his feet. The Juryman didn't wish to see such a ragtag at the head of the bridal procession, so he decided to send a messenger to a musician in Josse parish, who was commonly called Fiddler Mrten, and ask him if he wouldn't come and play at the wedding.
Fiddler Mrten didn't consider the proposition for a second, but promptly replied that he did not want to play at Svartsjo, because in that parish lived a musician who was more skilled than all others in Vermland. While they had him, there was no need for them to call another.
When Nils Olafsson received this answer, he took a few days to think it over, and then he sent word to a fiddler in Big Kil parish, named Olle in Saby, to ask him if he wouldn't come and play at his daughter's wedding.
Olle in Saby answered in the same way as Fiddler Mrten. He sent his compliments to Nils Olafsson, and said that so long as there was such a capable musician as Jan oster to be had in Svartsjo, he didn't want to go there to play.
Nils Olafsson didn't like it that the musicians tried in this way to force upon him the very one he did not want. Now he considered that it was a point of honor with him to get another fiddler than Jan oster.
A few days after he had the answer from Olle in Saby, he sent his servant to fiddler Lars Larsson, who lived at the game lodge in Ullerud parish. Lars Larsson was a well-to-do man who owned a fine farm. He was sensible and considerate and no hotspur, like the other musicians. But Lars Larsson, like the others, at once thought of Jan oster, and asked how it happened that he was not to play at the wedding.
Nils Olafsson's servant thought it best to say to him that, since Jan oster lived at Svartsjo, they could hear him play at any time. As Nils Olafsson was making ready to give a grand wedding, he wished to treat his guests to something a little better and more select.
"I doubt if you can get any one better," said Lars Larsson.
"Now you must be thinking of answering in the same way as fiddler Mrten and Olle in Saby did," said the servant. Then he told him how he had fared with them.
Lars Larsson paid close attention to the servant's story, and then he sat quietly for a long while and pondered. Finally he answered in the affirmative: "Tell your master that I thank him for his invitation and will come."
The following Sunday Lars Larsson journeyed down to Svartsjo. He drove up to the church knoll just as the wedding guests were forming into line to march to the church. He came driving in his own chaise and with a good horse and dressed in black broadcloth. He took out his fiddle from a highly polished box. Nils Olafsson received him effusively, thinking that here was a fiddler of whom he might be proud.
Immediately after Lars Larsson's arrival, Jan oster, too, came marching up to the church, with his fiddle under his arm. He walked straight up to the crowd around the bride, exactly as if he were asked to come and play at the wedding.
Jan oster had come in the old gray homespun jacket which they had seen him wearing for ages. But, as this was to be such a grand wedding, his wife had made an attempt at mending the holes at the elbow by sewing big green patches over them. Jan oster was a tall handsome man, and would have made a fine appearance at the head of the bridal procession, had he not been so shabbily dressed, and had his face not been so lined and seamed by worries and the hard struggle with misfortune.
When Lars Larsson saw Jan oster coming, he seemed a bit displeased. "So you have called Jan oster, too," he said under his breath to the Juryman Nils Olafsson, "but at a grand wedding there's no harm in having two fiddlers."
"I did not invite him, that's certain!" protested Nils Olafsson. "I can't comprehend why he has come. Just wait, and I'll let him know that he has no business here!"
"Then some practical joker must have bidden him," said Lars Larsson.
"But if you care to be guided by my counsel, appear as if nothing were wrong and go over and bid him welcome. I have heard said that he is a quick-tempered man, and who knows but he may begin to quarrel and fight if you were to tell him that he was not invited?"
This the Juryman knew, too! It was no time to begin fussing when the bridal procession was forming on the church grounds; so he walked up to Jan oster and bade him be welcome. Thereupon the two fiddlers took their places at the head of the procession. The bridal pair walked under a canopy, the bridesmaids and the groomsmen marched in pairs, and after them came the parents and relatives; so the procession was both imposing and long.
When everything was in readiness, a groomsman stepped up to the musicians and asked them to play the Wedding March. Both musicians swung their fiddles up to their chins, but beyond that they did not get. And thus they stood! It was an old custom in Svartsjo for the best fiddler to strike up the Wedding March and to lead the music.
The groomsman looked at Lars Larsson, as though he were waiting for him to start; but Lars Larsson looked at Jan oster and said, "It is you, Jan oster, who must begin."
It did not seem possible to Jan oster that the other fiddler, who was as finely dressed as any gentleman, should not be better than himself, who had come in his old homespun jacket straight from the wretched hovel where there were only poverty and distress. "No, indeed!" said he. "No, indeed!"
He saw that the bridegroom put forth his hand and touched Lars Larsson.
"Larsson shall begin," said he.
When Jan oster heard the bridegroom say this, he promptly lowered his fiddle and stepped aside.
Lars Larsson, on the other hand, did not move from the spot, but remained standing in his place, confident and pleased with himself. Nor did he raise the bow. "It is Jan oster who shall begin," he repeated stubbornly and resistingly, as one who is used to having his own way.
There was some commotion among the crowds over the cause of the delay.
The bride's father came forward and begged Lars Larsson to begin. The s.e.xton stepped to the door of the church and beckoned to them to hurry along. The parson stood waiting at the altar.
"You can ask Jan oster to begin, then," said Lars Larsson. "We musicians consider him to be the best among us."
"That may be so," said a peasant, "but we peasants consider you the best one."
Then the other peasants also gathered around them. "Well, begin, why don't you?" they said. "The parson is waiting. We'll become a laughing-stock to the church people."
Lars Larsson stood there quite as stubborn and determined as before. "I can't see why the people in this parish are so opposed to having their own fiddler placed in the lead."
Nils Olafsson was perfectly furious because they wished in this way to force Jan oster upon him. He came close up to Lars Larsson and whispered: "I comprehend that it is you who have called hither Jan oster, and that you have arranged this to do him honor. But be quick, now, and play up, or I'll drive that ragam.u.f.fin from the church grounds in disgrace and by force!"
Lars Larsson looked him square in the face and nodded to him without displaying any irritation. "Yes, you are right in saying that we must have an end of this," said he.
He beckoned to Jan oster to return to his place. Then he himself walked forward a step or two, and turned around that all might see him. Then he flung the bow far from him, pulled out his case-knife, and cut all four violin strings, which snapped with a sharp tw.a.n.g. "It shall not be said of me that I count myself better than Jan oster!" said he.
The Girl From the Marsh Croft Part 15
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The Girl From the Marsh Croft Part 15 summary
You're reading The Girl From the Marsh Croft Part 15. This novel has been translated by Updating. Author: Selma Lagerlof already has 481 views.
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